KLASSIKOM=Innovations in classical music

Rudolph Tang

By award-winning music critic Rudolph Tang direct from China. Salty maybe, boring never. klassikom.substack.com

  1. 5h ago

    Iconic Dance Returned to Stage

    The Dagger Society, an iconic blockbuster dance first performed in Shanghai in 1959, returned to its birthplace last night. The Dagger Society was a secret society with Triad roots. In 1853 its members under Liu Lichuan occupied Shanghai’s walled Chinese city and held it until 1855, with the Hall of Rising Spring in Yuyuan Garden as their headquarters. Qing forces and French troops besieged them, and the uprising ended in early 1855 after the French breached the city wall. Chinese histories describe it as a popular uprising against Qing rule and foreign aggression, and that is the story told by the 1959 ballet of the same name. The dance, with music by Shang Yi, returned to its birthplace on Friday night. The Shanghai Opera House, whose predecessor produced the work, staged a reimagined production at the Majestic Theatre as part of the 25th China Shanghai International Arts Festival. The work had been absent from the stage for 28 years, since its Hong Kong performances in 1998, and from mainland China since 1977. Zhang Chengjie conducted the Shanghai Opera House Orchestra from the pit. The new edition keeps Shang Yi’s core melodies, with a fresh arrangement for a symphony orchestra by Sun Chang that gives the Chinese orchestra writing extra fat. The overture, opened by the suona, has long outlived the stage. It became a fixture of Hong Kong martial arts films, from King Hu’s Dragon Inn in 1967 to Tsui Hark and Stephen Chow, and is often heard as a hero makes an eventful entrance. The Dance of Archers is the ballet’s signature number, captured in this reel. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit klassikom.substack.com

  2. 1d ago

    Zhang Gonghao Sings Teacher’s Winning Aria

    This is a Chinese language programme with bilingual subtitles. Baritone Zhang Gonghao has just completed his doctorate at the Shanghai Conservatory of Music, where he studies with Liao Changyong. Liao is a member of this year’s jury and won Operalia in 1997. In this interview Zhang says the competition’s arrival in Shanghai matters greatly to students who see Liao as both a role model and a goal. He sang “Per me giunto” from Verdi’s Don Carlo, the aria Liao performed in the 1997 final, out of admiration. His second aria was “Mein Sehnen, mein Wähnen” from Korngold’s Die tote Stadt, one of his favourites, which Plácido Domingo selected. He was most nervous on learning he had been chosen, with a home audience in the hall and judges from around the world. Liao’s advice steadied him: enjoy the stage, because nerves or no nerves he would sing the same few minutes. Before going on, Zhang clears his mind, keeps his heart rate steady and imagines the practice room. He also credits his pianist, Artem, and the coaching he received on working with an orchestra. Away from competitions he prefers art songs, especially Chinese ones such as “Youlan Cao” and “In the Mountains”. He says watching Liao prepare at performances in Germany and elsewhere has taught him a great deal. After the interview, Zhang advanced to the semifinals and then to the final, which takes place on 1 November. He is one of three Chinese baritones among the 12 finalists, alongside Li Zihao and Wang Jiazhou. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit klassikom.substack.com

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By award-winning music critic Rudolph Tang direct from China. Salty maybe, boring never. klassikom.substack.com