Podcast by HIROMI KIM

HIROMI KIM

MOLFO (Modern Life Formation)のデザイナー・アーティストHIROMI KIMがお届けするPodcastです。デザインやアート、建築、素材、海外情報など気になるトピック、制作や展示会の舞台裏などをお話しします。 This is a podcast brought to you by designer and artist HIROMI KIM of MOLFO (Modern Life Formation). We talk about topics of interest such as design, art, architecture, materials, overseas information, and behind the scenes of productions and exhibitions. Instagram: instagram.com/hiromikim YouTube: youtube.com/@hiromikimdesignart

Episodes

  1. 09/09/2025

    012:なぜヘンプだけが精神性と深く結びついていたの? The Spiritual Power of Hemp in Japanese Tradition

    English is below. 麻の歴史と精神性 麻は、日本の伝統文化や神事において神聖視され、古代から人々の精神性に深く関わってきました。特に、麻は清浄な植物とされ、悪を祓う力があると信じられていました。 では、なぜ、いろいろな種類の麻がある中でヘンプだけが精神性と深く結びついていたのでしょうか? 今回は、そのなぜを深く掘り下げていきます。 (English script) 1. Introduction Hello, and welcome to my Podccast.Today, I’d like to share with you the story of hemp—a plant that has been deeply connected to Japanese spiritual culture since ancient times. In Japan, hemp has never been just a fiber or a crop.It has been revered as a sacred plant, appearing in myths, rituals, and even in ceremonies of the Imperial household.For centuries, hemp was believed to have the power to purify, to ward off evil, and to restore clarity. 2. Myths and Ancient Texts In Japan’s oldest chronicles, the Kojiki (Records of Ancient Matters) and the Nihon Shoki (Chronicles of Japan), hemp is described as an essential part of sacred rituals performed by the gods.It was believed that through hemp, impurities could be removed, and balance could be restored. Some traditions say that when the god Izanagi returned from the land of the dead and performed a ritual purification, hemp symbolized renewal and cleansing.We also find references in the Fudoki (ancient regional records) and even in the Manyoshu, the oldest anthology of Japanese poetry, where hemp is praised as a sacred and pure plant. 3. Why Hemp Was Seen as “Pure” Why was hemp considered such a “pure” plant? One reason lies in its vitality.Hemp grows quickly, strongly, and straight—ancient people saw this as a symbol of life’s pure and untamed force. Another reason is its versatility.Its fibers became clothing, ropes, and ritual tools such as gohei or sacred paper wands used in Shinto shrines.Its seeds provided food and nourishment.Because hemp was so essential in every aspect of daily life, it came to embody blessing and purity. Even today, Shinto priests use hemp fibers in purification rituals.When they wave a wand wrapped with hemp, it is not only a symbolic act of banishing impurity, but also a way of releasing the hidden fears and anxieties within the human heart. 4. Connection to the Imperial Tradition Hemp was also deeply connected to the Imperial family of Japan.In the enthronement ceremony known as the Daijosai—the first great ritual after a new emperor ascends the throne—hemp cloth called aratatae is offered to the gods. This hemp cloth represents the most sacred and pure offering, symbolizing the emperor’s prayer for peace and prosperity in a new era.In this way, hemp served not only as a material, but as a spiritual support at the very heart of Japan’s national identity. 5. Conclusion So we see, hemp was more than a useful plant.It was a mirror of Japanese spirituality: a force that could ward off evil, restore purity, and sustain the spirit. From daily life to the highest rituals of the nation, hemp has carried a quiet yet powerful role in shaping the way people connected with nature, with each other, and with the divine. Thank you for joining me.

  2. 08/26/2025

    011:Art Journey - 特別編【インタビュー】世界を舞台に活躍するろうけつ染アーティスト榊原幸代さん Art Journey - Special Edition [Interview] Worldwide Batik dyeing artist Sachiyo Sakakibara

    今回は、 Art Journey 特別編をお届けします。画像をご覧になりたい方は、YouTubedeご覧いただけます。今回のゲストは、愛知県を拠点に活動するろうけつ染(バティック)アーティスト・榊原幸代さんをお迎えします。ろうけつ染という日本の伝統技法を使い、大型の半立体作品や、世界に一点だけの手染めTシャツを制作している榊原さん。その作品は、日々の思考や感情、そして「世界平和」への願いを色彩と形に込めた、まさに心の風景。その手法と今後の展望をお伺いします。また、デザインに隠された”名前”の秘密にも迫ります。 🎨 Sachiyo Sakakibara 🌐Sachiyo Sakakibara Web:https://skkbrskk.wixsite.com/website 📸Instagram:  https://www.instagram.com/sa_chi_yo__/ 🎤HIromi Kim 🌐 HIROMI KIM Web https://hiromikim.com 📸Instagram:https://www.instagram.com/hiromikim/ 🎵 Music:YouTube   @PeacefulEchoesMusic   #HIROMIKIM #artjourney #artvlog — Art Journey - Special Edition [Interview] Worldwide Batik dyeing artist Sachiyo Sakakibara This time, we bring you a special edition of Art Journey. If you would like to see the images, you can watch them on YouTube. Our guest this time is Sachiyo Sakakibara, a wax-resist dyeing (batik) artist based in Aichi Prefecture.Using the traditional Japanese technique of wax-resist dyeing, Sakakibara creates large, semi-three-dimensional works and one-of-a-kind hand-dyed T-shirts. Her works are truly landscapes of the heart, incorporating her daily thoughts and emotions, as well as her wish for world peace, into color and form. I asked her about her techniques and future prospects. We also uncover the secret behind the "names" hidden in her designs. **English script** Hello. I’m Hiromi Kim, a designer and artist. In this Art Journey series, I share, from an artist’s perspective, dialogues between “materials” and “space,” and the memories they hold, through the art and design spaces I visit. This time, we have a special edition of Art Journey. Today, I have a wonderful guest. She’s an artist based in Aichi Prefecture who creates three-dimensional works using batik dyeing — Ms. Sachiyo Sakakibara. I met her last year at an exhibition in New York. The moment I saw her work, I was captivated by its depth and strength. What flows beneath those colors and forms? Where does that driving force come from? Let’s take a journey together to explore the materials, spaces, and the landscapes of the artist’s mind. H: Hello. S: Oh, hello. H: This is the first time since New York, right? S: Yes, since New York. It’s been over half a year already. That was so much fun. H: Thank you for joining us as a guest today. S: Thank you. H: I’d like to ask you a lot of things today, but first, for those who may not know you, could you briefly introduce yourself? S: Sure. I work with batik dyeing (roketsuzome in Japanese). Usually, I dye T-shirts with batik, but twice a year I take part in large exhibitions. For those, I create large pieces—about two meters tall—then turn them into three-dimensional works. I use dyed fabric, and build semi-sculptural art pieces with materials like cardboard and metal. H: What kind of art do you make? S: My theme is called “Inside My Head.” It’s about my thought process — all the little things I think about during the day, even small, trivial matters. Everyday emotions — joy, anger, sadness — all of it is processed in the mind. I design and express my thought patterns as artworks. I melt wax in a pot, apply it to cloth using batik tools, and without making any preliminary sketches, I draw my thought patterns directly, in one burst. It’s hard to explain in words. H: You mentioned you make three-dimensional works — what do they look like? S: Size-wise, they’re almost two meters tall and about 30 cm thick. Inside, I might build structures from cardboard, or carve Styrofoam insulation boards, then cover them with dyed fabric. Sometimes I wrap wire around them. Last year, I even attached a water faucet to my piece — to symbolically wash away the unpleasant, murky feelings I wanted to clear from my mind. It’s like I’m playing through my art. --- This is the end of the English script. Please watch the YouTube video for the rest of the video.

  3. 08/12/2025

    010:麻というレジスタンス──素材を通して目覚める、わたしたちの内なる声  "Hemp as Resistance — Awakening the Inner Voice Through Material"

    English is below. サステナブルは“基本”となった今、 求められているのは「意味のある美しさ」と「目覚めた感性」。 本エピソードでは、素材としての「麻」に込められたレジスタンス(抵抗)と、 その先にある“再生”の可能性について語ります。 大量生産の時代を越えて、私たちは何を選び、何とつながって生きていくのか── 素材が静かに語りかけてくるメッセージに耳を澄ませてください。 Sustainability is now expected. What’s needed next is meaningful beauty, and an awakened sensibility. This episode explores hemp as resistance — a quiet yet powerful force guiding us toward spiritual and cultural reconnection. Beyond being eco-friendly, hemp invites us to reimagine how we live, feel, and create. (English script)----- Hello, this is HIROMI KIM. In this podcast, I explore the relationship between art, materials, and space from the perspective of an artist. The theme of Episode 10 is: "Hemp as Resistance." Why speak about hemp now? Because we are standing at the threshold of a new era — one where we must face the question of value. 🔥 When “sustainable” becomes the baseline Recently, a well-known American entrepreneur said this: “From now on, environmental responsibility will be a given. But without refined aesthetics, a premium sensibility, and even a touch of the sensual, you will not move people’s hearts.” Sustainability, on its own, is not enough. It must be wrapped in beauty. We have entered an era where recycled materials and eco-packaging alone can no longer define the value of a brand. 🧵 Hemp has it all Hemp is exactly the material we need today: Its kindness in returning to the earth, its overwhelming vitality, its functional beauty in breathability and durability. But it’s more than that. It holds a beauty that carries spirit — an energy that speaks to both the physical and the soulful. Hemp is not just a fiber. It is a form of resistance — a quiet yet powerful “NO” to mass production and overconsumption, to lifeless spaces, to the forgotten senses of the body. 🌱 Materials ask us questions A material is not simply something to be used. It is a question — one that shakes our senses, our memories, and our inner voice. “What do you truly value in life?” “What intention exists in this space?” “Is it connected to life itself?” Every time I touch hemp, I feel these questions rising within me. 🔔 To work with hemp, we must first awaken Here lies the challenge: Many of us have not yet awakened. What’s needed is not a surface-level trend, but a deep shift in consciousness. To truly work with the spirit of hemp, we need the sensitivity — and the responsibility — to face it fully. As someone who creates in art, space, and design, I want to receive hemp not just as a “material,” but as a message. 💫 Toward the next era — a quiet revolution led by materials In the next era, meaningful beauty will be the measure of value. Not just environmental care, but the integration of mind and body, culture and nature — this is what will create new richness. Hemp can be that bridge. In fact, it always has been. That is why I feel: Hemp is resistance. And it is renewal. A quiet revolution, beginning with a material. Now is the time to listen to its voice. 🧘‍♀️ If today’s episode has brought you even a small “realization” or “question” as you think about art, design, or space-making, I would be truly happy. In the next episode, we will continue this journey into “materials and spirit.” Please follow or subscribe so you don’t miss it. Thank you for listening until the end. This was HIROMI KIM.

  4. 07/28/2025

    009:記憶と喪失──なぜ今、麻に触れる必要があるのか "Memory and Loss: Why We Must Reconnect with Hemp"

    English is below. 古来より、麻は日本人の暮らしと精神文化に深く根づいてきました。神事や儀式、衣服や寝具、生と死をめぐるすべての場面に、静かに存在していた素材。 しかし戦後、その神聖な意味や役割は急速に失われていきました。そして私たちは、「清め」「つながり」「祈り」といった大切な感覚を、素材とともに忘れてしまったのかもしれません。 今、麻と向き合うことで思い出せる“根”の感覚。このエピソードでは、麻を通じて、喪失された精神性と再び出会う旅にご案内します。 For centuries, hemp was woven into the spiritual and everyday life of Japan —from sacred rituals to daily garments, from birth to death. But in modern times, we lost more than a material.We lost the spirituality, purity, and connection it represented. In this episode, I invite you on a journey —to remember what hemp once meant, and what it can awaken in us today. [English script] Hello, this is HIROMI KIM.In this podcast, I explore the relationship between art, materials, and space — from the perspective of an artist. The theme of Episode 9 is hemp, and the spirituality we've forgotten. In the past, hemp in Japan was not just a plant.It was a symbol of purification and connection — a sacred material woven into the very center of daily and spiritual life. In Shinto shrines, hemp was used in sacred ropes (shimenawa), bell cords, priest garments, and ritual wands.This is because hemp was believed to hold the power to cleanse impurities and purify spaces.Even today at Ise Grand Shrine, bundles of hemp — called Ōnusa — are still used in sacred purification rituals. From the moment a baby is born, to a bride’s ceremonial kimono, to the cloth that wraps a body in death —hemp has been with us throughout the journey of life.It was also a part of everyday life: used in summer clothing, bedding, mosquito nets, and farming wear —valued for its strength, breathability, and lightness. In other words, hemp was deeply rooted in the wisdom of living in harmony with nature. But after the war, with major shifts in societal values,this spirituality that once dwelled in hemp began to fade from memory.The reasons are many — political pressures, economic changes, imported ideologies.Over time, hemp’s sacredness and cultural meaning were diminished, even feared.At times, it was treated as something forbidden — something to be avoided altogether. This, to me, is a profound loss.Not just the loss of a material, but the loss of our original sense of prayer and connection.Most people may not even realize what’s missing —but I believe this has created a deep emptiness in the Japanese spirit. As an artist, I now find myself returning to hemp —reaching for its memory, not out of nostalgia,but because I believe it holds something vital for the future. In this era of disconnection — from nature, from others, even from ourselves —I believe hemp’s quiet strength of purification, connection, and renewaloffers us a path forward. Hemp gently asks us:“What are you truly connected to?” Now, more than ever, I want to listen to that voice. Some say that plants emit their own energy —and that sensitive people can even “speak” with them.They say you can feel kami-ki — divine energy — when entering sacred spaces.But many of us have lost that sensitivity. This planet is a realm of plants.We are alive because of them.And yet, we’ve forgotten to listen. There’s still much more I want to share about hemp.Because I believe it’s time for us to remember.To awaken. In the next episode, we’ll dive into:“Hemp as Resistance — Awakening the Inner Voice Through Material.”Please subscribe, and stay tuned. I hope this episode has offered some inspiration —for those involved in creating spaces, in the arts, or anyone searching for a new form of expression.If you enjoyed it, I’d be so grateful for your subscription or a follow. Thank you for listening all the way to the end.This was HIROMI KIM.

  5. 07/22/2025

    008: なぜアートは空間に必要なのか──欧米での習慣とアートの潜在的ポテンシャル "Why Art Is Essential in Spaces — Western Customs and the Untapped Potential of Art"

    English is below. 第8回のテーマは、「なぜアートは空間に必要なのか──欧米での習慣とアートの潜在的ポテンシャル」。 欧米の暮らしでは当たり前のようにアートが空間に溶け込んでいますが、そこにはどんな文化的背景や意味があるのでしょうか?また、アートはただの装飾ではなく、人の心や空間の“質”にどんな影響を与えるのでしょうか? このエピソードでは、アートが空間に果たす役割や、心理的な作用、素材としての可能性、そしていくつかの実例を交えてお話しします。空間づくりやアートに関心のある方に、ヒントやインスピレーションをお届けできれば嬉しいです。 --- Episode 8: "Why Art Is Essential in Spaces — Western Customs and the Untapped Potential of Art" *** Script (for reading) Hello, I’m Hiromi Kim.In this podcast, I explore stories related to art, materials, and spatial design, diving deep into a single theme each episode from the perspective of design and culture. Today’s theme is:"Why Art Is Essential in Spaces — Western Customs and the Untapped Potential of Art." Have you ever visited someone’s home and found yourself captivated by the artwork displayed on their walls?In many Western homes, art isn’t just part of the interior decor — it’s a form of self-expression embedded in daily life. For instance, in Europe, since the Renaissance, displaying paintings and sculptures at home has symbolized one’s cultural sophistication and social standing.Even today, many households have “gallery walls,” combining photographs and artworks to reflect personal values and life stories.Art is not merely decoration; it’s like a language that speaks through the space. So, why is art considered necessary in a space? First, there’s a psychological aspect.Colors, shapes, and composition influence not only our visual senses but also our emotions and thoughts.For example, artworks that use natural materials or organic lines have been scientifically shown to reduce stress and enhance calm and focus. Moreover, art elevates the quality of a space.Even a single piece on a plain wall can add a sense of narrative to the room.This is why art is increasingly used in hotels and offices — to express a brand’s values or philosophy. Another important aspect is that art facilitates human connection.“It’s an interesting piece,” or “Where did you find it?” —Art can spark natural conversations and act as a bridge between people, offering both emotional resonance and a point of dialogue. I’d also like to touch on the untapped potential of art.Not only two-dimensional pieces, but also sculptural works add a tactile, atmospheric layer of sensation to a space.They change with the light and deepen their presence over time —art becomes a way to mark time within a space. In addition, sustainable materials like hemp, which I work with personally, can also convey ethical living and our connection with nature.Placing art in a space, I believe, is a deeply fundamental act —it transforms that space into a place of meaning. Let me share a few real-life examples. In an apartment in SoHo, New York, abstract paintings and travel photos are arranged harmoniously on the walls, creating a personal story of “travel and memory.”At a boutique hotel in London, naturally dyed textile artworks in the lobby express a harmony between nature and city life, inviting guests to relax.And in a design office in Tokyo, acoustic hemp wall pieces are used to create a quiet yet creative atmosphere. Each of these examples shows how art enhances the quality of a space. What did you think?I hope today’s episode offers a spark of inspiration — whether you're involved in spatial design, engaged in the arts, or simply exploring new forms of expression.If you enjoyed this episode, I’d love it if you could subscribe or follow the show. Thank you for listening all the way to the end.This was Hiromi Kim.

  6. 07/14/2025

    007:脱・大量生産。ラグジュアリーの新基準は“手仕事と意味”

    English is below. 今日のテーマは**「脱・大量生産。ラグジュアリーの新基準は“手仕事と意味”」**です。 “ラグジュアリー”という言葉、最近では少し意味が変わってきたように感じませんか? かつてのラグジュアリーは、高価な素材やブランド名で語られることが多かったと思います。でも今、静かに価値観がシフトしています。 その変化のひとつが、**「手仕事」**への回帰。 私がどのようにして制作に向き合っているのか、よろしければお聞きください。 (English Script) “Beyond Mass Production: The New Standard of Luxury is Craft and Meaning” (Approx. 5 minutes) Hello, this is Hiromi Kim.Welcome to my podcast, where I share stories about art, materials, and spaces—through the lens of design and culture. Today’s theme is:“Beyond Mass Production: The New Standard of Luxury is Craft and Meaning.” Have you noticed how the meaning of the word “luxury” has started to shift recently?Luxury used to be all about expensive materials and brand names.But now, quietly and steadily, our values are beginning to change. One of the key shifts is a return to craftsmanship.We’re beginning to appreciate things that hold the time and touch of the maker—qualities that mass production simply can’t replicate.These are the kinds of things that are now seen as truly luxurious. When I create my own works using hemp,I spend time with each material—weaving, braiding, and composing piece by piece.It’s a process that demands a lot of time and sensitivity.It feels less like efficiency, and more like a kind of prayer. Recently, handcrafted art like this has started to find its way into high-end interiors.In homes, hotels, restaurants, and galleries,one-of-a-kind pieces are elevating the entire atmosphere of a space. I don't think of my work as mere “decoration.”I want each piece to be a storyteller within the space—something that gently speaks to the emotions and sensibilities of the people who gather there. To do that, the why behind the work becomes essential:Why was this piece created? Why were these materials chosen?The meaning and context behind the work give it depth—and that, I believe, is at the heart of this new idea of luxury. Anything that takes time and care also carries a reason.And that reason, that intention,is becoming the true core of what we now call “luxury.” So let me ask:What does “richness” or “abundance” mean to you?I hope my work can pose that question—and maybe offer a quiet answer. So, what did you think?Today, we talked about the shift away from mass production and how craft and meaning are redefining luxury. I hope this episode was inspiring for those of you working in space design, art, or anyone looking to explore new creative possibilities. If you enjoyed this episode, I’d be so grateful if you’d subscribe to the channel or give it a rating. Thanks for listening all the way to the end.See you next time!

  7. 06/24/2025

    006:アート作品を“壁紙”や“ファブリック”で終わらせないために“Beyond Wallpaper and Fabric: Redefining the Role of Art”

    English script is below. 今日のテーマは 「アート作品を“壁紙”や“ファブリック”で終わらせないために」です。 ヘンプを使った作品は、ときに「壁掛け」「テキスタイル」「ファブリック」というカテゴリーで語られてしまうことがあります。 私がどのようにして制作に向き合っているのか、よろしければお聞きください。 (English Script) “Beyond Wallpaper and Fabric: Redefining the Role of Art” Hello, this is Hiromi Kim. In this program, I share stories about art, materials, and spaces, all through the lens of design and culture. Today's theme is: “Beyond Wallpaper and Fabric: Redefining the Role of Art.” The material at the heart of my work is hemp—a plant-based fiber known for its strength and flexibility. It ages beautifully over time, gently “breathing” in harmony with the space around it. However, artworks made with hemp are sometimes categorized as “wall hangings,” “textiles,” or simply “fabric.” And while this might be technically accurate to some extent, what I truly aim to express is something beyond that—art as presence. The words wallpaper and fabric often imply a decorative function. But an art piece is not merely something to be looked at—it should possess a presence of its own, engaging with the space and building a relationship with the surrounding atmosphere. To me, it's not about “using” materials—it's about “dialoguing” with them. The warmth you feel when you touch the surface, the subtle fluctuations in the fibers, the shadows that emerge when lit by natural light... These qualities evoke what I call a “memory of being”—something that doesn’t exist in mass-produced objects. This presence comes to life most vividly in spaces dedicated to exhibition. In galleries, architectural spaces, and museums, works of art don’t just get “viewed”—they engage the viewer’s body and senses in a deeper dialogue. I believe in the power of art to resonate with space, to shift the emotions and awareness of those who encounter it. Not just as a material, not just as fabric, but as a presence that exists as a work of art. By embracing this perspective, I believe the spaces we inhabit can become richer, more sensorial, and more deeply alive—spaces that truly breathe with us. How was it? Today, I spoke on the theme: “Beyond Wallpaper and Fabric: Redefining the Role of Art.” I hope this episode serves as a source of inspiration for those involved in spatial design, art, or anyone seeking new creative possibilities. Please consider subscribing or following the channel. Thank you for listening until the end—this was Hiromi Kim.

  8. 06/17/2025

    005:「神聖な素材を空間に──日本文化における麻(ヘンプ)の意味」Bringing Sacred Materials into Space — The Meaning of Hemp in Japanese Culture

    English script is below. 第5回目となる今回は、日本文化における“麻(ヘンプ)”の神聖な意味、そして空間におけるその力についてお話しします。 これからの空間づくりにおいて、大きなヒントになれば嬉しいです。 [English script ] Bringing Sacred Materials into Space — The Meaning of Hemp in Japanese Culture Hello, this is Hiromi Kim.In this program, I share stories about art, materials, and space from the perspective of design and culture. Today's theme is:“Bringing Sacred Materials into Space — The Meaning of Hemp in Japanese Culture.” In my work, hemp—asa—is a core material.While I value its environmental sustainability, my choice to work with hemp is also deeply rooted in its sacred significance in Japanese culture. Take the Ise Grand Shrine, for example—one of the central places of Shinto, Japan’s indigenous spirituality.At Ise, hemp is used in almost all essential ceremonial tools: the cloths that wrap the sacred objects, shimenawa (sacred ropes), and mihobari (sacred curtains).In these rituals, hemp is known as ōnusa—literally “great hemp”—because it has long been believed to purify spaces and drive away negative energy. Hemp fabric fluttering in the wind was thought to move unseen energies—what we call ki—and harmonize the atmosphere of a space. Let me read you a passage from the official website of Ise Jingu: The sacred talisman of Ise Shrine is called “Jingū Taima” (Grand Shrine Hemp Talisman). “Taima” is another way of reading “ōnusa,” and refers to a ritual implement used in purification. In ancient times, these talismans were distributed by Ise priests known as “onshi,” and with the will of Emperor Meiji, they began to be distributed nationwide so that people across Japan could pay their respects to the Grand Shrine morning and evening. As you can see, hemp was never just a material—it was a spiritual device for tuning the atmosphere and flow of energy in a space. In my own creative process, I see hemp not merely as a material, but as a resonant body.The fibers respond to air, allow light to pass through, and naturally shape themselves under the influence of gravity.It’s as if the hemp makes the invisible “breathing” of the space visible. Even today, these unique qualities of hemp are being applied in various types of spaces.For example, in one private home, hemp is used as a partition between the living room and a traditional Japanese tatami room.At the entrance of a small shop, a hemp curtain (noren) serves both as a gentle threshold and a spiritual ward against bad luck.When I install my hemp works in homes or galleries, I often feel that the atmosphere of the space shifts.There’s a noticeable change—as if the space becomes quieter, more transparent. I believe this is due to the inherent power of the material—a quiet sacredness, passed down through generations, that still resonates with our modern senses on some deeper, perhaps unconscious, level. We don’t experience space only with our eyes—we perceive it through our skin, and through the energy it gives off.That’s why the materials we choose for our spaces shouldn’t be just decorative elements,but rather presences that harmonize the flow of energy. Hemp truly has that capacity.It is a fiber of memory that connects the past and the future—a breathing material that holds both sacredness and warmth.And it’s my hope to continue bringing this material into the spaces we live in. How was today’s episode?I spoke about “Bringing Sacred Materials into Space — The Meaning of Hemp in Japanese Culture.”I hope this episode offers insights for those involved in spatial design, art, or anyone seeking new possibilities.If you enjoyed it, I’d be grateful if you subscribe or follow the channel. Thank you for listening until the end.This was Hiromi.

  9. 06/10/2025

    004:静けさをデザインする──アートと音の関係 Designing Silence

    今回は、「静けさをデザインする──アートと音の関係」についてお話しします。 現代の都市空間で、**“音の公害”**という言葉を耳にしたことはありますか? 車や建設現場の騒音、カフェやオフィスでのざわめき、エアコンの低いうなり声…。こうした“音”は、目には見えませんが、私たちの集中力や感情、そして身体のリズムに影響を与えています。 今回のテーマが、空間づくりに関わる方や、アートの新しい可能性を探している方にとって、ヒントになれば嬉しいです。 [English script] Hello, I'm HIROMI KIM. In this program, we bring you stories about art, materials, and space from the perspective of design and culture. This time, we'll talk about "Designing Silence - The Relationship between Art and Sound." Have you ever heard the term "sound pollution" in modern urban spaces? The noise of cars and construction sites, the chatter of cafes and offices, the low hum of air conditioners... These "sounds" are invisible to the eye, but they affect our concentration, emotions, and the rhythm of our bodies. Some of the art pieces I create incorporate materials with sound-absorbing and soundproofing properties. I design them to soften the reverberation of the space by layering sound-absorbing materials inside a three-dimensionally constructed fabric. Sound has the property of bouncing off when it hits a hard material. In a space made of concrete or stone, sound bounces off, making it difficult to hear people talking. Have you ever seen radio studios or music recording studios that are filled with sound-absorbing materials? This is designed to reduce sound reflections and allow only voices and sounds to be recorded. Recently, I often see sound-absorbing materials being used in YouTube recording rooms. In everyday life, when watching movies at high volume, in crowded places, or in places with many children, sound often echoes back and forth. In fact, this is not just about sound noise, but also an attempt to explore the gap between beauty and functionality in our daily lives. "Silence" is not simply the "absence of sound." Rather, it is the richness that lies in the margins and "spaces." For example, the silence that flows in a teahouse. Or the feeling of a change in the air the moment you enter a shrine. I feel that in such spaces, "silence" has the power to organize the "space." I mainly use hemp as a material to create my works. This material is not only strong and light as a fiber, but also has a breathable texture that softly absorbs sound. The sound of people's voices and footsteps is absorbed, and the sound gradually becomes softer... Such subtle changes can reduce stress in daily life and calm your mood. These works are not just something to look at. They can be said to be art that changes the way you hear and feel. In particular, when using art in architectural spaces, I always imagine, "What kind of sounds are flowing in this space?" The reverberation of sound, the height of the ceiling, the interaction of materials. Art pieces are not just decorations, but tools that change the texture of the space. In the past, in Japan, "listening to sounds" was deeply connected to spirituality. For example, the custom of listening to the sound of wind chimes and the chirps of insects. Or the sense of enjoying the "silence" in Noh and tea ceremonies. All of these were cultures that connected sound and the heart. I think my works are an extension of that. I believe that in the future of spatial design, not only "visible decoration" but also "silence felt by the ears" will become an important element. What art can do for "sound" is to create a quiet environment. And, I believe, to create a space that resets the senses. What did you think? I hope this episode will be helpful for those involved in spatial creation and those looking for new possibilities in art. In the next episode, we will be covering the theme of "A sacred material in space - the meaning of hemp in Japanese culture." Thank you for watching until the end today. See you next time. This is HIROMI KIM.

  10. 06/03/2025

    003:素材の物語:なぜ今、天然素材が再注目されているのか?The Story of Materials

    [English Script is below.] 🎧 Podcast/YouTube配信 第3回 🎙 「素材の物語:なぜ今、天然素材が再注目されているのか?」を公開しました。 ⁠ 私たちの暮らしに欠かせない「素材」。 そのひとつひとつには、歴史と文化、そして人との深いつながりがあります。 ⁠ 今、世界中の建築やアートの現場で天然素材が見直されている背景、 そしてヘンプという素材の可能性について、制作の現場からお話ししています。 ⁠ 素材を選ぶということは、「どんな未来をつくりたいか」を選ぶことでもあるのかもしれません。 ⁠ 📺 YouTube & 🎙Podcastで配信中!プロフィールのリンクからぜひお聴きください。 #天然素材 #素材の物語 #ヘンプアート #サステナブルデザイン #アートと空間 #自然素材 #ヒロミキム #hemp #sustainablematerials #artandspace --- [English Script] 🎙 Episode 3: The Story of Materials — Why Are Natural Materials Being Rediscovered Today? Hello, I’m HIROMI KIM. Welcome to my podcast, where I explore stories related to art, materials, and space through the lens of design and culture. Today’s topic is: "The Story of Materials: Why Are Natural Materials Being Rediscovered Today?" I’ll share my thoughts based on my own practice, research, and the latest trends in the art and architecture world. I was first drawn to natural materials—especially hemp—about 10 years ago. It was a time when I began to feel a deep concern about the imbalance between our environment and social systems. During my search, I encountered materials that have accompanied humanity since ancient times—materials that return to the earth: hemp, washi paper, soil, wood, stone, fabric… I began to realize that these weren’t just "materials," but carried memory, history, and culture within them. So, why is there a global resurgence of interest in natural materials? A major reason is the growing awareness of sustainability. Modern society has long relied on industrial products, petroleum-based materials, and efficiency-driven systems. But this has come with consequences: environmental destruction, health concerns, and emotional disconnection. Natural materials offer an alternative. For example, breathable materials naturally regulate humidity and temperature in a space. They create a sense of comfort and security that synthetic materials often can’t replicate. Also, natural materials are deeply connected to local cultures and landscapes. So choosing a material is also about choosing a set of values—how we want to live and interact with the world. The appeal of natural materials isn’t just about their texture or function. Each material holds a story—one built over time. Hemp, for instance, has been used for over 10,000 years in clothing, food, shelter, and even spiritual rituals. It’s not only a practical material—it has played a cultural and symbolic role throughout history. To me, materials are a kind of media of memory and culture, connecting us to the past while shaping the future. What did you think? Today we explored the theme: "The Story of Materials: Why Are Natural Materials Being Rediscovered Today?" Choosing a material isn’t just about design—it’s about shaping the spaces and societies we want to create. I encourage you to listen to what the materials around you are saying. In the next episode, I’ll talk about: “Art and the Urban Environment: Creating Silence in the City.” Please subscribe or follow if you haven’t yet. Thank you for listening, and I’m HIROMI KIM. See you next time.

  11. 05/27/2025

    002: 空間を形作るアート Art That Shapes Space

    The English script is below. 第二回目のテーマは「空間を形作るアート」。 私自身が制作する作品ヘンプシリーズのZAMAを通じてアートが空間にどんな作用をもたらすのかを一緒に考えていきます。 — [日本語スクリプト] こんにちは。ヒロミキムです。 この番組ではアートや素材、空間にまつわる物語をデザインや文化の視点からお届けしています。 第二回目のテーマは「空間を形作るアート」。 私自身が制作する作品ヘンプシリーズのZAMAを通じてアートが空間にどんな作用をもたらすのかを一緒に考えていきます。 アートと聞くと、まず目で見るものと言うイメージが強いかもしれません。でも、わたくしが制作を通して、日々感じるのは、アートはもっと多層的な体験だと言うことです。 空間の中では、視覚だけでなく、音や触覚空気感までも私たちの感覚に影響を与えています。特に都市生活の中では目に見えない音のノイズが無意識のうちにストレスや不調を引き起こしていることもあります。 私の作品ヘンプシリーズは視覚的な美しさに加えて私の作品ヘンプシリーズは視覚的な美しさに加えて空間、そのものに働きかける機能を持っています。 例えば 1つ目は光と影の構成。ヘンプ素材の柔らかな陰影や幾学的な構成は、空間にリズムと静けさを生み出します。自然光や照明の変化によって、その表情は、 1日の中でも刻々と変化していきます。自然光や照明の変化によって、その表情は 1日の中でも刻々と変化していきます。  2つ目は音環境への作用。作品の裏には吸音防音剤が施されており、室内の反響音や外からの騒音を和らげてくれる役割を果たしています。これはギャラリーやホテル図書館オフィスなど静寂を必要とする空間で、特に効果を発揮します。 3つ目は素材の存在感。自然素材であるヘンプの質感は、人間の感覚に優しく働きかけ、空間に温かみや安心感を与えてくれます。ただ飾るのではなく整えると言う役割を持ったアートです。 このように私のヘンプシリーズは単に壁にかける装飾ではなく、空間と対話し、環境と共鳴する存在です。 私はこれまで建築家やインテリアデザイナーの方々とも対応を重ねてきました。 その中で感じるのは、これからの空間作りには、機能性と感性の両立が求められていると言うことです。 アートは、空間の最後の一手ではなく、最初から設計に組み込むことで、建築やインテリアとも呼吸し、共存するものになると思っています。 いかがでしたでしょうか今回は「空間を形作るアート」というテーマでお話ししました。 次回は「素材の物語:なぜ天然素材が今再注目されているのか」をテーマにお届けする予定です。 ぜひチャンネル登録フォローをして次回の配信もお楽しみに。 最後までご視聴いただきありがとうございました。 ヒロミキムでした。 — [English script] 002: Art That Shapes Space Hello, this is Hiromi Kim.In this program, I share stories about art, materials, and space—told from the perspective of design and culture. The theme of this second episode is "Art That Shapes Space."Through my own series of works called HEMP, particularly the piece titled ZAMA, I’d like to explore how art influences and transforms the spaces we inhabit. When people hear the word "art," they often think of something to look at—something visual.But through my creative process, I’ve come to believe that art is a much more multi-sensory experience. Within a space, it's not just our eyes that are engaged—our perception is also shaped by sound, touch, and even the subtle atmosphere.Especially in urban environments, invisible noise can cause stress or discomfort without us even realizing it. My HEMP series aims to respond not only to visual beauty, but also to the needs of space itself. Let me share three ways my works interact with space: First, the interplay of light and shadow.The softness of hemp fibers and their geometric composition create a rhythm and stillness in the space.As natural light or artificial lighting changes throughout the day, the piece takes on new expressions—ever-shifting and alive. Second, acoustic function.Each piece is backed with sound-absorbing material, reducing echo and blocking external noise.This is especially effective in galleries, hotels, libraries, or offices—places that call for a sense of calm and quiet. Third, the presence of the material itself.The natural texture of hemp has a gentle, grounding effect on our senses.It brings warmth and comfort to the space.In this way, my work is not just something decorative—it has the role of "tuning" or "balancing" the environment. So, the HEMP series isn’t just a wall decoration.It is art that engages in dialogue with the architecture and resonates with its surroundings. Over the years, I’ve had many conversations and collaborations with architects and interior designers.What I’ve learned is that today’s spaces require both function and sensitivity. Art should not be considered the final touch of a space.Rather, I believe it should be integrated from the beginning of the design process—allowing it to breathe and coexist with the architecture itself. I hope this episode gave you some inspiration.Today, we explored the theme: Art That Shapes Space. In the next episode, I’ll talk about “The Story of Materials: Why Natural Fibers Matter Now.”Please subscribe or follow the channel so you won’t miss it. Thank you for listening all the way through.This was Hiromi Kim.

  12. 05/20/2025

    001: なぜ今ヘンプなのか?Why Hemp, Why Now?

    The English script is below. はじめまして!ポッドキャスト配信スタートしました! アート&デザイン、建築、サスティナブルデザインなどについてわかりやすく解説していきます! 初回は、「なぜ今ヘンプなのか?」です。 天然素材ヘンプの歴史と、今世界で際注目されている理由を、アーティスト・デザイナーの視点から語っています。 数千年の歴史を持つこの素材の魅力をぜひこの機会に知ってください。 ---------- [日本語スクリプト] こんにちは。デザイナー・アーティストのヒロミキムです。 このチャンネルでは、アート建築サステナブル素材について専門家の視点からわかりやすくお届けしていきます。 今日のテーマは「なぜ今ヘンプなのか?」 数千年にわたり、人類と共に歩んできた天然素材、ヘンプ。 今世界中で再び注目されているのはなぜでしょうか ? ヘンプとは大麻草の茎から取れる繊維で衣類やロープ紙など古くから様々な用途に使われてきました。 日本では神社のしめ縄やお守り神事の衣装などに使われ、神聖な意味を持つ特別な存在でした。しかし、戦後の規制によって日常生活からは姿を決してしまいました。そんなヘンプが今、未来のサステナブル素材として世界的に再注目されています。 注目されている理由は、主に 3つあります。  1つ目は環境負担の低さ。ヘンプは綿と比べて、水の使用量が約 4分の 1農薬や化学肥料も不要です。  2つ目は再生力とスピード。 90日から 120日で収穫できるほど成長が早く、土壌豊かにする力もあります。  3つ目は多用途性。医療や紙バイオプラスティック、建材、食料まで産業利用の幅がとても広いのです。 私自身もこの 10年以上ヘンプを使った作品を制作してきました。 ヘンプはただのエコ素材ではなく私のテーマである「目に見えないものを見えるようにす」という表現とも深くつながっています。 次回は空間を整えるアートについてお話しします。 視覚だけでなく、音環境まで整えるアートの可能性を私の作品の実例を交えてご紹介します。 ぜひチャンネル登録やフォローをお願いいたします。ご視聴いただきありがとうございました。 それでは今日はこの辺で。 ---------- [English Script] Hello. I'm Hiromi Kim, a designer and artist. In this channel, I will be providing easy-to-understand information on art, architecture, and sustainable materials from an expert's perspective. Today's theme is why hemp now? Hemp is a natural material that has been with humanity for thousands of years. Why is it attracting attention again around the world now? Hemp is a fiber obtained from the stem of the cannabis plant and has been used for various purposes since ancient times, such as clothing and rope paper. In Japan, it was used for Shimenawa (sacred ropes) at shrines, amulets, and costumes for Shinto rituals, and was a special material with a sacred meaning. However, due to postwar regulations, it disappeared from everyday life. Now, hemp is attracting attention again around the world as a sustainable material of the future. There are three main reasons why it is attracting attention. The first is its low environmental impact. Compared to cotton, hemp uses about a quarter of the water and does not require pesticides or chemical fertilizers. The second is its regenerative power and speed. It grows so quickly that it can be harvested in 90 to 120 days, and it also has the power to enrich the soil. The third is versatility. It has a wide range of industrial uses, from medicine and paper bioplastics to building materials and food. I myself have been creating works using hemp for over 10 years. Hemp is not just an eco-friendly material, but is deeply connected to my theme of making the invisible visible. Next time, I will talk about art that organizes spaces. I will introduce the possibilities of art that organizes not only the visual but also the sound environment, with examples of my works. Please subscribe to and follow my channel. Thank you for watching. That's all for today.

About

MOLFO (Modern Life Formation)のデザイナー・アーティストHIROMI KIMがお届けするPodcastです。デザインやアート、建築、素材、海外情報など気になるトピック、制作や展示会の舞台裏などをお話しします。 This is a podcast brought to you by designer and artist HIROMI KIM of MOLFO (Modern Life Formation). We talk about topics of interest such as design, art, architecture, materials, overseas information, and behind the scenes of productions and exhibitions. Instagram: instagram.com/hiromikim YouTube: youtube.com/@hiromikimdesignart