Taiwan Grooves

Fil Leskovsky,Rti

Discover the rich and diverse world of music in Taiwan, and join me on a journey to explore the lives of musicians and their experiences that inspire the vibrant music scene here. Through this musical exploration, we can gain a deeper understanding of their emotions and the stories behind the notes.

  1. 1d ago

    Refuse To Be Stereotyped and Won't Be Slowing Down! ft. Resonance Effect

    Hello, and welcome back to interviewing Feng E, the man reinventing ukulele playing by bringing rhythm, melody, and soloing together. Last week, we talked about his past and how a series of events led to the creation of his band, Resonance Effect! Today’s focus will be on the band’s upcoming EP, balancing different roles in the band, and his creative process for composing songs. We will also discuss the need to adapt to changing social media trends and hear some songs and the stories behind them. So once again, please welcome Feng E to the studio. Teenage Taiwanese phenomenon Feng E first stunned the world at just ten years old when his breathtaking ukulele performance of Tommy Emmanuel’s version of Classical Gas went viral. Seemingly overnight, the prodigy found himself on The Ellen DeGeneres Show—twice—then captivating audiences on both Asia’s Got Talent and America’s Got Talent. Since then, Feng E has transformed from a viral sensation into one of the most exciting young artists in the global ukulele scene. His dazzling performances have taken him to stages across Singapore, Malaysia, Japan, China, and Hawaii, where he’s racked up international awards and headline slots. His groundbreaking 2024 West Coast tour of the United States turned heads with show-stopping sets at the Los Angeles International Ukulele Festival, plus a string of high-profile TV and radio appearances. Now with nearly a million YouTube subscribers and climbing, Feng E continues to set records and push boundaries. In 2025 alone, he headlined the Denver International Ukulele Festival and saw his band Resonance Effect take home the top prize in the Taoyuan Iron Rose Hot Sound Award in Taiwan (their version of shows like Idol). From October, he embarks on a highly anticipated U.S. Eastern tour, including a marquee performance in New York City. Feng E is proudly sponsored by leading global instrument maker Enya Music—a fitting partner for an artist reshaping what’s possible with four strings and boundless imagination. Resonance Effect is a rising star band that burst onto the scene in 2025. They are a “rare, endangered species” of a power trio, led by band leader Feng Yi. Within just one month of formation, they swept the Kun-Tai Cup, winning the championship and individual “Best Musician” awards for every member. Despite a major lineup change the following year, they continued their streak, securing runner-up at the South Music Awards and becoming finalists at the Ho-Hai-Yan Rock Festival. They were the youngest band selected for the show The Band Festival, eventually clinching championships at both the Wind of September Music Festival and the Taoyuan Iron Rose Music Awards (Social Category), officially reaching the pinnacle of national band competitions. Their sound seamlessly blends math rock, punk, metal, and electronics. For them, genre classification takes a backseat to the raw energy they pour into every second on stage. Resonance Effect believes that true music is born from the direct collision of a live performance—fueled by their sheer technical prowess and uncompromising chemistry as a trio. Barely a year old, this band is still evolving and pushing their own limits. They refuse to be stereotyped, and they certainly have no intention of slowing down. To know more about them and their music, please visit: Resonance Effect Spotify https://resonanceeffect.site/ https://www.instagram.com/resonance_effect._/ https://www.facebook.com/FengEOfficial/ YouTube Spotify Feng E

  2. Oct 21

    Reinventing Ukulele & Balancing Solo and Band Acts ft. Feng E

    Today, I’m speaking with Feng E, the Taiwanese ukulele virtuoso who first gained fame at just ten years old. Since then, he has evolved from a young internet sensation into one of the most exciting and technically inventive ukulele players in the world, performing internationally and demonstrating just how versatile the ukulele can be. Feng E doesn’t just play the ukulele; he is expanding what people expect from the instrument. His playing combines rhythm, melody, and soloing in a way that makes the ukulele feel larger, more dynamic, and akin to a full band. He is also venturing into new territory with his upcoming album, *Grand Tour*, which draws inspiration from classical music, bluegrass, cinematic scoring, and his own original compositions. In this first part of our conversation, we delve into the craft behind the music: how Feng E transitioned from ukulele to guitar, his approach to rhythm and solos in live performances, and what lies ahead with his U.S. solo tour and *Grand Tour*. We also discuss balancing his solo career with his band, Resonance Effect, as well as the various influences, from classical to Japanese pop, that have shaped his playing style. Teenage Taiwanese phenomenon Feng E first stunned the world at just ten years old when his breathtaking ukulele performance of Tommy Emmanuel’s version of Classical Gas went viral. Seemingly overnight, the prodigy found himself on The Ellen DeGeneres Show—twice—then captivating audiences on both Asia’s Got Talent and America’s Got Talent. Since then, Feng E has transformed from a viral sensation into one of the most exciting young artists in the global ukulele scene. His dazzling performances have taken him to stages across Singapore, Malaysia, Japan, China, and Hawaii, where he’s racked up international awards and headline slots. His groundbreaking 2024 West Coast tour of the United States turned heads with show-stopping sets at the Los Angeles International Ukulele Festival, plus a string of high-profile TV and radio appearances. Now with nearly a million YouTube subscribers and climbing, Feng E continues to set records and push boundaries. In 2025 alone, he headlined the Denver International Ukulele Festival and saw his band Resonance Effect take home the top prize in the Taoyuan Iron Rose Hot Sound Award in Taiwan (their version of shows like Idol). From October, he embarks on a highly anticipated U.S. Eastern tour, including a marquee performance in New York City. Feng E is proudly sponsored by leading global instrument maker Enya Music—a fitting partner for an artist reshaping what’s possible with four strings and boundless imagination. Resonance Effect is a rising star band that burst onto the scene in 2025. With an average age of just 17.5, they are a “rare, endangered species” of a power trio, led by band leader Feng Yi. Within just one month of formation, they swept the Kun-Tai Cup, winning the championship and individual “Best Musician” awards for every member. Despite a major lineup change the following year, they continued their streak, securing runner-up at the South Music Awards and becoming finalists at the Ho-Hai-Yan Rock Festival. They were the youngest band selected for the show The Band Festival, eventually clinching championships at both the Wind of September Music Festival and the Taoyuan Iron Rose Music Awards (Social Category), officially reaching the pinnacle of national band competitions. Their sound seamlessly blends math rock, punk, metal, and electronics. For them, genre classification takes a backseat to the raw energy they pour into every second on stage. Resonance Effect believes that true music is born from the direct collision of a live performance—fueled by their sheer technical prowess and uncompromising chemistry as a trio. Barely a year old, this band is still evolving and pushing their own limits. They refuse to be stereotyped, and they certainly have no intention of slowing down.....

    Reinventing Ukulele & Balancing Solo and Band Acts ft. Feng E
  3. Oct 14

    On the Pressure to Stand Out In Today's Music Scene ft. henÿ

    In today’s episode, we will continue our conversation with henÿ, an indie-pop artist, songwriter, and producer known for blending lo-fi textures, groove-driven production, and lyrics in both English and Mandarin. Last week, we discussed how henÿ began making music, the artists who influenced his sound, and his journey from picking up the guitar to writing, producing, and releasing his own songs. Today, we will explore how he brings his songs to life beyond the recording process. He will talk about his enjoyment of working with session musicians and the new ideas that come from collaboration. Henÿ will share the stories behind songs like “Bet You” and “Sunday Afternoon,” including the inspirations that shaped them and the creative choices that make them unique. We’ll also address the challenges faced by independent artists in Taiwan, the pressure to stand out in a crowded music scene, and how streaming and AI influence their sound. Henÿ will reflect on what motivates him, like hearing that his music helped someone through their day, and share his hopes for audiences at his live shows. henÿ is a Taiwanese bedroom pop artist, songwriter, and producer based in New Taipei City. Blending Bedroom pop, Indie pop, and Lo-fi influences, he creates intimate soundscapes through conversational bilingual storytelling. Since releasing his debut EP 磨合期 Phase Issues, his music has been featured by KKBOX Rising Star. Also featured on playlists such as Spotify Fresh Finds Taiwan and many other editorial playlists. Currently, henÿ is preparing his debut full-length album while continuing to document the uncertainty, romance, and everyday moments of his generation through music. CAREER HIGHLIGHTS • Featured as a KKBOX Rising Star (2024) • Semi-finalist, Taoyuan Iron Rose Music Festival Competition (2025) • Finalist, H.O.T. Music Competition (2025) • Top 10 Finalist, Taipei Music Non-Stop (2026) • Winner, Chiayi Jhulou Rock Festival New Artist Selection (2026)henÿ is a Taiwanese bedroom pop artist, songwriter, and producer based in New Taipei City. He blends elements of bedroom pop, indie pop, and lo-fi influences to create intimate soundscapes through conversational bilingual storytelling. For more information about henÿ, please visit: IG YouTube Spotify

  4. Oct 7

    On Making Honest Music and Importance of Keeping Things Simple ft. henÿ

    Welcome to today’s episode of Taiwan Grooves. I’m joined by henÿ an indie-pop artist, songwriter, and producer whose music blends lo-fi textures, groove-driven production, and lyrics in both English and Mandarin. In the first half of our conversation, we talk about how henÿ started making music, the artists who shaped his sound, and the journey from picking up the guitar to writing, producing, and releasing his own songs. He will also share how he keeps his songs personal, the significance of groove elements in his music, and the importance of keeping things simple. Enjoy! henÿ is a Taiwanese bedroom pop artist, songwriter, and producer based in New Taipei City. Blending Bedroom pop, Indie pop, and Lo-fi influences, he creates intimate soundscapes through conversational bilingual storytelling. Since releasing his debut EP 磨合期 Phase Issues, his music has been featured by KKBOX Rising Star. Also featured on playlists such as Spotify Fresh Finds Taiwan and many other editorial playlists. Currently, henÿ is preparing his debut full-length album while continuing to document the uncertainty, romance, and everyday moments of his generation through music. CAREER HIGHLIGHTS • Featured as a KKBOX Rising Star (2024) • Semi-finalist, Taoyuan Iron Rose Music Festival Competition (2025) • Finalist, H.O.T. Music Competition (2025) • Top 10 Finalist, Taipei Music Non-Stop (2026) • Winner, Chiayi Jhulou Rock Festival New Artist Selection (2026)henÿ is a Taiwanese bedroom pop artist, songwriter, and producer based in New Taipei City. He blends elements of bedroom pop, indie pop, and lo-fi influences to create intimate soundscapes through conversational bilingual storytelling. For more information about henÿ, please visit: IG YouTube Spotify

  5. Sep 16

    On His Latest Album "My Words" with CJ MiT

    Hello and welcome back to getting to know CJ MiT! He is a singer-songwriter from Taiwan whose first album, *My Words*, was very successful. Today, we will continue from where we left off last week to explore why he chooses to write his songs primarily in Taiwanese and how he learned music production through YouTube. CJ will also share the equipment he used to record the album and his plans for upgrades. Additionally, we will discuss his new album ideas and break down some of his tracks. Enjoy! CJ will also discuss the significant improvements he made through singing lessons and the jobs he held while studying in North America. We’ll conclude by delving into his songwriting process, the essential elements that precede it, and begin discussing his first album. CJ MiT (謝金融) is a singer-songwriter and producer from Taichung, Taiwan. His self-produced debut album, “My Words” (《我說》), received four nominations at the 37th Golden Melody Awards in 2026, including Best New Artist, Best Taiwanese Male Singer, Best Taiwanese Album, and Album of the Year. He started playing piano at the age of eight and later studied in the United States on a scholarship, earning dual master’s degrees. A right-hand injury eventually led him to explore singing and pop music, shifting his focus away from classical performance. About two years ago, CJ left his teaching job in the U.S. to return to Taiwan. He taught himself arrangement and mixing through YouTube and began building his career by taking on small gigs and competing in competitions. “My Words” is a largely DIY album, recorded, arranged, and mixed at home with a production budget of under NT$30,000. It blends R&B, country, jazz, blues, musical theater, and orchestral elements into Taiwanese-language songs. The album is deeply personal, dealing with themes of staying with someone until the end, especially following the recent passing of his father. CJ has expressed that his biggest regret is that his father was unable to witness his Golden Melody nominations. The “MiT” in his stage name stands for “Made in Taiwan,” chosen to enhance searchability and to affirm his identity as a Taiwan-based artist. He describes his work as a way to transform his classical foundation into a personal musical language and expresses a desire to keep evolving stylistically with each new album. For more information about CJ, please visit: IG Apple Music Spotify

  6. Sep 9

    Uncovering Passion Within featuring CJ MiT

    Thank you for tuning in to your weekly exploration of talented musicians based in Taiwan! Today, I’m excited to be joined by CJ, a Taiwanese singer-songwriter and producer who has experienced a blessing in disguise. In the first part of our conversation, he will share how he began playing the piano and what led him to shift his focus from classical performance. CJ will also discuss the significant improvements he made through singing lessons and the jobs he held while studying in North America. We’ll conclude by delving into his songwriting process, the essential elements that precede it, and begin discussing his first album. CJ MiT (謝金融) is a singer-songwriter and producer from Taichung, Taiwan. His self-produced debut album, “My Words” (《我說》), received four nominations at the 37th Golden Melody Awards in 2026, including Best New Artist, Best Taiwanese Male Singer, Best Taiwanese Album, and Album of the Year. He started playing piano at the age of eight and later studied in the United States on a scholarship, earning dual master’s degrees. A right-hand injury eventually led him to explore singing and pop music, shifting his focus away from classical performance. About two years ago, CJ left his teaching job in the U.S. to return to Taiwan. He taught himself arrangement and mixing through YouTube and began building his career by taking on small gigs and competing in competitions. “My Words” is a largely DIY album, recorded, arranged, and mixed at home with a production budget of under NT$30,000. It blends R&B, country, jazz, blues, musical theater, and orchestral elements into Taiwanese-language songs. The album is deeply personal, dealing with themes of staying with someone until the end, especially following the recent passing of his father. CJ has expressed that his biggest regret is that his father was unable to witness his Golden Melody nominations. The “MiT” in his stage name stands for “Made in Taiwan,” chosen to enhance searchability and to affirm his identity as a Taiwan-based artist. He describes his work as a way to transform his classical foundation into a personal musical language and expresses a desire to keep evolving stylistically with each new album. For more information about CJ, please visit: IG Apple Music Spotify

About

Discover the rich and diverse world of music in Taiwan, and join me on a journey to explore the lives of musicians and their experiences that inspire the vibrant music scene here. Through this musical exploration, we can gain a deeper understanding of their emotions and the stories behind the notes.