The Voice of Los Feliz

Phil Leirness

An audio journey exploring the history, happenings, colorful characters and rich stories and experiences that make the neighborhood of Los Feliz the beating heart of Los Angeles. philleirness.substack.com

  1. Aug 14

    The Voice of Los Feliz (podcast) Episode 18

    Los Feliz is definitely where it’s all happening this month! Since last joining you, the community of Los Feliz received the saddest news imaginable: the death of beloved local icon Tony Fanara (who guested on episodes 7 and 8 of this podcast). Host Phil Leirness gets together with his dear friend Céline Vacher at the Desert Rose to share memories of Tony and to preview this weekend’s Los Feliz Art & Music Block Party and Mural Festival. People familiar with the endeavors of host Phil Leirness know that he has long been considered “podcast royalty” and, indeed, he hosts, produces and/or contributes to no fewer than 15 different shows each month! One of the incredible people he has met through his long-running affiliation with the UK-based “Midweek Drive” (a longtime fixture on Siren FM) is intrepid journalist Cathy Manso. She was in town recently, and so, Phil gave her a proper tour of Los Feliz. Afterwards, they retired to his “rooftop studio” with cocktails in hand to get better acquainted. The last time Phil got together in person with journalist Cathy Manso it was at the Museum of the Moving Image in New York City. The Los Feliz Writers Festival returns next week with its 2nd installment, featuring 14 free events spread over five days (including the already-legendary “Voices of Los Feliz”, which will be hosted this year by Phil Leirness). High school teacher, writer, and director of the festival Sammy Ginsberg joins Phil to share all the thrilling details of what promises to be an unforgettable event. This show could be produced without the music of Jon Lawlor, and without the comedic contributions of Marc Hershon, but it wouldn’t be nearly as good. And though this show will always be available for free, the financial support provided by the paid subscribers to this Substack is GREATLY appreciated. The Voice of Los Feliz is a reader and listener-supported publication. To receive new essays, new podcasts, and support my work, please consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philleirness.substack.com/subscribe

  2. Aug 9

    Class of ‘86 (part two)

    Along with Mike Stewart, Karen Kwan was my best friend in high school and so, of all the events taking place reunion weekend, I was most looking forward to the pre-party she was throwing at her parents’ home in Saratoga … 24) In the weeks leading up to the reunion, it felt like Karen and I were back to passing notes, the way we would during and between classes in high school. Now, of course, because of living almost 400 miles away from each other, but thanks to technology, our note passing takes the form of near-constant text messaging. One issue we went back and forth over via text was what the exact wording should be on the sign instructing all guests to the “Retired Matadors” party to enter through the side gate (and not come up to the front door). As should be obvious to anyone who is remotely familiar with me, my suggestion was the instruction sign indicate the “Mat-a-door” guests should use (and if you are listening to the narrated version of this essay without, at least, reading along, you are really missing out). Over the past handful of years, it has been great to become reconnected with Karen, and without a doubt, what I was most looking forward to during reunion weekend was getting to spend time with her. Frankly, I was worried that I might just end up dominating her dance card! I also was really looking forward to Lily getting to spend time with her. Suffice it to say, Lily did come away from the weekend duly impressed with Karen. And at least one of Karen’s daughters was impressed by Lily, not only raving about how pretty she is, but asking her mom (Karen) if she was wondering how I “pulled such a baddie”! I don’t think I had heard this terminology before. Even if I had, I certainly don’t understand what “baddie” means in this context. Still, you can bet I will be trying it out in conversation! 25) After all the back and forth about what the entry instruction sign should say, I ended up being quite amused by the final wording: Enter Class of ‘86 MAT-A-DOOR ← (Pun credit – Phil) Lily very much wanted to get a photo of me posed with the sign (Karen had promised that people would want to include the sign in pictures, and therefore, the wording was important). While we were taking the photo, Karen’s mom opened the front door and yelled at me to go through the side gate! I re-introduced myself to her, telling Mrs. Kwan who I was. She paused, remembered, and said, “Oh, Phil!” and then added, “Go through the side gate!” 26) Karen’s mom was in peak form throughout the party. Always a great hostess, she can prove herself to be an even greater taskmaster, as she did on this occasion, constantly yelling at me to move somewhere other than where I was. If I was outside enjoying a lovely beverage, she would shout at me to take off my shoes and go inside to get food. If I was inside getting food, she was right there telling me to go outside and sit down. If I was sitting down, I was told to go crouch behind a little Buddha statue to pose for a picture with Lily. It was all great fun and I loved joking about it. I also easily burned off whatever calories I was taking in, such were the paces Mrs. Kwan was putting me through. At one point she found it important to tell Lily what a troublemaker I had always been. Though the example she gave to support her claim was one I would vehemently push back against, the underlying claim itself is not without merit. 27) The spread was wonderful. Everything was delicious. What’s more, given Lily’s dietary restrictions, it was fabulously healthy. Karen is touched by genius in many creative fields, cooking is one of them, and she just seems to be getting better all the time. Honestly, though, I sort of expected her to knock our socks off. What snuck up on all of us was Forrest Lee’s Black Sesame Basque Cheesecake, made from scratch. The Stew and I came to the reunion weekend expecting to win it. During a quiet aside, he and I had to admit that Forrest Lee was not only going to be stiff competition, he might actually have been out in front at that point and that was BEFORE we knew about the cheesecake. 28) I enjoyed much of my meal at what Karen and our classmate Julie Yen’s husbands dubbed “the spouses table”. And though Bill Bennett’s wife, Michele, did not sit with us, Lily did. It was really fun getting to spend time with Karen’s husband, Geoff, and Julie’s husband, Scott, and I was grateful for the opportunity as I knew they would not be attending the main event later that evening. All of a sudden, after everyone had eaten, mingled, and had dessert, it was time, apparently, to do a line dance for TikTok. I was surprised at how game everyone was. Not surprisingly the exception to this was The Stew and myself. We repaired to the corner of the yard to basically just look handsome, as many photos documented clearly. From our vantage point safely off camera, we observed the spectacle as it unfolded. One thing that blew us away was how unchanged our pal Ben Golub looks. His face, his movements - it was like we were glancing back in time! Sure, our vision might not be as precise as it was back then, but from our distance, Ben looked just like he did when we graduated high school! Everyone in the line acquitted themselves admirably. Quite rightly, Lily’s participation earned raves. Karen’s business partner, upon viewing the videos, said she would dance if she could dance like Lily, stating that Lily’s “got swagger”. All the spouses in attendance – Geoff, Scott, Michele and Lily - made very strong showings. At last (but certainly not least), it was time for the main event … 29) The Stew drove, I rode shotgun, and Lily climbed into the back of the giant SUV, not without help, however. Although I remembered how to get to the venue, The Blue Pheasant on Stevens Creek Boulevard, I really did not remember the place vividly at all. It’s a restaurant and bar, one of the most venerable spots (probably THE most venerable social spot left) in Cupertino. It’s located adjacent to the Blackberry Farm golf course, and operates colloquially as its “19th hole”. I was amused by the sign posted by the front door (in a frame no less), once de rigueur for such establishments, proclaiming, “We Reserve the Right to Refuse Service to Anyone”. That unique use of capitalization was theirs, and the phrase was, indeed, in quotes. Beneath it was a small illustration of, I suppose, a blue pheasant with the following line beneath that: - The Blue Pheasant Who knew that The Blue Pheasant, its proprietors and its staff were the original authors of a disclaimer that would be seen at or in establishments all around the country, if not the world? Well done, guys! Our party was downstairs, in a private room. At the base of the stairs was another framed sign that amused me no end (say what you will about The Blue Pheasant, but they support local picture frame shops). It simply read: “Do Not Obstruct”. Although I do find this to be generally sound life advice, at least as a guideline, the purpose for this sign was clearly specific to the fact that the narrow staircase could prove to be quite the source of a bottleneck. Unfortunately, reading the sign requires one to stop on that very staircase, dramatically increasing the likelihood of said bottleneck. Isn’t it funny how often we humans, in thinking we are addressing a problem end up exacerbating that problem? It’s hilarious! Less hilarious was the status of the restrooms. I don’t want to be harsh. If the reunion proved nothing else, it certainly revealed that time does take its tolls, even on a group as fundamentally attractive as ours. Time has been far less kind to The Blue Pheasant, I must say. I have no idea how many years it had been since I had last stepped foot in the establishment, but it looked like it had been much longer since anyone had actually cleaned the men’s room. At some point someone had tended to a leaky sink, but the method of repair had been to wrap and knot a hand towel around the faulty pipe. 30) I had thought I might not drink all weekend. Yet, after a warm-up beer at Yoshi’s while getting ready, a beer at Karen’s upon arriving at the pre-party, two glasses of red wine while eating, and another beer to wash it all down, I decided upon arriving at the main event that I should go ahead and drink. After getting a (Hendrick’s) gin and tonic, I got to have the meaningful, in depth conversation with Chris Gregson that had been teased by our interaction on the tour that morning. Much of my early mingling occurred within just a handful of feet of the bar. Handy when it came time for The Stew to get me my 2nd gin and tonic of the night. I finally broke away from the area when I spotted my old neighbor from Columbus Avenue, Ted Mirch (as had been foreshadowed by the events of earlier in the day). He was a party crasher from Class of 1988, and I could not have been more delighted to see him. I have since learned that, apparently, all classes were invited to attend. 31) Shannon Engelbrecht and I were able to catch up. She and I have maintained a friendship through the years, getting together on occasion, and always having fascinating conversation when we did. She has been the picture of loveliness since we first met in, I believe, 7th grade and it always does my soul a world of good to see how she, seemingly, becomes ever more engaged and interested and amused by life. Lily has become quite taken by her as well. Good thing, too, because I know for a fact that as much as Shannon likes me, she likes Lily more! 32) I mentioned earlier that when speaking with Chris Gregson, I found myself wondering, “Why didn’t we ever hang out?” I imagine there are a lot of “Why didn’t we ever …” questions posed at reunions. I don’t really find myself regretting very much. There simply isn’t time for it, and I would never want to pull at even the loos

  3. Aug 9

    Class of ‘86 (part one)

    The 40th reunion weekend for the Monta Vista High School graduating class of 1986 took place the final weekend in July. Go, Matadors! Indeed, I was one of the “Retired Matadors” (as my dear friend Karen Kwan dubbed us) who had long planned on going to all the festivities arranged by our class Social Manager, Laura Campagna BeBeau. This was, I think, the 8th reunion Laura had planned for our class. Did she know when she ran for class office that the responsibility it brought would be lifelong? My wife had always planned to accompany me, and, at times, was more enthusiastic about the prospect of attending the reunion than either I, or my wingman, Mike Stewart (“The Stew”). Or am I his wingman? To be honest, I think we toss that ball back and forth pretty well. At any rate, because of Lily’s enthusiasm and because she knew that we had a long, and possibly arduous drive ahead of us to Cupertino the day of the reunion’s first event, she was surprised that I decided to attend a concert at the Greek Theatre the night prior. More than that, she questioned the wisdom of my decision. I realized, however, that I had no choice but attend the concert, no matter how late it meant I would be out, nor how sluggish I might be as a result the next morning. Earlier in the week, I had asked my colleagues, Dean Haglund and Jon Lawlor, on our almost weekly “The Art Life” podcast, exactly how I should be approaching the forthcoming festivities. The podcast was born out of weekly meetings we would have (usually via Zoom), where we would hold each other’s feet to the fire in the pursuit of creating art that is filled with life, while also learning how to live more artfully. It struck me that I should open myself fully to the significance of such a milestone event as a 40th reunion, but I was perplexed as to how best to do this. Dean reminded me of the importance of approaching it as a ritual. 40 is, after all, a number that holds great significance in a wide variety of spiritual traditions and wisdom schools. It’s a powerful number. In the past, usually at this very time of year, I have undertaken forty-day rituals (such as going into silence, or making walking my only form of transportation). Following our discussion, I settled upon the intention of coming away with 40 observations from the 40th reunion and sharing them through this format. The observations actually began before the reunion … 1) My first observation was that I had to go to the Greek the night before Lily and my road trip to Cupertino because the concert was the actual start of my 40th reunion ritual (even if it was an unofficial beginning). Boasting a lineup of Modern English, English Beat, Wang Chung and Howard Jones, I knew the event would fully transport me back to those halcyon 1980s days (and nights) of my youth. Musically, it was an adventurous era. It felt right to celebrate that adventurousness at the start of my personal journey (and before the actual journey). 2) Lifelong local and fellow UCLA alum Dan “The Man” Tynan accompanied me to the concert and told me about his 40th high school reunion. He shared with me that name tags had been provided containing each attendee’s senior portrait. According to Dan, this made things awful because everyone had to take out reading glasses, move close and lean forward to the see the photos clearly. Then, straightening up, they would remove their glasses and back up an appropriate distance to take in the person’s face. “To what end?” I wondered. Just so that you might be able to say, “Oh, yeah! I remember now. We had Driver’s Ed together!” What kind of conversation starter is that? Better would be not recognizing the person at all. After all, then you are meeting someone new and everything becomes possible again. Why not enjoy meeting someone new? Fortunately, the events at my reunion would have no such name tags. 3) Appropriately enough, Debra Matlock and her husband, Brad Grossman, attended the concert as well. One of the best photos in my senior yearbook is of “Debbie” (as apparently she chose to go by back then), in her mascot costume as THE Monta Vista Matador. Deb was class of 1987 and we weren’t close back then, but she is certainly one of a handful of Monta Vista alums most important to me now. Her presence in my life is such that it always makes me feel grateful for where I grew up, where I went to school, and when. So, as we briefly danced together in the aisle to one of the many 80s standards performed that night, it felt both a wonderful celebration of where we live now, and of our shared past of four decades ago and 340 miles north. It would also prove to be foreshadowing that at least one other non-class of 1986 alum would play a major role in my weekend ritual. 4) Was I ever really a Wang Chung fan? Who can answer that one off the top of their head? Their fans, I suppose. Still, I found myself quite impressed by their set. They produced a great sound at the Greek and for a while they performed a solid rendition of the Clash’s “Should I Stay or Should I Go”, that is until they changed the refrain to “should I Wang or should I Chung?” I was both delighted by this change and ashamed of enjoying it in equal measure. Ever since childhood, I had wanted to live in Los Angeles. As my senior year of high school began, my mindset was “U.C.L.A. or nowhere” for college. In November, as I was preparing my college application, Wang Chung’s “To Live and Die in L.A.” hit the airwaves. The title track to a William Friedkin movie I have repeatedly tried to enjoy (without success), the song effectively kept my desire to, at least, live in L.A. at fever pitch. 40 years later, I’m still here. And Wang Chung is still here. They no doubt would have played the song regardless of whether I attended, but I know they played it for me that night. 5) So many moments of lyrics from the aforementioned bands hold meaning. I mean, “I made a pilgrimage to save this human’s race/Never comprehending the race had long gone by” from Modern English’s “I Melt With You” hits me harder with each passing year. What really moved me, however, was how often Dan would lean over to tell me that his daughter, Kiki, “loves that line” in reference to myriad songs performed by the various artists. Kiki is just about to begin her freshman year at Marshall High School and without knowing it, she became an indelible part of my 40th high school reunion. Though it was far from my favorite song to be performed that night, coming as it did on the eve of a time-travelling expedition to my (almost distant) past, I was particularly struck by the lyrics to the HoJo (Howard Jones, of course) song “Life in One Day …” The old man said to meSaid don’t always take life so seriouslyPlay the fluteAnd dance and sing your song I am that old man now! And I am finally heeding the song’s advice (maybe that’s why it has taken me so long to become this young). Try and enjoy the here and nowThe future will take care of itself somehowThe grass is never greener over there That struck me as quite the important attitude for enjoying a reunion weekend, for being in my body, and for being grateful for whatever would come forward. 6) Travel out of town did, indeed, prove to be tortuous the next day. We finally hit the road at 11:45 am. There was a mixer starting at 6 pm that evening. I needed at least 5 hours and 15 minutes to make the drive, if I was doing it fast, with a minimum of time spent stopping. Unfortunately, just getting out of town was almost impossible. What should have taken an hour and a quarter took two hours. I was close to giving up on the trip before even reaching Magic Mountain! We were hurting and racing the clock the rest of the way. Fortunately we made it to my pal Yoshi’s house (where we were staying) with enough time for me to freshen up before The Stew collected me. One hilarious element of our day was that the Stew had dropped by early that morning to deliver a stool for the vanity table we had moved into my place the day prior and to drop off a package too heavy for him to bring on his flight to SFO. He flew up to S.F., rented a car, and drove to his folks’ place in Cupertino. When he arrived at Yoshi’s in the rental car, I gave him back the package that I had driven up. On Sunday, The Stew drove the package down to his place in Santa Barbara. Those are some ridiculous supply lines! Even OnTrac has better delivery logistics (if barely). The observations continued throughout the Friday night mixer … 7) I was a bit overwhelmed upon arrival at the mixer. I found myself needing to stay shoulder-to-shoulder with The Stew, at least metaphorically. There were certain people I kept in touch with and had seen fairly regularly, but not many. There were others I recognized and said quick hellos to, but I was not on my game and being not on my game was unnerving. I have become someone who tends to enjoy mixers. It’s not that being plunged into a room full of people I may not know, or barely remember, comes without nervousness, but I find the experience rather exhilarating. It takes a certain amount of energy and a commitment to enjoying myself, as well as my determination that anyone who encounters me will find me to be a friend, if that’s what they want. So, why was I overwhelmed, nervous even, in speaking to people with whom there was a built-in history and knowledge? I was grateful to people like Kelly Morphy and Kristen Lewis, who seemed quite comfortable in striking up conversation and in being themselves, and yet their seeming comfort did not transfer to me. It wasn’t until I sat in a corner outside and was able to engage in a conversation I found truly meaningful that I started to feel myself again. As I write this, I have this nagging feeling that my showing for much of this event was something of a failure. 8) The venue for the mixer was Jake’s of Sara

  4. Jul 24

    Roll ‘Em

    Vuk Mitrovic and Brian Morrison at the Los Feliz Film Fest (photo courtesy of the festival) In the days leading up to the 2nd annual Los Feliz Film Fest, I was in pain, and a lot of it. A recurring viral condition caused by a chronically damaged submandibular (salivary) gland was giving me the aches and chills and swelling to which I had become accustomed. During this bout, however, the amount of oral agony I was in led to troubled sleep, an inability to chew or swallow, a frequent unwillingness to talk, and occasional jags of sobbing. I did the best I could to get over it by staying hydrated, resting as much as possible (not easy given the pain), and popping Aleve like it was my job. It was more than a week before I felt like myself again, and as the film festival dates approached, I was quite concerned. My friend Vuk Mitrovic, whose brainchild the festival was, and who serves as Executive Director of the event (meaning he does almost everything), had asked me to serve as the master of ceremonies for the first two nights of the three-night affair. I was thrilled to do so because the event would present me with the opportunity to celebrate so many of the things that matter most to me, including Los Feliz, movies and the communal experience of coming together, sharing in story, and learning about each other in the process. Yet, I wasn’t sure my physical condition would permit me to do the job I so hoped to on behalf of the event, my community, and my pal, Vuk. There was something I would frequently tell my acting students when they would need to perform under less than ideal physical condition. I would tell Lily the same thing when she would have a stage performance for which she would be “playing hurt” due to illness. “You know who isn’t sick (or in pain)?” I would begin. “Your character.” Too many times to count, I would see performers fully open themselves to the reality of their characters’ experiences and suddenly, for, however long was required, the awareness of illness, ailment or physical discomfort would dissipate. On other occasions, I would point out that the illness, or injury, or discomfort might have presented itself because the character needed it in order to express itself fully. The most dramatic example of this I can recall was when Lily was doing a play at South Coast Rep in Orange County, a 25th anniversary production of Beth Henley’s Abundance. Largely a two-hander about mail-order brides in the old west, the play had its original world premiere at South Coast Rep before moving to New York. For its 25th anniversary, the play was revived in New York before finally returning home to Southern California. As opening night approached, it was apparent that they had yet to “find” the show. It simply wasn’t working. Lily was almost distraught. Then, on the eve of opening night, after a particularly frustrating final preview, a horrible and wonderful thing happened. Lily’s co-lead took an accidental fall, shattering her right hand in the process. As to whether alcohol and climbing onto a table were involved, it’s not my place to say. What I can say is that following emergency surgery, and in a great deal of pain, Lily’s co-star made the opening curtain. The performance that ensued was nothing short of breathtaking. No one would have known what had happened. The old west-appropriate fashion served to cover the cast protecting the surgically repaired right hand of my (now) wife’s co-lead. Incredibly observant audience members might have wondered why, when the two female lead characters met for the first time, they shook hands with their left hands, but that was the only available clue as to what had happened behind-the-scenes the night prior. Looking back, Lily stated, “the show was about pain” and so, it made a great deal of sense that what they needed in order to find the heart of the show was for one of the company to be pushing off against genuine, intense, physical pain. The rest of the run would proceed in spectacular fashion, with each performance probing deeper than the one prior. The night of the opening, while waiting for Lily and her cast-mates to get ready for the ritzy after-party, I took advantage of my backstage access to avail myself of the many blown-up images on display, all from opening nights past that had taken place in that hallowed theatrical institution. I came upon a huge shot from the opening night of the premiere production of the very show I had just seen gloriously revived. Something odd in the photo struck me. Had I been a detective of yore, I most certainly would have produced a magnifying glass. Instead, I ran out into the hall and found the show’s director, Martin Benson. I almost dragged him to the photo. Martin was SCR’s founding artistic director, so he had been intimately involved with Abundance during its original staging all those years prior. I pointed at the spot in the photo that so troubled me. Martin leaned in for a better look. “What is that?” I asked, knowing the answer, but not knowing I could trust my own eyes, or handle the ramifications of what I was seeing. “That’s right!” Martin exclaimed, as he stood upright. He confirmed that the lead actress of the production 25 years earlier had also broken her right hand prior to opening night, and was forced to wear a cast, well camouflaged by the authentic old west-period wardrobe. So, it wasn’t the actresses who broke their hands so much as the character who had a broken hand. Regardless of whether the roles we are called upon to play can provide (albeit temporary, perhaps) relief from physical ailments, or whether those ailments have come forth (in part, at least) to aid in our performances, the point I would always stress to my students, and to Lily, is the same: Don’t separate yourself from the character. Make your reality totally available to them, and make their reality totally available to you. As the first night of the Los Feliz Film Fest approached, I was reminding myself of this over and over. Sure, I wasn’t playing a “character”, per se, but when I host, I am certainly embodying a “persona”, derived from the Latin word for a “mask” one adopts to become the ideal representation of a role. It is a public image presented to the world, often differing from the performer’s private self. For me, dropping into the persona of “host” allows me to more easily share my private self. After all, I hope to create a sense of intimacy for the audience and for those who will be taking the stage. The more authenticity I bring to my persona, the better job I do. Of course, the necessary aspect of sacrificing parts of myself (my ego, my fear, my judgment) in the name of fully playing the role of “host” often leads to me dreading the experience as it approaches. Sure enough, as the hours towards the Film Fest kickoff counted down, and I found myself feeling better and more physically able to perform my role, I also found myself finally free to plunge into energetic dread. I went from not being sure I could perform my role to knowing I did not want to perform it! In a previous essay (Fear as a Force Multiplier), I described what a dear friend refers to as “stage brain”, the preternatural focus and awareness I experience when hosting. It animates every cell in my body. If I have prepared sufficiently, it allows me to let go of that preparation and be fully present, to embrace what wants to come forward. If I feel I have NOT prepared sufficiently, my stage brain reminds me that the show is not about me. I am there to serve all those in attendance and the importance of that which we are there to celebrate. By the time I hit the alleyway that leads from Vermont Ave. past (the excellent) Bar One and into the Skylight Theatre, my stage brain had taken over. I was in a great mood. I wasn’t ready to go on, but I was ready to get ready and I felt the best I had in weeks. Skylight Theatre is something of a marvel. I love getting to attend shows and events there. No small theatre has the right to be as intimate AND as comfortable as Skylight. Most performance spaces trade the latter for the former. I had previously enjoyed the great pleasure of interviewing the brand new artistic director of Skylight, Cameron Watson (so new that he still has that “new artistic director smell”), for an episode of “The Voice of Los Feliz” podcast (episode 16). Long one of the truly great theatre directors in Los Angeles, Cameron has beautiful ideas for the many ways Skylight can become a true community hub. Night one of the festival was a showcase of films directly connected to Los Feliz, either made by local filmmakers, or shot in the neighborhood, or about life in our village and its environs. Cameron and his team made us feel incredibly welcome. The place truly felt like home. All who arrived were greeted on Vermont Avenue by the Hollywood Highsteppers. Cultural Affairs Committee co-chair Brian Morrison, as he frequently is, was a part of the performance by this local musical treasure. The Highsteppers not only served to thrill those who were attending the festival, but even the patrons and proprietors of neighboring businesses. I will never forget the sight of the young American Cinematheque employees sprinting down the street, phones drawn in filming position to capture (and no doubt post) videos of the performance. It occurred to me that there ought to be marching bands at the mouth of all alleys. If there were, there might never be crime again. And if you don’t think I shared that silly idea with Council District 4 Representative (and mayoral candidate) Nithya Raman during the evening’s festivities, then you don’t know me at all! While most were enjoying the pre-show festivities, including cocktails at the aforementioned Bar One, I was in the green room, running my monologue again and again. I still couldn’t be sure I would be as ready as

  5. Jun 23

    The Voice of Los Feliz (podcast) Episode 17

    It’s summer and there’s music in the air! A souvenir shot glass purchased at Albertsons depicting Los Feliz as … a beach community? This month’s show picks up where Episode 16 left off, with Phil hanging out at Alcove with Los Feliz Neighborhood Council District D representative Raina Pratto. They discuss the importance of the “hyper-local”, the importance of celebrating and fighting for joy, the importance of preparation, and an ad-hoc local committee dedicated to community defense and to keeping our community safe. Regular listeners have heard many mentions made of Tabula Rasa Bar. Located at 5125 Hollywood Blvd., it has served as a locale for several public events discussed on this podcast, from the Los Feliz Writer’s Festival, to an after-party for this year’s Los Feliz Film Fest. On this show, the establishment, itself, is squarely in the spotlight, as Phil sits down with its general manager, PJ Zettle. Cultural Affairs Committee co-chair Brian Morrison and Porchfest L.A. executive director Helene Udy at the very first “Sundays Before Sunset” Porchfest L.A. returns in October, but the team behind Porchfest is producing “Sundays Before Sunset” every Sunday through the end of August at the Vermont Triangle. Phil has the details (and some live music samples recorded there). The Dynamic Duo - The Stew and The Doctor - celebrating more than 50 years of dynamism! Los Feliz is a great place to make new friends. If there is anything better than making new friends, it’s having lifelong friends move into the neighborhood as one of Phil’s oldest and dearest pals did. They get together in Franklin Hills to compare notes on the neighborhood and on the town where they grew up. Phil is actually filing this month’s show from Kiawah Island. Before signing off, he congratulates past guest, Chef Joshua Whigman, on the recent Michelin Guide recognition his Casa Leo restaurant received. As always, musical director Jon Lawlor is dropping the killer tunes, and stalwart announcer Marc Hershon makes with the funny. The Voice of Los Feliz is a reader (and listener)-supported publication. To receive new posts and support my work, please consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philleirness.substack.com/subscribe

  6. May 7

    Friday the 13th

    Robert Frost made great hay out of two paths diverging in the woods. Of late, especially since my wife “rang the bell” on March 4th, I have been far more interested in the way paths converge, often when the traveler does not expect it. For those people who are unaware (and until the day in question, I was one of them), the end of daily radiation treatments for cancer patients is frequently commemorated through the ringing of a bell. This ritual signifies the transition from active cancer treatments into post-cancer survival therapies. My father would have been particularly pleased that this ritual took place for his daughter-in-law on March 4th, as he always loved that day, often pointing out that it was “the only command on the calendar”. My cousin, Daisy Gordon, literally calls it “Command Day”. So, it could not have been more fitting that on March the 4th, Lily marched forth into her post-cancer survivorship. That the same day of the calendar marking this ritual of transition for my wife was also my sister’s birthday, served to make the day a personal convergence of two paths. Moving forward, the fourth of March will be a day of celebration for the path from illness to health that my wife has been walking. It will be an anniversary of her new beginning. It will also always be a reminder of not only my beloved sister’s birth, but also her death, and the absence of her in my life. So, two very different paths converging on the same day, inspiring, no doubt, a wide array of emotions and recollections within me. A few days after ringing the bell, Lily was strong enough for us to head out of town for the first time since Thanksgiving. Though we were only traveling as far as Montecito, I really did not know if she would be up for it. Those radiation treatments are serious business and quite a while before we reached the end of them, Lily was spending most of her days exhausted. Less than 36 hours after ringing the bell, however, her delightfully eccentric sense of fun had returned. She announced this fact by making me laugh in a way that had been a regular occurrence prior to her Christmas Eve surgery, but which she had not been able to attempt in the ensuing weeks. Lily’s mother, Betsy, and stepfather, Barlow, made the trip out to Santa Barbara to spend several days with us. It was the first time Lily had been able to see her mother since October. One night, at Lucky’s Steakhouse in Montecito, as we celebrated this much-needed mother-daughter reunion, as well as my mother-in-law’s birthday, I confided in Betsy that the feeling I had was the same as when we were emerging from the pandemic. In both instances, after months of being or feeling “bunkered”, we had emerged from mostly staying in shelter and found ourselves reunited with Betsy and Barlow at Lucky’s in Montecito. Indeed, our very first return to indoor dining at a restaurant (after getting our Covid shots) was at that venerable steakhouse. All these years later, it truly felt as if our post-pandemic and post-cancer paths had converged. Unfortunately, during the intervening years between those two meals, I had forgotten that two of the classic gin martinis at Lucky’s is definitely one too many! A few days later, on Friday the 13th, I again found my path converging with the past, when I realized that the last time we had a Friday the 13th in the month of March was six years prior, in 2020. It was the first day I had ever visited the Montecito property that has become our home away from home. The next day, Saturday March 14 2020, in the woods outside Cupertino (where I grew up), Lily and I had a memorial for my mother. And the day after that, lockdown orders went into effect around the country. Lily and I drove through Turlock on our way back to Los Angeles that day, so that we might check on my father and my sister. It would be the last time Lily ever saw my father alive. I have never had any superstitious feelings towards Fridays the 13th. Yet, now, I sort of wish future calendars might just skip the 13th of March when it falls on a Friday, the way so many high-rise elevators seemingly skip the 13th floor. We had been unable to travel anywhere by airplane ever since Lily began her testing and treatments in May of last year. With her Christmas Eve surgery a success, however, Lily began to set her sights on visiting the D.C. area for the first time since late 2024. In addition to spending time with family and friends with whom she grew up, she desired to celebrate Easter in the nation’s capital. Life-saving surgery on Christmas Eve followed by recovery and personal resurrection on Easter. The plan made sense to me. So, in the early morning hours of March the 24th, along with trusty feline companion Fuzz Aldrin, we found ourselves waiting at Delta Gate 22 in Terminal 2 at LAX. Lily had eschewed the wheelchair arranged for her by the airline. She was definitely feeling the effort it took to make it thru check-in and TSA, however, when we heard the following announcement: “Would Jane Fonda and Lily Leirness please come to the desk.” Though this was the first time these two performers shared billing together, I have high hopes it will not be the last. In this instance, the reason these ladies were urged to come forward was because they were to board first. What I learned about Jane Fonda that morning is that she actually prefers to board last (perhaps so she won’t have to sit captive in a fishbowl, feeling all eyes upon her). On the other hand, what I learned about my wife is she really can use the extra time boarding first affords her. In fact, she probably always should have boarded first. It would have made countless trips far less stressful for me. In this instance, given her uncertain strength, and her sudden and frequent side effects-induced need for restrooms, early boarding was an absolute godsend. Sure enough, as soon as she had made certain that Fuzz was settled in beneath the seat in front and had verified that I had correctly placed her carry-on luggage into the overhead space according to her exact specifications, Lily immediately availed herself of the on-board facilities. Full boarding had yet to commence when she returned and announced, “I saw Laura Friedman!” Los Feliz sits squarely within California’s 30th Congressional District. Our representative is Laura Friedman. The last time my path had crossed with the honorable Congresswoman was at a town hall sponsored by the Los Feliz Improvement Association. I served as master of ceremonies at that event and it was there where I first announced publicly the news of Lily’s cancer diagnosis. Now my path and the Congresswoman’s were converging again at the start of Lily and my first post-cancer trip. On that long ago-seeming night at the town hall in Friendship Auditorium, Representative Friedman had a “hard out” (another event she needed to attend), which I knew to be a birthday party for her daughter. Yet, instead of making a timely departure that night, she loitered in order to be able to spend a few moments in conversation with me. She shared with me her own story of survival and offered to be available to Lily and me should we ever need to talk. Our paths converging on Delta Flight 392 allowed Lily and me to share with Representative Friedman the news of Lily’s prognosis, express our appreciation for her humanity, and to tell her how much her words had meant to us. I also got to thank her for her hard work on her constituents’ behalf and tell her how much I admire her taste in eyeglass frames (look her up - she sports seriously bad ass frames!). She introduced us to her daughter (with whom she was traveling) and invited us to visit her on “the hill” for a tour. That kind invitation was one Lily was not yet physically prepared to accept. More than that, however, considering that coming weekend’s “No Kings” protests, we planned on giving the Capitol a wide berth during our stay. Not that I was going to eschew my civic duty, of course. Indeed, I went with my mother-in-law and step-father-in-law and their friends to the No Kings rally in the Friendship Heights section of Bethesda, Maryland. The crowd there was definitely on the older side. I might actually have been one of the younger protesters at that locale! It was heartening to see so much joy and wit embodied by so many in service of protest. My favorite sign that I saw read, “Even if I wanted a king, it wouldn’t be this guy!” As I stood on a particularly well-trafficked corner, taking in the exuberant show of community going on all around me, in again, an area literally known as “Friendship Heights”, I realized that I had packed up and brought with me on the trip a whole lot of sadness. It was a sadness I had only let myself glimpse when my guard was down, and then, only out of the corner of my eye, and it was becoming assuaged by the sights and sounds and energy around me. My friend Isaac Prado sings a song he describes as being about the silence of “not wanting to show our sadness for fear of the flowers dying.” Since Lily’s cancer diagnosis, I have known the sadness of witnessing her fear and pain. I have known the sadness of having no idea what would become of me if something happened to her. I have known the sadness of utter powerlessness. Though I have also known great joy amidst the sadness, what I have not known is the freedom to speak of such sadness in any meaningful way. It was not a freedom I was refused. It was one I denied myself out of fear I would be unable to control it, that I would, in the process of expressing it, kill so many flowers and do so at a time when I was all too aware of their fragility. Being on the East Coast at Easter is a powerful reminder that the flowers do bloom again. Kyoto, Japan, is one of my favorite places on Earth. I was fortunate enough to visit there while the ancient imperial palace was open and while the cherry bl

  7. Apr 3

    The Voice of Los Feliz (podcast) Episode 16

    Spring has sprung and there is a definite buzz about Los Feliz … And brand new episode 16 of “The Voice of Los Feliz” is certainly no buzzkill! Cameron Watson is the brand new Artistic Director of the Skylight Theatre Company. Host Phil Leirness sits down with him inside the Skylight Theatre to discuss what the future holds for this local treasure and how it could become a truly integral part of the community. Submissions are still open for the 2nd annual Los Feliz Film Fest, which takes place April 26-28 at Skylight Theatre and the Barnsdall Gallery Theatre. Phil gets together with festival founder and executive director Vuk Mitrovic to discuss the latest and to find out how interested locals can still get involved and help out! A recent open house (presented by Council District 4) revealed the up-to-date plans for the refurbishment and reopening of our local “Municipal Plunge”, the Griffith Park Pool. Friend of the show (and frequent collaborator) Debra Matlock, the president of the Los Feliz Improvement Association, attended that open house and provides a full report. Phil is actually filing this month’s show from the nation’s capital, where he is enjoying family, Easter and the full bloom of the cherry blossoms. Before he left for the “other” coast, however, he got together with Los Feliz Neighborhood Council District D representative Raina Pratto at Alcove, for an in-depth conversation that is equal parts hilarious, thought-provoking and inspiring. As always, musical director Jon Lawlor is dropping the killer tunes, and stalwart announcer Marc Hershon makes with the funny. The Voice of Los Feliz is a reader (and listener)-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philleirness.substack.com/subscribe

  8. Feb 21

    The Voice of Los Feliz (podcast) Episode 15

    Welcome to our first episode of 2026 and our longest episode yet! Boasting interviews with four special guests discussing no fewer than three big community events, and full of comedy, music, vulnerability and good cheer, we trust that Episode 15 offers something for everyone … (Laura Fuller and Phil Leirness both wear many hats, but for Porchfest L.A. they frequently found themselves wearing the same hat as each other!) Laura Fuller is a somatic therapist, a yogi, a dancer, and a writer. And she was integral to the success of Porchfest L.A. in 2025. In one of two interviews conducted at The Trails Cafe in Griffith Park this episode, host Phil Leirness and Laura do a full debrief on Porchfest, and before you know it, they have gone DEEP! (Musical performer Isaac Prado on stage at the Autry Museum of the American West, opening December’s “Viva Los Feliz: Tinseltown” - Photo by Larry Underhill) A brilliant makeup artist, musician and singer, whose personal story might not leave a dry eye in the house, Isaac Prado sits down with Phil outside on a beautiful afternoon in Barnsdall Art Park to get better acquainted. (Host Phil Leirness and Los Feliz Improvement Association President Debra Matlock with “The Most Beautiful Bell in the World” at “Viva Los Feliz: Tinseltown” - Photo by Larry Underhill) Longtime friend of the show (and even longer-tenured President of the Los Feliz Improvement Association) Debra Matlock returns and she and Phil discuss their work together on Porchfest L.A.’s Porch #8 (The Fighting 8th!) and on their most recent “Viva Los Feliz” show. They also share thoughts on how to move forward with these ongoing stage shows. (The Los Feliz Neighborhood Council District representative whose brainchild the inaugural Los Feliz Film Fest was) Finally, Phil’s Los Feliz Neighborhood Council Cultural Affairs Committee colleague Vuk Mitrovic treats Phil to drinks at Tabula Rasa Bar on Hollywood Blvd. and shares the latest news regarding the fast-approaching 2nd annual Los Feliz Film Fest! As always, musical director Jon Lawlor keeps your toes tapping, and stalwart announcer Marc Hershon tickles your funny bone. The Voice of Los Feliz is a reader (and listener)-supported publication. To receive new posts and support my work, please consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit philleirness.substack.com/subscribe

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An audio journey exploring the history, happenings, colorful characters and rich stories and experiences that make the neighborhood of Los Feliz the beating heart of Los Angeles. philleirness.substack.com