Indie Film Podcast

Indie Film Podcast
  • 5.0 (5)
  • TV & Film
  • Updated Weekly

Our Goal with Indie Film Podcast is to share all of the mistakes we’ve made in our film making journey, so you can avoid them! We are owners of over 75 rejection letters from film festivals. In spite of producing several well-received films, neither of us has managed to turn our passion into a career. Our continued efforts to follow the advice doled out by the gurus has given us a plethora of experience in nearly every filmmaking role, but also, a negative balance in our bank accounts. Follow us on our journey as we attempt to break into the national film scene, or just incur more debt.

  1. 3d ago

    How to Break Into the Film Industry Without “Knowing Someone”

    Trying to break into the film industry without the right connections can feel impossible. But is gatekeeping really the problem, or is there more going on? In this episode, we talk about filmmaker networking, why established film crews keep hiring the same people, how to make yourself useful on set, and what actually helps you build relationships in your local film community. We also dig into film festival rejection, programming decisions, getting your movie seen, and why even a major festival screening won’t automatically create an audience or distribution opportunity. If you’re an indie filmmaker trying to get onto better sets, build stronger industry connections, navigate film festivals, or find a bigger audience for your work, this conversation is for you. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Stockton to Table Rock: https://pickrelay.com/app/t/x8tb-q4zg  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    How to Break Into the Film Industry Without “Knowing Someone”

  2. Sep 24

    When Your Film Crew Gets Too Small: The Hidden Cost of a Skeleton Crew

    How small can your film crew get before saving money starts costing you more? In this episode, we break down what happens when a skeleton crew gets stretched too thin, from bad location sound and rushed lighting to missed art department details, overworked directors, production paperwork problems, and expensive fixes in post. We also talk about what you can realistically cut on a low-budget film set, what you should never compromise on, and how better pre-production, simpler setups, and smarter scheduling can help a small crew actually work. If you’re making an indie film with limited money and limited people, this episode is all about finding the line between lean and understaffed. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit What’s the Worst That Could Happen: https://youtu.be/rNnRUQwilys?si=se4umjhlCz25JgsI  Dive Teaser: https://youtu.be/dWHL9n6oqio?si=jIHhT7Gh5wc-SV5O  Pre-Production Tools: https://www.indiefilmpodcast.com/indie-film-production-tools  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    When Your Film Crew Gets Too Small: The Hidden Cost of a Skeleton Crew

  3. Sep 22 ·  Bonus

    This Indie Horror Film Does Possession RIGHT | IFP Reviews: The Resonance (2026)

    Can a low-budget indie horror film deliver genuinely effective possession horror without relying on expensive VFX? The Resonance makes a very strong case. In this IFP Review, we’re looking at Paul Robinson and Sashia Dumont’s The Resonance (2026), a supernatural horror short about a psychologist who begins investigating her late predecessor’s disturbing final case and finds herself caught between science, religion, and something far more sinister. We break down three highlights, two lowlights, and our biggest takeaway for filmmakers, including the film’s eerie sound design, detailed 1979 production design, Sashia Dumont’s nearly dialogue-free performance, practical effects, cinematography, editing, and the smart choices that make a contained one-location horror film feel much bigger than its budget. If you’re a fan of possession horror, supernatural horror, indie horror short films, or you’re a filmmaker looking for a strong example of low-budget horror filmmaking, The Resonance is absolutely worth checking out. Disclosure: This review was commissioned by the filmmaker. Payment guarantees an honest review, not positive coverage, a predetermined rating, or editorial approval. All opinions are our own. _____________________________________ Show Links:  Watch The Resonance: https://www.sen3productions.com/films/theresonance  Want a review of your indie film? https://www.indiefilmpodcast.com/submit _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    This Indie Horror Film Does Possession RIGHT | IFP Reviews: The Resonance (2026)

  4. Sep 17

    How to Build a Skeleton Crew Without Wrecking Your Film

    How small can your indie film crew actually be before “lean” turns into “understaffed”? In this episode of Indie Film Podcast, we’re talking about skeleton crews, low-budget filmmaking, and which film crew roles can safely overlap without creating even bigger problems on set. We get into director/DP combinations, producer and assistant director responsibilities, sound, art department, continuity, and the jobs that still need to happen (even when you don’t have enough people to fill every traditional position). If you’re building a small crew for a short film, micro-budget feature, or independent production, this episode is all about figuring out what you can combine, and what you really shouldn’t. _____________________________________ Show Links:  Featured Filmmaker of the Week, David Ramer: https://www.youtube.com/@ramerdirects  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    How to Build a Skeleton Crew Without Wrecking Your Film

  5. Sep 10

    When Your Film Isn’t Working: Should You Start Over?

    How do you know when it’s time to stop pushing through and start over on a film? In this episode of Indie Film Podcast, we talk with filmmaker Jordan Gore about what happens when a project’s original format just isn’t working, and why he ultimately rebuilt Smokin’ Saga from a 12-episode web series into a feature film. We break down the sunk cost fallacy in filmmaking, how to recognize when a format is hurting the story, when to pivot instead of forcing the original plan, and what it really takes to re-edit, restructure, and rebuild a film after months of work. We also get into web series vs. feature films, film festival submission challenges, experimental filmmaking, sound design, and making the most of a small crew and limited resources. Sometimes the hardest part of filmmaking isn’t finishing the project. It’s admitting the version you made isn’t the version that works. _____________________________________ Show Links:  Smokin’ Saga Part 2 Trailer: https://youtu.be/3KmIl_tZiOk?si=dJn6kQFzNkBJkHdi  Pineapple Productions on YouTube: https://www.youtube.com/@pineappleproductions308 Pineapple Productions on Instagram: https://www.instagram.com/pineapple.productions/  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    When Your Film Isn’t Working: Should You Start Over?

  6. Sep 5 ·  Bonus

    This Twisted Barney Horror Movie Is WILD | IFP Reviews: Buddy (2026)

    Is Buddy (2026) worth watching now or later? We review Casper Kelly’s bizarre new horror comedy from the perspective of indie filmmakers, breaking down what works, what doesn’t, and why this twisted children’s-show nightmare feels like Barney wandered straight into a horror movie. From the practical effects and production design to the film’s mythology, pacing, and surprisingly emotional moments, we dig into what filmmakers can learn from Buddy (but be warned, there are spoilers). Plus, we answer the most important question: Should you see it now? Or wait ‘til later? Watch Buddy first if you want to go in completely blind, but drop your thoughts in the comments to let us know if you agree with our verdict! _____________________________________ Show Links:  Want a review of your indie film? https://www.indiefilmpodcast.com/submit _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    This Twisted Barney Horror Movie Is WILD | IFP Reviews: Buddy (2026)

  7. Sep 3

    Short Film vs. Feature Film: Is Your Story the Right Length?

    How do you know if your story should be a short film or a feature? In the final installment of our Conceptual Mistakes in Indie Filmmaking series, we break down short film vs. feature film structure, story length, screenwriting, pacing, and why forcing an idea into the wrong format can hurt the finished movie. We also dig into ideal short film length for festivals, storytelling psychology, causality, escalating stakes, and some warning signs that your feature screenplay might actually be a short film. Inversely, we discuss if your short has enough story to become something bigger. _____________________________________ Show Links:  Household, by Robbie Lemieux: https://youtu.be/SqR9UNPjQwU?si=ilQZd_Yq86y0JzFR  Chit Chat Webseries, by LowerGentry Studios: https://youtube.com/playlist?list=PLV8r3i4wLP48aH-qx8xlqLymMNJsUF8aF&si=oGj62Zw5srer0jJ3  Why Your Brain Turns Life Into Stories: https://www.scientificamerican.com/article/the-brain-doesnt-just-experience-reality-it-edits-it-into-a-story/  The Man Who Would Not Shake Hands: https://www.youtube.com/watch?v=8QPzwr5-txY  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    Short Film vs. Feature Film: Is Your Story the Right Length?

  8. Aug 27

    How to Write a Great Low-Budget Script Without Sacrificing Story

    If you’re writing an indie film on a limited budget, the smartest creative decision you can make may be figuring out what you can actually afford to shoot. In this episode, we break down how to write a strong low-budget movie script without sacrificing story, ambition, or creativity. We talk about the difference between a good script and a well-executed film, why filmmakers should consider locations, cast, equipment, technical skills, and production limitations during the writing process, and how constraints can actually lead to better creative choices. We also look at films like Saw, Clerks, The Room, Troll 2, and Transformers, share some painful lessons from our own early short films, and talk about how making more projects helps you build the skills to tackle bigger ideas later. Plus, featured filmmaker Lauren Caster shares what she learned independently financing, producing, directing, starring in, and distributing her debut feature, Rhythm is a Dancer. The goal isn’t to make your story smaller. It’s to write the best version of it that you can actually bring to life. _____________________________________ Show Links:  Featured Filmmaker of the Week, Lauren Caster: https://rhythmisadancer.movie/  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    How to Write a Great Low-Budget Script Without Sacrificing Story
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Ratings & Reviews

5
out of 5
5 Ratings

About

Our Goal with Indie Film Podcast is to share all of the mistakes we’ve made in our film making journey, so you can avoid them! We are owners of over 75 rejection letters from film festivals. In spite of producing several well-received films, neither of us has managed to turn our passion into a career. Our continued efforts to follow the advice doled out by the gurus has given us a plethora of experience in nearly every filmmaking role, but also, a negative balance in our bank accounts. Follow us on our journey as we attempt to break into the national film scene, or just incur more debt.

Information

  • Creator
    Indie Film Podcast
  • Years Active
    2025 - 2026
  • Episodes
    93
  • Rating
    Explicit
  • Copyright
    © Indie Film Podcast
  • Show Website
    Indie Film Podcast

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