Cinemafile

Mike Kaspar

Cinemafile showcases the very best in independent, documentary and foreign films through our conversations with the more than 2,000 filmmakers who made them. Through Cinemafile we will do our best to bring the most interesting and accomplished filmmakers from around the world to your attention.

  1. 3d ago

    Miss Representation: Rise Up - Director Jennifer Siebel Newsom

    Over a decade after Miss Representation exposed the media's contribution to the under- representation of women in leadership, Miss Representation: Rise Up dives deep into the cultural backlash against women's agency and power. With the proliferation of AI and deepfakes, this new era of tech-facilitated violence is exacerbating sexism and misogyny towards women and girls, in an attempt to control and silence them. With inspiring young women at its core, Miss Representation: Rise Up interweaves young women’s personal journeys alongside powerful voices in media, culture, leadership, and academia to reimagine a future that finally uplifts women and girls. We are joined by the Director and Producer of Miss Representation and Miss Representation: Rise Up! Jennifer Siebel Newsom. About the filmmaker -Jennifer Siebel Newsom is an award-winning filmmaker, influential thought leader on gender equality, and the First Partner of California. After graduating with honors from Stanford University and Stanford’s Graduate School of Business, she wrote, directed, and produced the award-winning documentary Miss Representation (2011), which explores the media's misrepresentation of women and girls and theresulting underrepresentation of women in positions of power and influence in America. As a result of Miss Representation's impact, she launched The Representation Project, a nonprofit organization that uses film, media, and education as catalysts for cultural transformation. Her subsequent films — The Mask You Live In (2015), The Great American Lie (2019), and Fair Play (2022) — further explored masculinity, systemic inequality, and domestic inequity. Jennifer also executive- produced the Emmy Award-winning and Academy Award-nominated The Invisible War (2012), and the Emmy Award-winning documentaries The Hunting Ground (2015) and On the Record (2020).

    Miss Representation: Rise Up - Director Jennifer Siebel Newsom
  2. 4d ago

    Case 137 - Director Dominik Moll

    Following the Yellow Vest protests of Paris in 2018, internal affairs officer Stéphanie Bertrand must investigate the conduct of her fellow police officers during the demonstrations. Though striving to remain objective, Stéphanie’s position leaves her at stark odds with the rest of the police force. When she scrutinizes the near-fatal assault of a teenage protester from her hometown, Stéphanie is met with growing institutional pressure to drop the case and move on. The further her investigation develops, the more Stéphanie’s faith in the system she belongs to is tested. From Dominik Moll, the award-winning French director of The Night of the 12th, comes his latest procedural -- “a piercing slow-burn examination of police brutality” (The Hollywood Reporter) led by the “marvelous” (Screen Daily) Léa Drucker in a César-winning role for Best Actress. Timely and socially resonant, CASE 137 is a tautly constructed study of institutional violence which asks charged questions about corruption and accountability in the criminal justice system. About the filmmaker - After considering a career as a wildlife filmmaker, Dominik Moll discovered the films of Alfred Hitchcock and decided to switch to fiction. He studied film at the City College of New York and at the IDHEC in Paris, where he met his long-time collaborator Gilles Marchand. Together they have written the screenplays for most of their individual films. In the 1990s, Moll worked as an editor and an assistant director (notably with Laurent Cantet and Marcel Ophuls) and directed his first feature, Intimité (1994). His second film, With a Friend like Harry, was screened in competition in Cannes in 2000 and was a hit with critics and audiences, winning 4 Césars. In his following films, Moll continued to explore genre movies, while integrating more and more social themes. In 2023, The Night of the 12th won 7 Césars after being praised by both critics and audiences. Dominik Moll has also worked on two international series, including Eden (for Arte) on the intersecting destinies of migrants throughout Europe. His latest film, Case 137, is being presented in competition at the 2025 Cannes Film Festival. Its French release is scheduled for November 19th.

    Case 137 - Director Dominik Moll
  3. 5d ago

    Following Harry - Director Susanne Rostock

    Directed by Susanne Rostock (Sing Your Song), FOLLOWING HARRY joins legendary artist and civil rights leader Harry Belafonte as he embarks on a deeply personal and reflective journey, inspiring the next generation of entertainers and activists to disrupt injustice across the globe, striving for impactful change. FOLLOWING HARRY is an intimate documentary that chronicles the last twelve years of legendary Harry Belafonte’s life, highlighting the artist-activist's enduring commitment to social justice. Fueled by his tremendous sense of urgency to inspire the next generation of entertainers and activists to stand for justice, the film provides a window into both his public endeavors and private moments, capturing his journey from the aftermath of the death of Trayvon Martin, to his engagements in the protests in Ferguson, the Women’s March (which was created in his office), to the deeply and profound conversations in his home. The film ultimately amplifies Harry’s belief that “each generation must be responsible for itself. All I can do is leave behind the crumbs of my experience. I have a trail that you can follow, if you find value in it, pick it up and if you don’t, bring something better.” In addition to Harry Belafonte, Following Harry features; Aja Monet, Angela Davis, Aloe Blacc, Carmen Perez, Chuck D, Gina Belafonte, Jamie Foxx, Jesse Williams, Kerry Kennedy, Matt Post, Phillip Agnew, Rod Starz, Rosario Dawson, Sean Pica, & Talib Kweli and many more. About the filmmaker - Long esteemed as "an aural and visual poet", Susanne Rostock's filmmaking is a stunning 40 years of some of the most compelling documentaries of each decade. Her most recent film as director/editor, FOLLOWING HARRY, is a sequel to her film, Sing Your Song , about Harry Belafonte's earlier life as an artist and activist and was chosen to open the U.S. Documentary Competition section of the 2011 Sundance Film Festival. Sing Your Song received top honors in festivals around the world, was shortlisted for an Oscar, and garnered the NAACP Image Award and a Gracie for Outstanding Director. An EMMY NOMINATED editor and director, she has achieved recognition on a myriad of films that continue to endure and resonate. Her 20-year multi-award-winning collaboration as editor with director Michael Apted has produced such richly provocative films as: The Long Way Home ; Incident At Oglala ; Me & Isaac Newton ; Inspirations; The Power of The Game; Moving The Mountain . Rostock is presently engaged in producing, directing, editing the documentary Between Starshine and Clay: The Hidden Diary of Diahann Carroll , co-directed by Suzanne Kay and Executive Produced by Serena and Venus Williams. Susanne studied anthropology and ethnographic filmmaking with Margaret Mead at Columbia University and received an MFA in Filmmaking from New York University. She resides in New York City.

    Following Harry - Director Susanne Rostock
  4. Oct 12

    Bird in Hand - Director Melody C. Roscher

    Inspired by Roscher’s own biracial experience, BIRD IN HAND follows the newly engaged Bird Rowe (Alisha Wainwright) as she returns to her rural hometown to plan the wedding with her narcissistic hippie mother Carlotta (Christine Lahti). Bird also has a hidden agenda, one that leads her to her mother's new neighbors, a misguided couple on a mission to 'rebrand' a plantation. Truth, lies, and fantasy collide against that backdrop, leading to a surprising climax as tender as it is funny. Roscher's bitingly comic feature film debut weaves themes of race, belonging, and family into Bird’s mercurial journey back to herself. James LeGros, Jeffrey Nordling, and Annabelle Dexter-Jones co-star in this A Future of Film is Female Release. We are joined by the director and co-writer Melody Roscher. About the filmmaker - Melody Roscher debut feature film as a writer and director, Bird In Hand premiered at the 2025 Tribeca Film Festival in the US Competition category. The film is preceded by a companion short film she wrote and directed, White Wedding, that premiered at 2021’s Sundance Film Festival, and played in dozens of festivals around the world. Her directing and writing work comes off years of Producing film, television and commercial work. Some notable works include Borderline Films Antonio Campos, Sean Durkin, and Josh Mond’s works Christine; James White, Simon Killer, and Martha Marcy May Marlene. For these works she was nominated for two Independent Spirit awards including best first feature for James White, and Piaget Producer’s Award for Christine. Other cult favorites include Dean Fleischer-Camp’s Catherine, starring Jenny Slate, and Robin Comisar’s Great Choice. Melody hails from both New York City, and Richmond, Virginia where she now resides. She’s a graduate of NYU’s Tisch School of the Arts.

    Bird in Hand - Director Melody C. Roscher
  5. Oct 10

    The Last Message - Subject Kelsie Kimberlin (Co-directors Andrii Voloshyn & Oleksii Mykhailovych Liebiediev)

    In The Last Message, Kelsie Kimberlin travels to Ukraine to uncover why her 21-year-old cousin Andrii Rachok was killed by Russian forces during their full-scale invasion. Kelsie, a popular American-Ukrainian singer, struggles to record her song Star in his memory, realizing she must first seek absolution and witness Ukraine’s fight herself. Along the Ukrainian frontline, she meets soldiers, commanders, luminaries, and ordinary citizens enduring Russia’s unjust war, and visits Andrii’s gravesite amid drone and missile attacks. Through her journey, she discovers that Andrii has forgiven her and that every Ukrainian is a star and hero, defending their country with courage and resilience. We are joined my the subject of The Last Message Kelsie Kimberlin. About the subject - Kelsie Kimberlin is a 27-year old singer-songwriter who has been involved with music her entire life, starting with children’s and church choirs and then recording her first song at age eight for Yoko Ono’s Peace Project, which won first prize and a $5000 award. She spent all of that money on music lessons and started recording her own music in the studio at age 12. Over the past several years, she has recorded more than 100 original songs. About the filmmaker - Oleksii Mykhailovych Liebidiev is a Kyiv-based director, cinematographer, editor, and producer, and a graduate of the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television. Over more than a decade, he has built a body of work spanning documentary and narrative film, working alternately as director, cinematographer, or both. His documentary credits include Alchemy of the Word (2012), which he directed and shot, Krasna Malanka (2014), and Naive Painting of M. Onatsko (2017), both as director of photography. In fiction, he shot the shorts Cold Rain of Solitude (2018) and Stronger Than an Angel (2018), and the feature The Address on the Wall (2021). More recently, Liebidiev directed and served as director of photography on the documentary series Extraordinary Fascism (2022) and the feature documentary The Last Message (2025). About the filmmaker - Andrii Voloshyn is a Ukrainian film director, producer and editor. He was born on July 27, 1980, in Chernivtsi, Ukraine. He began his professional career in audiovisual production as a production organizer and producer. A major stage in his professional development was his long-term collaboration with director and producer Serge Krutsenko. Working on concert, television, theatre and film projects, Voloshyn gradually moved from production into editing and directing. As an executive and line producer, he participated in cultural and film projects including the multimedia show The Little Prince for the ROSHEN fountain, projects of the Watch Ukrainian! initiative, the film anthology Everything Begins in Kyiv, the screen version of Yevhen Stankovych’s folk-opera When the Fern Blooms, the concert project Insha Rika by the band Druha Rika with NAONI, and the documentary film The Address on the Wall. He studied directing at the National Academy of Culture and Arts Management. At the beginning of 2022, Voloshyn joined the Ukrainian Cultural Foundation’s expert council in the field of audiovisual arts. After the beginning of Russia’s full scale invasion of Ukraine, he focused on documentary filmmaking. In 2022–2023, together with Oleksii Liebiediev, he worked on the documentary trilogy Extraordinary Fascism, examining contemporary Russian fascism, state propaganda and the ideological causes of Russia’s aggression against Ukraine. In 2023, as director and executive producer, he created the music videos Armageddon, Another Chance To Live Again and Turn Back with American singer Kelsie Kimberlin, focusing on Russia’s war against Ukraine. In May 2024, shortly after moving to the United States, Voloshyn proposed developing Kimberlin’s story as a feature-length documentary. This became The Last Message, on which Voloshyn served as co-director, co-author of the concept and screenplay, and editor.

    The Last Message - Subject Kelsie Kimberlin (Co-directors Andrii Voloshyn & Oleksii Mykhailovych Liebiediev)
  6. Oct 9

    Stalin Boys - Co-directors Bianca Giaever and Ora DeKornfeld

    STALIN BOYS follows four Mexican American middle school boys in a tiny Texas border town who have developed an unusual obsession with Joseph Stalin. When their teacher tells them about the Texas State History Fair, they decide to write and perform a play about the Soviet dictator and his efforts to destroy all who opposed him. Armed with cardboard props and fur hats purchased on the internet, the boys enter the competition as underdogs and leave home for the very first time. What begins as an eccentric school project develops into a funny, surprising and deeply engaging exploration of power, tyranny, bullying, history, friendship, and the ways young people grapple with ideas much larger than themselves. Joining us on Cinemafile are the co-directors of Stalin Boys Bianca Giaever and Ora DeKornfeld. *SXSW Audience Award Winner & SXSW Special Jury Award About the filmmaker - Filmmaker and radio producer Bianca Inga is the creator and host of the podcast Constellation Prize, distributed by The Believer Magazine. She has also worked as a producer on The New York Times audio team, hosting episodes of The Daily that include Delilah, An Obituary for the Land, and Cosmic Questions. Her film, radio, and print stories have appeared on This American Life, Radiolab, The New Yorker, The New York Times, The Believer Magazine, and the TED conference. In 2013, her college short film the Scared is scared was named “Web Video of the Year” by USA Today. Her awards include a Daytime Emmy and a Webby Award and she is represented by m ssng p eces for commercial directing. Her latest project and upcoming film, Free Help, was profiled in The New York Times. She is currently a fellow at the Nieman Foundation for Journalism at Harvard University and an Associate Fellow at the Film Study Center at Harvard University. You can follow her latest on Instagram. Originally from Seattle, she is currently based in Cambridge, Massachusetts after having spent many years between Vermont and New York City. About the filmmaker - Ora DeKornfeld is an Emmy Award-winning filmmaker who began her career as a video journalist at The New York Times. She now directs, shoots, and edits documentary films that resist easy answers — morally complicated, human-scaled, and often funny in the places you don't expect. DeKornfeld directed the Emmy-nominated short USA v SCOTT (Tribeca 2020, The New Yorker); STALIN BOYS (SXSW 2024), winner of both the Audience Award and Special Jury Prize; and THE GRANDFATHER PUZZLE (Full Frame 2026), winner of the Audience Award. She shot and edited Isabel Castro's MIJA (Sundance 2022) and was a co-editor on Elizabeth Lo's MISTRESS DISPELLER. She has directed multiple episodes of the Netflix Original Explained and is currently in production on her first feature film following journalistic fixers in Mexico.

    Stalin Boys - Co-directors Bianca Giaever and Ora DeKornfeld
  7. Oct 8

    Playing with Fire: An Ecosexual Emergency - Co-directors Beth Stephens & Annie Sprinkle

    When lightning ignites a firestorm in their redwood forest sanctuary in Northern California, longtime lovers and artists Beth Stephens & Annie Sprinkle are forced to evacuate. Their lives are forever changed as they blend loss and grief into ecosexual art by fusing humor, community care, and environmental awareness into a lush and fiery journey of transformation. Humorously narrated by a mythical white peacock, PLAYING WITH FIRE: AN ECOSEXUAL EMERGENCY documents their adventures in the wake of disaster, while also honoring the broader communities impacted by ecological and social fires. Said Stephens and Sprinkle, "Fire is one of our greatest teachers. It can destroy, but it can also illuminate a path forward. In these turbulent times, PLAYING WITH FIRE offers a sense of hope, eco-sensual pleasures and connection.” ABout the filmmakers - PLAYING WITH FIRE is the third and final film in their trilogy of groundbreaking queer environmental documentaries. It started with Goodbye Gauley Mountain–An Ecosexual Love Story (2013), which critically investigated mountaintop removal coal mining (MTR) in West Virginia, focusing on the people and communities affected and the corporations employing this extraction technique. Their second film, Water Makes Us Wet-An Ecosexual Adventure (2017) - screening at MoMa in NYC this summer - explores the pleasures and politics of water, and its conservation, commodification, and sustainability.

    Playing with Fire: An Ecosexual Emergency - Co-directors Beth Stephens & Annie Sprinkle
  8. Oct 6

    Antoinetta Stallings - Maxscene Division at Tyler Perry Studios

    Joining us on this edition of Cinemafile is Antoinetta Stallings, the Head of the MAXSCENE Division at Tyler Perry Studios, a new specialty division dedicated to expanding theatrical opportunities for filmmakers with distinctive voices. This new arm of Tyler Perry Studios will focus on creator-first and audience-focused projects that are unbound to any blueprint. Maxscene will develop, produce, and distribute films across various genres — giving storytellers the opportunity to build upon an established audience while forging one of their own. The division is named in honor of Tyler Perry's mother, Maxine Perry, whose belief in her son shaped the studio he would go on to build, and now, the storytellers it intends to champion. Antoinetta Stallings, Head of Development & Acquisitions at Tyler Perry Studios, will oversee the Maxscene division. A studio veteran, Stallings previously served as VP of Unscripted Programming, where she launched and led the studio's joint venture with Pantheon Media Group — making Maxscene the second creative arm she has built at TPS from the ground up. About the filmmaker - Antoinette (Hairston) Stallings - Antoinetta Stallings is an Emmy nominated producer and creative executive, currently serving as the Vice President of Development and Acquisitions at Tyler Perry Studios. Previously she held roles as producer and post producer on acclaimed projects with networks such as PBS, BET, Centric TV, ITV America, and A. Smith & Co. Productions. Stallings has built an impressive portfolio, starting as a producer for the Black Girls Rock Award show for BET. She went on to co-produce Crank That Vote, a project highlighting youth civic engagement, and served as supervising producer on the docu-series BEING on Centric. Notably, her short documentary The ATL Waterboyz received the Best Society Film award at the July 2023 Toronto Documentary Festival. She also served as Vice President of Unscripted at Tyler Perry Studios where she oversaw the end-to-end development and production of unscripted content. Other credits include Associate producer on TV series such as All the Queen’s Men, House of Payne, and Tyler Perry’s Assisted Living. Stallings was an Executive Producer on Sincerely, Love, a romantic dramedy, and a Creative Executive at Tyler Perry Studios for the film The Six Triple Eight, starring Kerry Washington.

    Antoinetta Stallings - Maxscene Division at Tyler Perry Studios

About

Cinemafile showcases the very best in independent, documentary and foreign films through our conversations with the more than 2,000 filmmakers who made them. Through Cinemafile we will do our best to bring the most interesting and accomplished filmmakers from around the world to your attention.

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