In this edition of Office Hours, Melissa Makarewicz is joined by History Through Fiction author Jane Dietzel-Cairns, who fills in for Colin Mustful while he is on the road. With Jane’s novel Exalted Objects set to release on September 15, the conversation begins at that strange, exciting threshold of sending a book out into the world. Jane reflects on the fear that readers might hate the book, the relief of receiving generous early reviews, and the way more mixed responses can help an author understand the audience the book is actually for. Rather than trying to make a novel appeal to everyone, writers can pay attention to what the right readers respond to—and take pride in having made the best book they could make. Jane also shares the wonderfully unusual premise behind Exalted Objects: two rival brothers in Gilded Age New Hampshire, a family legacy to live up to, a railroad executive, and a younger brother whose fascination with elephants turns the family estate into a literal zoo. From there, the discussion turns to what it means to be an author in public. Jane talks about the book events, history hikes, and conversations with other writers that are filling her launch week—activities that may not all be direct book promotion but are still part of being an author rather than staying home as a writer. Melissa and Jane explore social media and Substack as forms of people-to-people connection, not simply chores or sales channels. Sharing the writing life gives readers a chance to see what an author cares about, while giving the author practice articulating the book’s themes, interests, and points of connection. For historical fiction writers especially, the research and discoveries surrounding a novel can become an inviting way to bring readers into the larger world behind the story. Jane’s Substack, I Look Through Dead People’s Windows, becomes a useful example of that process. Writing regularly has helped her turn research rabbit holes, travel, cover-art discoveries, and the emotional questions behind her historical characters into material she can share with readers. A post about the nineteenth-century artist whose work inspired part of her cover, for instance, gives Jane more than an interesting story to publish—it gives her a way to prepare for future talks and explain what the book means to her. The conversation also offers a practical mindset shift for writers: move from trying to produce perfect content to documenting what you are already noticing, learning, and making. Over time, that repetition helps you find your voice and makes it easier to talk about your work both online and in person. The replay closes with a candid look at the transition from promoting a current book to beginning the next one, the value of following inspiration instead of forcing a rigid content calendar, and the reminder that hashtags matter far less than consistently sharing something real. Melissa encourages writers to treat social media as an experiment, focus on keywords and connection, and create three more pieces of useful content rather than spending an hour searching for the perfect hashtag. She also recommends Austin Kleon’s Show Your Work as a small but powerful guide to sharing the creative process. Finally, Melissa highlights The Working Writer, which offers a 14-day free trial, writing sprints, 30-day goal setting, and a growing resource library for writers who want more structure and support. Whether you are preparing for a launch or still finding your way toward a first draft, this Office Hours conversation is a reminder that showing your work is not about presenting a perfect version of yourself—it is about giving the right readers a chance to find you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit colinmustful.substack.com/subscribe