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Audio recordings of the Korea JoongAng Daily's in-depth, on-the-scene news articles and features informing readers around the world of the issues of the day in Korea. Under the slogan "Your window to Korea", the Korea JoongAng Daily is an English-language news organization focused on Korea that strives to publish factual, timely and unbiased articles.

  1. 6d ago

    With new EP 'TR.EE,' GOT7's Jay B finds growth in struggle with his own sound Related Article GOT7's Yugyeom selected as 'spring crush' by fans on K-pop voting platform GOT7's Jackson Wang to release 2nd solo album 'MagicMan 2' in July GOT7's Jay B open

    The GOT7 singer-songwriter says his first release under 528Hz reflects personal growth, deeper comfort in his craft and a stronger solo R&B identity. Singer-songwriter Jay B wants listeners to recognize his voice as the unmistakable R&B vocalist of boy band GOT7 — while also hearing how far his solo music has come. Jay B's third and latest EP, "TR.EE," comes three years and eight months after his previous solo album and marks his first new release since he joined his new agency, 528Hz. He poured his soul into this album, the 32-year-old said, hoping his music truly resonates with listeners for years to come. "I always think a lot about how to make people recognize, 'This music is from Jay B from GOT7," he said during a listening session of his third EP, "TR.EE," held at SeongsuYul Music in eastern Seoul on Wednesday. "At the same time, I also put a lot of thoughts into letting people notice how Jay B's music is different from GOT7's." The singer debuted as a member of GOT7 with JYP Entertainment in 2014, and has been actively involved in shaping the group's discography. When the band members' contracts with JYP Entertainment came to an end in 2021, they decided to go their separate ways without officially disbanding the group, and Jay B joined 586Hz earlier this year. His latest album, "TR:EE," was inspired by a phrase he read from a book by author Yoo Young-man: "A tree grows because it shakes; […] the roots grow deeper when the tree has been shaken harder." "There is always this feeling of anxiety inside me, but the day I encountered that phrase, I think it felt a bit more intense than usual," Jay B shared. "I found comfort from it — that I was not merely struggling but actually growing." The album features six songs: the lead track "Layback" and B-sides "Hold onto My Back," "Overflow," "One Call Away," "Time" and "We." Jay B is credited for songwriting and lyrics for all six songs in the album. While GOT7's music has been leaning more into dance-heavy and trendy pop sound, Jay B wanted his solo music to stay rooted in his affinity for groovy R&B. "I hope people come back to the songs again and again for a long time, like rereading books they have already read before," he said, adding with a smile, "The plan is to live a long and healthy life, but even after I'm gone, I wish my songs can continue to be sung and have an impact." Jay B said he let go of the pressure to prove himself with this album, noting that he now feels more comfortable with where he stands. "I used to think about being the best," he said. "But now, I'm thinking more about doing my best instead. Being best is great — but now, I'm focusing on doing my best." BY SHIN HA-NEE [shin.hanee@joongang.co.kr]

    3 min
  2. Jun 9

    Korea is aging alone. A Yakult delivery woman can be a lifeline for isolated older adults. Making the rounds When the door stays shut Bridging isolation with connection

    On a summer morning in Seoul two years ago, Yoon Gap-yeon, an 81-year-old woman who lives by herself, collapsed just at the threshold her front door. After that, she remembers little. She lay alone on the floor of her basement home for roughly half an hour — long enough, in the heat, that the outcome could easily have been different. Fortunately, her Yakult delivery woman arrived — one of Korea's roughly 11,000 "fresh managers," women who deliver chilled probiotic drinks door to door on electric carts. "She said, 'What's wrong?' I could hear her, but I couldn't respond," Yoon told the Korea JoongAng Daily last week. The manager ran to find a pharmacy, returned with medicine, came back that evening with porridge, and later helped connect Yoon to her local community center for welfare support. "If she hadn't come when she did, I don't know what would have happened to me," Yoon said. Korea has one of the world's fastest-aging populations. Nearly two million Koreans aged 65 and older live alone, equal to one in five seniors. Last year, a record 3,924 died in isolation, alone, their deaths undiscovered for days or longer. A survey by the Seoul Institute found that 62.1 percent of people living alone report feeling lonely; 13.6 percent have no one to rely on at all. Yoon lives alone in Gwangjin District, eastern Seoul. Intestinal surgery years earlier had left her weighing 41 kilograms (90 lbs) and unable to eat most ordinary foods. Her son lives in Ulsan, a five-hour drive away, and visits when he can. The manager who found her that morning was Son Young-soon. The Korea JoongAng Daily joined Son on her morning rounds on May 26. Before becoming a Yakult delivery woman 26 years ago, Son worked as a nursing assistant — a background, she said, that made her attentive to the kinds of changes that can go unnoticed in someone living alone. Her route winds past Hyemin Hospital and through streets lined with low-rise residential buildings and public housing in Gwangjin District, an area with one of the higher concentrations of elderly and vulnerable residents in eastern Seoul. She manages around 70 customers, about 10 of them are older adults living alone. Yoon is one of them. The deliveries take only a minute at each door. Son rings the bell. If the customer is home, they come to the door; if not, she leaves the pouch on the handle. When the door opens, the conversation rarely stays on the drinks. "They have no one to talk to," Son said. "So when you see them, it all comes out — how they're feeling, where it hurts. Some of them give you fruit or snacks and say thank you." Son keeps notes on who has been quieter than usual, who mentioned a hospital appointment, who did not answer on a day they were expected to be home. "I just like people," she said. "Especially the elderly — they seem to like me. I have a friendly face." On the morning of May 26, as she worked her way down the block, a neighbor stopped mid-stride to place an order. A few minutes later, Yoon, returning from a hospital visit, spotted Son across the street, crossed over and took her hand. A man surnamed Kim, 82, is another of Son's customers, who has been receiving deliveries three times a week for three years through a government designation. Asked about his daily routine, he was brief. "Eating, sleeping," he said. "Taking medicine every day." Asked whether he has friends or neighbors his age nearby, he paused for only a moment. "They're all dead," he said. "I'm living on medicine." A care worker comes to clean his home and do his laundry. Son's visits offer something different, he said — "emotionally. In the heart." He called the people who come to see him "angels," and said he looks forward to the visits. Fresh managers like Son often end up doing more than delivering drinks, particularly as the country ages and the networks around older people grow sparser. Under a government-linked program launched in 1994, HY, the Korean food company that makes Yakult, coordinate...

    9 min
  3. Jun 8

    'Welcome to ma city': BTS puts Busan on K-pop's tour map 'Welcome to ma city' K-pop tours, not really K anymore Busan turns into BTS's city

    With two sold-out stadium concerts in Busan, BTS is raising a question that extends beyond its own tour: Can a Korean city outside the capital region become a regular destination for large-scale K-pop concerts? For most K-pop artists, touring Korea still largely means performing in Seoul and its surrounding areas. The logic is hard to ignore. The capital region, including Seoul and the surrounding Gyeonggi, is home to more than half of the country's population, as well as the industry's biggest venues, agencies, media outlets and production networks. Outside that sprawling metropolitan area, the equation becomes far more complicated. But BTS is taking its world tour to Busan. And Korea's largest port city is pulsing with anticipation — not only for the two concerts themselves, but for what may come after them. With two sold-out stadium concerts in Busan, the septet is raising a question that extends beyond its own tour: Can a Korean city outside the capital region become a regular destination for large-scale K-pop concerts? "I've been so excited to invite you all to my hometown," Jimin said on Oct. 15, 2022, when BTS held its free "Yet To Come in Busan" concert at Busan Asiad Main Stadium as part of the city's bid to host the World Expo. "We couldn't possibly leave this song out when we are performing in Busan, right?" he added. "Welcome to ma city!" The group then launched into "Ma City," a 2015 track in which the seven members pay tribute to their hometowns — from Suga and V's Daegu and J-Hope's Gwangju to RM and Jin's Gyeonggi, and Jimin and Jungkook's Busan. Some of the members slipped into their regional dialects, a homecoming written into the group's own music. A little less than four years later, BTS is returning to the southeastern port city for another concert, this time as part of its ongoing "Arirang" world tour. BTS opened its "2.0" era after a nearly four-year pause in full-group activities with its fifth full-length album, "Arirang," released on March 20. The group kicked off its world tour with three shows at Goyang Main Stadium in Goyang, Gyeonggi, just west of Seoul, before heading to the United States, where the tour drew 840,000 fans. Now, BTS is coming home again — and doing so at a particularly symbolic moment. The Busan concerts coincide with the group's 13th anniversary of its debut on June 13, which BTS will mark with the 2026 BTS Festa, its annual celebration with fans. The "Arirang" world tour is scheduled to take place in Busan on June 12 and 13 at Asiad Main Stadium. The timing explains why the group had to return to Korea at this point in the tour, while Busan in particular carries sentimental weight as the hometown of Jimin and Jungkook. BigHit Music, BTS's agency, has billed the concerts as "a special homecoming." "BTS will return to Busan for the first time in about four years for a special 'homecoming,'" the agency said in a release in May. "The project is especially meaningful as it takes place around June 13, the anniversary of BTS's debut." The Busan stop, however, is unusual enough to draw attention. Major K-pop concerts in Korea remain heavily concentrated in Seoul and the wider capital region, while full-scale domestic tours across multiple Korean cities have become relatively uncommon for idol acts, especially established ones. As K-pop has grown into a global touring industry, many major groups now begin their live tours with Seoul-area shows followed by overseas legs, rather than multiple stops within Korea. "Artists do sometimes hold nationwide tours, but the facilities are not always ideal, and there are not many large-scale venues," said a source from a K-pop agency, who requested anonymity. "Busan Asiad Main Stadium is a good venue, but not every artist can fill a venue of that size. Smaller than that, the facilities there are unlikely to be ideal." Even when venue capacity is not the problem, infrastructure can be. "For us, domestic concerts are important, but because man...

    8 min
  4. Jun 8

    North Korea's rural factory push fades after ribbon-cuttings, satellite data shows Lights that follow Kim Ribbon-cutting, then darkness Lights move with the propaganda

    North Korean leader Kim Jong-un, chain-smoking and frowning from the dais of an expanded meeting of the ruling Workers' Party Central Committee secretariat on Jan. 27, 2025, lashed out at his own ranks. "This is a special-grade crime that our party cannot forgive even a little bit," Kim said. The target of his anger was a group of some 40 party officials in Onchon County, South Pyongan Province, who, North Korean media reported, had spent the year-end holidays drinking with female volunteers and engaging in promiscuous behavior at a hot springs resort. Onchon was no ordinary county. It was one of the 20 sites selected for the first year of Kim's signature Regional Development 20×10 Policy, an initiative to build modern light-industry factories in 20 rural areas every year for a decade. The misconduct occurred just before the county's Jan. 20, 2025, factory opening ceremony. Within a week of the ribbon-cutting, Kim ordered the officials to be sternly punished. Why did the leader react so sharply to the misbehavior of a handful of mid-level local officials? The answer lies in a speech he had given about a month earlier. On Dec. 20, 2024, at the completion ceremony for new provincial factories in Songchon County, South Pyongan Province — the showcase site for the policy and the first to break ground — Kim suddenly invoked the 1962 Changsong Joint Conference, the meeting at which his grandfather Kim Il Sung outlined his vision for raising rural living standards. That meeting has been treated for more than half a century as North Korean scripture on regional policy. "Why has the policy on local industry not been carried through even now, more than 60 years later? It is because there have been no clear standards or principles," Kim Jong-un said. He went on to mock past propaganda about Changsong — "all they did was make documentary films and write songs about how Changsong had been transformed" — and acknowledged that "from the 1990s, the factories essentially came to a complete halt," a rare public reference to the famine years of the Arduous March under his father, late leader Kim Jong-il. It was a striking move. As the first fruit of his regional development drive came online, Kim Jong-un publicly conceded the failures of the Paektu bloodline — North Korea's ruling Kim clan — and cast himself as the one who would finally do what founder Kim Il Sung had not. The Onchon misconduct, in that light, was not a small embarrassment. It was a challenge to a historic project that Kim Jong-un has called a "sacred and great undertaking." Kim, who, as a young leader, had cultivated a physical resemblance to his grandfather, down to his hair and speech, was now testing whether his 20×10 policy could surpass the achievements of the man he had spent his life imitating. Whether it has succeeded has been hard to determine from the ground, so the JoongAng Ilbo turned to the night sky. Nighttime light intensity levels — a widely used proxy for real economic activity in countries that, like North Korea, release little reliable economic data — show that power briefly flooded into all 20 first-year sites in 2024. But those sites did not remain lit. Where did the light come from, and where did it all go? A KAIST-Max Planck Institute for Security and Privacy joint research team led by professors Kim Ji-hee and Cha Mee-young used satellite imagery to track nighttime brightness across 178 of North Korea's cities and counties — with Pyongyang's 18 districts treated as one — from January 2022 to October 2025. Drawing on that data, the team compared the brightness in October 2023, before the first batch of counties was named, with the brightness in October 2025, after the new factories had opened. Analysis showed insufficient power to keep all 20 sites lit. Instead, the lights appeared to embrace a very Kim Jong-un approach: strategic selectivity. Of the 20 first-year counties, only five were brighter at night in 2025 than they were in 2023: Kusong, Son...

    11 min
  5. Jun 8

    For the disabled, public art spaces remain largely out of reach amid accessibility limitations

    Can Korea call itself a cultural powerhouse when some of its largest public art institutions have gone years without running a single program accessible to disabled visitors? Can the arts sector truly be considered democratic and inclusive when certain people are routinely left out? A few years ago, Chung Young-seok — a wheelchair user who lectures and researches arts management — went to Museum SAN in Wonju with a friend, the very place where another wheelchair user was denied entrance in April this year. They tried to enter the James Turrell hall, which houses one of only a handful of Turrell installations in the world. There was an elevator, but just as he was about to hop in, a staff member came over and told them they couldn't ride it, without explaining why. "I could understand if there were no facilities for the disabled at all," Chung said. "But to be told I couldn't use a facility that was already there — that felt like an entirely different problem. It made me realize this isn't about whether facilities exist. It's about how access is operated and how it's understood." Korean museums face a gap between access and inclusion Korean public art spaces often meet legal accessibility rules on paper, but many disabled visitors still cannot fully use them. A survey of major museums found that few offered sustained barrier-free programs, and many services were limited, temporary or hard to access. One key issue is staffing, not just facilities. Museums need dedicated workers and better understanding of different disabilities so access becomes part of daily operations, not a response to public criticism. This factbox was generated by Labrador AI and proof-read by a journalist. Museum SAN is, by Gangwon's official designation, a barrier-free tourist site — wheelchair rentals included. The episode, which Chung recounted after last month's incident that ignited a brief flurry of public attention, points to a broader conversation on accessibility that Korean arts institutions have not quite caught up to. The question is no longer whether ramps and elevators exist. They mostly do. The question is whether the access they imply actually works. Law is there, but programs, less so Korea has legally mandated accessibility at public buildings since 1998, when the Convenience Promotion Act was enacted, requiring public facilities to install ramps, accessible restrooms, tactile paving and similar fixtures. A barrier-free certification system, introduced in 2008, then layered a voluntary grading system on top of the act, evaluating buildings against more demanding criteria for everything from circulation paths to signage. The Korea Disability Arts & Culture Center (KDAC) also administers a grant program that funds accessibility content and operations at public exhibition and performance spaces, with awards ranging from 50 million ($34,500) to 80 million won per institution for up to three years. This grant program has also expanded in the number of recipients, with six institutions receiving 500 million won in 2024 and 22 institutions receiving a total of 1.6 billion won this year. The issue is that physical and programmatic accessibility move on separate tracks — one supported by the state, the other left to whatever budget an institution can find. To get a sense of how this plays out, the Korea JoongAng Daily asked the country's 20 largest art museums by visitor count to share their accessibility programming over the past five years, as well as their staffing levels. Of the 20 surveyed, 13 museums responded, and among them, only six could point to more than one exhibition over the past five years that was designated barrier-free from the start. The rest reported accessibility measures bolted onto otherwise standard programming — a sign-language caption here, a tactile catalog there, a braille leaflet at the gate. The National Museum of Korea, Busan Museum of Art and Daelim Museum were among those that did not give responses. The poi...

    13 min
  6. Jun 8

    Nvidia to support gigawatt-scale computing infrastructure for SK, Naver

    Nvidia partnered with Korean chipmaker SK hynix to develop next-generation memory chips that will power Nvidia's AI infrastructure. SK's telecommunication arm, SK Telecom, will begin operating its first AI factory in 2027 on Nvidia's platform. The two major deals were announced Monday following a morning meeting between Nvidia CEO Jensen Huang and SK Group Chairman Chey Tae-won. "SK is our largest memory partner," Huang told reporters after the meeting at SK's Seorin building in Jongno district, central Seoul. "We are expanding our partnership to include many new markets. [...] We announced a redesign, a reinvention of the world's personal computers we call RTX Spark, a partnership between us and Microsoft to reinvent the personal computer for the first time in 40 years, and that will have SK hynix inside. "The next wave called physical AI and robotics — we built a processor called Jetson Thor, and that will have SK hynix inside." The long-term partnership was struck to ensure a stable supply of advanced memory chips, which take years to design and bring to market, the companies said. The deal is part of Nvidia's broader strategy to lock in formal partnerships across its entire semiconductor supply chain — the foundries that manufacture its chips, the memory suppliers, and the software companies that help design them. Under the agreement, SK hynix and Nvidia will jointly develop memory for a wide range of Nvidia AI products, from data center supercomputers to consumer PCs and robotics systems — specifically the Vera Rubin AI supercomputer, Vera CPU, RTX Spark PC and Jetson Thor robotic computing platform. SK hynix will also use Nvidia's software tools to speed up its internal chip development processes — work that traditionally requires enormous computing resources and time. This includes using Nvidia's CUDA-X software toolkit, which lets applications run much faster on Nvidia's chips, and PhysicsNeMo, an Nvidia framework that uses AI to simulate physical processes in chip manufacturing, such as how light interacts with a chip's surface during production. The partnership will extend to electronic design automation — the software used to design chips — to form a three-way collaboration between chipmakers, Nvidia and the companies that make chip design software. The two companies are also working together on digital twin technology to enable real-time AI monitoring and smarter decision-making on the production floor. For SK Telecom, the focus is on building out AI factories: purpose-built facilities optimized for AI workloads, going beyond what conventional data centers can do. The first is expected to go online in Korea next year, built on Nvidia's DSX platform — a blueprint that covers everything from the chips inside to the software, power infrastructure, and operational systems. "AI factories are essential for Korea's universities, scientific labs, startups and industries," Huang said. "Just like electricity, water and the internet, Korea will be powered by AI in the future. It will be used in every country, every company and every industry — including, of course, the manufacturing of chips and telecommunications." SK Telecom will join Nvidia's Cloud Partner program, an ecosystem of companies that deliver AI computing services using Nvidia's infrastructure, with the goal of offering competitive pricing and energy efficiency. SK Group and Nvidia will also launch a joint research & development (R&D) effort on AI factory architecture, establishing a working body focused on improving how GPUs and memory chips are designed to work together from the ground up. "Through our close partnership with Nvidia, we have built full-stack AI infrastructure competitiveness spanning chips through data center operations," Chey said. "Beyond service delivery, we will jointly tackle challenges around GPUs, memory and energy — and emerge as a leading AI cloud provider driving AI ecosystem development across Asia." The U.S. chip giant also un...

    6 min
  7. Jun 8

    Xi's Pyongyang visit tests denuclearization hopes (KOR)

    Chinese President Xi Jinping begins a two-day state visit to North Korea Monday, coinciding with the 65th anniversary of the Sino-North Korean friendship treaty. The summit is expected to focus on restoring bilateral ties and expanding economic and security cooperation. Ahead of the visit, North Korea has intensified its display of nuclear capabilities. After inspecting nuclear material production facilities, North Korean leader Kim Jong-un continued a series of public appearances highlighting the country's nuclear and missile programs. On Sunday, his sister, Kim Yo-jong, declared that North Korea's status as a nuclear weapons state was "an irreversible red line." She also rejected reports that Beijing and Washington had reaffirmed their support for the denuclearization of the Korean Peninsula during last month's U.S.-China summit, calling them "fabricated" and "groundless." The message appeared aimed not only at the United States but also at China, signaling that denuclearization is no longer open for discussion. The situation differs markedly from Xi's previous visit to Pyongyang in 2019. Even after the collapse of the Hanoi summit between North Korea and the United States, Pyongyang did not entirely reject the framework of denuclearization negotiations. Today, however, the North's position is that the issue should not even be raised. Since the outbreak of the war in Ukraine, North Korea has expanded its strategic room for maneuver through closer ties with Russia. Emboldened by that relationship, Pyongyang is pressing not only Washington but also Beijing to accept the reality of its nuclear arsenal. China, for its part, has strong incentives to keep North Korea within its sphere of influence. Xi's visit could accelerate discussions on economic cooperation, logistics projects and port development. The concern is that the longstanding principle of denuclearization may receive less attention while new security uncertainties emerge in Northeast Asia and the East Sea region. If China focuses primarily on managing relations with Pyongyang while effectively tolerating North Korea's nuclear development, prospects for resolving the nuclear issue will grow even dimmer. A shift from pursuing denuclearization to merely managing or freezing the North's nuclear program could amount to de facto recognition of its nuclear status. The Korean government should closely analyze the outcome of the summit and actively engage diplomatic channels with Beijing. At the same time, it must maintain the Korea-U. S. alliance and trilateral security cooperation among Korea, the United States and Japan. As North Korea continues to advance its nuclear and missile capabilities while cooperation among North Korea, China and Russia deepens, strong alliances and international coordination remain the most realistic foundation for safeguarding Korea's security. Xi's trip to Pyongyang must not become an occasion that legitimizes North Korea's pursuit of permanent nuclear weapons status. '핵 포기 불가' 선언한 북한, 북·중 회담이 더 우려된다 시진핑 중국 국가주석이 오늘부터 이틀간 북한을 국빈 방문한다. 북·중 우호조약 체결 65주년과 맞물린 이번 방북은 북·중 동맹 복원과 경제·안보 협력 확대 방안을 논의하는 자리가 될 것으로 보인다. 시 주석의 방북을 앞두고 북한은 노골적인 핵 능력 과시에 나섰다. 김정은 국무위원장은 핵물질 생산시설 시찰을 시작으로 핵·미사일 능력을 과시하는 행보에 나섰고 어제는 "핵보유국 지위는 절대 불퇴의 한계선"이라고 한 김여정 노동당 부부장의 담화를 공개했다. 지난달 미·중 정상회담에서 한반도 비핵화 목표에 동의했다는 보도는 "완전한 날조이고 허황된 거짓 정보"라고 주장했다. 비핵화는 더 이상 논의의 대상이 아니라고 은근히 시 주석을 압박한 셈이다. 이는 2019년 시 주석 방북 당시와는 분명히 다르다. 당시 북한은 하노이 북·미 정상회담 결렬 이후에도 비핵화 협상의 틀을 완전히 부정하지는 않았다. 하지만 지금은 비핵화는 말조차 꺼내지 말라는 입장이다. 우크라이나 전쟁 이후 러시아와의 협력을 통해 전략적 입지를 넓힌 북한은 미국뿐 아니라 중국에도 핵무장 현실을 인정하라고 압박하고 있다. 북한을 자국 영향권에 묶어두려는 중국은 이번 방북을 계기로 경제 협력과 물류·항만 개발에 속도를 낼 가능성이 있다. 문제는 이 과정에서 한반도 비핵화 원칙이 뒷전으로 밀리고 동해 안보 환경에도 새로운 변수가 생길 수 있다는 점이다. 북한의 핵 개발을 사실상 묵인한 채 관계 관리에만 집중한다면 북핵 문제는 더욱 해결의 실마리를 찾기 어렵다. 중국이 비핵화보다 '핵 동결' 수준의 관리에 무게를 둘 경우 핵보유국 지위를 사실상 인정하는 결과로 이어질 수 있다는 점에서 우려가 크다. 정부는 이번 북·중 정상회담 결과를 면밀히 분석하고 중국과의 외교 채널을 적극 가동해야 한다. 동시에 한·미 동맹과 한·미·일 안보 협력을 흔들림 없이 유지해야 한다. 북한의 핵·미사일 능력이 고도화되고 북·중·러 협력이 강화되는 상황에서 우리...

    4 min
  8. Jun 8

    For the disabled, public art spaces remain largely out of reach amid accessibility limitations

    Korean arts institutions struggle with accessibility despite legal requirements. Many disabled visitors face barriers due to lack of effective programming, insufficient staff and inadequate understanding of diverse needs, raising questions about inclusivity. A few years ago, Chung Young-seok — a wheelchair user who lectures and researches arts management — went to Museum SAN in Wonju with a friend, the very place where another wheelchair user was denied entrance in April this year. They tried to enter the James Turrell hall, which houses one of only a handful of Turrell installations in the world. There was an elevator, but just as he was about to hop in, a staff member came over and told them they couldn't ride it, without explaining why. "I could understand if there were no facilities for the disabled at all," Chung said. "But to be told I couldn't use a facility that was already there — that felt like an entirely different problem. It made me realize this isn't about whether facilities exist. It's about how access is operated and how it's understood." Museum SAN is, by Gangwon's official designation, a barrier-free tourist site — wheelchair rentals included. The episode, which Chung recounted after last month's incident that ignited a brief flurry of public attention, points to a broader conversation on accessibility that Korean arts institutions have not quite caught up to. The question is no longer whether ramps and elevators exist. They mostly do. The question is whether the access they imply actually works. Law is there, but programs, less so Korea has legally mandated accessibility at public buildings since 1998, when the Convenience Promotion Act was enacted, requiring public facilities to install ramps, accessible restrooms, tactile paving and similar fixtures. A barrier-free certification system, introduced in 2008, then layered a voluntary grading system on top of the act, evaluating buildings against more demanding criteria for everything from circulation paths to signage. The Korea Disability Arts & Culture Center (KDAC) also administers a grant program that funds accessibility content and operations at public exhibition and performance spaces, with awards ranging from 50 million ($34,500) to 80 million won per institution for up to three years. This grant program has also expanded in the number of recipients, with six institutions receiving 500 million won in 2024 and 22 institutions receiving a total of 1.6 billion won this year. The issue is that physical and programmatic accessibility move on separate tracks — one supported by the state, the other left to whatever budget an institution can find. To get a sense of how this plays out, the Korea JoongAng Daily asked the country's 20 largest art museums by visitor count to share their accessibility programming over the past five years, as well as their staffing levels. Of the 20 surveyed, 13 museums responded, and among them, only six could point to more than one exhibition over the past five years that was designated barrier-free from the start. The rest reported accessibility measures bolted onto otherwise standard programming — a sign-language caption here, a tactile catalog there, a braille leaflet at the gate. The National Museum of Korea, Busan Museum of Art and Daelim Museum were among those that did not give responses. The point isn't to rank. The point is that institutions cannot agree on what counts as an accessibility program in the first place. Even accounting for differences in terminology and reporting methods, most institutions appeared to rely on exhibition-specific or auxiliary accessibility measures rather than long-term operational structures. A 2024 survey by the Seoul Foundation for Arts and Culture found that 64.5 percent of disabled residents in the city had not visited a cultural venue in the past year, against 23.9 percent of the general public — a gap that doesn't show up in any single museum's program count, but is the backdrop aga...

    12 min

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Audio recordings of the Korea JoongAng Daily's in-depth, on-the-scene news articles and features informing readers around the world of the issues of the day in Korea. Under the slogan "Your window to Korea", the Korea JoongAng Daily is an English-language news organization focused on Korea that strives to publish factual, timely and unbiased articles.

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