The Thinking Photographer's Podcast

Niall Benvie, Food and Photography Retreats Ltd
  • 0.0 (0)
  • VISUAL ARTS
  • UPDATED BIWEEKLY

Have you got all the technical stuff about photography down and are actually more interested in ideas and making exciting new work? Work that expresses something about YOU? Then listen on. These are coffee-break length episodes and, just like the dark chocolate that goes so well with strong coffee, they are rich, dense and, we hope, satisfying. Niall has been a leading outdoor photographer and writer for more than 30 years and enjoys sharing what he has learned during that time. With his wife, Charlotte, they run Food and Photography Retreats Ltd., combining first class hospitality with tuition on photography, cooking and creativity more generally.

  1. JAN 17

    Context and the origin of ideas

    A few years ago, I thought i’d had my Dragon’s Den moment. I would dazzle the sceptical venture capitalists, save lives and win acclaim. You see, in places with high populations of moose, or elk as we call them in Europe, places such as Newfoundland and Sweden, people die every year in collisions with these tall, lanky animals. When a car strikes one, the elk doesn’t go underneath- it comes through the windscreen, sometimes with fatal consequences for the driver as well. So, my idea was to fit external airbags so that when a strike occurred, the bag would deploy and deflect the animal away from the car. Genius, I thought…until I went to check if anyone else had thought of this…and found that Volvo had, with bags designed to reduce injuries to pedestrians. There went my fortune. Yet this is just one example of the parallel genesis of ideas, And I think I might know what’s going on. Volvo’s external airbags. Grrrr. Vincent and Michel Munier’s Au Fil des Songes Wild Wonders of Europe Meet Your Neighbours The Jumping Squirrel cliché The Diving Kingfisher cliché Laurie Campbell

  2. JAN 3

    Dispatches from the Collapse

    It’s funny, isn’t it, how there is a world of difference being in a rut and being in the groove? In one, your life is going nowhere. In the other you’ve struck some sort of creative vein, and mining it is pure joy. Well, normally. But in the case of my project, Dispatches from the Collapse, the ideas and images that came together in 2019, were anything but joyful. I found myself as midwife to a pretty ugly litter. What’s worse, though, is that I’ve revisited and re-tested the assumptions I made when I delivered them and, each one seem, well, depressingly hale and hearty. Here’s the project’s description: “When I made the images in this series, hope was far from my mind. Rather, I imagined the pictures as relics found in a drawer in an abandoned house, decades from now. The imagery and messages attached to them are from an earlier period, just as an unspecified collapse was getting under way. The words are rueful, sometimes even bitter, often with an unspoken “I told you so”. In them I draw attention to a wide range of post- collapse scenarios with a view, in part, to highlight our current naivety and abject lack of preparedness for what is to come.” Don’ let that put you off listening, please! You can always challenge my ideas… The images from Dispatches from the Collapse The spread of misinformation on social media Risks of hyper-connectivity Reasons for rising sea levels Growth in size of cars Decline of flying insects in Germany Paul Kingsnorth Life versus the Machine Derrick Jensen on psychopathy Greta Thunberg activism Populist isolationism Environmentally-induced migration Derrick Jensen and hope

  3. 12/20/2025

    On composition

    If you think that composition is only about creating balance between the elements of a photograph, I’ve got news for you: it can be about an awful lot more. And today, I’m going to make make the case for placing the subject in the part of the frame that is appropriate- rather than correct. Bob Holmes, veteran travel photographer Joe Cornish, photographer Clive Bell’s theory of Significant Form

  4. 12/06/2025

    Images from the edge

    Over the last 30 years or so, I’ve visited and revisited an idea I stumbled upon at the very start of my career. You might even call it an insight - it certainly helped me to understand what I was doing. It’s an idea I’ve revisited, many times over the years to see if it still holds water. And you know what? I think it does! I’m talking about the concept of edges and how we, as people, as well as photographers, naturally gravitate towards them. Those can be edges in space - where the land meets the see and the sky meets the land, for example; in time - the transitions between the season or dawn and dusk; or in being -  very old and very young subjects. In respect of expressive pictures, at least. Perhaps because the idea has stood the test of time remarkably might just mean that there’s something fundamental in our creative work that the concept of edges helps up to understand. As always, I’d love it if you’d share your ideas on this topic, on the Show webpage. Oh and, please, help us along the way , would you, with a review and a rating, ideally a 5 star one. It all helps other folks to discover our place down by the stream. Jim Brandenburg’s Buster on the ice flow Peter Matthiesen’s The Snow Leopard On losing our connection with nature Photographer Patrik Larsson Photographer Eliot Porter An explanation of abstract art

  5. 11/22/2025

    Critique

    What a lovely day it is here; it’s the toadflax end of summer now. The bee eaters and hoopoes have flown south but the sun is beating down and the sky’s the colour of a cornflower. Just perfect. It’s not the sort of day you’d want to spend inside a gallery but galleries do crop up in today’s chat. And that’s kind of inevitable whenever you discuss art. Especially art with a capItal A. Ever happy to put my head above the parapets, I’m going to layout ideas on how we might critique nature photography, why it’s not taken seriously by the galleries and why some, at least, I think should be. As always, I’d love it if you’d share your ideas on this topic, on the Show webpage. Oh and, please, help us along the way , would you, with a review and a rating, ideally a 5 star one. It all helps other folks to discover our place down by the stream.

    13 min

  6. 11/08/2025

    Creativity and addiction

    You’ve got to be a little careful online these days when you bandy-about words like “addiction”. So let me assure you, and those all, ever-vigilant AI bots on the trail of miscreants, that the only drugs I’m talking about here are hormones our own bodies produce. And when it comes to the consequence of the addiction to them, well, I think you’ll find that they are a big factor in driving personal growth. And where’s the harm in that?

    10 min

  7. 10/25/2025

    The authenticity of imperfection

    Today, I’ve an interesting proposition for you. It’s the sort of thing that when someone first floats the idea, you’ll probably think it’s a lot of nonsense. After all it goes all against that the magazine, the books, the experts… tell us. I’m going to argue that imperfect photographs are actually more believable than ones where everything is , just so. Just as they’re meant to be. I’m going to make a case for photographing nature as it is - rather than as we want it to be.

    11 min

  8. 10/11/2025

    Communication for nature photographers

    This is a long one today, folks, because there is a lot to say about communication and how and why it fails. And I’m going to talk about it in the context of self preservation, or, if you prefer the term, nature conservation. Now, I know it’s not fashionable nowadays, but I try not to pontificate on things I have no experience of. This, as it happens though, is one that I do, although not always with great success. Fortunately, there are lessons to be learned from failure `and I’ve had a chance to learn a lot this way over the years. If you’re wondering what all this has to do with photography, I’d say everything, really. Photography is the world’s universal language now, the most ubiquitous way of sharing ideas and experiences. So, I think it pays for you and me, as photographers to understand how to connect with the people we want to hear us and for you to learn from some of my mistakes.

    24 min
See All (14)

About

Have you got all the technical stuff about photography down and are actually more interested in ideas and making exciting new work? Work that expresses something about YOU? Then listen on. These are coffee-break length episodes and, just like the dark chocolate that goes so well with strong coffee, they are rich, dense and, we hope, satisfying. Niall has been a leading outdoor photographer and writer for more than 30 years and enjoys sharing what he has learned during that time. With his wife, Charlotte, they run Food and Photography Retreats Ltd., combining first class hospitality with tuition on photography, cooking and creativity more generally.

Information

  • Creator
    Niall Benvie, Food and Photography Retreats Ltd
  • Years Active
    2025 - 2026
  • Episodes
    14
  • Rating
    Clean
  • Copyright
    © Niall Benvie 2025
  • Show Website
    The Thinking Photographer's Podcast