UMass Press Podcast

New Books Network

Interviews with authors of University of Massachusetts Press books.

  1. 3d ago

    Brian L. Porto, "Twin States, Different Paths: The Politics of New Hampshire and Vermont" (U Mass Press, 2026)

    At first glance, New Hampshire and Vermont seem like mirror images. Separated only by the Connecticut River, the oft-termed "Twin States" share a common history, relatively small populations, and heavily mountainous and forested landscapes dotted with small towns. Yet despite their similarities, they have evolved strikingly different political cultures, with Vermont prizing cooperation and community and New Hampshire celebrating independence and freedom from government. Perhaps nowhere is this divergence in political visions more pronounced than in their respective state mottos: Vermont's communal "Freedom and Unity" and New Hampshire's libertarian "Live Free or Die." Twin States, Different Paths: The Politics of New Hampshire and Vermont (U Mass Press, 2026) explores these contrasting political cultures. Brian Porto traces these differences back to the land itself: to the geology and geography that shaped early settlement, patterns of land use, and the distinct ways people built their communities. From these origins emerged two enduring civic philosophies--New Hampshire's devotion to low taxes and limited government, and Vermont's emphasis on equality and shared responsibility. Bringing historical and cultural analysis together with contemporary case studies, Porto examines how these traditions influence each state's approach to today's policy challenges, including affordable housing and public-school funding. The result is a clear, balanced portrait of how deeply rooted attitudes toward freedom, unity, and governance continue to shape public life in both states. Written with scholarly rigor yet in an engaging and accessible style, Twin States, Different Paths fills a notable gap in the study of New England politics. It offers insights not only for scholars and students of political culture, history, and public policy, but also for general readers, policymakers, and residents who wish to understand how two neighbors--so similar in geography and spirit--continue to follow such different paths in defining the role of government and community.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  2. Jul 21

    Kelly M. Duke Bryant, "Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940" (U Mass Press, 2026)

    Kelly M. Duke Bryant’s Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940 (U Mass Press, 2026)explores how colonial child protection policies and African children’s responses to them produced new ways of defining, measuring, documenting, and experiencing childhood in the French colony of Senegal from 1848 to 1940. In this groundbreaking book, Bryant takes the scholarship in new directions, offering to a literature dominated by studies of British colonies in the twentieth century a study of childhood in a French colony from the immediate post-emancipation period through the 1930s. This focus allows her to complicate the generally accepted timeline of child protection in colonial Africa and question other assumptions about children’s history on the continent. The author, Kelly M. Duke Bryant, is an Associate Professor of History at Rowan University and the current President of the French Colonial Historical Society. The host, Elisa Prosperetti, is an Assistant Professor of African and global history at NIE/NTU in Singapore. She is the author of An Anticolonial Development: Race, Schooling, and Emancipation in Twentieth-Century West Africa (Cambridge University Press, 2026). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  3. May 29

    Lauren W. Westerfield, "Woman House: Essays and Assemblages" (U Massachusetts Press, 2026)

    A compelling and inventive memoir exploring how pain and pleasure are passed down through generations of women For years, Lauren W. Westerfield looked back at her childhood as an imaginative playscape lovingly crafted by her artist mother. But in truth, theirs was always a fraught relationship, close yet turbulent. It wouldn’t be until her mid-twenties that Westerfield would learn that her mother was assaulted while living as a single woman in 1970s Los Angeles, or until her mid-thirties when caretaking for her now chronically ill mother during pandemic lockdown would reveal how that earlier incident and its ripple effects had shaped both their lives. The essays and assemblages in this book plumb the depths of two women’s experiences, exploring the pain and pleasure they find in their bodies, in culture, and in their own art. Violence, beauty, and love reverberate and dissipate and shape the forms and psyches of these two profoundly connected family members. At once raw and refined, narrative and lyrical, nostalgic and blunt, the stories and images presented here explore Westerfield’s life—from childhood to adulthood—passing through innocence, self-discovery and familial tethers. In unpacking her mother’s history and the complexities of their relationship, Westerfield finds herself confronted with her own story: one grounded in a yearning for agency and individuation, of a body and mind groomed to be at odds with one another, of a feminist politics examining deeply rooted patriarchal understandings of beauty, control, and power. Part memoir, part critical sense-making, part reckoning with family, identity, illness, addiction, art, and inheritance, Woman House (U Massachusetts Press, 2026) draws on diverse inspirations in an attempt to recontextualize the female body—in danger, in pleasure, in portraiture, in proximity, in resistance—and challenge the structures that silence and restrict female expression. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  4. May 27

    David Faflik, "Segregation Games: Boston, Busing, and the Making of Red Sox Nation" (U Massachusetts Press, 2026)

    A cultural history of race, resistance, and representation in a city divided by politics and play When outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis. Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt. Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  5. Mar 28

    Nicholas W. Gentile, "Enemies to Their Country: The Marblehead Addressers and Consensus in the American Revolution" (U Mass Press, 2025)

    Nicholas W. Gentile complicates our understanding of the American Revolution through a microhistory of one Massachusetts town in his new book, Enemies to Their Country: The Marblehead Addressers and Consensus in the American Revolution (U Mass Press, 2025). In 1774, a group of elite men in the town of Marblehead, Massachusetts, just outside Salem, wrote an address to the royal governor thanking him for his service to the colony, even as town residents began demanding independence from Great Britain. Town meeting records reveal how the town’s patriot majority pressured the signers to withdraw their support for the governor and demanded public recantations and issued damning reports, even forcing some of the signers into exile. Enemies to Their Country tells the story of the year following the Address, chronicling the town’s struggle to achieve consensus even as the war for American independence started. This microhistory of one vitally important town, the second largest in Massachusetts at the time, with a thriving local economy based on fishing and a robust community of religious and civically engaged citizens, complicates simplistic ideas of the American Revolution. Through compelling stories of neighboring individuals and families, many of which have not been told, it also provides an example of a politically polarized constituency struggling to find consensus at a time of great conflict. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  6. Jan 19

    Gerald F. Goodwin, "Race in the Crucible of War: African American Servicemen and the War in Vietnam" (U Massachusetts Press, 2023)

    When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable. In Race in the Crucible of War: African American Servicemen and the War in Vietnam (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home. Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  7. 12/07/2025

    Claire Parnell, "Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era" (U Massachusetts Press, 2025

    The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  8. 12/06/2025

    Gwyneth Mellinger, "Racializing Objectivity: How the White Southern Press Used Journalism Standards to Defend Jim Crow" (U Massachusetts Press, 2024)

    “When the civil rights movement began to challenge Jim Crow laws, the white southern press reframed the coverage of racism and segregation as a debate over journalism standards. Many white southern editors, for instance, designated Black Americans as “Negro” in news stories, claiming it was necessary for accuracy and “objectivity,” even as white subjects went unlabeled. These news professionals disparaged media outlets that did not adhere to these norms, such as the Black press. In this way, the southern white press weaponized journalism standards—and particularly the idea of objectivity—to counter and discredit reporting that challenged white supremacy. Through deep engagement with letters and other materials in numerous archives from editors, journalists, and leaders of newswire services, Racializing Objectivity: How the White Southern Press Used Journalism Standards to Defend Jim Crow (U Massachusetts Press, 2024)interrogates and exposes how the white southern press used journalism standards as a professional rationalization for white supremacy and a political strategy to resist desegregation. Gwyneth Mellinger argues that white skin privilege gave these news professionals a stake in the racial status quo and was thus a conflict of interest as they defended Jim Crow. Her study includes an examination of the Southern Education Reporting Service, an objectivity project whose impartiality, she contends, instead affirmed systemic racism. In a pointed counternarrative, Mellinger highlights Black editors and academics who long criticized the supposed objectivity of the press and were consequently marginalized and often dismissed as illegitimate, fanciful, and even paranoid. Elegant and incisive, Racializing Objectivity unequivocally demonstrates that a full telling of twentieth-century press history must reckon with the white southern press’s cooptation of objectivity and other professional standards to skew racial narratives about Black Americans, the freedom struggle, and democracy itself.” Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Interviews with authors of University of Massachusetts Press books.