Two Composers, Two Continents

Jeff Meegan & David Tobin

Two Composers, Two Continents throws open the doors on the world of Film and TV composers Jeff Meegan and David Tobin.  In this light-hearted podcast, the long-time music collaborators share stories from their careers, break down their production music albums, and are joined by guests from all corners of the music industry.  Expect behind-the-scenes insights, tales from recording sessions, album deep-dives, composing mishaps and plenty of laughs from over 20 years in the industry! Whether you’re an aspiring composer for sync, a film-music enthusiast, a music student, or just curious about the music industry, this one’s for you.

  1. 3d ago ·  Video

    From Vatican Organist to Abbey Road Engineer with Stefano Civetta

    This week we're thrilled to welcome multi-talented engineer and musician Stefano Civetta, with an impressive career spanning from playing the organ at the Vatican to engineering for some of the biggest films including Avengers: End Game and Solo: A Star Wars Story. We begin with Stef’s musical roots from growing up in a small Alpine village surrounded by music, his summer gig playing organ at the Vatican, and his leap to the UK for the Tonmeister course. From there he shares his 6 years at Abbey Road - climbing from studio runner to trusted engineer, working 42-day stints, and learning from some of the best in the business, before a bold new chapter converting a 17th-century barn into School Farm Studios alongside Audio Network’s Andrew Sunnucks! Having spent countless sessions with Stef, we’ve seen his incredible ability to multitask in the control room when engineering, running the session, and catching the slightest squeak or wrong note. We ask how he does it, what he listens for, and what makes a session work well. Stef also shares his invaluable tips for composers preparing for recording sessions, reveals why Tom Waits tops his music bucket list, and tells us the story of the time he pissed off John Powell… Chapters 0:00 Intro 3:43 Stef’s musical background 13:55 Playing organ at the Vatican 17:34 Working at Abbey Road 22:22 Turning a 17th-century barn into School Farm Studios 30:44 Multitasking in the control room 37:49 Navigating complex sessions 41:04 Advice when preparing for a recording session 45:55 Stef’s musical bucket list 54:53 Engineering for John Powell  #abbeyroad #abbeyroadstudios #engineer #recordingengineer #composer #vatican #organist #organ #recoringsession #recordingsesstionstories

  2. Sep 3 ·  Video

    Recording a Soul Album in Nashville: Stories, Surprises, and Lessons

    We’re taking you behind the scenes of our recent trip to Nashville, where we recorded an album of sizzling soul grooves designed for use in Film & TV.    This time, we’re skipping the writing process to focus on the recording sessions at the iconic Sound Emporium Studios, complete with it’s rich musical history and quirky tiki-bar studio charm!      From a horn section with lips of steel to the slightly humbling moment the rhythm section rewrote all our charts using the Nashville Number System, we share the stories, surprises and lessons from the sessions. We also look at how recording in different cities across the world can shape the feel of the music, comparing London’s precision with Nashville’s soulful behind-the-beat groove.    This episode is perfect for composers, soul music enthusiasts, and anyone curious about the world of production music!  You can listen to the finished album here (and it will be available on streaming platforms soon!) - https://www.audionetwork.com/browse/m/album/soul-control_4829 Chapters 0:00 Intro 2:21 The brief 5:06 Sound Emporium Studios 8:45 The recording process  10:47 The Nashville Number System 15:27 The way brass and rhythm players interact 19:00 Recording styles across different cities 24:25 How we record - linear vs in chunks 26:56 Our thoughts on Nashville  29:17 How did it turn out?  #nashvillemusic #recordingsession #composer #tvcomposer #soulmusic

  3. Aug 20 ·  Video

    Sync Licensing 101: What Every Composer Needs to Know

    Are you new to composing for sync, but overwhelmed by the jargon? In this episode, we sit down with Emmy-winning composer and sync expert Brad Hatfield to cut through the confusion. Brad teaches Songwriting for Film & TV and Music Supervision at Berklee, drawing from decades of experience in the industry. From understanding contracts and ownership to knowing what to expect once your track is synced, this episode provides a thorough breakdown of sync licensing, publishing, royalties, and beyond.  We define essential terms such as ‘master recording’, ‘writer’ and ‘neighbouring rights’, and explain why getting your splits and agreements in order can make or break a placement… We also explore what ‘useful music’ means for Film and TV, and how AI is reshaping the future of sync.  Whether you’re a songwriter, composer, or musician looking to break into sync, this episode will help you confidently navigate the production music world! Chapters 0:00 Intro 3:38 What is Sync Licensing?  5:55 The three T’s: Term, Territory & Type of Media 9:14 What is a Publisher?  12:43 What is a Writer?  15:14 What is the Master Recording? 21:49 What is a Producer?  25:57 What are Mechanical Royalties?  31:01 What are Neighbouring Rights?  36:25 What is a Needle Drop?  38:45 What actually happens when a song is licensed for use in Film?  45:55 Writing ‘useful’ music and the importance of Outros 50:10 Why you should provide stems 54:00 AI and the future of Sync Music Brad’s website - https://www.bradhatfieldmusic.com Brad Hatfield Music Collective - https://www.bradhatfieldmusiccollective.com #sync #syncliensing #syncmusic #synccomposer #composer #songwriter #productionmusic #librarymusic #filmcomposer #tvcomposer #filmmusic #tvmusic #synclicensing101 #productionmusic101 #neighbouringrights #royalties #publisher

  4. Jul 23 ·  Video

    New Orleans Jazz, Improvising Tips, and Musical Family Legacy with Trumpeter Mark Braud (Part 1)

    In this episode we are joined by incredible trumpeter and vocalist Mark Braud.  From growing up in a family of eight trumpeters to playing with music icons such as Harry Connick Jr., Dr. John and Foo Fighters, Mark is a true embodiment of the New Orleans spirit. We explore Mark’s musical roots, exploring how his family’s legacy shaped his sound, his early days playing in school bands, and his leap into a professional career, even dropping out of university to chase his dreams. Mark shares his insights on jazz improvisation, adapting to other musicians in polyphonic settings, and why soloing is like cooking - you need the right ingredients!  He also reflects on invaluable advice he received from elders like Lucien Barbarin, and his commitment to passing on that wisdom to the next generation through his work at Preservation Hall. Chapters 0:00 Intro 2:29 Early musical life in New Orleans 6:51 Early training, NOCCA, and first performances 11:09 Leaving university for gigs and learning on the job 13:17 The art of New Orleans jazz and playing as a unit 21:12 Preservation Hall, it’s legacy, and leading the band 25:44 Teaching the next generation and sharing the tradition Don’t forget to check out Part 2 where Mark tells us about his production music library Old Saw Music, performing on Broadway, and what he’s working on next. Find out more about Mark here: https://www.markbraud.com #neworleans #neworleansjazz #jazzimprovisation #jazztrumpet #improvisingtips

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About

Two Composers, Two Continents throws open the doors on the world of Film and TV composers Jeff Meegan and David Tobin.  In this light-hearted podcast, the long-time music collaborators share stories from their careers, break down their production music albums, and are joined by guests from all corners of the music industry.  Expect behind-the-scenes insights, tales from recording sessions, album deep-dives, composing mishaps and plenty of laughs from over 20 years in the industry! Whether you’re an aspiring composer for sync, a film-music enthusiast, a music student, or just curious about the music industry, this one’s for you.

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