The Bard's Corner

RebeccaG

Welcome to "The Bard's Corner," presented by Rebecca's Reading Room! Join me as I dive into the world of William Shakespeare, exploring his timeless works and the beauty of his sonnets. Whether you're a lifelong fan or just beginning to discover the magic of Shakespeare, tune in to "The Bard's Corner" for a celebration of the words that have shaped our literary landscape.

Episodes

  1. Nov 3

    Macbeth, The Plague, and Shadows

    S2 E3: Macbeth, The Plague, and Shadows Some works of literature feel timeless because they were born in moments of profound uncertainty. When William Shakespeare wrote Macbeth, London was living through fear and disruption. The Gunpowder Plot of 1605 had shaken the nation’s sense of security, and the return of the plague soon after closed theatres and emptied streets. Questions of loyalty, ambition, and moral order were no longer abstract ideas. They were part of daily life. In today’s episode of The Bard’s Corner, I return to Macbeth not as a distant tragedy, but as a living response to that troubled world. This short reflection explores how Shakespeare shaped the play in the shadow of treason and illness, how he reimagined the character of Banquo to embody integrity, and how the language of the play still speaks to our own moments of unease. At the heart of this episode is a simple human longing. In every story, whether lived or imagined, we want to know that goodness can survive the storm. That courage can outlast fear. That justice, however fragile, will find a way forward. This six-minute podcast is an invitation to pause with Shakespeare, to listen closely, and to consider how creativity emerges not despite uncertainty, but often because of it. Rebecca Music by Epidemic Sound Careful Consideration by Jon Björk https://www.epidemicsound.com/music/tracks/01de9e71-9581-3d5e-bfbd-2a53b4789fb5/ Painting in Public Domain via Wikimedia Commons as follows: Macbeth and Banquo encounter the witches for the first time by Théodore Chassériau Banquo’s Ghost – Macbeth seeing the ghost of Banquo by Théodore Chassériau Macbeth by John Martin (Macbeth and Banquo meeting the three witches. Siward’s Northumbrian army is approaching (right)

  2. Aug 27

    Sonnet 18 — Shall I compare thee to a summer’s day?

    S2 E1: Sonnet 18 — Shall I compare thee to a summer’s day? Sonnet 18 by William Shakespeare Shall I compare thee to a summer’s day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer’s lease hath all too short a date;Sometime too hot the eye of heaven shines,And often is his gold complexion dimm'd;And every fair from fair sometime declines,By chance or nature’s changing course untrimm'd;But thy eternal summer shall not fade,Nor lose possession of that fair thou ow’st;Nor shall death brag thou wander’st in his shade,When in eternal lines to time thou grow’st:   So long as men can breathe or eyes can see,   So long lives this, and this gives life to thee. We have reached the end of summer when the light begins to change. The days may still be warm, the gardens still full, and the trees still green, but somewhere beneath it all there is a quiet sense that the season is beginning to loosen its hold. For me, Shakespeare’s Sonnet 18 feels especially beautiful at this time of year. “Shall I compare thee to a summer’s day?” he asks, and at first it sounds like the beginning of a simple love poem. But Shakespeare quickly reminds us that summer itself is fleeting. Winds shake the blossoms. The sun burns too brightly or disappears behind clouds. Everything beautiful eventually changes. “And summer’s lease hath all too short a date.” Yet Shakespeare refuses to allow beauty to disappear entirely. Within these fourteen lines, he offers another possibility. That poetry can hold a moment beyond the reach of time. The person he addresses may grow older, seasons may pass, and generations may come and go, but as long as someone reads these words, something of that beauty remains. When I give voice to Sonnet 18, I am reminded that poetry is one of the ways we speak across centuries. Shakespeare wrote these words more than four hundred years ago, and still we pause when we hear them. Still we understand the longing to preserve something precious. That is the quiet miracle contained within the final couplet: “So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.” Summer passes. The poem remains. And for a few moments here in The Bard’s Corner, we become part of the long chain of readers and listeners who have kept Shakespeare’s eternal summer alive. Music licensed through Epidemic Sound Music: Candelion, Anten Before Dawn Candelion “Anten Before Dawn” https://www.epidemicsound.com/track/oBHRGzcbsI/

  3. 05/29/2025

    Sonnet # 1 From fairest creatures we desire increase

    S1 E2: Sonnet 1 From fairest creatures we desire increase From fairest creatures we desire increase, That thereby beauty’s rose might never die, But as the riper should by time decease, His tender heir might bear his memory; But thou, contracted to thine own bright eyes, Feed’st thy light’s flame with self-substantial fuel, Making a famine where abundance lies, Thyself thy foe, to thy sweet self too cruel. Thou that art now the world’s fresh ornament And only herald to the gaudy spring, Within thine own bud buriest thy content, And, tender churl, mak’st waste in niggarding.    Pity the world, or else this glutton be,    To eat the world’s due, by the grave and thee. Sonnet 1, by William Shakespeare, is the first of the 154 sonnets. It is part of the procreation sonnets, numbers 1–17, which encourage the young man to marry and have children in order to preserve his beauty and legacy. The poem explores themes of beauty, time, and procreation. The sonnet urges the “fair youth” (the subject of many early sonnets) to procreate, preserving his beauty through children. “From fairest creatures we desire increase, That thereby beauty’s rose might never die…” The argument is simple but profound: beauty, or more broadly, value, deserves to continue. The most natural way to do that, in Shakespeare’s day, was through biological reproduction. But the poem also carries a more universal message about legacy and the creative impulse. Today, many people choose not to have children—or cannot. But the idea of leaving something of yourself behind remains potent. Sarah joins me in discussing how Shakespeare’s Sonnet # 1 resonates with us today. We believe that the definition of “procreation” is broad and encompasses all creative endeavours. After all, William Shakespeare sets a great example—he had children, but his true legacy is his profound writings. Shakespeare criticizes the youth for hoarding his beauty and not sharing it: “Making a famine where abundance lies…” This is a call to share our gifts, whatever they are—beauty, knowledge, creativity, resources—with others. It’s an ethical argument for generosity, not just procreation. Embracing our creative potential is vital because it allows us to leave a unique imprint on the world, a legacy of innovation, beauty, and progress. By sharing our talents and insights, we enrich the lives of others, inspire future generations, and contribute to a more vibrant and enlightened world. To stifle our creativity is to deny the world our unique contribution, hindering the potential for positive change and leaving a void where inspiration could have flourished. Thank you for joining Sarah and me in The Bard’s Corner Rebecca Music by Epidemic Sound “Flight” By Johannes Bornlöf https://www.epidemicsound.com/track/zgDsZLD6DT/

About

Welcome to "The Bard's Corner," presented by Rebecca's Reading Room! Join me as I dive into the world of William Shakespeare, exploring his timeless works and the beauty of his sonnets. Whether you're a lifelong fan or just beginning to discover the magic of Shakespeare, tune in to "The Bard's Corner" for a celebration of the words that have shaped our literary landscape.