摩登女兒國 Ladies Odyssey

安柏Amber

摩登女兒國 Ladies Odyssey——Ladies first,life overseas 这是一个聚焦当代女性海外生活的深度访谈播客。在这里,每一位嘉宾都有她独特的故事:从异乡的探索到事业的重塑,从文化的交汇到心灵的成长。她们带着才华与勇气,在摩登社会中书写属于自己的独立篇章。 无论是艺术家、创业者,还是热爱生活的冒险家,她们的经历都闪烁着不同的光彩。我们希望通过这些女性的视角,展现移居海外女性群体的韧性、自由与力量,同时邀请你一同见证她们如何在异国他乡创造属于自己的现代“镜花缘”。

  1. Jul 21

    艾薇 Ivy|GIADA 迦達學苑主持人:慢慢地,快快走——Festina Lente,在藝術與世界之間找到自己的節奏

    古羅馬皇帝奧古斯都曾將 Festina Lente 作為格言,後來也成為文藝復興時期常見的座右銘,甚至與「海豚纏繞船錨」這一經典象徵聯繫在一起:海豚代表速度,船錨代表穩定。 Festina Lente,是拉丁語,意為「慢慢地快快走」。其中,Festina 是「加速、快走」,Lente 則是「慢慢地、從容地」。中文博大精深,也可以將它理解為「欲速則不達」——但我更喜歡 Ivy 的說法: 慢慢地,快快走。 以自己的節奏,向前走。 25 歲的 Ivy,已經有了好幾重身份:藝術史學者、內容創作者、文化品牌 Festina Lente 創意總監、文化項目策劃者,以及 GIADA 迦達學苑主持人——尤其喜歡看她以輕鬆俏皮、知性又迷人的方式,向觀眾講解藝術。 但如果一定要給自己一個最準確的定義,Ivy 或許並不認為自己是一個典型的「斜槓青年」。她只是一直在嘗試,用不同的方式,去理解和表達自己真正相信、真正熱愛的事情。 她小時候曾夢想成為一名人權律師。直到大學二年級,因為接觸藝術史,她第一次感受到一種此前從未有過的熱情:每天醒來,都迫不及待地想去尋找未知,做 research,去理解人類如何觀看世界,又如何表達自己。 於是,她轉了一個彎。 從人權律師到藝術史,從曾經認真思考過的拍賣行職涯,到最終沒有選擇進入一個成熟而完整的體系;從藝術史學者,到內容創作者,再到創立文化品牌——她的人生似乎一直在轉彎,卻從未真正偏離過最初的方向。 因為她始終相信:無論是人權、外交,還是藝術與文化,最終都在做同一件事——讓不同的人彼此理解,讓人與人之間的隔閡少一點。 藝術史,於是成為她理解世界的一種方式。 她說: 「藝術史,本質上就是人的歷史。」 我們以為自己在看一幅畫,其實是在看人類的欲望、權力、情感與審美,也是在看一個時代如何理解自己。 而在 AI 越來越強大的今天,她反而更加相信藝術與人文的價值。因為 AI 可以重新組合,但真正的創造,依然始於人的意圖。 「創造的那一步,在給出指示的那一刻已經完成了。」 技術越快,人反而越需要溫度。 這也是她和夥伴共同建立文化品牌的初衷:不只是做一個文化品牌,而是提出一種生活哲學—— 慢慢地快快走。 在一個所有人都被催促著向前的時代,允許自己慢下來,看一幅畫久一點,在一座教堂裡待一個上午,在阿諾河邊喝一杯咖啡,看人來人往。 因為旅行的意義,從來不只是打卡了多少個地方,而是你有沒有真正感知過一座城市的呼吸。 也是在這樣的文化旅行中,Ivy 意外發現了一種屬於女性之間的連結:來自不同國家、不同職業、不同年齡的女性,因為共同的藝術與文化熱愛坐到同一張餐桌前,分享彼此的人生、職業、困惑與成長。 她慢慢意識到: 一次旅行真正珍貴的部分,可能不是你看到了什麼,而是你最終帶走了誰,以及你們之間發生了什麼。 於是,藝術之旅也慢慢成為一場女性之間的精神相遇。 從托斯卡納到那不勒斯,從伊斯坦布爾到那些歷史上曾被忽略的女性藝術家,她想做的,是重新把那些被時間遮蔽的女性故事帶回我們的視野。 她也在尋找自己的「巨人」——那些曾經走過更遠的路、擁有更大勇氣的女性。 然後站在她們的肩膀上,繼續往前走。 25 歲,也許只是人生很早的一章。 但 Ivy 已經知道,她不急著懷念過去。 因為她相信,最好的記憶還沒有到來,它在未來。 ✦ 本期你將聽到 01|25 歲的 Ivy:為什麼很難用一個身份定義自己? 02|從「人權律師」到「藝術史學者」:一次人生的轉彎 03|她曾認真考慮拍賣行職涯,為什麼最終沒有選擇進入? 04|當你不想成為大機器裡的一個「零件」,你真正想要的是什麼? 05|藝術史到底有什麼用?為什麼它本質上是一部「人的歷史」? 06|AI 會不會取代藝術家?真正的創造力究竟屬於誰? 07|創業不是自由,而是從朝九晚五進入「24/7」 08|一個文化品牌如何從 Instagram 的自然生長,慢慢成為一項事業? 09|「慢慢地快快走」:在一個越來越快的時代,如何保持自己的節奏? 10|為什麼她的文化旅行,從「看景點」變成了「感知一座城市」? 11|十人以內的女性旅行團:藝術如何讓陌生女性成為朋友? 12|為什麼她開始重新尋找那些「被歷史遺忘的女性藝術家」? 13|文化外交不應該只是精英的遊戲,它與普通人的生活有什麼關係? 14|從服裝、胸針到電影:我們每天都在用符號表達自己 15|25 歲的最後一問:如果小時候的自己看到現在的你,她會滿意嗎? ✦ 本期金句 「與其說我是一個斜槓青年,不如說我在嘗試用不同的方式,去理解和表達我真正相信和熱愛的事情。」 「我不確定自己願不願意把最好的十年、二十年,投入到一個很大的機器裡面,然後慢慢往上爬。」 「這不是對錯的問題,而是我更好地認知自己,然後選擇一條更適合自己的道路。」 「藝術史,本質上就是人的歷史。」 「你不是在看作品本身,而是在看人類的感受、欲望、權力和審美。你更好地理解了人,也就更好地理解了自己。」 「藝術史不僅是在教你怎麼看畫,而是在教你怎麼看這個世界,以及在這個世界當中你是怎麼存在的。」 「AI 真正的工作更像是重新拼湊、重新建構,而不是創造。創造的那一步,在給出指示的那一刻已經完成了。」 「人不會被 AI 取代,但不會使用 AI 的人,可能會被會使用 AI 的人取代。」 「創業可能跳出了朝九晚五,但你陷入的是一個 24/7。」 「你不能被這個時代的快節奏裹挾著往前走。你要找到自己的節奏,適當地慢下來,去感知,才能不丟失自己。」 「旅行留下來的記憶,不應該只是你 check 了多少個 boxes,而是你有沒有真正感知過一座城市的節奏。」 「一次旅行最有價值的地方,是你不僅玩到了、看到了、吃到了、喝到了,還帶走了一段人生經歷和一份美好的友情。」 「我覺得我的人生在逐漸回到我曾經預想到過的那個圈子,只是我以不同的身份出現了,在講著不同的故事。」 「最好的記憶還沒有到來,它在未來。」 ✦ TIMELINE|本期時間軸 00:00|25 歲的「斜槓青年」 藝術史學者、內容創作者、文化品牌創意總監——Ivy 如何定義自己? 02:03|為什麼沒有選擇拍賣行? 當職業路徑已經清晰,她卻開始追問:我真正想要的是什麼? 06:27|從人權律師到藝術史 小時候的夢想與大學二年級的一次人生轉彎。 13:02|藝術史,究竟有什麼用? 藝術史不是「看畫的學問」,而是理解人類與自己的方式。 16:26|AI 有真正的創造力嗎? 當人工智慧開始創作,創造的主體究竟是誰? 19:32|創業的真相:自由,還是 24/7? 跳出朝九晚五之後,才發現創業者進入了另一個時間體系。 21:37|如何在快速成長中 Stay Grounded? 一個文化品牌快速成長之後,如何不被速度帶走? 22:17|「慢慢地快快走」 一個名字、一種哲學,也是一種面對當代生活的態度。 26:41|為什麼要做文化旅行? 不趕景點、不追求打卡,而是留時間給一座城市。 31:03|一張餐桌上的女性友誼 來自世界各地的女性,因為藝術坐在一起,交換彼此的人生故事。 33:42|當你的工作開始影響別人 來自年輕女性的留言,為什麼成為 Ivy 堅持這條路的最大確認? 37:39|尋找那些被歷史遺忘的女性 女性藝術家、女性歷史,以及「站在巨人的肩膀上」。 43:50|一個屬於女性的文化社群 如果不能親自出發,也可以通過另一個女性的故事,看見自己。 46:30|一場真正屬於獨立女性的歐洲文化旅行 為什麼旅行團不超過十個人?為什麼「自由」也是體驗的一部分? 52:11|普通遊客看不到的歐洲 隱藏的教堂、私人畫廊、博物館幕後空間,以及那些真正的人文溫度。 57:14|當藝術史遇上時尚 如何讓一件衣服、一件設計,也成為講述藝術與文化的媒介? 01:03:43|穿什麼,其實是一種文化表達 個人氣質、場合與文化背景,如何共同決定你的選擇? 01:09:03|我們每天都在使用藝術符號 從服裝、配飾到電影與生活美學,藝術史如何進入日常? 01:14:42|文化外交,真的只是精英的遊戲嗎? 如何用電影、展覽與藝術,打破人與人之間對陌生文化的誤解? 01:19:02|中國、土耳其和義大利,為什麼有那麼多相似之處? 從餐桌文化聊到家庭關係:跨文化的距離,可能比想像中更近。 01:25:17|她最欣賞的文藝復興女性藝術家 那些曾經挑戰性別角色、拒絕被定義的女性。 01:29:23|一次來自陌生人的擁抱 一個義大利夜晚,一位街頭女歌手,以及人與人之間最簡單的共情。 01:33:49|25 歲之後,她想成為怎樣的人? 不懷念過去,因為她相信,最好的故事還沒有發生。 01:40:43|把藝術家的故事帶回世界 關於藝術家遺產、策展與未來合作的想像,也是一場新的出發。 這一期的 Ivy,是一個很年輕,卻擁有「老靈魂」的女孩。 她在藝術史裡尋找人的故事,在旅行裡尋找人與人的連結,在女性歷

    艾薇 Ivy|GIADA 迦達學苑主持人:慢慢地,快快走——Festina Lente,在藝術與世界之間找到自己的節奏
  2. Jul 8

    Stacy Huang|IESE亞洲招生官揭秘:真正好的商學院在尋找的,是怎樣的人才?

    如果你也曾好奇,一所世界頂尖商學院究竟如何挑選未來的領導者,或想知道一份履歷之外,真正決定一個人成長潛力的是什麼,那這一集,或許會給你一個意想不到的答案⋯⋯ 如果不是因為一次交換計畫,Stacy 的人生,或許會沿著另一條完全不同的軌跡前進。 17 歲獨自前往新加坡求學,在 IT 產業工作十年後,她於疫情期間攻讀 NUS MBA;原本只是一次前往巴塞隆納的交換學習,卻意外改變了她的人生方向。如今,她加入 IESE Business School,負責亞洲區高階經理人教育項目的招生,以及與資生堂、華僑銀行等國際企業的管理培訓合作,成為連結亞洲與歐洲商業教育的重要橋樑。 身為 IESE 亞洲招生官,Stacy 每年接觸來自不同國家、不同產業的申請者,也不斷思考一個問題:一所世界頂尖商學院,究竟在尋找什麼樣的人才? 答案,或許和大多數人的想像並不一樣。 真正好的商學院,看重的從來不只是亮眼的履歷、耀眼的頭銜或已經完成的成就,而是當你面對沒有標準答案的難題時,是否願意承擔責任、做出決策,並持續保持學習與成長的能力。 在這集《摩登女兒國》,我們不只聊IESE 的招生標準,也聊 Case Method 如何培養領導力、教育如何改變一個人的世界觀,以及跨文化經驗如何重新定義我們對成功、女性成長與Leadership 的想像。 ✨ 來自IESE亞洲招生官的金句 “只要你热爱,一切事情都不觉得苦。” “If you truly love what you're doing, nothing about it feelshard.” “领导力不是看你决策的规模有多大,而是看你有没有魄力去做出一个艰难的决定,并把它执行到底。” “Leadership isn't about the scale of your decisions — it's abouthaving the courage to make a hard call, and the resolve to see it through.” “教育是一种资源,也是一种特权,它必须交到对的人手上。” “Education is a resource, and a privilege — it has to end up inthe right hands.” “婚姻中,信任是先决条件。但你想要别人信任你,首先要成为一个值得被信任的人。” “Trust is the precondition for any marriage. But if you want tobe trusted, you first have to become someone worthy of that trust.” “永远不要把自己放在受害者的位置上。” “Never place yourself in the role of a victim.” “她说,她最大的收获不是学到了多少东西,而是知道了——这件事,我能做到。” “She told me her biggest takeaway wasn't how much she learned —it was discovering that she could actually do it.” “也许现在是一块璞玉,暗淡无光,但我们相信,两年的打磨,能让它变成一颗钻石。” “You might arrive as an uncut stone — a little dull around theedges. We believe two years can turn you into a diamond.” “不是只有女性在提倡女性主义,而是要让所有人都参与进来、被看见——这才是真正的包容。” “It shouldn't just be women championing women — everyone needsto be part of it, and seen in it. That's what real inclusion looks like.” “Sales最重要的一件事是真诚。你要先相信自己做的事情有价值,别人才会相信你。” “The most important thing in sales is sincerity. You have tobelieve in the value of what you're doing before anyone else will believe inyou.” “好的案例,不是给你答案,而是把你放进两难。” “A good case doesn't give you the answer — it puts you in adilemma.” “因为你看不到全局,所以每个决策都不容易。” “Because you can never see the whole picture, no decision isever easy.” “亚洲人有时候需要的,不是更努力,而是更有自信。” “What Asians sometimes need isn't to try harder — it's to bemore confident.” “领导力不是职位,而是影响力。” “Leadership isn't a title — it's influence.” “教育是一种特权,但它更应该是一种创造影响力的能力。” “Education is a privilege, but even more so, it should be acapacity to create impact.”   時間軸 Timeline 00:00 从新加坡到巴塞罗那:职业转型与国际交流的旅程 From Singapore to Barcelona: a career pivot through international exchange 04:41 加入IESE:负责亚洲高管教育项目的招生工作 Joining IESE: recruiting for Asia's executive education programs 08:19 “耶萨”是谁?IESE在亚洲的知名度与企业深度合作 Who is “IESE”? Brand recognition — and deep corporate ties — in Asia 13:13 全球化工作中的亚洲文化体验 Working globally, living Asian: cultural textures across the region 19:53 跨文化友谊,与印度社会的变迁 Cross-cultural friendships, and a changing India 24:57 一个连接全球女性的“神燈”群 A magical WeChat group that connects women around the world 30:19 新加坡生活,与在IESE工作的意义 Life in Singapore, and what working at IESE really means 34:32 案例教学法:商学院教育的核心 The case method: the heart of business-school education 38:45 拉美同学的自信,与教授们的“第二课堂” The confidence of Latin American classmates, and professors' lives beyond the podium 44:18 “40 under 40”全球最佳教授 – Amber的先生登上榜單  Amber‘s husband“40 under 40” list of top global professors 48:11 女性在职场与学术界的崛起 The rise of women in the workplace — and in academia 56:03 Amber生完孩子两小时后写proposal:对事业的热爱 Two hours postpartum, Amber writing a proposal: a love for the work 01:04:11 无意识的领导力,与女性主义艺术的力量 Unconscious leadership, and the power of feminist art 01:09:20 领导力到底是什么? So what actually is leadership? 01:13:30 MBA带来的成长:永远不做受害者 What an MBA really teaches: never see yourself as a victim 01:16:51 什么样的人适合读商学院? Who should apply to business school? 01:21:28 教育是一种特权:该交到谁手上? Education as privilege: who deserves it most?

    Stacy Huang|IESE亞洲招生官揭秘:真正好的商學院在尋找的,是怎樣的人才?
  3. Jun 24

    How Many Steps Does It Take to Get Chosen by Loewe, Lexus, and Homo Faber? Textile Artist Mariadela Araujo Has the Answer

    Recorded in June 2025 at Il·lacions Gallery, Barcelona. “Sometimes my studio feels like dancing, sometimes like meditation—but the textile is always moving. It is never a static thing.”
— Mariadela Araujo Who Is Mariadela Araujo? Born in Venezuela, shaped by years in Finland, trained in fashion design and costume studies in Rome, and ultimately rooted in Barcelona, Mariadela Araujo has turned her studio into an entire universe of her own. Working on a high-warp loom, she creates pieces that exist somewhere between tapestry and sculpture, between two-dimensional and three-dimensional forms, and between traditional craftsmanship and contemporary installation art. Her work has been recognized by Loewe, commissioned by Lexus, featured in the Homo Faber Guide, and discovered by Saatchi & Saatchi. Yet when asked how all of this happened, her answer is disarmingly simple: “I just kept working. I just kept showing up.” Chosen by Loewe — The Story Behind the Recognition How did Loewe find her? The answer begins at Maison&Objet in Paris. She was exhibiting her work when a designer entered her booth, spent time observing, and then returned with the entire team. Over successive editions of the fair, that initial encounter evolved into a lasting collaboration. “That’s why a good platform matters so much. Sometimes everything starts from standing in the right booth.” Loewe—globally known for the Loewe Foundation Craft Prize—is one of the luxury industry’s strongest advocates for contemporary craftsmanship. What drew them to her work was not decoration, but density:
a material intelligence and tactile depth that cannot be industrially reproduced. Lexus Art Car — A Very Short Timeline Mariadela was recently invited to participate in Lexus’s Art Car project. The concept: translating her textile language onto an automobile—turning a vehicle into a moving textile artwork. “The timeline is very short,” she says. At the time of the interview, she was coordinating production, sourcing materials, and managing logistics under intense time pressure. For her, the real challenge is not creation itself: “It’s trusting your suppliers,” she laughs, “and not letting European holidays destroy your schedule.” Homo Faber — Europe’s Most Selective Craft Guide The Homo Faber Guide, created by the Michelangelo Foundation for Creativity and Craftsmanship, is one of the world’s most prestigious platforms dedicated to exceptional craftsmanship. Artists are selected through a rigorous evaluation process based on “Criteria of Excellence,” reviewed by an international cultural committee. Today, it features more than 2,600 artisans across 45 countries. Mariadela is listed as a Barcelona representative under the category of Textile Creator. Her studio and contact details are included in the platform—but more importantly, inclusion itself functions as international recognition. Il·lacions & Xavier Franquesa — Barcelona’s Great Connector This conversation was recorded at Il·lacions Gallery, founded by Xavier Franquesa. The name comes from the Catalan word for “connections” or “associations.” Il·lacions operates both as a physical space and as a creative network linking designers, makers, architects, and collectors. Franquesa often describes the space as one that generates “new promises and new possibilities.”Rather than a traditional gallerist, Franquesa functions as a design cultural catalyst, connecting Barcelona’s creative ecosystem and redefining design as cultural capital. Il·lacions continuously explores what design can become:
a space where disciplines intersect, where functional and aesthetic boundaries dissolve, and where Barcelona’s creative energy expands. Mariadela’s Material Philosophy — Down to the Last Centimeter Mariadela calculates materials down to the last centimeter. Not out of frugality, but out of respect. “When you truly understand a material, you don’t want to waste it.”

    How Many Steps Does It Take to Get Chosen by Loewe, Lexus, and Homo Faber? Textile Artist Mariadela Araujo Has the Answer
  4. Jun 2

    Emma | 女性一生要來七年月經(不間斷),陪妳這麼久的事——你了解過嗎?

    「你人生中最不能舍棄的關係,是和自己的關係。月經,每個月提醒你一次。」 — Emma,月經褲品牌 Relief 如理 創始人 P.S.這一集,我倆都在瘋狂咳嗽,但是內容太精彩太值得讓很多女性了解,實在捨不得丟。——Amber 她是誰? 英語專業出身,卻憑著一路「撿麵包屑」的直覺進入服裝行業,在 Victoria's Secret 制造商做過產品研發,後來帶著一個關於女性身體與地球的品牌想法,從廣州出發,沙發客轉機多哈、差點在墨西哥被浪捲走,最後落地巴塞羅那,讀了一個研究孤獨問題的設計碩士。 她是 Emma,月經褲品牌 Relief 如理的創始人。如理這個名字來自法語的地貌起伏,音譯過來又像是中文的「如此道理」,由一個法國客戶在聊天中隨口說出——宇宙一直在給她扔麵包屑,她一直在撿。 本集亮點 月經褲是什麼?跟你想的不一樣 先破除一個誤解:月經褲不是吸血海綿縫在褲子裡。Emma 說,月經褲其實是站在「一次性衛生用品」和「功能內衣」中間的一個全新品類——它可以獨立使用,也可以搭配月經杯,兩個加在一起是「好伴侶」。 更顛覆認知的是——你知道女性一個月的月經量大約只有 60 到 120 毫升嗎?不到一瓶小瓶礦泉水。我們之所以覺得「血流不止」,是因為衛生巾裡的高分子樹脂吸收後膨脹,把那一點點量攤開來給你看,讓人有一種「老娘好虛弱」的錯覺。 一次性衛生用品,一個被低估的問題 女性一生來月經的時間加起來約十七年。那些每次用兩三個小時就丟掉的東西,測試標準本來就不高——因為是「一次性」的,所以造價低、標準低,而那個跟你最私密部位長期接觸的東西,很可能比你放在臉上的精華液標準低得多。 Emma 說得很直接:不用扯環保大道理,就說「這個部位是粘膜,你給他什麼,他就吸收什麼」,就夠了。 月經是你的生活晴雨表 Emma 的視角我們很喜歡:與其把月經看成一個阻礙你正常行動的生理現象,不如把它當成每個月一次的「自我審計」——你最近睡好了嗎?吃好了嗎?壓力有沒有管理好? 你的身體每個月都在問你一個問題。問題是,我們平時有沒有在聽。 她和自己結過婚 廣州一家媒體公司,每年 618 辦一場「自婚儀式」——不是跟另一個人,是跟自己。400 個人報名,選出十位,全程白紗,戒指在彼此之間傳遞。Emma 去了,穿的是自己設計的白色網球裙。 她後來形容那一天:是承諾跟自己好好相處,好好愛自己。非必要不結婚,非必要不生孩子。但這一場,她去了。 因為太愛“和自己結婚”的概念,摩登女兒國2025年夏天在上海,還組織了一場“嫁給自己”的聚會,很歡樂! 宇宙的麵包屑路線:廣州 → 巴黎 → 巴塞羅那 第一次出國,一個人去巴黎當伴娘,零期待。她在街上隨便走,走進了一個倒金字塔,才發現是盧浮宮。就這樣看傻了眼——原來世界不是她想的那個樣子。從那一刻起,她說她知道自己想要住在歐洲。 後來創業陷入自我責怪和 orderly depression,在日記裡寫下「我還有一個沒有實現的夢想,是搬到歐洲去住」。那個周末去了一個派對,派對上有個人說下個月要去英國讀書,有人問他學費怎麼辦,他說有獎學金,然後 Emma 問,然後申請,然後進了前 5%,然後沒拿到,然後大哭——然後才發現自己有多希望這件事發生。 墨西哥遇險 這段我們要說,因為她說得太輕描淡寫了,但其實很嚴重。她站在沙灘上玩水,浪大起來,整個人被捲走,撐了好幾分鐘撐不回岸邊,眼看著海岸就在那裡卻就是游不過去。後來有一個人跑來救了她,因為她喊得太大聲了。 回國以後,她胖了十公斤,因為在用吃東西安慰自己。那是 PTSD。她說現在好很多了,但看到大浪還是會退開。 碩士研究主題是「孤獨」 設計學院的碩士選題,Emma 這組研究的是「全球孤獨危機」(Global Loneliness Pandemic)。不是那種「我有點孤單想找人說話」的孤獨,是一個系統性的公共衛生問題——孤獨帶來效率低下、對醫療系統的過度依賴,更極端的後果是完全無法與社會接軌。 最難的地方是:孤獨感很強的人,往往最難被找到。因為他們不是在喊「我很孤獨」,他們是在把自己縮起來,讓別人很難接近。我們現在的社會鼓勵獨立自給自足,說出「我需要人」好像是一種軟弱。 她說的幾件事,很讓人動容 關於媽媽:Emma 的媽媽年輕時是裁縫,挨家挨户借缝紉機辦工作室,80 年代的事。她說媽媽曾經許願,希望女兒「有用不完的衛生巾」——因為那是她那個年代的稀缺物資。結果女兒長大做了月經褲品牌,女兒反而不用衛生巾了。「許願許成功了,只是許歪了。」 關於孤獨:她說孤獨在這個時代被污名化——因為我們的社會鼓勵獨立,說「我需要人」好像是弱點。所以孤獨的人往往隱形,他們看起來很冷漠,其實只是縮起來了。 關於運氣:她在巴塞羅那落地前找到了一個室友,後來才得知那個室友一直在等一個亞洲的人;她搬進去兩個月後室友去鄉下療養,她一個人住了近十個月;而那個房子完全符合她在上海時寫下的夢想清單——預算 350、自己的浴室、大廚房、亮敞的陽台……還有泳池。不是每次都能許願許中,但她的那次,許中了。 本集金句牆 「月經就像一面鏡子,每個月問你一次:你有沒有好好照顧自己?」 「你放在S處裡的東西,那個部位是粘膜,你給他什麼他就吸收什麼。」 「每一個創業階段都有要打的 Boss,我還沒有打到大 Boss,還在打小 Boss。」 「我在日記裡勉強寫下還有一個夢想沒有實現——搬去歐洲住。那個周末就發生了改變一切的對話。」 「一個失明的人突然看到了藍天。去巴黎那次,就是那種感覺。」 「非必要不結婚,非必要不生孩子。但和自己結婚,我去了。」

    Emma | 女性一生要來七年月經(不間斷),陪妳這麼久的事——你了解過嗎?
  5. May 15

    Kavita Parmar | "be good ancestors" , XTANT :Stitching this world with the beauty of EXTANT crafts

    Founder of XTANT, guardian of textile crafts, served on the jury of the Loewe Craft Award, keynote speaker for the Cartier Foundation...But these labels that Google or ChatGPT might give you aren't quite enough. Kavita is the kind of person you feel you've known your whole life, the moment you meet her. She says that in Hindi, the words for yesterday and tomorrow are the same – because time in her culture has always been cyclical, not linear. Perhaps that's why she carries a certain timeless ease. She's always on the road, but never in a hurry. She left home at sixteen for London. She wanted to study politics – to find the path between capitalism and communism that no one had yet clearly walked. When she didn't get the scholarship (she laughs: "The dean had no reason to give me a full scholarship just because my father refused to pay my tuition"), she pivoted into fashion. And she never left. She says, once that door opened, it never closed again. For over thirty years since, driven by curiosity, she has traveled through the Miao villages of Guizhou, the alleyways of Hong Kong, the villages of India, the workshops of Nepal – not as a tourist, but as someone who truly wants to understand. She has seen modern production lines in China cleaner than those in Italy. And she has seen a woman weaving in her courtyard, adjusting her rhythm to her daughter's school schedule and the village wedding – she says that is the most human way of working she has ever witnessed. Later, she founded XTANT – a gathering that brings together artists, designers, craftspeople, and thinkers from around the world. Imagine a Burning Man reimagined through textiles and craftsmanship – a utopia born for the fiber arts. This interview was recorded in early 2026, in Madrid, on a sunny afternoon, sitting next to the botanical garden. Kavita brought light. She also brought the story of her nearly thirty-year love story, her deep affection for Chinese culture, her faith in beauty, and a dream she hasn't finished telling yet: to bring XTANT to China.   Golden Quotes * "Capitalism is 'me' before 'we'. Communism is 'we' before 'me'. But 'me' cannot exist without 'we', and 'we' is nothing without 'me'." * "The factory worker might earn more, but there is no connection between what they make and their soul." * "Success should no longer be quantity. Success should be quality." * "Beauty isn't just appearance. Beauty is how you treat each other. It's whether your process is kind to everything it touches." * "The world needs to see China with new eyes. Not the cheap manufacturing China – but the China with a thousand years of living heritage." * "A wise person is someone who plants a tree under whose shade they will never sit." * "XTANT chose me. I didn't choose XTANT. It wanted to happen – it just needed someone stubborn enough to make it happen." Key people and brands mentioned in the interview * XTANT – The non-profit organization founded by Kavita, gathering artists, artisans, and designers from around the world, centered on textiles and craftsmanship, exploring the future of beauty. In 2026, it will be held in a medieval palace in Mallorca. * Wu Yong 無用 – A Chinese designer brand. The founder brought a rural Chinese workshop into the city. Named with a philosophical statement (Useless), expressed through handmade craft. A former First Lady of China has worn her designs publicly. * Angel Chen 陳安琪 – Kavita describes Angel as "a designer with eyes that speak." Introduced by Amber, Angel became the first Chinese designer invited to join the XTANT 2026 Leadership Program. * Minju – Graduate of the Royal Academy of Fine Arts in Antwerp, winner of Netflix's Next in Fashion Season 1. She has her own studio in Hannam-dong, Seoul. Together with Angel, she forms the "Dragon Princess" designer duo.

    Kavita Parmar | "be good ancestors" , XTANT :Stitching this world with the beauty of EXTANT crafts
  6. Apr 29

    陳安琪Angel Chen | 天為卷,織夢萬年,飛去“西”天XTANT再取真經

    當代最具國際辨識度的中國新銳設計師之一——陳安琪 Angel Chen 幾乎是不需要介紹的一個名字,以東方文化為核心語言,融合民族工藝、遊牧經驗與當代時裝體系,建立出一種兼具文化深度與全球時尚語境的設計方法⋯⋯可又永遠讓人覺得沒介紹夠。從聖馬丁畢業的天才設計師,是遊牧行者、雪怪媽媽,也是 Amber「異父異母的親妹妹」。 她身上有太多的光環:BoF 500全球時尚最具影響力人物,Forbes China 30 Under 30,和Adidas、H&M、Canada Goose諸多品牌合作,愛她的A-list藝人數不勝數,Rihanna,Lady Gaga, Dua Lipa, 舒淇,李宇春,王嘉爾⋯⋯是連結「流行文化 × 高級時裝」的重要橋樑。 風頭正勁,她突然隱遁三年,很多人都困惑:安琪呢? 一直到她帶著游牧的「真經」歸來。與近年歐洲被頂禮膜拜的時尚影像創作者之一Szilveszter Makó(海盜爺與ZARA官宣聯姻的照片,就由他掌鏡)為安琪拍攝的一組大片,震撼人心:介於傳統與當代、柔軟與力量、個體與文化之間的牽扯與羈絆。 這一期訪談錄製於2025年夏天,上海。當時的Angel和Amber,都還不知道,一年後Amber將舉薦Angel作為中國設計師的唯一代表,飛來西班牙馬略卡,參加國際手工藝與當代設計年度盛會XTANT2026年的Leadership program。在XTANT,安琪的「游牧實踐、非遺合作、文化敘事」將被放入全球語境。從安第斯山脈、喜馬拉雅到地中海,XTANT 建立的是一種「去中心化」的文化流通方式——不是巴黎或米蘭定義世界,而是讓每一個地方都有發聲權。 需要再錄一集,講述安琪即將迎來的XTANT體驗。 ————————————————   遊牧不是逃跑,是去取真經 從第一次跟著媽媽去貴州黔東南雷山苗寨散心,到後來帶著兩輛車七八個人、再到最後三個人開著一台「坦克300」鑽進川西——Angel 的游牧不是 gap year,是她重建自我座標系的整個過程。她說抑鬱的那幾年,是游牧把她撈回來的。 「孫悟空去西天取經。取到了——我的真經不是一本書,是這三年的游牧經歷。」 像貴州苗寨的老奶奶在零度裡染布、川西德格麥宿六千人的村子裡兩千多人都會織布畫唐卡、尼泊尔一個用報紙糊袋子的自閉症青年工坊……還有一隻從廢棄牦牛毛邊角料裡誕生的小雪怪,名叫Yekki。   十萬米新生:碎片縫合計劃--「讓廢棄的布成為行走的藝術。」 Angel 在尼泊尔見到一家羊绒工坊——包裝袋是店家請自閉症青年用報紙親手糊的;另一家 Benny Handcraft 雇用的全是沒有工作的女性,她們在路上撿報紙、雜誌、舊輪胎,做成手工小物。 安琪的庫存面料屯了整整十年、足足十萬米,遊牧時 Angel 決定:「十萬新生」啟動計畫。把壓箱底的布料寄去貴州和藏區,讓當地織娘重新織布,再做成小包、桌墊、旅行枕、零錢袋……每一塊都是獨一無二的共創。Angel 說她這個系列想做的事,其實是:「地球是碎片,人與人之間是碎片,我們的心靈也是碎片。我想把它們縫合起來。」   Yekki的誕生--雪怪宇宙 靈感源自喜馬拉雅的「雪怪腳印」。在青海,Angel 想象出一個從丟棄在角落的羊毛邊角料裡誕生的小雪怪精靈。名字怎麼來的?藏族婦女在工坊裡第一次看見它,輕輕把它捧在手心,然後——打了個噴嚏:YE-KKI.於是就有了Yekki。 Yekki行動的方式是「團成一團從雪山滾下來」,忍痛能力極強,受傷了就抹一點牛糞繼續走,喜歡吃高原雪蓮蜜,本質上是個表面高冷、實則社恐的性格。遇到陌生人會偽裝成雪堆,但尾巴忍不住跟著節奏拍。 Angel 已經在給它寫完整的角色小傳、設計包裝、打玩偶樣品,目標是:拍一部動畫片。「這個角色我是當作我的孩子在寫的。」   本集金句牆 ·       「消失這件事,在江湖的傳言都是我。東方不敗是不是?」 ·       「做完那場秀之後,外婆拿著她織的那塊布說:這個來自中國。全場狂鼓掌——那一刻我覺得做設計師,值了。」 ·       「我不是要做一個有多牛的設計師,是中國本身的文化、工藝和故事,它是頂天立地的。我只是在用我的方式把它呈現出來。」 ·       「自我懷疑的時候,我不是懷疑一個 idea——我是想要放棄人生了,那是不一樣的級別。」 ·       「遊牧完回來,不管遇到什麼困,我都想著接下來還有多少地方要去。就滿心期待著。」     訪談中提及關鍵人物: 西貝 & 宮八 — 一位川藏姑娘,一位青藏歌手,YouTube 過億點閱的《Fly》就是他唱的,Angel 在尼泊爾都能聽見。 林霞女士 & 台繡博物館 — 台州非遺台繡傳承人,作品放在任何歐洲當代美術館都不違和。 Minju設計師 — 安特衛普皇家藝術學院畢業,Netflix Next in Fashion第一季冠軍,和Angel一起以Dragon Princess組合出現,深受寵愛。溫柔、有才、養了兩隻胖貓,在韓國漢南洞有她自己的一方天地。

    陳安琪Angel Chen | 天為卷,織夢萬年,飛去“西”天XTANT再取真經
  7. Apr 15

    “On the Shoulders of Giants”: Honoring the Forgotten but Exceptional Ladies — Interview with Barcelona Bridal Fashion Week Director Albasari Caro

    “A wedding dress is not just a dress. It is armor you choose for yourself at a crossroads in life.” In this episode, we are not talking about fairy-tale weddings, but about the real women behind weddings. Welcome to Ladies Odyssey. Join us as we stand on the shoulders of giants, and look at the women who have never been seen. A wedding dress is more than white tulle—it is a profound conversation between a woman and herself, her body, money, and family. In this episode, recorded in Barcelona, we sit down with Albasari Caro, the Director of Barcelona Bridal Fashion Week, to explore how she is building a platform where women can be seen, respected, and empowered. Albasari has personally accompanied more than 2,000 brides in their search for the perfect wedding dress. She says: “Even the most beautiful brides are full of anxiety about their bodies. I have never met a woman who says: ‘Look how beautiful I am.’” She describes the act of choosing a wedding dress as a “triangle relationship” between self, career, and family. This is exactly the question Ladies Odyssey is deeply interested in: How do women reclaim their voice under pressure? Albasari is Cuban-American, raised in Miami, but has lived in Barcelona for over 20 years. She once helped Mango open 25 stores in China and even studied Chinese at Peking University. She says: “It all started with food, and then I fell in love with the city, the culture, and the language.” Her story is a living example of how a woman navigates globalization—finding her own rhythm and standing firmly within it. This year marks the 10th anniversary of Barcelona Bridal Fashion Week. Albasari and her team have chosen a powerful theme: “On the Shoulders of Giants.” The campaign visual features the iconic Barcelona chair, which carries a dual symbolism. It was originally designed for the 1929 International Exposition in Barcelona, where it was used to receive the King and Queen of Spain. The chair later became globally iconic, credited to modernist pioneer Ludwig Mies van der Rohe. Yet for decades, its co-creator—Lilly Reich—was largely erased from history. Only in recent years has design scholarship begun to restore her rightful place in modern design history. Albasari explains: “We want to honor the invisible women—the seamstresses, artisans, shop assistants, wives of designers. They built this industry, yet were never seen. We also want to honor all the exceptional women who were forgotten.” This is not a romantic slogan, but a restorative movement in women’s history, aiming to bring long-invisible women back into visibility and give them their rightful place in contemporary discourse. “We are all representatives of brides. Buyers are their spokespersons.”“There is no formula that lasts forever—you must constantly evolve.”“I am a woman. I can get married at any age, as long as I am ready.”Women preparing for marriage who feel anxious about choosing a wedding dressAnyone interested in gender dynamics behind the fashion industryProfessionals curious about differences between Chinese and global bridal marketsListeners who love real stories of women asserting themselves in their careersAnyone who has ever stood in front of a mirror and asked: “Am I enough?”What you will hear in this episode:👰‍♀️ The psychological battlefield behind the wedding dressFrom Miami to Barcelona: a global fashion map of a womanBarcelona Bridal Fashion Week 2026 Special Project: Women standing on the shoulders of giants💬 Albasari’s golden quotes (must-listen moments)🎯 Who is this episode for?

    “On the Shoulders of Giants”: Honoring the Forgotten but Exceptional Ladies — Interview with Barcelona Bridal Fashion Week Director Albasari Caro
  8. Apr 1

    From Tesla to Leading Cadillac into F1 — How Farah Forged Her Own Empire in the Shark Tank of the Automotive World

    And Elon Musk’s Spontaneously Challenged her, She Aced It! Her résumé glitters, but our friendship began in a place far from a private facebook community — Host a Sister, a ladies-only group born from the spirit of couchsurfing. I was heading to Paris Couture Week for work and thought: why stay in a hotel when I could trade comfort for adventure, just like I did over a decade ago? That’s how Farah “picked me up” and brought me home. From the moment we saw each other’s photos, we both felt the gears of destiny beginning to turn… Farah is French-Algerian. From a foreign language graduate to selling coffee machines, diving into a motorcycle startup, crossing the globe with Tesla, and now holding a key role at Cadillac — she has been charting her own territory all along. “The level of IQ per square meter at Tesla is pretty intense. ”Farah told me. During a meeting with Elon Musk, the real-life Iron Man threw her a challenge: “No budget, no government support, no outside help — how do we increase sales immediately?” Farah looked at the test-drive cars sitting idle in the parking lot and replied: “Open the door to everyone. Let them drive all over the city. It costs nothing.” Her answer was implemented on the spot. From then on, Tesla’s test-drive cars were no longer static displays — they became mobile brand ambassadors across the city, helping Tesla make its mark in Australia. In the male-dominated automotive industry, Farah learned early on: “I represent a lot of things that are not really ingrained in the automotive world.” Age, gender, background — each could be a source of prejudice. But she chose to turn these experiences into fuel, not obstacles. Once, at a high-end event she was hosting, a man — unaware that she was the one in charge — publicly humiliated her with a vile remark about paying the bill with her body. Farah didn’t tolerate it. She simply said: “There’s no space for that kind of aggression in my world.” The man was expelled from the event. Six months later, she heard his company had gone bankrupt. She said: “I do not need to accept his apology. My decision is not gonna change… He probably got what he deserved in the end.” Her love story reads like a movie. Two people who met in Lyon fifteen years ago, drifted apart across continents, and were reunited through Raya — the “celebrity dating app” or “the Soho House of dating,” an exclusive, members-only platform known for its high privacy and strict vetting process. She laughs: “We were reunited by the power of Raya.” She treasures, too, the friendships that have carried her through everything. She describes female friendship as “the gift that keeps on giving.” I shared how a close friend once flew across the country with a little suitcase packed with glitter, champagne, and face masks — “That beats a cocktail bar any night,” Farah agrees. Farah doesn’t believe in random encounters. Every meeting has meaning. “The universe finds a way to reward you, usually pretty quickly.” Farah — her name in Arabic means “joy” and “happiness.” Her birthday falls on International Day of Happiness. She says: “Part of happiness is a choice. I try to find joy in everyday.”

    From Tesla to Leading Cadillac into F1 — How Farah Forged Her Own Empire in the Shark Tank of the Automotive World

About

摩登女兒國 Ladies Odyssey——Ladies first,life overseas 这是一个聚焦当代女性海外生活的深度访谈播客。在这里,每一位嘉宾都有她独特的故事:从异乡的探索到事业的重塑,从文化的交汇到心灵的成长。她们带着才华与勇气,在摩登社会中书写属于自己的独立篇章。 无论是艺术家、创业者,还是热爱生活的冒险家,她们的经历都闪烁着不同的光彩。我们希望通过这些女性的视角,展现移居海外女性群体的韧性、自由与力量,同时邀请你一同见证她们如何在异国他乡创造属于自己的现代“镜花缘”。