The Timberline Letter

Produced by Ed Chinn, Narrated by Kara Lea Kennedy

Think Clearer, See Further, Hear Deeper. timberlineletter.substack.com

  1. 4d ago

    The FedEx Truck at the Funeral

    Jewell sat in the back seat as we pulled away from her Chalk Hill, Texas home of more than thirty years. Her face never left the window as she silently watched her life flow away from her. That was the first mile of my mother-in-law’s last move on earth. As I watched her in my rearview mirror, I saw her as a deer, bounding higher up through the hills to avoid the rising waters from a long and heavy rain. In that mental video, I saw the water had already swallowed the crops, streets, cemeteries, fences, and roads. The main bridge had collapsed. There was nowhere left to go. She died a few months later. She had lived out her life in small and modest houses, older cars, ramshackle church buildings, handmade clothes, and pets that wandered up from somewhere. She and her husband Joe and their four “J” daughters—Jayne, Joyce, Joanne, and Jeannette— lived in South Texas oil patch towns and along life’s back roads; they knew how to make do with small places and smaller paychecks. However, the daughters have good memories of parents who cared and gave love and laughter. But it was a life of catfish, not caviar. They didn’t take cruises or sing Broadway show tunes as they danced around the kitchen. The soundtrack of their life came from country music. Jewell was the classic “good hearted woman, in love with a good-timin’ man.” Joe loved his wife and daughters, but he also loved good times: beer joints, barbeque, dominoes, and practical jokes. Jewell held her family together with prayer, hard work, duct tape, bailing wire, killing rattlesnakes—whatever it took. From the time they met, Jewell and Joe were, in Tanya Tucker’s words, “two sparrows in a hurricane.” They faced many hard realities in their lifetime Waltz Across Texas. In the end, Jewell strained against the limitations of her body. Her clothes of mortality were threadbare. And like she did with her clothes, she tried to patch what was wearing out—with pharmaceuticals, surgeries, bypasses, and other medical measures. She hoped to get another decade, one more year, maybe twenty-four more hours. Jewell was one of the most loved people I’ve ever known. She was a glowing campfire on a cold night; people wanted to stand near her. Religious people and those who weren’t, the elderly, kids, white people, black people, Democrats, Republicans, rich, poor, the prominent and those shoved into life’s gutters; Jewell had room for them all. And they surely loved her. That’s why one of my favorite memories of her is a FedEx truck parked outside her church just before her funeral. Regina, the driver, took time from delivering her packages to be there ... in uniform! Will your FedEx driver attend your funeral? Finally, for all who knew her, another country song gives voice to what many of us felt about Jewell. “Lovin’ her was easier than anything I’ll ever do again.” She never attended a prom, wrote a book, or composed a song. She never saw the inside of a limousine, jet, or yacht. Jewell never ran for office or occupied a place of prominence. But in her small spaces and ways, she lived out the quiet beauty of Jesus’ Sermon on the Mount. She knew sorrow and hunger, offered mercy, treated people well, loved generously, and made peace wherever she could. She didn’t have many possessions, but she had something that cannot be bought, borrowed, or built: the affection of people whose lives were better because she passed through them. Jewell never had much use for grand entrances or impressive exits. But so what? On the day we said goodbye, a delivery driver interrupted her rounds, parked her FedEx truck outside that little Texas church, and came inside. Regina had one last delivery to make. Not a package. Just to return love to one who had touched her life with love. Let the humble rejoice! The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  2. Oct 23

    Some Enchanted Evening

    I once sat in the elegant dining room of a lovely Orange County, California home, sharing a fine dinner with good-natured and hospitable people. I did not know our hosts, the Jostens; I was only there by the invitation of another guest. When someone inquired about our host’s profession, Walter Josten said he worked in the film industry. He spoke softly; he did not lead with his credits. “So, why do you live so far from the studios?,” I asked. “Because we chose to raise our children in a real world.” There was nothing pretentious about our hosts or their home ... no movie posters, awards, celebrity photos, or any other evidence of self-absorption. Just real people, real words, real thoughts. So, his answer made sense. They worked in a world of illusion; they wanted their children grounded in reality. That’s called wisdom. When someone asked about his projects, he delivered another surprise: “Mostly horror films.” He mentioned his film Witchboard, which is about a Ouija board. The mental pretzels in all that were, for me, overshadowed by the grace and peace that flowed through the home’s atmosphere. The Jostens did not draw attention to themselves. Their house was a home, not a narcissist’s museum. Although Hollywood was the arena of their work, it was clearly not the auditorium of their identity. When another guest asked about upcoming projects, Walter told us about plans for a film about Father Damien, the Catholic priest who served people suffering from leprosy in 19th century Hawaii, eventually dying from the disease himself. So, what does it mean that humble, low-key people worked in the movie business? Not only that, but they produced horror films. And, in another hairpin curve, they became financially and artistically committed to the story of a Christian who chose a life of service that ultimately cost him his own. What are we to make of people who don’t fit neatly into the categories we assign them? Not long after that dinner, my friend, The Washington Post columnist William Raspberry, spoke a profound truth to me over lunch: “Most people believe both sides of most issues.” Of course, they do. Normal people swim in the details of life. They trade cars, interview for jobs, help their kids with homework, go in for the MRI, pay attention to current events, pray, do laundry, etc. They also understand the balance of polarities—freedom and order, risk and reward, love and caution, generosity and discipline. They see parallel needs for strong national borders and gentleness toward immigrants, military strength and diplomacy, law and grace, and other truths held in tension. In his simple statement, Raspberry exposed one of the great rip-offs of our time: the idea that we cannot live with peace and uncertainty. Every word, every concept, every emotion must be a call to arms. Have we lost the capacity to be still, silent, and patient—to honor and embrace those who see things from a different angle? Our world, including our social frameworks, is much larger than we have ever imagined. The problem, according to an ancient maxim: “We don’t see things as they are; we see them as we are.” That Orange County dinner was more than a pleasant evening among friends and strangers. It offered a glimpse into the larger circles of human life, where people are more complicated, surprising, and gracious than the labels we so quickly give them. Those people gathered in the Josten home seemed to suggest we may do better if we live more in enchantment than suspicion, more in love than reaction, and with greater respect for those who challenge our orthodoxies. Perhaps we don’t have to resolve every contradiction, explain every mystery, or defend every absolute. Could we find the flow of relational peace and let our Creator do the heavy lifting? The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  3. Sep 23

    For Better Again

    Written by: Craig Dahlberg Narrated by: Kara Lea Kennedy I shuffle carefully, avoiding lizards drowsing on the warming cement sidewalk outside my front door. They repeat this ritual daily, eyes fixed, scarcely evading my shuffling feet. Eight months ago, I also searched for a warm landing place. Having lost my wife to cancer, I was newly inducted into the Widowers’ Club, a membership with no waiting list. Like the lizards, I searched for warmth. I’m not alone. Grief spawns several offspring: divorce, illness, disability, and a myriad of other losses—relationships, independence, home, career. When my wife and I married, we vowed, “For better or for worse…” We wanted a forever marriage. We so enjoyed the “better” of fifty years of marriage. We saw the best in each other—the joys, quirks, marital flow, the sometimes-ridiculous humor. We even learned to treasure the occasional sour days. Then, abruptly, it ended. A sudden upheaval. With her passing, I transitioned from the “better” to the “worse” side of that promise. With half my bed unoccupied, the beige goose-down comforter rested inert, the pillow needed no plumping, the pillowcase remained mascara-free. Date nights and medical appointments slid off my calendar like soggy sticky notes. I kept asking myself, “Will my life ever become whole again?” Friends coaxed me to join a club, volunteer, re-start a hobby, begin dating, or celebrate our fifty years together. But none of that landed. I was bruised to the bone. All I felt was that the decades of companionship … suddenly vaporized. For months, I heard a voice in the night—my hollow, unanswered wail, like a coyote in a tunnel. Then, unexpected events started seeping in. An unexpected trickle—an artesian spring—found its way up through the cracks in my foundation. Other voices in the nighttime spoke quiet, unfamiliar dialogues, uninvited but welcome first-time visitors. An angelic presence seemed to carry me—“Come along. Look ahead.” Then, during waking hours, I noticed another subtle shift. Like a sailing ship with battered masts, I felt the storm of grief quieting. Sunlight lay ahead. Calming waters lapped gently. A newfound peace and quiet gratitude warmed my chill. I was not “moving on” from loss. Instead, I “moved with” the recovering grace. I was certain that my wife did not intend for my life to end with hers. I am “moving with,” gradually, gratefully, departing the ranks of the heat-seeking sidewalk lizards, ever watchful and ready to scatter. I am more like a chameleon at rest—eyes peering both backward and ahead, observing where I have been, yet strengthened to watch the path unfolding before me. At night, I still lie awake and grope across the bed, still uncertain how to move forward. Yet a bridge toward hope is being built, one plank at a time. Through hope, we are tutored by both remembering the past and recalling how God led us through it. “For better or for worse…” conveys the spirit of commitment. It expresses gratitude for the marital past and sorrow for the present. But “for worse” need not describe the rest of the story. So, I submit this amendment: “For better or for worse… …and for better again.” The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  4. Sep 18

    The Love That Binds

    Just as swallows return to Capistrano, salmon swim upstream, and turtles march to the sea, our family has, for decades, traveled to an annual reunion at the Chinn farm in Pratt County, Kansas. We can measure the pull of that migration by how many other family members we encounter at McDonalds, convenience stores, and ice cream parlors during the seven-hour trek from Colorado to the farm. It’s as if winds blow down the eastern slope of the Rockies, whisking pickups, SUVs, 18-wheelers, and Chinns along I-70 and various other roads to Kansas. Years ago, after making ourselves at home in the Pine Cone Inn—which we always dubbed The Happiness Hotel—we ran into my aunts Mary, Maggie, and Jean, the garage sale queens. My daughter Nichole and I made plans to caravan with them to Pratt’s garage sales the next morning. But, driving off with fresh coffee that morning, we took a zig to their zag and found ourselves far from town. Surprisingly, we discovered a huge yard full of treasures. As we combed over the collection of overpriced and overused goods, I learned Nichole needed a sewing machine. She spotted one but was unsure of its value. We needed to find someone with wisdom, experience, and good judgement. Who better than my aunts who had sewn their own clothes on the farm, then mastered drapes, upholstery, and their own children’s and grandchildren’s clothes? I called them, gave them directions to where we were, and described their mission. Their arrival brought a flurry of love, activity, and voices. They pronounced the sewing machine a good buy, so we loaded it up and returned to our lodgings. That afternoon’s reunion activities included an auction of donated family items as a fundraiser. Nichole’s contribution to the auction was to be two denim jackets revamped in her own style. But, as she blissfully sewed vintage handkerchiefs to the jacket with her new machine, a tornado of thread piled up, preventing the cloth from moving forward. The Happiness Hotel suddenly became The Mangled Motel. Once again, we called the aunts to seek their wisdom. Although they were already on their way to the farm, they quickly spun around and came roaring back to our rescue. Swiftly and nimbly, they disassembled the sewing machine, cleaning each piece as it was removed. Newly oiled and reassembled, they gave it a trial run. We heard success in the hum of the stitches, as colorful vintage hankies were added along the cuffs and trim, and our family name was sewn on the back. That afternoon, Nichole entered those stylish items into the auction. Though the proceeds from her items increased the family fund, the aunt’s display of trans-generational love captured the real treasure of families. Just as that sewing machine pulled threads together for a higher purpose, so did my aunts. They pulled the colorful human fabrics into the dance. They made us want to bring our best selves to every meal, every activity, every injury, and every task at hand. Reunions on the Chinn farm continue, but that “greatest generation” of aunts has now passed. Here amid the sunflowers, hayrack rides, and squeals of new babies, we hold deep gratitude for those farm women who weren’t afraid of work and were so happy to pass along their skills, talents and love to many others. Sandra Salankey is a Denver native who loves the mountains. She and her husband, Gary, have 3 children and 5 grandchildren. A former flight attendant and Jazzercise instructor, she loves traveling, dancing, and organizing pictures into photo albums. She believes every picture tells a story. The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  5. Sep 10

    Beyond Harsh Answers

    Written by: Ed Chinn Narrated by: Kara Lea Kennedy On the last day of our Kansas visit in 2019, I dropped by Mom’s assisted living room to tell her goodbye; we were driving back to Tennessee. Her move from her home to assisted living had not gone well, and she decided this was the time to let me have it. Of course it was. She knew this might be the last time we would see each other. As soon as I sat down, she asked me, her firstborn, “Why am I here?” And I heard myself say, “Because your personal care needs have grown beyond what your family can provide.” I instantly hated the way those words felt in my mouth. Like marbles—too smooth. Accurate, but too sleek. Cold, unreal, evasive. They gave me power and protection while leaving her little space or grace. She kept going, her eyes like lasers. “Your daddy and I built our home. It’s right over there (she pointed). It’s paid for; it’s mine. Why can’t I just go home?” I wanted to throw up. I could see that she had been suffocating under a blanket of reasonable, dehumanizing logic: What happened to my life? Why am I held captive so near my home? Why am I spending $5,000 a month for this 340-square-foot box when my home costs me nothing? “Mom, I wish you could go home, but you can’t take care of yourself.” “I know, Ed—” she broke. “BUT MY SONS … DON’T WANT ME!” There it was. I couldn’t imagine what it cost her to face that reality, much less say it aloud. Everything in me protested. Her three sons and daughters-in-law did want her. We deeply loved her. No one carried unresolved mommy stuff. Vernon and Betty had cared for her long and sacrificially from their home next door. Carl and Deana had invited Mom to live with them in Colorado. And yet, in the way that mattered most to her in that moment, she was right. Our lives, our homes, our patterns of living—our own aging selves—could not absorb the disruption of a 96-year-old woman with serious health needs. Her wet, pleading eyes searched my face. Was she looking for some spark of hope, some evidence that the Christ lived in me? Then, dreading the moment and feeling the pressure to get on the road, I stood. “Mom, I love you so much. But we have to go.” As I hugged her, my own emotions seemed to give me permission to leave. But she wouldn’t let go that easily. She escorted me out of her room, down the hall, down the elevator, and right out the front door. As I approached my car, she began to sob into my chest. After holding her for a few minutes, I said, “Come on, Mom. We don’t live here. We have to go home.” “I know,” she wept as she studied her feet. And suddenly I saw the child she had once been in rural Missouri, frightened and crying because the road had washed out, the water kept rising, and Daddy was gone. Now the road had washed out again. She had no path forward. In the end, she seemed like a frightened citizen in an occupied country. She did not understand all the noises from the street, why strangers entered her room day and night, or why they sometimes spoke to her in the language of schedules, medications, rules, and routines. I know; they had work to do. “The poor plead for mercy, but the rich answer harshly.” (Proverbs 18:23) Harsh answers are often the language of people who must make things work. They keep the schedule, enforce the rules, solve the problems, get everyone back on the road. Sometimes they are even correct. But correct answers can so easily and so often wound. Older, poorer, weaker, sadder, sicker people understand this. But when so much has already been taken from them, what they may need most is not another explanation of the way things must be, but a little tenderness in the midst of the way things are. Isaiah imagined such tenderness when he wrote of One who “will not cry out or raise his voice, who will not break a bruised reed or extinguish a dimly burning wick, but will bring justice to those who have been wronged.” In her death four months later, that was the world Mom entered, a world where bruised reeds are handled gently and no one has to plead for mercy. As I get closer to the place where Mom once stood, the distance between the two of us has grown strangely short. Things I once understood from the fortress of the strong, I now glimpse from the camp of the aging. Now I understand these famous words from George Washington Carver are not philosophical; they are a warning: “How far you go in life depends on your being tender with the young, compassionate with the aged, sympathetic with the striving, and tolerant of the weak and strong. Because someday in your life you will have been all of these.” The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  6. Sep 3

    What’s He Doing Now?

    No matter what you think of Los Angeles or San Francisco, the Sierra Nevada, the Central Coast, the Mojave Desert, and a few other places all carry a certain vibe—Kalifornia Kool. But in the broad sweep of the Central Valley, where two rivers meet, sits Sacramento, the state capital. There’s just not much Kool in Sacramento. Flat as a tortilla, Sacramento is intensely hot in summer. Wildfires threaten the region year-round. And for such a vast state, its Capitol building seems undernourished and underwhelming—a California raisin instead of a plump, proud grape. Drowsing on the banks of the Sacramento River, downtown Sacramento drifts toward its nighttime slumber. Thin trickles of departing shoppers abandon the outdoor mall. As Sacramento pulls on its pajamas for the night, I head toward my hotel. Rounding a corner near a closing shop, I nearly collide with a street busker packing up. He wears a top hat, a long-tailed formal coat, a white frilled shirt, and a red cummerbund. He is stuffing his white clown mask into a blue Walmart shopping bag. “Whoops! Sorry I missed your performance. Finished for the day?” I ask. “Well, no, not if you want to hear me sing! Sure! I’ll stay!” His hands tremble as he quickly reverses his packing-up routine. I wonder if I am the only audience he has had all day. He fumbles with a tiny amplifier, trying to switch it on. In his left hand, he clutches a miniature cassette player. In his right, he holds a microphone pressed close to his mouth. The effort proves futile. His singing bears no discernible relationship to the cassette player’s tinny output. Is he three bars ahead, or four bars behind? Or perhaps, tone-deaf, he is simply guessing, tossing a note here, a note there—surely one of them will land. He warbles through the lyrics, “What’s she doing now?” The plaintive song reflects upon a precious, long-lost relationship, wondering where she is now and what has become of her. How appropriate, I think. Where has this costumed busker been, and what will become of him? Despite the cacophony and his lack of talent, some inner magnet draws me in and keeps me listening. His face is far kinder and brighter than his voice deserves. A hopeful expression elevates his presence. Somehow, his soul seems lifted above his circumstances. He stares directly at me. Then, after his ten-minute caterwaul, I realize the obvious. He’s attempting to earn a tip from his audience—me. I clandestinely dig through my wallet. Nope. No one-dollar bills. No five-dollar bills. Only one solitary bill—a twenty. I catch my breath. Too late now. He saw me digging. A twenty? I can’t give that much to a stranger. Would my generous gift encourage this hopeless musical wannabe? Worse, what about the drugs he might buy? The booze? Would I be promoting a derelict lifestyle? I do it. I swiftly fold a sharp crease across Andrew Jackson’s face and stuff the bill into the singer’s hand. Then I step back quickly, as if it never happened. He steps uncomfortably close. The lines on his face seem to melt away, his anxiety thawing. “Thank you!” he exclaims, stunned to be holding a twenty-dollar bill. He looks from the bill to me and grins, gap-toothed. “This is all I’ve earned today—and nobody has ever given me twenty dollars! Now I’ll buy some food because, you know, a friend is letting me sleep on his couch for a few nights. I’m so happy. Thank you! God bless!” I stand beside him as he packed up. “I won’t forget this…” he declares. Then he turns and walks away, dragging his amplifier and blue Walmart bag behind him. Each time I hear that song, I still wonder “What’s he doing now?” That evening, I gave away more than a twenty-dollar bill. My tight fist opened, and my hard heart opened with it. Ever since, I carry an extra Andrew Jackson twenty-dollar bill in my wallet and gently turn up the volume of my heart. The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

  7. Aug 27

    Chasing Rainbows

    Growing up under the wide Colorado sky, our family often watched the sun set behind the Rockies, casting pinks, oranges, and reds through our living room window. And every morning, the sunrise announced a new day to our castle. From our seats in that cosmic theater, we also watched storms roll from the west to east across our north horizon. Thunderclouds built and rumbled, taunting us with the possibility of rain. On one of those occasions, when my parents, my brother Christopher, and I stood marveling at a rainbow, Mom said, “Let’s go find the end of it!” We were old enough to know the pursuit would be in vain. But, with no voiced opposition, we loaded into the car and headed east. I remember sensations of hope, wonder, and stubborn optimism that sparked through my head. What if? What if C.S. Lewis was onto something, and we were about to enter another world? What if this turned out to be the grand adventure, the one that changed us in such a way that we would return from our journey as kings and queens? What if we found the pot of gold? Eventually, the sun set and we returned home. A brief adventure that concluded with the mundane rhythms of brushing teeth and going to bed. That was okay. It was never really about the rainbow anyway, but about child-like faith and wonder. I rested in deep satisfaction, with no need to touch the spectrum in the sky. The light of possibility had been enough for my soul. Years later, Mom and Dad drove me to California so I could chase another rainbow, an acting career. I had no degree and no guarantees. But I had parents who believed, smiled at the future, and sang old country songs through the arid lands of Utah, Nevada, and onto the Los Angeles freeways. They gave full support to my dream. For my brief California sojourn, I lived on two part-time jobs and the healthy dose of faith my parents deposited in me. But like the certainty of the setting sun, a low minimum wage and high gas prices brought an end to my time on the West Coast. Mom came and helped me drive back home. Just like the unsuccessful pursuit of the rainbow, my hopes didn’t die when the Hollywood sign shrank in my rearview mirror. It was fun while it lasted. But it was time to look towards something else. As we drove, my heart sorted the details. Maybe life doesn’t have to be filled with awards and accomplishments. Attaining wealth, promotions, fame, new furniture…they are all things that happen ‘out there.’ I don’t have to touch every shiny thing. Can I walk through boring days without facing an existential crisis? I’m still reaching for something greater, believing that one day I will be lifted into those arms that stretched rainbows across the sky and spun my dreams into existence. Meanwhile, I’d rather live on faith that sings through the dry places than give up on chasing possibilities. I didn’t find the end of the rainbow, but I did find the role of a lifetime—right in my home. Rainbows and other illusions may pull our gaze “where the grass is greener.” But the real pot of gold is always right here, right now. The Timberline Letter is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit timberlineletter.substack.com/subscribe

About

Think Clearer, See Further, Hear Deeper. timberlineletter.substack.com