The Music Business Buddy

Jonny Amos
  • 3.2 (9)
  • Music Commentary
  • Updated Weekly

The Music Business Buddy is a podcast about the future of music careers. Each episode explores how artists and creators are navigating today’s evolving music industry — from AI and streaming to publishing, sync licensing, branding and fan growth. Featuring conversations with music executives, creatives, entrepreneurs and innovators, the show offers practical insights into how the modern music business really works. The Music Business Buddy is hosted by award winning UK based music professional Jonny Amos. Author of The Music Business For Music Creators (Routledge, 2024), Jonny is a music industry consultant, artist manager, producer and educator. 

  1. Episode 101: How Independent Artists Build Funding Without Giving Away Ownership

    3d ago ·  Video

    Episode 101: How Independent Artists Build Funding Without Giving Away Ownership

    When you approach crowdfunding with a plan, it becomes one of the most powerful tools an independent artist can use to fund an album, a tour, a music video, or the next career step without handing over control. I am joined by Ella Kuijpers and Remy Van Leeuwen, the founders of Crowdable; a crowdfunding platform built specifically for music. Remy and Ella kindly explain why their work is as much about hands on strategic support as it is about raising capital, and what “success” looks like behind the scenes. We talk through the practical mechanics that many artists miss: setting a realistic funding goal, building a clear project page with video and story, choosing rewards you can actually deliver, and communicating with urgency across socials, newsletters, and gigs. One of the most useful frameworks they share is the three group rollout: start with close friends and family to create momentum, then widen to peers and existing fans, and only then reach future fans who do not know you yet. We also get into the emotional side, including the fear of asking for money, and how to reframe a donation as giving supporters a real chance to be part of the work. Along the way, we place music crowdfunding in the wider UK music industry funding landscape as a tool that can sit alongside grants, distributor deals, and label investment, while also proving you have an engaged fan base. If you’re planning a crowdfunding campaign or wondering whether it can fit your artist business model, you’ll leave with a clearer strategy and fewer pitfalls. Subscribe, share this with an artist friend, and leave a review with the project you’d crowdfund next. https://www.crowdable.co.uk/ Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    34 min
  2. Episode 100: What 100 Music Industry Conversations Taught Me

    Jun 2 ·  Video

    Episode 100: What 100 Music Industry Conversations Taught Me

    Episode 100 is a landmark for me, so I went back through the first 99 conversations and pulled out the 10 biggest lessons I want every music creator to use into 2026. If you make songs, release recordings, or collaborate with anyone at all, this is the practical checklist that helps you protect your work, get your royalties paid, and avoid the silent mistakes that cost artists money for years.  We start with the unglamorous stuff that decides whether you get paid: song splits, ownership clarity, and registering the right rights in the right places. I talk through why works registration and recording registration are not the same thing, how bad metadata leads to unclaimed royalties and black boxing, and how identifiers like ISWC and ISRC help connect the dots. If you are independent without a label or publisher, I explain why the responsibility lands on you and how to make that manageable.  Then we zoom out to the reality of streaming and discovery, where old music competes with new releases and dormant tracks can explode later through playlists, sync, or algorithmic momentum. I also share why music fintech is becoming a real funding route, why catalogue value matters, and what to consider before you lock rights away in long deals. Finally, we get tactical: think globally, embrace AI tools to save time and sharpen strategy, listen to seasoned professionals, map your next 12 to 24 months, build your team your way, and stop waiting to be picked.  If this helps, subscribe, share it with one music maker who needs it, and leave a review so more creators can find the show. Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    18 min
  3. Episode 99: Why India Is Becoming Music’s Next Global Powerhouse

    May 26 ·  Video

    Episode 99: Why India Is Becoming Music’s Next Global Powerhouse

    Royalties don’t disappear, they get stuck. When the data can’t identify you, the system can’t pay you, even if the money has been collected. That’s why I wanted to bring on Amit Dubey from Beat Street Music and Publishing in Mumbai, India; a specialist in the unglamorous back end of the music business - rights documentation, metadata accuracy, publishing administration, royalty tracking, and recovery.  We dig into how India’s music rights ecosystem compares with the UK and US, starting with the basics: composition rights, sound recording rights, and usage. From there, Amit explains the real gap in India, not structure but execution. We talk IPRS membership, why many creators still misunderstand music publishing, and the three reasons royalties end up in a “black box”: unclear splits, poor metadata, and missing registrations. If you’ve ever wondered why a track can trend and still not pay properly, this conversation gives you a checklist mindset.  We also look ahead at what could improve next: stronger reporting practices across radio, TV, OTT, and public performances, wider cue sheet adoption, and a culture of data discipline at the source. Amit breaks down Sangeet Dwar, India’s push towards a single licensing window for public performance, and we finish on how independent music is growing and how streaming economics and short-form platforms are reshaping creative choices. If you care about the Indian music industry, music publishing, copyright, and getting paid fairly from royalties, you’ll want this one.  If it helps, subscribe, share it with one music creator, and leave a review telling us what topic you want next. https://beatstreetmusic.co Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    43 min
  4. Episode 98: Music Royalties Explained - Distribution vs Publishing

    May 19 ·  Video

    Episode 98: Music Royalties Explained - Distribution vs Publishing

    Confusing distribution with publishing is one of the fastest ways to lose time, miss money, and second guess every release decision you make. I’m Jonny Amos - host of The Music Business Buddy and I’m stripping it back to basics so you can clearly separate what a music distributor does from what a music publisher does, without the jargon and without the myths. We start with the core distinction the industry actually cares about: the sound recording (master rights) versus the underlying song (composition copyright, meaning lyrics, melody, and harmony). From there, I explain how music distribution works in practice, from getting your recorded music onto Spotify, Apple Music and other streaming platforms, to why accurate metadata, credits, artwork and scheduling affect how you appear in searches, libraries and playlists. Distributors may offer extra services, but their main job is access and reporting for the master side. Then we move to music publishing, including why it’s even called “publishing” in the first place, what publishers do for songwriters, and why collection societies and PRO systems do not always catch everything without help. I break down the key publishing income streams, especially performance royalties and mechanical royalties, and I clarify the part that trips people up most: where streaming royalties sit, why both your distributor and PROs can be involved, and how the typical 80/20 split between recording and songwriting tends to work. If you found this useful, subscribe, share it with an artist friend who’s about to release music, and leave a review so more creators can find the show. What’s the one part of distribution or publishing you still want unpacked? Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    16 min
  5. Episode 97: How Artists Build Real Fans In China (Platforms, Strategy & What Actually Works)

    May 12 ·  Video

    Episode 97: How Artists Build Real Fans In China (Platforms, Strategy & What Actually Works)

    China can look like the biggest opportunity in music and the easiest place to get lost. I sit down with Jonathan Heeter, who runs Middle8, an outsourced China division for Western labels and artists, to translate what actually works on the ground and what Western playbooks get wrong. We map the Chinese music streaming landscape through Tencent’s QQ Music ecosystem and NetEase Cloud Music, then dig into why discovery algorithms can feel more sophisticated while staying stubbornly opaque. The real unlock is measurement: when public streaming data is limited, engagement becomes the signal. Jonathan explains why comments on tracks matter, what “memetic behaviour” looks like across Chinese platforms, and how that turns into measurable fandom you can take to promoters and brands. From there we move into monetisation and deal structure. China’s music business often operates holistically, optimising total revenue across streaming, touring, brand partnerships and IP, rather than treating each income stream as a silo. We also get practical about sync licensing in China, why buyouts are common, and why commissioned brand integrations can be far more lucrative than chasing back-end pennies. Finally, we cover must-know platforms for music marketing in China, including Red Note (Xiaohongshu), WeChat, Bilibili and Weibo, plus the realities of expensive paid media and real-name verification rules. If you’re an artist, manager, label or publisher building a China strategy, this is your roadmap. Subscribe for more music business insight, share this with someone planning an international campaign, and leave a review with the one China question you still want answered. https://middle8.agency Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    48 min
  6. Episode 96: How Indie X Turn Fans Into Income (Artist Ownership & Revenue Strategy)

    May 5 ·  Video

    Episode 96: How Indie X Turn Fans Into Income (Artist Ownership & Revenue Strategy)

    The fastest way to stall a music career is to build a following you can’t reach. I sit down with Jack McCarthy from IndieX to get practical about artist ownership: how attention becomes data, how data becomes relationships, and how relationships become reliable income that does not vanish between releases and tours. We talk through a simple framework that turns the fuzzy idea of a “fan base” into something you can measure and improve: audiences on social platforms, contacts on your email list or text list, customers who buy directly, and repeat customers who come back. From there, we get into real-world music marketing moves that pull people closer, from live show list-building to online offers like early access, tour location prompts, and creative drops that feel aligned with your art. Jack also explains the “revenue roller coaster” and why so many artists ride painful spikes around albums and touring. The alternative is always-on e-commerce marketing: lightweight campaigns throughout the year, smart calendars, and a clear customer journey that builds cash flow over time. We also get honest about streaming revenue, how to use streaming data as leverage, and why direct-to-fan should mean fewer middlemen, not new ones hiding behind shiny platforms. If you want a more sustainable music business built on fan data, e-commerce, and direct-to-consumer strategy, hit play, then subscribe, share this with one artist friend, and leave us a review.  https://indepreneur.io/services/ Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    37 min
  7. Episode 95: How SongPot AI is Changing Music Discovery (And What It Means for Sync & Creators)

    Apr 28 ·  Video

    Episode 95: How SongPot AI is Changing Music Discovery (And What It Means for Sync & Creators)

    You can feel the right track in your bones, but finding it inside a giant catalogue can still be painfully slow. That gap between what we mean and what search engines can understand is where sync licensing briefs stall, temp tracks take over, and great back catalogue gets left behind. I'm joined by Tiangu Zhu, founder of Songpot, to unpack a simple but ambitious goal: building AI that truly understands music as a language, not just as metadata. We talk through the real-world problems music supervisors and media teams face when words fail. Genre, mood and “danceability” are subjective, tagging is inconsistent, and a song rarely fits neatly into a few labels. Tiangu explains how AI music discovery can analyse audio itself to reveal “unspoken similarities”, helping libraries and rights holders improve music search, speed up clearance workflows, and deliver better matches for sync licensing. We also get into how Songpot can sit in the stack as a platform or an API for more tech-native companies. Then we flip to the creator side. Tiangu makes a clear case for human-centred generative AI: not replacing artists, but acting like a new instrument for producers and musicians. From prototyping ideas faster to turning a hummed melody plus a style into an instant draft, the focus stays on helping creators translate what’s in their head into something they can actually hear, share, and refine. If you care about music supervision, music libraries, catalogue value, music information retrieval, or practical AI tools for music production, this conversation will stretch your thinking. Subscribe for more, share this with a friend in sync or production, and leave a review if you want us to keep bringing you guests building the future of the music industry. https://songpot.art Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    44 min
  8. Episode 94: How To Build A Music Fanbase From Zero

    Apr 21 ·  Video

    Episode 94: How To Build A Music Fanbase From Zero

    The leap from making songs to building a career isn’t magic — it’s momentum you can engineer. I pull back the curtain on how to launch a brand-new artist from zero data to investable, using a practical framework that blends creative clarity with disciplined execution. No hype, no guesswork, just a repeatable path that lowers risk and raises opportunity. I start by nailing the lane: genre, subculture, and the core emotional promise that tells fans who you are at a glance. From there, we move into building in public, where behaviour beats vanity metrics. Watch time, comments, shares, and saves reveal what resonates before a single hits DSPs. Then we lay out a 36-week release plan: six singles, one every six weeks, supported by identity-led short-form content and optimised distribution on Spotify and Apple Music. You’ll learn why user-curated playlists are the first real lever, how a 10%+ save rate and listener-to-follower conversion flag a true lead single, and which analytics tools give you clean, comparable data. Press matters too — not for bragging rights, but for web presence that algorithms can read. We explain how consistent blog features and reviews feed natural language processing, helping platforms map your music to the right listeners. With one full cycle complete, we repeat with informed variables, compounding what works and dropping what doesn’t. That foundation leads to proof: one hundred local tickets, organic merch sales, early subscriptions, and the moment you “catch” algorithmic support on Discover Weekly and Release Radar. Finally, we show how to package the narrative for partners — growth curves, peer benchmarks, release discipline, revenue per fan, and a clear plan for deploying capital across touring, content, and marketing. You stop pitching potential and start pitching acceleration. If you’re serious about turning art into a sustainable business, this roadmap gives you the steps, signals, and language partners trust. Subscribe, share with a fellow creator, and leave a review with the one metric you plan to track next — what will you measure first? Reach out to me ! Support the show Websites www.jonnyamos.com https://themusicbusinessbuddy.buzzsprout.com Instagram https://www.instagram.com/themusicbusinessbuddypodcast/ https://www.instagram.com/jonny_amos/ Email jonnyamos@me.com

    17 min
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Ratings & Reviews

3.2
out of 5
9 Ratings

About

The Music Business Buddy is a podcast about the future of music careers. Each episode explores how artists and creators are navigating today’s evolving music industry — from AI and streaming to publishing, sync licensing, branding and fan growth. Featuring conversations with music executives, creatives, entrepreneurs and innovators, the show offers practical insights into how the modern music business really works. The Music Business Buddy is hosted by award winning UK based music professional Jonny Amos. Author of The Music Business For Music Creators (Routledge, 2024), Jonny is a music industry consultant, artist manager, producer and educator. 

Information

  • Creator
    Jonny Amos
  • Years Active
    2024 - 2026
  • Episodes
    102
  • Rating
    Explicit
  • Copyright
    © 2026 The Music Business Buddy
  • Show Website
    The Music Business Buddy

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