Biographers in Conversation

Gabriella

Biographer Gabriella Kelly-Davies chats with biographers across the world about the myriad of choices they make while researching, writing and publishing life stories. In every episode, she explores elements of narrative strategy such as structure, use of fiction techniques, facts and truth, beginnings and endings and to what extent the writer interpreted the evidence rather than providing clues and leaving it to readers to do the interpreting themselves. She also asks how they researched their books; how they balanced a subject’s public, personal and inner lives; and ethical issues, such as privacy and revealing secrets.

  1. 7h ago

    "Groomed"

    In this episode of Biographers in Conversation, Sonia Orchard chats with Dr Gabriella Kelly-Davies about Groomed. Here’s what you’ll discover in this episode: How Sonia’s daughter approaching the age Sonia was when the abuse occurred, prompted her to reconsider the relationship and pursue justice for herself and the next generation. Why Sonia used the police investigation and court case as the memoir’s narrative spine, beginning with the question: ‘Had a crime been committed?’ How writing the unfolding legal process in real time without knowing its outcome created immediacy, uncertainty and suspense. Why Sonia interwove memoir with neuroscience, psychology, cultural history and legal research, using research as both a means of understanding and a source of emotional distance. How Sonia’s teenage diaries and adult perspective reveal competing narratives of love and abuse—and helped her reclaim her story through narrative justice. What Groomed reveals about grooming, gaslighting and coercive control, and the cultural narratives that allow child abuse to be mistaken for romance. Why Sonia’s search for accountability became a wider critique of a legal system that can retraumatise survivors while failing to provide recognition, care and communal healing. How her cancer diagnosis illuminated society’s contrasting responses to physical and emotional trauma, and why she advises trauma writers to seek support, trust their instincts and write only when ready.

  2. Oct 22

    Black, White + Colour

    In this latest episode of Biographers in Conversation, Tim Dobbyn chats with Dr Gabriella Kelly-Davies about Black, White + Colour: A Biography of Mervyn Bishop Australia's First Indigenous Professional Photographer Here’s what you’ll discover in this episode:  Mervyn Bishop joined the Sydney Morning Herald at 17, becoming Australia’s first Indigenous press photographer and, soon after, the first Indigenous journalist on a metropolitan daily newspaper. Tim Dobbyn’s family has known Mervyn since 1962; their friendship deepened over decades before evolving into a nine-year biography project, completed largely during pandemic lockdowns. Dobbyn discusses the unusual position of writing about a living, close friend, using journalistic standards, corroborating witnesses and news archives to keep the account truthful rather than reverential. Mervyn’s mother, Marjorie, was a talented amateur photographer whose influence sparked his early interest, reflecting a broader, lesser-known tradition of photography within First Nations families as a way of preserving connection. The death of Mervyn’s wife Elizabeth on the day of his first solo exhibition profoundly altered Mervyn’s life and parenting, with Dobbyn noting she had been his crucial organising force. Mervyn developed a distinctive ethical practice around photographing people in dire circumstances, using humour, empathy and consent to disarm subjects rather than exploit them. Dobbyn faced years of publishing rejection as a first-time author before Ginninderra Press took on the richly illustrated book, timed serendipitously with a State Library exhibition of Mervyn’s photographs.

  3. Oct 14

    Trudeau & Doonesbury: The Cartoonist Who Turned the News into Art

    In this latest episode of Biographers in Conversation, Joshua Kendall chats with Dr Gabriella Kelly-Davies about Trudeau & Doonesbury: The Cartoonist Who Turned the News into Art Here’s what you’ll discover in this episode: Why Joshua Kendall conceived of Trudeau & Doonesbury as a dual biography of the reclusive cartoonist Garry Trudeau and Doonesbury, his famous comic strip.  How Trudeau transformed his Yale campus strip Bull Tales into Doonesbury, bringing sex, drugs, rock and roll, war and political satire to newspaper comic pages, and pioneering what became known as the reported comic strip. How 200 boxes of Trudeau’s papers at Yale’s Beinecke Library enabled Joshua to reconstruct the evolution of the artist and his work. Why Trudeau described the book as unopposed rather than authorised. How Joshua gradually gained the cooperation of a famously private subject while preserving his independence as a biographer. How Joshua assessed conflicting memories against archival evidence. How Trudeau’s changing treatment of war, from the comparatively shallow Vietnam-era strips to B. D.’s amputation and post-traumatic stress after Iraq, reveals the deepening empathy and maturity of both the cartoonist and his art. The ethical decisions involved in writing about a living subject and his family. How Joshua approached the unusual challenge of concluding the biography of a living subject. Why Joshua regards biography as a distinctive form combining storytelling, history, cultural analysis and access to the inner and emotional life.

  4. Sep 24

    Circle of Wonders - Truth-telling in Storytelling

    In this latest episode of Biographers in Conversation, Dr Kathryn Heyman chats with Dr Gabriella Kelly-Davies about Circle of Wonders. Here’s what you’ll discover in this episode: ‘Circle of Wonders’ is a novel about a group of women who gather in the Blue Mountains to support their friend Ronnie Bloom through the final month of her life. ‘Circle of Wonders’ began as a memoir shortly after Kathryn’s sister and mother died in the same month during 2020. Ten weeks later, Kathryn decided to write the book as fictional version of the story. It is then that she found the story’s circular, lunar structure. Kathryn explains why the story needed multiple voices rather than one: capturing an ‘ensemble’ or ‘choral’ experience of community meant she no longer had the ethical right to tell it as memoir. Kathryn reflects on the ethics of writing about real people. Drawing on William Faulkner, Kathryn distinguishes facts from emotional truth, arguing that fiction can sometimes reach a more profoundly truthful place than memoir by freeing the writer from strict fidelity to external events. The book’s structure mirrors the lunar cycle, with the final breath looping back into the first sentence, reflecting Kathryn’s belief that ‘all time is now’ and every ending is also a beginning. Kathryn closes our conversation with advice for writers straddling memoir, biography and fiction: write the story as it arrives first, then decide on its category. She recommends British novelist Jill Dawson as a model for biographical fiction.

Ratings & Reviews

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About

Biographer Gabriella Kelly-Davies chats with biographers across the world about the myriad of choices they make while researching, writing and publishing life stories. In every episode, she explores elements of narrative strategy such as structure, use of fiction techniques, facts and truth, beginnings and endings and to what extent the writer interpreted the evidence rather than providing clues and leaving it to readers to do the interpreting themselves. She also asks how they researched their books; how they balanced a subject’s public, personal and inner lives; and ethical issues, such as privacy and revealing secrets.

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