Chat out of Hell

Emma Crossland & Sam Wilkinson

How did two massive dorks create some of the most bombastically stupid rock opera of all time? Join equally massive dorks Emma Crossland and Sam Wilkinson as they delve into the works of Meat Loaf and Jim Steinman.Every episode our intrepid pair both brings one of Loaf or Steinman's works to the table to dissect in meticulously lazy detail, exploring the torrid lives of music's most on-again off-again best pals one week at a time.

  1. FEB 23

    Episode 6.4 - Left in the Dark | A Kiss is a Terrible Thing to Waste

    Off we go again! Time for us to analyse the saddest Jim Steinman you've ever heard, the fairly saddest Barbra Streisand, and just a regular Meat Loaf.  And with those three gathered, we can get some answers. Answers to questions like: - What made the Everly Brothers fall out? - How many Steinman stage shows featured a motorbike in the big first act closer? - How many veterans of the UK military credit Jim Steinman with their career success? PLUS a lot of chat about feelings, a child doing reggae and all the usual sundry nonsense. Keep your comments, reviews and arguments flying in to chatoutofhell@gmail.com, find us on Facebook or Instagram by searching Chat out of Hell and don't forget to use the hashtag #thechickenonesareareallynice Chat out of Hell is a is a review podcast: all music extracts are used for review/illustrative purposes. To hear the songs in full please buy them from your local record shop or streaming platform. Don't do a piracy. Music extracts on this episode: Left in the Dark by Jim Steinman from the album Bad For Good (1981) Left in the Dark by Barbra Streisand from the album Emotion (1984) Left in the Dark by Meat Loaf from the album Welcome to the Neighbourhood (1995) Lämnad i Mörkret by Cecilia Vennersten from the album Cecilia Vennersten (1995) A Kiss is a Terrible Thing to Waste by Meat Loaf from the album The Very Best of Meat Loaf (1998) A Kiss is a Terrible Thing to Waste from the Whistle Down the Wind Cast Album (1998) Send a text

    50 min
  2. 11/17/2025

    Episode 5.6 - Somebody Loves Me | Good Girls Go to Heaven (Bad Girls Go Everywhere)

    An end of term vibe delayed by a bit of illness brings us to this, the true end of term - Chat out of Hell series five, episode six. Meat Loaf gets all classy and covers Gershwin in the first half, then Emma has to explain that Good Girls go to Heaven is actually about self-enjoyment and ruins it for everyone. But we still have time to dive into the important questions, like: - Which Vaudeville performer was described as "a mop gone crazy"? - What did Emma get up to in the Girl Guides? - Has Sam fallen off the deep end with his Mr Blobby related quiz this time? PLUS a bit of a chat about how fun 1920s Broadway seemed and all the usual nonsense. Keep your comments, reviews and arguments flying in to chatoutofhell@gmail.com, find us on Facebook or Instagram by searching Chat out of Hell and don't forget to use the hashtag #DearA1saucewedontneedyoursaucenowwevegotourown Chat out of Hell is a is a review podcast: all music extracts are used for review/illustrative purposes. To hear the songs in full please buy them from your local record shop or streaming platform. Don't do a piracy. Music extracts on this episode: Somebody Loves Me by Meat Loaf from the album The Glory of Gershwin (1993) Somebody Loves Me by the Four Lads, single (1952) Good Girls Go to Heaven (Bad Girls Go Everywhere) by Meat Loaf from Bat out of Hell II: The Monster is Loose (1993) Good Girls Go to Heaven (Bad Girls Go Everywhere) by Pandora's Box from the album Original Sin (1989) Kanashimi Wa Tsudzukanai by Megumi Shiina, single (1986) Send us Fan Mail

    51 min

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How did two massive dorks create some of the most bombastically stupid rock opera of all time? Join equally massive dorks Emma Crossland and Sam Wilkinson as they delve into the works of Meat Loaf and Jim Steinman.Every episode our intrepid pair both brings one of Loaf or Steinman's works to the table to dissect in meticulously lazy detail, exploring the torrid lives of music's most on-again off-again best pals one week at a time.