The Munn Avenue Muse Podcast

Charles Levin

Tips, Tricks, and Inspiration for Both Aspiring and Accomplished Authors from Munn Avenue Press www.munnavenuemuse.com

  1. 4d ago

    He Answered an Ancestry Email. Twenty-Five Years Later, It Became a Book.

    On Christmas Day in 2001, Nord Brue found himself home alone. His wife was away helping her mother through knee-replacement surgery, his three children were scattered in different directions, one of them climbing a mountain in Peru and the house was unusually quiet. With some unexpected time on his hands, Nord decided to do something he had never really learned to do: search the internet. Then an email from Ancestry.com landed in his inbox. He clicked it. Twenty-five years later, Nord is still an Ancestry subscriber, but that one small moment of curiosity led to something much bigger. It introduced him to a man born more than two centuries earlier: Nils Trulsen Bru, his three-times-great-grandfather. What Nord eventually uncovered was far more than a family tree filled with names and dates. Nils’s life included romance, war, political conflict, courtroom drama, and a stubborn determination to stand up for ordinary people. After decades of research, that story became Nord’s newly published book, To My Beloved Norwegian Countrymen. Sometimes the Dead Call Out to You Biographer Richard Holmes once wrote that sometimes the dead call out to us “like owls in the night.” For Nord, one of those voices belonged to Nils. Nils was born in Norway in 1776, a year Nord likes to put into perspective for his grandchildren. That same year, the Declaration of Independence was written in America and Adam Smith published The Wealth of Nations in Scotland. Nord likes to ask his grandchildren which of those three events was the most important. Their answer is always the same: Nils’s birth. From their point of view, of course, they are right. Without Nils, none of them would be here. That simple observation gets at what makes genealogy so powerful. History can seem distant until you realize that your own existence depended on ordinary people surviving wars, illnesses, accidents, heartbreaks, bad luck, and good luck. And Nils had plenty of all of it. A Love Story, a War, and Two Trials The more Nord researched Nils’s life, the more it started to resemble a novel. As a young man, Nils lost the woman he loved, Christy, to another man. After getting into trouble with his local priest, he left his community for roughly a year and a half. Then word arrived that Christy’s husband had died, apparently while fishing. Nils returned home, married Christy, and took over the farm. Their peaceful beginning did not last long. Within months, war reached Norway as the country was drawn into the Napoleonic conflicts. Nils eventually emerged as a leader among the local farmer-fishermen, at times helping coordinate enormous fishing operations involving hundreds of boats and as many as 2,000 fishermen. He also began challenging local authorities, especially over the fishing tithe, a tax imposed on the fishermen. That resistance eventually led to his arrest and two trials involving charges serious enough to threaten both his life and his honor. He was acquitted both times. Nord still enjoys one especially human detail from the court record: one of the men involved in deciding Nils’s fate happened to be his Uncle Peter. In another remarkable twist, the court not only cleared Nils but fined the prosecutor for overcharging him. But Nils was not finished challenging the establishment. “To My Beloved Norwegian Countrymen” Nils eventually turned his attention toward politics. He wrote and distributed a broadside urging ordinary Norwegians to elect more farmers to the Storting, Norway’s parliament. The document was not especially fiery. It was thoughtful and earnest, and it ended with the words that would eventually give Nord’s book its title: To my beloved Norwegian countrymen, for their consideration. The authorities were less enthusiastic. They worried about the possibility of a broader peasant uprising and resisted Nils’s political ambitions. The voters had other ideas. They kept electing him, and after years of resistance, Nils was finally allowed to serve in parliament, where he remained involved in public life until his death. For Nord, the deeper he went into the records, the clearer it became that this was not simply an interesting ancestor. This was a life worth writing about. How Many People Exist Because of One Couple? Nils and Christy eventually had 45 grandchildren, and two of their youngest children emigrated to the United States in the mid-19th century, settling in Story County, Iowa. That raised a fascinating question for Nord: how many people living today might descend from them? He used AI to help model the possibilities, factoring in generations, historical survival rates, and changing family sizes. The estimate surprised even him: approximately 16,000 people living in the United States today may be direct descendants of Nils Trulsen Bru. It is an estimate, not a genealogical head count, but it gives a remarkable sense of scale. If Nils had not survived his trials, if Christy’s first husband had not died, if one of their children had made a different choice, or if those two children had never crossed the Atlantic, thousands of lives might look completely different — or might never have existed at all. That is one of the strange and moving things about genealogy. We tend to look at a family tree as though it were inevitable, one generation neatly following another. It wasn’t. Our being here at all often depended on a long series of accidents, decisions, close calls, and coincidences. When Research Becomes a Book By the time Nord began writing, he had accumulated an extraordinary amount of material. Norwegian historical records can be remarkably detailed, and he found court proceedings, political records, family documents, and even an inventory of the clothing Nils owned when he died. For a researcher, that abundance is wonderful. For a writer, it creates another problem: what do you leave out? Nord discovered one of the hardest lessons of nonfiction writing. Finding information is only half the work. The other half is deciding what belongs in the book and what does not. There were people, events, and historical threads he found fascinating that ultimately had to be shortened or removed. Writers often call this “killing your darlings,” and Nord had plenty of darlings to kill. But he understood that the purpose was not to include every interesting fact he had uncovered. The purpose was to tell Nils’s story. Getting Into the Mind of Someone Who Lived 200 Years Ago Nord also wanted to understand more than what Nils did. He wanted to understand why. “When you write a biography, you live with somebody for the whole period of time,” Nord explained. “You have to get into their head.” That led him beyond dates and documents and into Nils’s personality, values, and culture. Nord even explored Nils through modern personality frameworks and came to see him as someone deeply guided by principle and difficult to move once those principles were challenged. He also looked at the Scandinavian concept of Janteloven, the cultural idea that no individual should consider himself superior to everyone else. Nord saw an important flip side to that idea as well: if you do not believe you are better than anyone else, you also do not have to believe anyone else is better than you. That helps explain the confidence of an ordinary farmer-fisherman who was willing to challenge magistrates, prosecutors, and the political establishment. 🎧 Listen to the full episode of The Munn Avenue Muse featuring Nord Brue on your favorite podcast platform. 📘 To My Beloved Norwegian Countrymen, the book, is available now at: Amazon Barnes and Noble Bookshop.org 🌐 Connect with Nord through his official website. ✍️ ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Subscribe below for more conversations with authors, publishing insights, and behind-the-scenes stories from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing, Charlie Levin, Publisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  2. Aug 25

    Who Decides What Happily Ever After Looks Like?

    Most of us learned the formula pretty young. Princess meets prince. Something goes terribly wrong. Prince saves princess. Wedding. Castle. Happily ever after. Heather Petitpas kept wondering about the girls who didn’t quite fit into that story. Girls who were independent. Girls who didn’t need rescuing. Girls whose lives might turn out beautifully without following the script they’d been handed. That question eventually became Not Your Average Fairy Tale, Heather’s new illustrated book about Maggie, a teenage princess who has her own ideas about what she wants her life to look like. Heather joined Charlie Levin on The Munn Avenue Muse to talk about Maggie, publishing her first book, working with an illustrator halfway around the world, and a subject that goes well beyond fairy tales:How much of our lives do we spend trying to become the person we think we’re supposed to be? The story we’re handed Heather grew up with Disney princesses and traditional fairy tales like everyone else. Over time, she started noticing the same pattern. The women were usually waiting for something to happen to them. A prince arrived. Somebody saved them. Romance solved the problem. Heather started thinking about the girls she knew who simply didn’t operate that way. She’s a licensed mental health counselor in Massachusetts, and some of Maggie came from the teenagers and children Heather has worked with over the years. Some came from friends. And some, she admits, came from Heather herself. Maggie has opinions. She makes choices. She walks to the beat of her own drum. She also happens to be a princess. That part makes the story fun. The rest feels pretty familiar to anyone who has ever looked around at the life everyone else seemed to be living and thought, I’m not sure that’s mine. There are a lot of versions of “supposed to” Heather talks in the episode about the “cookie cutter” life people can feel pushed toward. For authors, there’s another version of it. You should have started younger. You should already have an agent. You should know what you’re doing. Your first draft should be better. Your book should sell faster. Everyone on Instagram appears to have figured out something you missed. Heather’s book took more than a year to produce. The manuscript went through rounds of editing. The illustrations went through multiple versions. Her illustrator, Nabila Anu, was in Bangladesh, roughly 12 hours away, which made a quick back-and-forth anything but quick. And still, they kept going. That’s probably the more useful version of a publishing story anyway. A book gets finished through hundreds of ordinary decisions made over a long stretch of time and persistence. Then Maggie has to tell her parents One of the biggest scenes in Not Your Average Fairy Tale comes when Maggie tells her very traditional parents that Rebecca is the person she wants to get to know better. She’s anxious about telling them. Of course she is. Their expectations for her have been clear, and Maggie knows she’s about to say something they didn’t see coming. Heather wanted young readers to see a character who was nervous and still told the truth about who she was. And there’s a line from the conversation that stuck with me. Heather says what Maggie really wants from her parents is simple: “I want you to be happy.” That sentence covers a lot of ground. It works for the kid who wants to study music instead of medicine. The teenager trying to understand who they’re attracted to. The adult changing careers at 45. The 70-year-old finally writing the book they’ve talked about writing for 30 years. We spend a surprising amount of time wondering how the people we love will react when our lives stop looking the way they expected. “I needed this book when I was a young girl.” After Not Your Average Fairy Tale came out, one of Heather’s friends read it and sent her a review. She told Heather she wished she’d had the book when she was young and trying to figure out who she was. That’s about as good a reason to write a book as I can think of. Writers rarely know exactly where their words are going to land. Someone may read your book because the cover caught their eye. Someone else may pick it up years from now at precisely the moment they need what you wrote. You don’t get to control that part. You do get to write it. And your book could change lives. A very fitting last name There’s a small detail near the end of the episode that feels almost too perfect. Heather explains that her last name, Petitpas, translates roughly to “small step” or “small foot.” And that’s how she describes the whole process of making the book. Small steps. Write the manuscript. Revise it. Find the right illustrator. Review another drawing. Make another change. Wait. Try again. Keep going. Eventually, there’s a finished book sitting in your hands. Heather had wanted to write and publish a book for years. It was one of those bucket-list things she knew she’d regret leaving undone. Now she gets to say she did it. And somewhere, a young girl may open Not Your Average Fairy Tale and see a princess whose life looks a little more like her own. That’s a pretty good happily ever after. 🎧 Listen to the full episode of The Munn Avenue Muse featuring Heather Petitpas on your favorite podcast platform. 📘 Not Your Average Fairytale, the book, is available now at: Amazon Barnes and Noble Bookshop.org ✍️ ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Subscribe below for more conversations with authors, publishing insights, and behind-the-scenes stories from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing, Charlie Levin, Publisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  3. Aug 11

    From Book to Movie: An Author's History-Making Journey

    A haunted house on the edge of the Arctic Circle. Two world leaders carrying the weight of the nuclear age. A meeting expected to be little more than a photo opportunity. And ten and a half hours that nearly changed the course of history. In the latest episode of The Munn Avenue Muse, Charlie Levin sat down with Ken Adelman, former Director of the U.S. Arms Control and Disarmament Agency and author of The Brink of War. Adelman did not study the 1986 Reykjavik Summit from a distance. He was in the room as Ronald Reagan and Mikhail Gorbachev came astonishingly close to an agreement that could have transformed the nuclear balance. What happened inside that small white house was tense, exhausting, unpredictable and deeply human. The haunted house at the center of history The summit took place at Hofdi House, a white building on the outskirts of Reykjavik rumored to be haunted. Reagan called the gathering a simple “business meeting.” It was expected to be brief and largely ceremonial. Instead, it became a marathon. Gorbachev arrived with an entourage of roughly 300 people. Reagan brought a team of only 12 professionals, including Adelman. The talks stretched for ten and a half hours. Adelman recalled sleeping only about ten hours across three nights, with one session lasting until 6:20 in the morning. At several points, Reagan and Gorbachev came breathtakingly close to a sweeping nuclear agreement. Then the opportunity collapsed. The failure that changed the world The Reykjavik Summit is often described as a failure because the two leaders left without signing a deal. That misses the larger story. The meeting revealed how far both sides were willing to go and helped prepare the way for the Intermediate-Range Nuclear Forces Treaty signed the following year. Sometimes the meeting that appears to fail becomes the meeting that makes everything else possible. That tension drives The Brink of War. Adelman’s book is not only about missiles, treaties and negotiating positions. It is about ego, exhaustion, instinct, conviction and fear. It is about the people inside the room and the details official history tends to leave out. From the page to the screen For writers who dream of seeing their work adapted, Adelman’s experience offers both encouragement and warning. The Brink of War has been developed into a major motion picture, with Jeff Daniels portraying Reagan and J.K. Simmons among the cast. It is scheduled for release in 1000 theaters in the U.S. on August 14th—this Friday! Getting there took decades. Adelman spent more than ten years working with Michael Douglas, who cared deeply about nuclear disarmament. After finishing the book at 1:30 one morning, Douglas called Adelman unexpectedly the next day. He loved the story, but he also understood the challenge of turning diplomacy into drama. At one point, Douglas said a script draft dragged between pages 47 and 72. Those happened to be the only pages in which Reagan did not appear. The lesson was clear: history alone is not enough. A film needs momentum, character and an emotional center. After years of rewrites and false starts, Adelman offered authors one blunt piece of advice: “Never be involved in making a movie because it’ll drive you crazy.” How to make history readable Adelman faced a familiar nonfiction problem: how do you tell a heavily researched story without burying the reader? His answer was to keep the human drama in front. The book contains 370 endnotes, but the technical material stays at the back. The main narrative focuses on what people were thinking, saying, and doing. He also resisted turning Reagan into a flawless hero. Adelman admired him, but he knew the story would be weaker if Reagan appeared perfect. Strong characters need contradictions, habits and blind spots. During our conversation, we also discussed a technique used by David Morrell, creator of Rambo. Before beginning a book, Morrell writes himself a long letter explaining why the story matters. The exercise forces a difficult question: Am I interested enough in this idea to live with it for the next two years? When the answer is no, he walks away. That may be one of the best lessons in the episode. A story has to survive more than the excitement of the first idea. It has to survive research, revision, doubt and time. The summit behind the summit Some of the most memorable stories had little to do with official negotiations. Both sides had agreed that Reykjavik would be a “wifeless” summit. Then Raisa Gorbachev arrived. She reportedly changed clothes four times on the first day, attracting press attention and leaving Nancy Reagan furious in Washington. While their husbands were discussing nuclear weapons, another diplomatic drama was unfolding in the background. Adelman also shared the tragic story of Soviet Marshal Sergei Akhromeyev, who played a central role at Reykjavik and later took his own life following the attempted coup and collapse of the Soviet Union. His story, largely absent from the official record, reminded Adelman that history is not made only by presidents and treaties. The people standing just outside the spotlight matter, too. A final moment of calm The conversation ends far from the pressure of Reykjavik. Adelman takes us into his Shakespeare Garden in Aspen, where 35 plants are labeled with descriptions from the Bard’s plays. His book is dedicated to “Carol and Will,” his wife and William Shakespeare. After a story filled with nuclear weapons, sleepless nights, political tension and fallen empires, the garden feels like the right place to end. A reminder that history may be shaped in tense rooms, but life is also found in books, gardens and the people we love. 🎧 Listen to the full episode of The Munn Avenue Muse featuring Ken Adelman on your favorite podcast platform. 📘 The Brink of War is available now at: Amazon 🌐 Connect with Ken through his official website ✍️ ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Subscribe below for more conversations with authors, publishing insights, and behind-the-scenes stories from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing, Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  4. Jun 9

    How a Real Family Argument Became a Technothriller

    This week on the Munn Avenue Muse, Charlie Levin sat down with author John Kuendig to discuss his new technothriller, The Good Club, a novel built around a question that refuses to go away: What if some of the things dismissed as conspiracy theories turned out to be true? For John, that question wasn’t born in a writer’s room. It started during heated debates with his brother, who followed QAnon and other fringe theories. After one particularly spirited exchange, John found himself walking along the San Francisco shoreline wrestling with a thought he couldn’t shake. “What if he’s right?” That single question became the foundation for The Good Club, a story set thirty years in the future where power, technology, and control intersect in unsettling ways. Building Fiction on a Foundation of Fact One of the reasons the novel feels so believable is the amount of research behind it. John spent countless hours investigating emerging technologies, studying scientific papers, and testing whether some of the book’s more alarming concepts could actually work. He used Google Earth to map streets in Taiwan so that action scenes would unfold exactly as they would in real life. It’s the kind of attention to detail that separates a good thriller from one that keeps readers awake at night. The Unexpected Writing Secret Like most authors, John battled writer’s block. His solution wasn’t forcing words onto the page. Instead, he stepped away. A movie, a walk, another book, or simply giving his brain room to work often sparked the breakthroughs he needed. Ironically, his biggest burst of productivity came after hip replacement surgery. With four weeks of forced downtime, he finally pushed the manuscript across the finish line. Not a writing strategy most of us are eager to try, but effective nonetheless. Learning to Trust the Reader One of the biggest lessons John learned during the publishing process was a familiar one: show, don’t tell. Rather than telling readers a character is embarrassed, show the flushed face. Show the hesitation. Show the reaction. He also discovered the importance of raising questions immediately. Munn’s early editorial feedback led him to completely rethink his opening chapter, creating a stronger sense of mystery and urgency from the very first pages. More Than a Thriller At the heart of the novel, The Good Club explores a timeless danger: what happens when people become so convinced they’re right that they begin viewing anyone who disagrees as a problem to be eliminated. History offers plenty of examples of where that road can lead. What makes the novel resonate beyond the thriller genre is the question it leaves readers with: What happens when good intentions become justification for control? The answer may be fiction. For now… 🎧 Listen to the full episode of The Munn Avenue Muse featuring John Kuendig wherever you get your podcasts. 📘 The Good Club is available now at: AmazonBarnes & NobleBookshop.org ✍️ ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Subscribe below for more conversations with authors, publishing insights, and behind-the-scenes stories from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing, Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  5. May 26

    The Nuclear Reactor in Your Belly

    Most people grow up hearing the same thing about anger: Control it. Calm down. Let it go. But after listening to clinical psychologist Dr. Mitch Abrams talk about anger on the Munn Avenue Muse, I kept thinking about how backwards a lot of that advice feels in real life. Abrams has spent more than two decades as a psychologist working with athletes, high performers, and people in high-conflict environments (like prisons), and his perspective is surprisingly refreshing. He doesn’t treat anger like some emotional glitch that needs to be removed. He treats it like energy. His book, I’m Not F*cking Angry: Adjust the Flame to Get What You Want from Life, centers around one idea that instantly clicked for me: Anger isn’t the enemy. Lack of awareness is. Anger Is Energy One metaphor he uses really stayed with me. He describes anger as a “nuclear reactor in your belly.” That sounds dramatic at first, but the more you sit with it, the more accurate it feels. Anger creates momentum. It sharpens attention. It pushes people to act, compete, build, protect, and persist. The goal isn’t to shut that energy off. It’s learning how to direct it. That’s where the phrase “adjust the flame” comes in. Too much emotional heat, and people lose perspective. Too little and they lose drive. Somewhere in the middle is the sweet spot where emotion becomes fuel instead of friction. The Difference Between Aggression and Drive Most people hear the word “aggression” and immediately picture somebody out of control, but Abrams makes a distinction between reactive aggression and instrumental aggression. Reactive aggression is impulsive and emotional. Instrumental aggression is focused. It’s the determination that helps someone finish school, build a business, raise a family, or finish writing a book after wanting to quit ten different times. That distinction matters. Because ambition itself requires a certain level of aggression. Every meaningful accomplishment usually involves persistence, competitiveness, urgency, or intensity at some point. Why Awareness Matters Another point that stood out was his emphasis on early awareness. Abrams said many people don’t realize they’re angry until they’re already fully activated. By then, the body has already taken over the conversation. The real skill is noticing the signs earlier: the tighter jaw, the faster speech, the tension in your chest, the shift in your breathing. That small moment of awareness changes everything. It creates enough space to respond intentionally instead of emotionally. What Writers Can Learn From This As a writer, I also found his approach to communication incredibly valuable. He writes exactly the way he speaks. Direct. Conversational. Honest. No clinical performance. No overexplaining. And because of that, people trust him immediately. A lot of nonfiction writing loses readers because it sounds polished instead of real. Abrams avoids that completely. He understands that readers connect to specificity, personality, and lived experience more than perfectly structured advice. One thing he said really stuck with me: ideas are the skeleton, but stories are the flesh on the bone. That’s probably why his message resonates with people. You can feel the honesty in the way he writes. He also touched on something that feels especially relevant right now: how much modern communication strips away emotional nuance. Texts, DMs, emojis, and AI-generated responses all flatten tone and remove context. Human conversation has texture. Timing. Energy. Presence. You can feel sincerity in someone’s voice in a way you never can through a reaction emoji. That part honestly felt less like a criticism of technology and more like a reminder that real connection still matters. The biggest takeaway from the conversation was simple: Anger is part of being human. When people understand it, recognize it early, and channel it with intention, it becomes one of the most powerful sources of motivation we have. And sometimes the thought that gets people through the hardest moments is still the simplest one: “Watch me.” 🎧 Listen to the full episode of The Munn Avenue Muse featuring Mitch Abrams on your favorite podcast platform. 📘 I’m Not F*cking Angry! is available now at: AmazonBarnes & NobleBookshop.org 🌐 Connect with Mitch through his official website ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Want more author insights, mindset strategies, and behind-the-scenes publishing wisdom? Subscribe below for weekly inspiration from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing,Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  6. May 12

    The Story You’re Not Telling Might Be the Most Important

    In 1950, a young boy stood at the Hungarian border as his life changed in an instant. Within minutes, everything familiar was gone, and a completely new chapter began. That boy was Tom Herskovits. Years later, his path would lead him to leadership roles at Procter & Gamble, General Foods, and Kraft. In a recent episode of The Munn Avenue Muse, he sat down with Charlie Levin to talk about the moments that shaped him and why telling your story matters more than most people realize. If you’ve ever thought your story was too ordinary to share, this conversation says otherwise. 1. The habits you build early stay with you After leaving the orphanage, Tom was taken in by a Hungarian chess master named Bala. They played every single day for years. Those games became something bigger than chess. They sharpened his focus, strengthened his patience, and trained him to think a few moves ahead. That mindset carried into every room he later walked into, from meetings to major leadership decisions. Small, repeated habits have a way of shaping big outcomes. 2. A story can open doors you didn’t even know existed Tom wrote Budapest to Boca to honor his son, David, and to support the foundation created in his name. Then something remarkable happened. After years of trying to connect with the chairman of a major corporation, Tom finally heard from him. The reason was simple: the chairman’s wife had read the book and felt a connection to it. That’s the quiet power of sharing something real. A story moves, travels, and reaches people in ways no plan can fully predict. 3. Momentum often comes down to a simple decision One of the defining voices in Tom’s life was his mother. She lived through war, imprisonment, and immense change, yet her outlook stayed focused on moving forward. At a pivotal moment, her words were clear: “We’re going again.” That mindset became a throughline in Tom’s life. It shows up in the risks he took, the roles he stepped into, and the way he approached each new chapter. Years later, when he returned to Hungary with his son to find his father’s grave, a sudden downpour met them as they arrived. It became one of the most meaningful moments he chose to include in his book. For anyone thinking about writing their own story Start with an outline. Map the moments that shaped you. Let your personal and professional experiences sit together on the page. That’s where your story comes alive. Because what feels ordinary to you often carries immense meaning for someone else. 🎧 Listen to the full episode of The Munn Avenue Muse featuring Tom Herskovits on your favorite podcast platform. 📘 From Budapest to Boca is available now at: AmazonBarnes & NobleBookshop.org 🌐 Connect with Tom through his official website ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Want more author insights, mindset strategies, and behind-the-scenes publishing wisdom? Subscribe below for weekly inspiration from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing,Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  7. Apr 28

    "Everybody Has a Plan Until They Get Punched in the Face"

    Most careers are presented as straight lines. You study the right subject, get the right job, make the right moves, and eventually arrive where you were always meant to be. Don Kurz’s life is a useful reminder that almost no meaningful career actually works that way. In the latest episode of The Munn Avenue Muse, Charlie Levin sat down with Don Kurz, entrepreneur, former CEO, and author of Do the Hustle, to talk about a life that moved from Division I championship lacrosse at Johns Hopkins, to teaching disco during the Studio 54 era, to leading public companies and navigating high-stakes boardrooms. At first glance, those worlds seem unrelated. They are not. What connects them is something far more important than industry: the ability to recognize when one chapter has ended and the willingness to fully commit to the next one. Listen to this episode and 45 more on the “Munn Avenue Muse” on Apple Podcasts or Spotify. Watch on Substack or YouTube. When the Original Plan Disappears Kurz’s first identity was built around athletics. As a national champion lacrosse player, the expectation was clear: keep going, keep competing, keep building on that path. Then two knee injuries ended it. The literal “Punch-in-the-face.” For many people, that kind of forced ending creates paralysis. We spend years trying to reopen doors that have already closed. Kurz did something harder. He accepted it. Rather than staying emotionally attached to a future that no longer existed, he allowed himself to seize a completely different one. That decision eventually led him to one of the most unlikely chapters of his life: becoming a disco dance instructor during the height of the 1970s nightclub era. It sounds absurd on paper, but that season taught him something many traditional career paths never do— how to connect with people, how to command energy in a room, and how confidence often matters as much as competence. The lesson was never really about disco. It was about adaptability. Why Passion Cannot Be Faked One of the strongest ideas in Don’s philosophy is that passion cannot just be performed. “You can’t fake an erection,” Kurz says. People can tell when you are simply showing up versus when you are fully invested. You might be able to force enthusiasm temporarily. You can survive a few weeks or even a few months by going through the motions. But long-term success requires something deeper. Whether you are leading a company, selling a product, or managing a team, people feel authenticity immediately. They know when you care, and they know when you do not. This matters because leadership is rarely about instructions alone. It is about kinetic energy. People do not follow titles; they follow conviction. When passion is absent, performance eventually collapses with it. Listen to this episode and 45 more on “Munn Avenue Muse” on Apple Podcasts or Spotify. Watch on Substack or YouTube. The “Toxic Star” Problem Every leader eventually faces the same uncomfortable test. There is someone on the team who produces enormous results. They bring in the biggest account, close the biggest deals, and make themselves seem indispensable. But they damage everything around them. They create resentment, weaken morale, and make the best people quietly start planning their exits. Many leaders keep them because the numbers look too good. Kurz argues that this is one of the most expensive mistakes a company can make. The moment leadership protects toxic behavior because someone is profitable, trust disappears. Culture stops being real and becomes a slogan. Your strongest people notice that immediately, and eventually, they leave. The short-term revenue never outweighs the long-term cost. A healthy room is always worth protecting. Learning to Pivot Without Ego Most people only see success in hindsight. They see the outcome and assume the path was obvious. What they do not see are the bad decisions, the financial losses, the failed bets, and the moments where pride makes people stay too long in the wrong place. Kurz speaks openly about this. He talks not just about the millions made, but the millions lost. That honesty is what makes his lessons valuable. The most important skill in business and life is often not intelligence or strategy. It is self-awareness. It is the ability to look honestly at what is no longer working and resist the urge to keep defending it simply because you have already invested too much. Sometimes maturity looks like persistence. Sometimes it looks like walking away. Knowing the difference is everything. Listen to this episode and 45 more on the “Munn Avenue Muse” on Apple Podcasts or Spotify. Watch on Substack or YouTube. Are You Still Holding Onto the Wrong Door? Most people know, quietly, where they are forcing something that no longer fits. A job, a role, a version of success they inherited from someone else. The hardest part is rarely recognizing it. The hardest part is letting go. Reinvention does not begin with confidence. It begins with honesty. It begins when you stop trying to return to a chapter that has already ended and start building the next one with full commitment. You do not need the entire map. You only need the willingness to move. Read It Now 🎧 Listen to the full episode of The Munn Avenue Muse featuring Don Kurz on your favorite podcast platform. 📘 Do the Hustle is available now at: * Amazon * Barnes & Noble * Bookshop.org 🌐 Connect with Don through his official website ✍️ If you are working through your own story, whether it is personal, professional, or somewhere in between, Munn Avenue Press can help you shape it into something lasting. If you are ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Want more author insights, mindset strategies, and behind-the-scenes publishing wisdom? Subscribe below for weekly inspiration from The Munn Avenue Muse. 🎙 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing,Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

  8. Apr 14

    The Creative Secret Hiding in Your Sleep (Most Writers Ignore This)

    Charles LevinApr 6, 2026 We tend to think of sleep as a shutdown, a biological necessity, a reset button at the end of the day. But what if it’s something else entirely? What if, each night, you’re stepping into a different layer of consciousness—one that holds insight, emotion, and creative material you can’t access while fully awake? In the latest episode of The Munn Avenue Muse, host Charlie Levin sits down with psychiatrist, professor, and novelist Carol W. Berman to explore that idea through her novel, Blisstopia: A Utopian Fantasy. Her story ultimately isn’t just about sleep or dreams. It’s about what we create when reality becomes too painful to accept and how imagination can serve as a form of emotional survival. Writing What Reality Won’t Allow Berman didn’t begin writing Blisstopia as an abstract creative project. She began because she was facing an unbearable reality: her husband’s decline from Lewy Body Dementia. The disease presents a cruel paradox. The body remains relatively intact while the mind slowly disappears. Faced with that loss, Berman turned to fiction not to escape reality, but to reshape it. In her novel, she creates a world where her husband is whole again and her (fictional) son is free from addiction. This act of writing becomes what she describes as a kind of “restoration,” a way of preserving the emotional truth of her loved ones even as their real-world circumstances change. For many writers, this reframes the purpose of storytelling. Fiction is not always about invention; sometimes it is about reclaiming what feels like it’s slipping away. When the Conditions Are All Wrong There is a persistent myth in creative work that great writing requires ideal conditions, quiet spaces, inspiring environments, and uninterrupted time. Berman’s experience dismantles that idea. She traveled to Lisbon for what was supposed to be a writing residency, only to discover it was a sham rental. The apartment was freezing, noisy, and unworkable. Instead of abandoning the project, she adapted. She checked into a hotel, isolated herself, and completed the novel on an iPad. The lesson is straightforward but often ignored: the work does not depend on perfect conditions. More often than not, it depends on the decision to continue despite imperfect ones. The Voice That Tries to Stop You One of the most practical insights from Berman’s work comes from her clinical background. She describes the “negative introject”—the internal voice that undermines confidence and stalls progress. Rather than trying to suppress it, she suggests externalizing it. In one example, a patient visualized this voice as a skunk, something intrusive that “stinks up the place.” By giving it a concrete form, it became easier to recognize and separate from one’s own identity. For writers, this has immediate application. The voice that says “this isn’t good enough” often feels authoritative, but it is not necessarily accurate. Naming it can reduce its influence and make it easier to move forward. Why the Best Ideas Come in the Morning Berman also touches on a principle often associated with Walter Mosley: writing early in the morning because it is “closest to your dreams.” There is a neurological and psychological basis for this. Immediately after waking, the boundary between conscious and subconscious thought is still relatively thin. Imagination is more accessible, and internal censorship is lower. This makes the early morning a uniquely productive time for creative work, not because it is quiet, but because the mind itself is in a different state. Some writers spend years trying to force creativity later in the day, when it may be naturally harder to access. Why This Matters Now We live in a culture that prioritizes output over reflection and speed over depth. As a result, many people move quickly past the very experiences that could inform meaningful creative work. Berman’s story offers a counterpoint. It suggests that creativity is not just about producing content, but about processing reality especially when that reality is difficult. The moments that shape meaningful work are often small and internal: the decision to sit down and write, the willingness to confront uncomfortable emotions, and the discipline to continue even when the outcome is uncertain. Are You Ignoring Your Own Portal? The idea of sleep as a “portal” may sound abstract, but its practical implication is simple: there are moments each day when your mind is more open, more imaginative, and more capable of insight. The question is whether you use them. That might mean writing down the idea that comes to you in the morning, developing the story you’ve been avoiding, or simply paying closer attention to the thoughts that surface when you are less guarded. You don’t need to fully understand consciousness to benefit from it. You only need to recognize when it is most available and act on it. Read It Now 🎧 Listen to the full episode of The Munn Avenue Muse featuring Carol W. Berman on your favorite podcast platform. 📘 Blisstopia: A Utopian Fantasy is available now at: * Amazon * Barnes & Noble * Bookshop.org 🌐 Connect with Carol at CarolWBerman.com ✍️ If you are working through your own story—whether it’s personal, professional, or somewhere in between—Munn Avenue Press can help you shape it into something lasting. If you’re ready to publish your book or audiobook, or are just beginning to explore the idea, visit MunnAvenuePress.com to learn more. 👉 Want more author insights, mindset strategies, and behind-the-scenes publishing wisdom? Subscribe below for weekly inspiration from The Munn Avenue Muse. 🗣 Ask Siri or Alexa to “Play The Munn Avenue Muse podcast!” This post is public. Feel free to share. Happy Writing,Charlie LevinPublisher & Founder This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.munnavenuemuse.com

    The Creative Secret Hiding in Your Sleep (Most Writers Ignore This)

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Tips, Tricks, and Inspiration for Both Aspiring and Accomplished Authors from Munn Avenue Press www.munnavenuemuse.com