Midnight Radio

James A. Reeves

Inspired by the Electrifying Mojo, Midnight Radio is a short burst of late-night reverberations, inspirations, and a mixtape delivered ’round midnight on the 1st and 15th of each month. Some episodes will be available in partial form as a podcast. Many will not. But every episode of Midnight Radio is available in its full Technicolor glory at jamesreeves.co.

  1. Professional Holiday Party

    12/16/2024

    Professional Holiday Party

    As another exhausting and demented year comes to a merciful end, we’ve earned a little fun. Here are five joyous songs that make me smile whenever I hear them. Three of these tracks are thirty years old; the other two are pushing twenty-five—these are nostalgic songs, and I hope you’ll enjoy revisiting them. Or better yet, having a first encounter. Mike Dunn - God Made Me Phunky MD-Express, 1994 Possibly the most righteous loop ever made: built from a piano that burrows its way into your soul and makes a very nice home for Mike Dunn to sound like the coolest earthling to ever spend time on this planet.  SoleTech - Sole Waves Detrechno, 1994 | More This track is both ridiculous and also the best-ever use of a Kraftwerk sample. In the summer of ’94, “chuck chuck” earwormed everyone in the metropolitan Detroit area and improbably became the most requested song on the radio for a few weeks, which might be the easiest way to explain to someone why Detroit is a very special place. It also prepared me for my encounters with the Electrifying Mojo, Deep Space Radio, and Basic Channel. Detroit Grand Pubahs - If Snow Was Black Intuit Solar, 1999 One of the most underrated songs I know, this track sounds like the steam that billows from Detroit’s streets on a subzero January night, and Paris the Black Fu’s voice will live in your head all winter if you’re lucky: If snow was black, I’d wear black shades and drive a black car. I’d smoke black cigarettes and hide in the shadows… Quarks - I Walk (Superpitcher Schaffel Mix) Kompakt, 2002 | More We were in our early twenties, logging time at Other Music, Kim’s, Tonic, and the Bunker—and music-wise, Komapkt reigned supreme. We didn’t try to emulate their sound, but they reminded us that electronic music could be monumental and fun, and this is a lesson I still carry into my writing and other personal pursuits: I’d better be having a good time because I’m sure as hell not doing it for the money. Basic Channel - Phylyps Trak II Chain Reaction, 1994 | More In January of ’95, I snuck out alone to St. Andrew’s Hall to check out a hip-hop show I’ve long since forgotten. But I remember the militant thump thump that drew me upstairs to the dark third floor with windows that overlooked the city. I’d never seen humanity like this: club kids in overalls, drag queens in chartreuse wigs, a man in a three-piece suit, all lock-stepping in a perfect grid, their heads bowed before the bassbin like an altar, which soon I learned it was. The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    35 min
  2. Holiday Lullaby

    DEC 16

    Holiday Lullaby

    Here in the Middle West, we’ve already enjoyed two excellent snowstorms, which augurs well for a proper winter. Although the year is winding down, the future is still coming fast and dumb. The people in charge are hellbent on giving us artificially intelligent colleagues and companions, and they’re banking on a heavy assumption: that we value the sense of a relationship more than a living person. That we will privilege the feeling over the fact. They might not be wrong. For the past year, C. and I have been playing with a scenario that gives this fork some teeth. Read it here. * * * The first seven songs are table-setting for Me-Sheen’s “Sonic Lullaby,” one of the most beautiful songs in my canon. I came across it in 1997 on one of those ponderous “Excursions in Ambience” CDs with hellacious cover art and it’s been living in my head ever since. But first we kick off with Julianna Barwick’s “Prizewinning”, a song that’s somehow lulling and thrilling at once. It never fails to leave me cheering and C. plays it all the time, so it’s definitely a winner. There’s also a spiritualized vocoder workout from Matchess, a nugget of AM radio gold, and a powerful burst of dub techno from Vril—I hope to be reincarnated as the low-end whir on “Infinitum Eternis Anime” and join the rings of Saturn. And tonight there’s plenty of reverb to carry us into the holidays, along with fragments of some 1950s Welsh miners singing carols because I’m feeling festive. Julianna Barwick - Prizewinning The Magic Place | Asthmatic Kitty, 2011 | BandcampMatchess - Bellum Omnium Contra Omnes Sacracorpa | Trouble in Mind, 2018 | BandcampVril - Infinitum Eternis Anime Anima Mundi | Delsin, 2018 | BandcampAir - Le Soleil Est Près de Moi (28% slower) Premiers Symptômes | Parlophone, 1997Eagles - I Can't Tell You Why (20% slower) The Long Point | Asylum Records, 1979Voices From the Lake - Max Live at MAXXI, 2015 | BandcampMe-Sheen - Sonic Lullaby Electronic Membrain | Reflective, 1995Rhos Male Voice Choir: Psalm 23 / Holy Night + Vril loop Carols From The Welsh Mines, 1958 | MoreFor upbeat holiday music, please attend last year’s Professional Holiday Party. Thank you for listening. The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    51 min
  3. Slow Gold

    DEC 2

    Slow Gold

    Like my thoughts on egg foo young and tornados, tonight’s broadcast is all over the map—but I’m increasingly fond of intensely personal playlists that ratfuck the algorithm. We kick off with a Breakfast Club anthem pitched down into Sisters of Mercy gloom, followed by a heavy slice of Detroit electro I bought in '95 and played to death, entranced by its bottomless growl. Years later, I heard this track on a compilation CD and realized it was meant to be played at 45rpm. This might be the godhead of my passion for slowing things down, and the ritual continues with a song from ’74 that reminds me of my parents’ kitchen and the big romance they had when they were young. Then comes a dub techno staple that sounds like a beautiful machine at 40% speed, which gives way to a Swans track I love. It came to mind after reading Adam Greenfield’s delightful piece about wanting to eat God while watching them perform—and I discovered “Leaving Meaning” degrades into a lovely ambient song if you fiddle with the equalizer and douse it in reverb. Then we head to heartbeat city, here we come. Simple Minds - Don’t You Forget About Me (38% slower) The Breakfast Club | 1985 | MoreWill Web - Spacewalk (30% slower) Cosmic Driveby | Direct Beat, 1995The Hollies - The Air That I Breathe (20% slower) Hollies | EMI, 1974Vladislav Delay - Huone (46% slower) Multila | Chain Reaction, 2000 | BandcampSwans - Leaving Meaning (20% slower) Leaving Meaning | Mute, 2019 | BandcampPole - Hafen (40% slower) 2 | Kliff/Matador, 1999 | BandcampAphex Twin - #1 (Cliffs) (42% slower) Selected Ambient Works II | Warp, 1994 | BandcampThe Cars - Jacki (31% slower) Heartbeat City | Elektra, 1984Thank you for listening. The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    48 min
  4. Absorb the Poison

    NOV 16

    Absorb the Poison

    An ode to Michael Clayton and the giddy renewal before death. Read the full post. "I took a deep, cleansing breath and I put that notion aside. I tabled it. I said to myself, As clear as this may be, as potent a feeling as this is, as true a thing as I believe I have witnessed today, it must wait. It must stand the test of time. And Michael, the time is now." So the hour has come for some Tom Wilkinson and George Clooney interlaced with five pieces of profound bass and machine grind. And plenty of amniotic, embryonic reverb. Try to make believe this is not just madness because this is not just madness.Richie Hawtin + Thomas Brinkmann - 96:12/24:00 VR Concept | 1998 | BandcampAs potent a feeling as this is, as true a thing as I believe I witnessed today, it must wait. It must stand the test of time.HTRK - Poison (Mika Vainio Remix) Ghostly International, 2013 | BandcampYes, the nudity in the parking lot was a mistake, I admit it. It was wrong. It was lame. It was obvious. And therapeutically, it was completely useless.TM404 - 202/303/303/303/606/606 Kontra, 2013 | BandcampIs that the correct answer to the multiple choice of me?Tropic of Cancer - Stop Suffering Blackest Ever Black, 2015 | BoomkatWhat makes this feel good is that I don’t know where this goes.µ-Ziq - Peppermint Aero Manzana | Balmat, 2025 | BandcampYou think you got the horses for that? Well good luck and god bless.The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    37 min
  5. The Heart Keeps Time

    NOV 2

    The Heart Keeps Time

    The clocks roll back an hour tonight, and it’s my favorite moment of the year. Not only does it bring the night closer, it reminds me that if we can rearrange time, we can do anything we want. Invent new colors. Remove days from the week. Reset the internet to 2009. Have a functional government. Changing the clocks should be the year’s biggest holiday with fireworks, parades, and gift-giving. Tonight’s soundtrack harmonizes with this idea of time. Over the past several weeks, I’ve been smudging my favorite mid-century vocals across a heartbeat drum and some loops that were trapped in my delay pedal. The result is an hour-long soundtrack composed for Grace Wang’s photography exhibition, The Heart Has Not Stopped, at Clark Centre for the Arts in Toronto. “Through dreamlike, layered images created with in-camera multiple exposures on film, Wang evokes fleeting moments of memory and time—an intimate meditation on a world both beautiful and unknowable.” The show runs through November 30. (If you can't make it, you can look at some of Grace's photos here.) Grace’s images combine the haze of memory with the shock of color and unexpected overlays that edge toward the spectral. I tried to capture this sensation by letting bursts of Patsy Cline, Rebekah Del Rio, Nancy Sinatra, The Platters, Yao Su-jung, Roy Orbison, and other familiar voices gradually unfurl. In addition to these samples, the final track was built from tape loops, pitched-down field recordings, and a couple of selections from the excellent Echospace sound library. Thank you for listening. The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    1 hr
  6. Hallucination Soundtrack

    OCT 16

    Hallucination Soundtrack

    I spent my high school nights making cassette loops, hunched over the guts of a disemboweled Maxell, splicing bits of brown magnetic tape and piecing everything back together with a jeweler’s screwdriver. I remember the purple-black energies that burbled at the back of my mind, the shimmery thoughts that take hold while intently making something. Thirty years later, I suppose I’m doing this again with Midnight Radio, only now I’m stitching together songs in an overheated and disembodied world I wouldn't have recognized back then. Read the full post. We kick off with some slow-motion Slowdive. When I asked my friend S. if it sounded cool or cursed, he said "Both." Then comes a slow variant of a track from Belong's stone classic, Common Era, which towers above Loveless and Souvlaki when it comes to gazeability. Autechre's "Bronchusevenmx24" sounds like the heat shimmer on the horizon when the pavement warps and boils, a mirage that Italian sailors called vecchie signore che balla: old ladies dancing. The ladies are even more visible when it’s slowed down.  And moving through the shimmer to fourth century Ethiopia, liturgies in the Christian church were accompanied by the benega, a stringed instrument "given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant." But the singer's voice is the true instrument here, offering a fragile melody that brings to mind the thoughts of a kid taking apart cassette tapes. And finally, a chilled cup of stone tea with an excerpt from one of Stephen Hitchell's hour-long excursions before we wind down with some drowsy My Bloody Valentine. Slowdive - Machine Gun (50% slower) Souvlaki, 1993 • MoreBelong - A Walk (22% slower) Common Era • BandcampSlowdive - Mousakka Chaos (20% slower) Souvlaki, 1993Autechre - Bronchusevenmx24 (25% slower) Garbage, 1995 • BandcampSosena Gebre Eyesus - Save Us From Our Death The World Is But a Place of Survival: Begena Songs from Ethiopia | Bandcampcv313 - Depths of Perception (Excerpt) Depths of Perception, 2022 | MoreMy Bloody Valentine - Only Shallow (45% slower) Loveless, 1991 | MoreMy Bloody Valentine - Instrumental B 1988, featuring a Public Enemy sample | MoreDusted with static and murmurations from Spiritualized, Dean Martin, and always and forever, Nancy Sinatra.  The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    42 min
  7. Autumn Chrome

    OCT 2

    Autumn Chrome

    It’s the first of October but the weather is all wrong. Here in the Middle West, it’s been endless sunshine with temperatures twenty degrees above normal. Meanwhile, our government shut down last night because we’re ruled by bullies and cowards who’ve been brainwormed by the internet. Each day brings inventive forms of idiocy and degradation. Feels like something’s got to give but nothing does. So I’m looking elsewhere for reason. Read the full post. * * * Even though it’s far too warm for the first of October, the night continues to inch closer, which means it’s chromatic season. The Chromatics have always been an unlikely proposition for me. I prefer my songs scuzzy and reverberated, whereas their music is so sleek and glossy it’s almost lacquered. It’s pop music from a neon world where Ruth Radelet’s frigid voice sings fabulous things like my leather glove grips the wheel. In 2017, they appeared on Twin Peaks before abruptly disbanding for reasons I don’t care to discover. Aside from rattling around the algorithms of streaming services, they've become a ghost—it's impossible to buy their music, and their Bandcamp and record label websites lead to 404s. During their ten-year run, the Chromatics released only three proper albums but my library has over 250 songs. Drumless versions. Extended mixes. 8-track versions. Alternate takes for fictional movies. The same instrumentals reappear with different vocals and new titles. All these variations leave me wondering about the line between chasing perfection and forever relitigating the past. As if adjusting the variables enough times will finally yield the Platonic synthpop song. All of which makes finding their best tracks a daunting task, so I’ve made a megamix of ten favorites, including three of their covers. If you like the Chromatics, this is the place to be tonight. And if not, even better: hopefully you’ll start. Lady Night Drive (Cherry, 2012)The Page (Kill for Love, 2012)Stiff as a Board (Faded Now, 2020)Running up that Hill (Night Drive, 2007)The Sound of Silence (Closer to Grey, 2020)Back from the Grave (Kill for Love, 2012)Yes (Symmetry Remix) (Love Theme from Lost River, 2007)Headlight’s Glare (Night Drive, 2007)Disintegration (Running from the Sun, 2012)Into the Black (Kill for Love, 2012)The request lines are open. Enjoy life and get the full Midnight Radio experience delivered directly to your inbox ’round midnight on the 1st and 15th of each month.

    37 min

Ratings & Reviews

5
out of 5
3 Ratings

About

Inspired by the Electrifying Mojo, Midnight Radio is a short burst of late-night reverberations, inspirations, and a mixtape delivered ’round midnight on the 1st and 15th of each month. Some episodes will be available in partial form as a podcast. Many will not. But every episode of Midnight Radio is available in its full Technicolor glory at jamesreeves.co.