Yada Yada Gold Podcast

Schee Moua

Based in Minneapolis, Yada Yada Gold is hosted by Schee Moua along with brothers Kong Moua and Seng Moua. We sit down with each other, along with other curious folk, for a full hour+ as we attempt to make sense of the pressing and humorous trends concerning the broader human experience today — no niche, no beat, no script. We don't always offer the best takes, but we can offer good company on your next long walk or flight.

  1. 7h ago

    Betting Your Life On a Calling, Even When "It Sucks"-- On Criticism, Comedy, and the Creative Life

    Why you have to make bad art to get good, how to survive criticism from your own family, and the terrifying thing about betting your life on a creative dream.   Schee and Seng sit down with their youngest brother Roger — a working standup comic — for a freewheeling, funny, and surprisingly tender conversation about the creative life. It starts with an on-the-fly improv game and Roger's latest TikTok sketch getting roasted, then turns into something bigger: why you have to make a lot of bad work before you make anything good, how brutal it is to take criticism from the people you love, whether greatness is talent, hard work, or something in the soul — and what it actually costs to bet your life on a dream.CHAPTERS 00:00 - Improv on the Fly: The "Goon Marathon" 04:11 - You Have to Make Bad Art to Get Good 13:47 - When the Criticism Comes From Family 21:19 - Talent, Hard Work, or Soul? 27:31 - Standup, Sketches, and the Perfect-Clay-Pot Problem 38:16 - Brain Rot and the Race for Attention 45:12 - Critic vs. Artist 53:22 - The Terrifying Thing About Chasing Your Calling The most personal thread is about criticism, and specifically criticism from family. As the youngest of eight brothers, Roger has caught the sharp end of it his whole life, and the three of them get honest about how a hard-driving, "go be a doctor" household shaped the way they all give and take feedback. Schee tells the story of pouring himself into a worship set as a kid only to have his dad and a brother wave it off as a waste of time; Seng admits he quietly gave up making music for similar reasons. It's a candid talk about why it stings more when it comes from the people you love — and how to keep creating anyway. Running underneath is a genuine argument about greatness: is it pure talent, relentless hard work, or something innate — a "soul" factor you either have or you don't? They reach for Will Ferrell, the improv instincts of Conan O'Brien and Andy Richter, and the wiring of Kobe Bryant and Michael Jordan, then land on a spirited debate about the critic versus the artist: whether a critic (Siskel & Ebert, Simon Cowell) can ever be truly "great," or whether real greatness only belongs to the ones willing to be vulnerable and put their own work on the line.It closes somewhere unexpectedly moving. Riffing on Jim Carrey's line about the freedom of not caring what others think, Schee gets at the harder truth for anyone early in a passion project: it isn't the mean comments that hurt, it's caring so much that it works out — and the fear of giving your whole life to the thing your soul is built for and still falling short. Roger points back to wrestling in high school: he didn't make it to state, but he's grateful he tried. It ends on the sacred, terrifying ground of doing the work you believe you were made to do — the exact ground this podcast is standing on. 🎙️ Conversations are soul food. Dash in some humor, culture, and essential nuance-- you get Yada Yada Gold, a common-folk conversational podcast hosted by Schee Moua along with brothers Kong Moua and Seng Moua. We sit down with each other along with other curious talking heads, as we attempt to make sense of the broader human experience in a hyper-reductive world— no niche, no beat, no script. New episodes and clips on YouTube, Spotify, and Apple Podcasts.

  2. Aug 28

    Crying During Movies Now: Best Movie Endings and the Childhood Icons We're Losing | EP. 026

    Kill Bill, Toy Story, Mrs. Doubtfire — the movie endings that wreck you now that you're older, and the childhood icons we're suddenly losing. Schee and Kong get nostalgic and a little vulnerable in this one: why movies make you cry more as you get older, the endings that stay with you for life, and the strange grief of watching your childhood icons start to pass. It runs from Tarantino's Kill Bill: The Whole Bloody Affair — which Kong argues is one of the most underrated endings ever filmed — to the scenes that scarred them as kids, to Toy Story, Mrs. Doubtfire, and the Robin Williams and Tim Allen movies that shape how they parent now. CHAPTERS 00:00 - Crying at Movies, and Kill Bill: The Whole Bloody Affair06:54 - Childhood Nightmare Scenes: Terminator 2 and the Melting Face11:05 - Kill Bill's Ending, and the Icons We're Losing18:09 - Toy Story and Saying Goodbye to Childhood23:17 - Tim Allen, Tom Hanks, and Robin Williams The spine of the episode is a deep appreciation of Kill Bill. Kong has just rewatched Kill Bill: The Whole Bloody Affair — Quentin Tarantino's combined, extra-gory cut that stitches Vol. 1 and Vol. 2 into one film — and argues its ending belongs among the all-time greats even though it almost never makes anyone's list. They break down the buried-alive coffin sequence, Pai Mei's brutal training, and the final confrontation with Bill (David Carradine) and the Five Point Palm Exploding Heart Technique — the rare movie death that lands as catharsis instead of cliché. That opens into the scenes that scared them as kids and never let go — the nuclear nightmare and endoskeleton imagery of Terminator 2: Judgment Day, and a half-remembered Chinese kung-fu movie with an acid-melting-face scene Kong still can't quite place. It's an honest, funny riff on how movie moments imprint on a child's brain, and on the strange ethics of showing your own kids the intense films that shaped you. From there the mood turns reflective. In their late 30s and 40s now, Schee and Kong sit with the wave of childhood icons passing — Chuck Norris and Hulk Hogan among the most recent — and the real, disorienting grief of watching the action heroes and legends of your youth reach the end. Bruce Lee, Tupac, and Biggie come up as talents taken too early, alongside the larger question of what it feels like to grow old enough that the stars you looked up to are mostly gone. The back half is all heart. Schee makes the case that Toy Story 3 was the perfect goodbye — "So long, partner" — and admits Toy Story 4 (and Forky) still makes him cry every time, with Toy Story 5 not having seen yet-- and the familiar fear that a beloved ending will get undone. They hand Zootopia a genuine surprise-hit endorsement, geek out on rewatching Home Improvement as adults — including a young Dave Chappelle and Jim Breuer's guest spot on Tool Time — and land on Mrs. Doubtfire and Robin Williams: the Aladdin-voice, do-the-voices-for-your-kids inspiration whose loss still stings, and whose movies these two are now passing down to their own children. 🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

  3. Aug 20

    The Most Important Insight Behind the George Floyd Case & Tou Thao Conversation | EP. 025

    The 2006 police killing of Fong Lee, a 19-year-old Hmong teen, set against the George Floyd cases — and what really decides how they end: political cost. Schee, Kong, and Seng follow their episode featuring Tou Thao with a case almost no one outside Minneapolis remembers: the 2006 police killing of Fong Lee, a 19-year-old Hmong teenager, and the civil trial that came three years later. Set against the George Floyd prosecutions — and the very different settlements paid to the families of Jamar Clark, Justine Damond, and Floyd himself — they build one uncomfortable argument: that what decides how these cases resolve is rarely the evidence or the moral weight, and far more often the political cost. The heart of the episode is the Fong Lee case itself. In 2006, Minneapolis police officer Jason Andersen shot and killed Fong Lee, a 19-year-old Hmong teenager, near a North Minneapolis school; three years later, Lee's family brought a federal civil wrongful-death suit and lost. Schee and Kong walk through the parts of that trial that still trouble them — the contested handgun said to have been recovered with Lee, the gang label that shadowed the case, and a family that learned of the verdict only after coming back from a lunch break to locked courtroom doors. Weeks after the shooting, the Metro Gang Strike Force that Andersen belonged to was exposed for corruption; a year later, Andersen received a Medal of Valor.From there the conversation widens into how Twin Cities police-killing cases actually resolve. Fong Lee's family received nothing. By contrast, the city paid $200,000 to the family of Jamar Clark, $20 million to the family of Justine Damond, and $27 million to the family of George Floyd — and Clark's family had publicly asked for the same $20 million Damond's received. The hosts' throughline isn't that any single outcome was undeserved. It's that the deciding variable is rarely the underlying evidence or moral weight, and far more often the political cost of the moment: who is watching, what election is near, and whose death the public has been primed to care about. Because this is a direct follow-up to their long-form conversation with Tou Thao, the episode doubles as a study in precedent and due process. Schee and Kong are explicit that it is neither a defense of anyone nor a re-litigation of Tou Thao's guilt; the question they press is narrower and, they argue, more durable — who actually gets afforded due process, and who doesn't. "Deserve" and "due process," they insist, are not the same thing. The final stretch turns to the summer of 2020 and its aftermath in Minneapolis: the protests and out-of-town agitators, the push to defund the police, and the homicides that climbed on a North Side that couldn't reliably get a 911 response. Kong frames the Fong Lee outcome as a miscarriage of justice driven by tribalism; Schee closes on the thesis — that Fong Lee's mother once stood beside the Black community demanding justice, and that the real culprit was never one race against another, but a political power that decides whose life carries weight, and when.   🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

  4. Jul 19

    If We Die, Then the Truth Dies: Former MPD Officer Tou Thao Talks the George Floyd Case, Family, and Life after Prison

    Tou Thao — one of the former Minneapolis police officers convicted in George Floyd's death — conducts his first long-form conversation since prison.  Schee sits down with Tou Thao, one of four former MPD officers behind one of the most scrutinized cases in modern American history, for a challenging but sincere conversation. Out of federal prison since last November and reunited with his family after three years, Thao speaks at length for the first time about his trials, his refusal to take a plea deal, the faith behind every choice, and why he believes his side of the George Floyd story was never heard. --CHAPTERS -- 00:00 - Coming Home: A Perspective Never Shared 05:29 - No Visits, No Plea, and the Sermon That Cost Him 14:43 - Shielded Power and the Off-Record Deal 22:53 - The Fong Lee Parallel 26:43 - A Trial About Thao's Actual State of Mind 36:52 - Prison Stabbings "If We Die, then theTruth Dies" 45:19 - The Body Camera Blackout52:02 - Which Right Side of History? 59:57 - The Walz Pardon Paradox The conversation moves through the machinery of Thao's prosecution. Convicted of aiding and abetting, he contrasts his state case — a stipulated-evidence bench trial before Hennepin County Judge Peter Cahill, in which he waived a jury — with his federal civil rights trial before U.S. District Judge Paul Magnuson. Thao argues both turned on the prosecution's reading of his mental state — the question of "willfulness" — more than his physical actions. He takes apart Cahill's 177-page sentencing decision that called him unremorseful, and alleges an informal plea offer of little-to-no prison time came through the Attorney General's office in an election year, which lead prosecutor Matthew Frank denied knowing of. These are Thao's allegations; the officials named have not corroborated them. Much of the discussion centers on disputed Minneapolis Police Department training. Thao contends the Maximal Restraint Technique (MRT) was official MPD training, cites the testimony of MPD's Katie Blackwell, and alleges training materials vanished from the department's website afterward. On the body-camera controversy, he says he welcomed the cameras as protection and criticizes the delayed release of footage, arguing out-of-context clips shaped global perception until a European journalist forced the record out. His larger argument is about narrative: one iconic image read as a self-evident poster of racial oppression, and two non-white officers written out of a story they didn't fit. Against that backdrop, Thao explains the line behind the title. Reflecting on the prison stabbing of his former co-defendant Derek Chauvin, he says the danger never surprised him — "if we die, then the truth dies" — casting his choice to speak now as a duty to expose what he calls a cover-up. Because Thao and Schee are both Hmong and from the Twin Cities, the talk also opens onto the Hmong community: a parallel to the decades-old Fong Lee case, the politics of the "Hmong vote," a contrast Thao draws between his prosecution and pardons under Governor Tim Walz, and the Christian faith he says now governs how he understands his conviction and what comes next. This isn't a neutral recitation — it's one participant's account, pressed on throughout. Schee challenges the framing where he sees openings, reckons with how his own view shifted since 2020, and is explicit that George Floyd was a human being whose life mattered and whose death no one wanted. The aim is understanding over tribalism: a public figure known mostly from seconds of footage, at length — for listeners to weigh. 🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

    If We Die, Then the Truth Dies: Former MPD Officer Tou Thao Talks the George Floyd Case, Family, and Life after Prison
  5. Jul 1

    Ultra Domesticated: The Plague of Convenience- EP.022

    Dudes in their middle-age realize they've become the most domesticated versions of themselves — and spend an hour trying to plan their way back to the people they used to be. The result is equal parts self-therapy, comedy, and a bucket list they'll almost certainly never complete.It starts with a confession: Seng bought a sketchbook and has never drawn in it. That one admission cracks open a bigger question — when did we stop discovering new things? When did scrolling a phone replace learning an instrument, picking up a hobby, or just riding your bike through a neighborhood you'd never been to? They trace the moment the instinct for exploration got replaced by the comfort of routine, and whether that's a personal failure or just what happens when you're a dad with a mortgage and a DoorDash habit.From there, the conversation pinballs through every hobby and social activity they used to love and now can't seem to make time for. Pickleball gets a full hearing — why is it suddenly everywhere, why has nobody invited them, and what is it about the sport that generates more trash talk per square foot than any other activity? Fishing turns into a surprisingly philosophical exploration of instinct, patience, and why the thrill of a hunch paying off is the closest thing to real living that a domesticated man gets anymore. Bowling reveals that both brothers have their own balls and shoes but haven't used them in years. And karaoke becomes a masterclass in crowd psychology and song selection strategy. CHAPTERS 00:00 - Intro 00:47 - The Phone Killed the Hobby 07:11 - Fishing, or Why I'm Ultra Domesticated 16:09 - Applying Your Hunch 23:14 - Your Own Ball, Your Own Lanes 26:50 - Where Did All the Pool Halls Go? 31:00 - The Science of Karaoke 43:27 - Middle-Aged White People and the Missing Piece 48:54 - The Club We Can Never Go Back ToThe fishing segment is where the episode finds its unexpected depth. Kong describes the moment he fell in love with topwater fishing — a bass exploding out of the water to attack a frog lure he'd placed in exactly the right spot — and the brothers connect that visceral thrill to a broader pattern: the satisfaction of applying your instincts and watching them pay off. They trace that same feeling across fishing, gambling, bowling, and even karaoke song selection — the idea that for men stuck in domesticated routines, the moments that feel most alive are the ones where you trusted a hunch and it landed.The karaoke discussion turns into a genuinely insightful breakdown of performance psychology: why song selection matters more than vocal ability, why the goal of great karaoke isn't singing well but making everyone else want to sing, and why Kong's dive bar nickname "King Kong" is the peak of his creative career. There's a running debate about whether Coldplay songs are ever appropriate for karaoke (the consensus: almost never).The final segment — the club they can never go back to — is the episode's bittersweet coda. The brothers remember a time when going out meant something different: the communal energy of a dance floor, the era of club songs designed to make strangers move together, and the slow shift toward EDM culture where everyone just stares at the DJ. They trace the evolution of dancing from partner waltzes to grinding to solo light-spinning and wonder what was lost when nightlife stopped being communal and started being performative.The episode ends with a list: pickleball, bowling night, karaoke, clubbing. Things they're going to do this summer. Activities they're going to rediscover. Adventures they're going to have. They all know — and openly admit — that none of it is going to happen. But it's fun to imagine.   🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

  6. Jun 18

    Erase the History, Instate the New: Reacting to the "Minnesota Mao" Documentary on Tim Walz, the George Floyd Aftermath, and the Politics of Erasing History- EP.021

    What happens when a documentary confirms every political hunch you already had — and what does that actually prove? Schee, Kong, and Seng react to the Alpha News documentary "Minnesota Mao" and use it as a launch point to discuss exactly what has made Minnesota the national focal point of ideological unrest over the past 6 years. The conversation begins with a direct comparison between "Minnesota Mao" and its predecessor, "The Fall of Minneapolis." The brothers argue that what made the earlier documentary so powerful was its reliance on raw evidence — body cam footage, autopsy reports, courtroom records — that spoke for itself without needing to persuade. "Minnesota Mao," they conclude, is more interpretive: well-produced, conceptually compelling, but built on connecting dots rather than presenting irrefutable evidence. That distinction becomes a running theme throughout the episode. From there, the trio sits with the human cost of the George Floyd case — particularly the officers who served time. They examine the case of officers Lane and Kueng, who were on their first week on the job, and wrestle with the question of whether justice was served or whether they were made examples of in a moment of national rage. The conversation then pivots to a contested case out of Britain involving Henry Novak, drawing uncomfortable parallels between the two incidents and raising questions about how assumptions around race can shape law enforcement response in opposite directions. CHAPTERS 04:37 - The Footage That Changed the Story 10:03 - Britain's George Floyd 19:16 - The George Floyd Memorial Tax Assessment 27:33 - Erase the History, Instate the New 35:30 - The China Thread 41:38 - Fraud, the Resignation, and an Admission of Guilt 46:50 - The Counterfactual: A Kamala-Walz America 50:08 - The Real Revolution Is StewardshipThe George Floyd Memorial segment exposes a local controversy that most people outside Minneapolis haven't heard about. A multi-million dollar memorial plaza is under construction at the site of George Floyd's death, and the residents and small business owners in the surrounding neighborhood are being assessed thousands of dollars to fund it — regardless of whether they support the project. The episode examines the mechanics of how this was approved, the narrow window for public appeal, and what it reveals about how local government can push through costly symbolic projects while the people footing the bill have little meaningful recourse.The "erasing history" thread discusses the documentary's thesis about Maoist tactics of cultural erasure. They're asking a subtler question: at what point does the instinct to replace the old with the new cross the line from cultural evolution into something more deliberate, and who gets to decide where that line is?The Tim Walz segment engages with the documentary's most provocative claims — his repeated visits to China, his collection of Mao-related materials, and the broader question of whether his political approach reflects ideological influence. They are careful to note they can't accuse Walz of wrongdoing, but they sit with the pattern the documentary presents and examine it alongside other data points, including a California politician exposed as having ties to the Chinese Communist Party. The conversation treats these as genuine questions worth examining rather than settled conclusions.The final act shifts from Minnesota politics to a broader reckoning with government stewardship. The brothers discuss government efficiency, the student debt crisis, the fraud cases that have plagued Minnesota's social services system, and what a genuine grassroots revolution would look like versus the orchestrated protest movements they see in Minneapolis. The closing argument is disarmingly simple: transparency and accountability in government spending shouldn't require a special initiative — it should be the default.

  7. May 19

    The Generation Raising Dreamers Was Never Taught How To Be One — Immigrant Parenting, Ambition, and Creative Risk- EP.020

    "Be realistic about your dreams" — often told to the younger generation. But then you wonder whether you were protecting them or projecting your own fear. What does it mean to be called a "dream killer" by the person who loves you most? Marshall and Schee wrestle with the strange guilt of discouraging someone else's ambitions out of care — a reflex they trace back to immigrant upbringings that prized reliability and stability over risk and self-expression. For children of immigrants, the tension between honoring your parents' sacrifices and pursuing your own creative identity is one of the defining internal conflicts of adulthood.The conversation moves from the personal to the generational. How do you raise children to dream boldly when no one taught you how to dream for yourself? How do you parent with intention when your own childhood was shaped by survival, cultural displacement, and the pressure to assimilate? Schee and Marshall don't pretend to have answers — they sit in the discomfort honestly, as fathers navigating the gap between the childhood they had and the childhood they want to give.  CHAPTERS 00:00 - Yinyar the Pirate and the Stories in Your Phone 06:40 - The Creative Process and the Fear of Letting Go 14:00 - "Dream-Killing" 18:13 - Parenting and Projected Dreams 24:10 - Playing It Safe vs. Taking the Leap 37:14 - Meaningful Engagement as a Parent 45:00 - Fading Hmong Culture 53:00 - J4 Nostalgia and Where Everyone Went  The children's book conversation opens a broader question about what stops adults from finishing creative projects. Marshall has had a completed story on his phone for years — a pirate adventure for kids called Yinyar — but hasn't published it. Why? The reasons are layered: fear of judgment, the logistical overwhelm of self-publishing, the nagging voice that says creative work isn't "real" work, and the subtle internalized message from immigrant households that art is a luxury, not a livelihood. For anyone who has a screenplay in a drawer, a novel in a notes app, or a business idea they keep postponing, this segment cuts close.  The parenting discussion is equally searching. Schee and Marshall explore the concept of "projected dreams" — the tendency for parents to channel their own unfulfilled ambitions through their children. They examine how immigrant families in particular can fall into a cycle where one generation sacrifices for the next, but that sacrifice comes with invisible strings: expectations about what the next generation should do with the opportunity they were given. The result is children who are told to dream big but taught, through example and unspoken pressure, to play it safe.  The Hmong culture segment addresses something rarely discussed in mainstream podcasting: the gradual fading of Hmong cultural identity in the American diaspora. As second and third-generation Hmong Americans navigate assimilation, language loss, and the distance from ancestral traditions, what gets preserved and what gets lost? Schee and Marshall reflect on growing up in the Hmong community, the J4 gatherings that defined their youth, and the bittersweet reality of watching a tight-knit cultural community disperse across the country.  🎙️ Yada Yada Gold is a culture commentary and deep-dive podcast exploring modern life, society, entertainment, and the human experience. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms.

About

Based in Minneapolis, Yada Yada Gold is hosted by Schee Moua along with brothers Kong Moua and Seng Moua. We sit down with each other, along with other curious folk, for a full hour+ as we attempt to make sense of the pressing and humorous trends concerning the broader human experience today — no niche, no beat, no script. We don't always offer the best takes, but we can offer good company on your next long walk or flight.

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