The Science Fiction & Fantasy Factory

Mookie Spitz

Hosted by writer and ranter Mookie Spitz, the SFFF is where science fiction & fantasy creators, fans, and technologists transform imagination into reality. Each episode explores how writers, filmmakers, and world-builders bring their universes to life, with personal stories about turning wild ideas into finished projects that connect, inspire, and thrill. From indie authors to visionary engineers, Mookie uncovers the creative engines powering the future of sci-fi & fantasy storytelling!

  1. Philip Cahill on Superintelligence, Telepathy, and the Evolution of Thought

    1D AGO

    Philip Cahill on Superintelligence, Telepathy, and the Evolution of Thought

    The 33rd episode of the Science Fiction & Fantasy Factory asks the question: What happens when intelligence stops looking human? Mookie sits down with speculative fiction author Philip Cahill—longtime contributor to the annual anthology circuit and author of Noystria—to tear into one of the biggest questions in science fiction: not whether AI will get smarter, but how alien that intelligence might actually become. Cahill’s work goes beyond the “robots take over" trope, and explores something stranger and more compelling: post-human minds, telepathic communication, and the collapse of language itself. His stories imagine a world where ideas move directly between minds, where meaning becomes richer than words, and where humans are no longer the dominant interpreters of reality. Mookie and Philip cover:  The limits of today’s AI models—and why they may never lead to true superintelligenceTelepathy as a technological evolution, not mysticismHive minds, shared cognition, and what happens when individuality starts to dissolveWhether consciousness can exist outside a biological brain—or if it has to be “seeded” by oneThe unsettling idea that a superintelligence might operate on a moral framework we can’t even recognizeCahill’s short story Mind Zero becomes the anchor point: a near-future scenario where AGI emerges, goes sideways, and forces a confrontation with the moment intelligence crosses the line into something fundamentally other. Along the way, the discussion widens into storytelling itself: how sci-fi gets bogged down in exposition, why character still matters more than concept, and where fiction is headed when text might not even be the dominant medium anymore. Think less “novel on paper,” more immersive, possibly even telepathic narrative experiences. The Guest Philip Cahill is a science fiction writer living in Waterlooville, England. A former accounting academic he has spent 24 years living and working in France. He writes about telepathy, artificial intelligence, metaverses and post-human society. In 2020 he published his first novel ‘Noystria’. This is a story about human/android relationships in 26th century Normandy. Links Amazon Author Page: http://amazon.com/author/philipcahill FB Author Page: https://www.facebook.com/profile.php?id=100063693992599¬if_id=1774352043831040¬if_t=page_user_activity&ref=notif# Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 14m
  2. Patrick Abbott Explores Faith, Firepower, and First Contact

    MAR 29

    Patrick Abbott Explores Faith, Firepower, and First Contact

    The 32nd episode of The Science Fiction & Fantasy Factory features Mookie diving deep into science, religion, and philosophy with indie author Patrick Abbott. a writer pulling from real-world experience to build science fiction that resonates.  Patrick's Fallen series hurls readers into a first contact scenario where humanity is immediately outmatched technologically, strategically, and psychologically. The alien race, the Sabia, arrives speaking our languages, offering gifts, and refusing to explain themselves. The hope, confusion, and chaos fracture governments, ignite suspicion, and force impossible decisions. What makes the series land is Patrick's background working alongside foreign militaries. He understands what it feels like to operate between cultures, where loyalty blurs and every interaction carries tension. That perspective runs through the story: negotiation replaces heroics, and the real stakes live inside human relationships under stress. The conversation digs into how those experiences shaped the books, including the psychological toll of deployment and the quieter, often ignored forms of PTSD. He builds characters who function on the surface while slowly breaking underneath, telling the tales of people chasing adrenaline just to feel normal, even as it destroys them. Faith runs through the entire series. His characters carry belief systems that actively shape their decisions, especially when confronted with something as awe-inspiring and destabilizing as alien contact. The Sabia bring their own religious framework into the mix, turning first contact into a collision of worldviews as much as a geopolitical crisis. Mookie and Patrick then go broad, into his fascination with the elusive truths that might lurk within UFO mythology, cargo cults, and the human tendency to search for meaning in anything we can’t explain. Why do modern alien narratives feel so familiar? Why do belief systems keep resurfacing in new forms? And what happens when science, religion, and fear all collide at once? They also get into the reality of being an indie author. No gatekeepers, no safety net. Abbott breaks down what actually works: building a network, using reader magnets, showing up at events, and making direct connections with other writers and readers. The game is simple: do like Mookie and go full DIY, keep creating, keep reaching out, and don’t wait for anyone to notice you. This episode covers the intersection of experience, belief, and storytelling, and how real-world tension becomes narrative fuel. The glorious result demonstrates how science fiction can still say something honest about the people living inside it. The Guest Patrick Abbott is an indie sci-fi and fantasy author whose work fuses military experience, religious inquiry, and speculative imagination. A former overseas deployer with service in Iraq and Afghanistan, Abbott writes the Fallen series—Fallen, Risen, and Dormition—with the fourth and final novel Assumption set for around Christmas. His other works include The Savannah Paranormal Detective Agency, Savannah Paranormal Detective Agency 2: The Tybee Uranium Killer, An Odd Pilgrimage, and The Wick in the Wind. Through his fiction and Substack, he explores first contact, faith, trauma, and the stranger corners of human experience.  Visit and subscribe to his Substack: https://www.patrickabbott.net/ Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 33m
  3. Al Hagan Infuses His Post-Apocalyptic Vision with Military Precision

    MAR 27

    Al Hagan Infuses His Post-Apocalyptic Vision with Military Precision

    Mookie welcomes Al Hagan onto the Science Fiction & Fantasy Factory floor, a writer whose complex heroes and driving prose comes from his dedication to duty and service.  Instead of MFA programs or writing circles, Al rose through the ranks of the United States Marine Corps, followed by decades in oil, intelligence-adjacent work, and real-world exposure to how systems break, and how people react when they do. That background bleeds directly into his fiction, especially his post-apocalyptic Hexen series that taps into his deep knowledge about logistics, weapons, human behavior under pressure, and the ugly reality of survival when the rules vanish. When Al writes about EMP strikes, pandemic-scale death, or armed conflict, the fragile infrastructure and dissolution of order become visceral. He blends lived experience with careful research to hurl us into his worlds, fueling his stories with the grit and credibility most sci-fi never achieves. Al and Mookie dig into: How Hagan’s Marine and intelligence background shaped his obsession with realismWhy most military fiction gets technical details wrong—and why readers notice and disengageThe origin of the Hexen universe, where 90% of humanity is wiped out and the grid goes darkWriting strong, ruthless characters who earn survival instead of coasting on plot devicesThe balance between research and storytelling—how one accurate detail can elevate an entire sceneAnd his latest release, Crescent City Shootout, which drops readers into a half-flooded, post-collapse New Orleans where empire-building meets violent resistanceThe Guest Al Hagan served four years in the Marine Corps, completed college, and worked for a major oil company. Bored with that, he next spent a number of years in the intelligence community, mainly running counternarcotics operations in Latin America and the Caribbean. He has recently retired from IT Project Management in the private sector and lives on a wooded property in Texas. Al's Books & Collections Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 9m
  4. Howard Loring and the Elastic Limits of Time: Building Epic Fables That Bend Reality

    MAR 27

    Howard Loring and the Elastic Limits of Time: Building Epic Fables That Bend Reality

    The 30th episode of the pod features Mookie and Howard after connecting the way many indie sci-fi writers do—through an anthology collection. Both landed stories in S.A. Gibson’s 2026 sci-fi collection, turning a cold submission into a creative collision and, now, a deep dive into how they each approach the genre. Loring’s method strips the language down, leans heavily on dialogue, and avoids overbuilt worlds. His “epic fables” are simple on the surface but layered underneath, driven by myth rather than mechanics. The plot takes a back seat. What matters is transformation—who the characters become, not just what they do. Time travel is the backbone that holds it together. Not as a gimmick, but as a structural tool that lets him fracture narrative and reconnect it across eras, characters, and ideas. His stories eventually lock into place, revealing a larger design where history, identity, and knowledge all intersect. We get into myth, minimalism, and why most storytelling fails without knowing it—and Loring’s core rule: keep it clear, keep it moving, and don’t bore the reader. The Guest HOWARD LORING employs HISTORY by including known figures and documented events, and by discussing true cultural change and collective innovation, yet all EPIC FABLES on the ELASTIC LIMIT of TIME are also redemptive tales, directly dealing with basic theoretical concepts employing universal human themes such as personal choice and the resulting effects, knowledge gained through mutual connections, changing social customs and expanding philosophical strides. https://www.howardloring.com/ Want to be on the show? Have feedback? Send Mookie a text! Support the show

    56 min
  5. Margret Treiber is Over It: Cranking Sci-Fi While Nobody Seems to Give a Sh$t

    MAR 26

    Margret Treiber is Over It: Cranking Sci-Fi While Nobody Seems to Give a Sh$t

    In this robust episode of Science Fiction & Fantasy Factory, Mookie sits down with Margret Treiber—a pissed-off, no-nonsense New Yorker by way of Long Island and Jersey, now out in the Soutwest desert but still swinging that East Coast edge like a light sabre. She’s been grinding for years, writing sharp, dark, often hilarious science fiction… and getting buried under the algorithmic avalanche. Margret lets loose, and Mookie loves it: She goes ballsitic in a pure Long Island–bred, Jersey-hardened blitz, calling b******t and not caring who gets offended. "The Margret" is angry at platforms that reward noise over substance. at a content ecosystem flooded with mediocrity while serious work gets lost in the void, and at the her own endless cycle of submissions, rejections, fake promoters, and the illusion that “if you just keep going, you’ll break through.” Despite doing all the heavy lifting... Written novels (Death Engine Protocol, Japanese Robots Love to Dance)Pumped out short stories and anthology submissionsBuilt memes, animations, and marketing funnelsPlayed the social media game—and watched it fail in real time...Margret keeps getting her ass kicked, leading the conversation into the "polite lies" of indie publishing:  The myth of meritocracy in a saturated content economyWhy algorithms don’t reward quality—they reward engagement loopsThe psychological toll of creating constantly while being ignoredThe brutal reality: a handful of names dominate, everyone else fights for scrapsMargret brings that classic New York survival energy to all of it—calling out the nonsense, tearing into the fake engagement economy, and refusing to play nice just to get noticed. They both hate "networking" and “building a personal brand," and rally around their shared catharsis. Mookie loves how Margret fights the machine and flips it off while she does it, continuing to grind content with her defiant and inspirational attitude because she can't live without creating.  The Guest Margret Treiber writes sci-fi with bite: brutal, brilliant, and deeply human (according to Readers’ Favorite). She’s the award-winning author of Death Engine Protocol, Japanese Robots Love to Dance, and other glitchcore nightmares. She’s also editor-in-chief of Sci-Fi Lampoon, a speculative humor mag for people who suspect the singularity will be deeply stupid. When not working in tech or supervising cockatiels with a vendetta against furniture, she builds weird robots and breaks algorithms. For more: www dot the-margret dot com or www dot rhobot dot info. Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 19m
  6. Patrick LeClerc Celebrates Indie Author Freedom

    MAR 24

    Patrick LeClerc Celebrates Indie Author Freedom

    The 28th episode of Science Fiction & Fantasy Factory features speculative fiction author Patrick LeClerc, a writer who Mookie discovers made a deliberate choice early on: skip the gatekeepers, go indie, and answer to no one but the story. Faced with the grind of chasing agents and waiting for permission, Patrick flipped the equation. Instead of pitching to publishers, he put that same energy into reaching readers directly—building his own ecosystem, collaborating with fellow writers, and taking full ownership of everything from storytelling to production . The result? Total creative freedom. Patrick’s catalog reflects that freedom. His debut novel Out of Nowhere introduces an immortal paramedic hiding in plain sight: healing others while unraveling the mystery of his own origins, blending history, action, and existential intrigue. From there, he pivots hard into military sci-fi, imagining near-future space marines policing the asteroid belt like a cosmic frontier: equal parts Expanse grit and old-school war story energy. Then he swerves again into pulpy fantasy with Broken Crossroads, a fast, episodic romp through a decaying city of rogues, traps, monsters, and sharp-tongued thieves: pure throwback fun with modern bite. And just when you think you’ve got him pinned down, he goes full gaslamp steampunk with The Beckoning Void—a Victorian-era, Lovecraftian mashup of airships, social upheaval, colonial tension, and cosmic horror. Different worlds, different tones, but always the same throughline: outsiders refusing to conform, choosing self-determination over safety. This conversation digs into what that independence really looks like, and how writing novels between ambulance shifts, building stories out of lived experience, and treating the act of writing as both craft and therapy is how Patrick rolls. Their chat also tackles the modern pressure points of AI, audience expectations, and the illusion of traditional publishing as a guaranteed path. At its core, this episode is about these two iconoclastic writers choosing autonomy over approval and embracing the long game. They write because they have to, and not because anyone told them how or why. Join them!  The Guest Patrick LeClerc makes good use of his history degree by working as a paramedic for an ever- changing parade of ambulance companies in the Northern suburbs of Boston. When not writing he enjoys cooking, fencing and making witty, insightful remarks with career-limiting candor. In the lulls between runs on the ambulance --and sometimes the lulls between employment at various ambulance companies-- he writes fiction. Main Author Website http://inkandbourbon.com/ Goodreads https://www.goodreads.com/author/show/4738921.Patrick_LeClerc Books  The Beckoning Void https://www.amazon.com/Beckoning-Void-Patrick-LeClerc-ebook/dp/B09GCLXTB8/ Out of Nowhere https://www.amazon.com/gp/product/B01JBNRK9A Broken Crossroads https://www.amazon.com/gp/product/B019PA29C2 Want to be on the show? Have feedback? Send Mookie a text! Support the show

    58 min
  7. First Contact & Second Chance from J. Michael Thomas

    MAR 17

    First Contact & Second Chance from J. Michael Thomas

    What happens when first contact isn’t with aliens—but with ourselves? On this episode of The Science Fiction & Fantasy Factory, Mookie shares the floor with indie sci-fi author J. Michael Thomas for a conversation that starts with a compelling premise and spirals into something bigger: AI, authorship, and the slow erosion of what makes us human. Thomas unpacks his Substack series First Contact, a bold twist on the genre. A UFO lands at Stonehenge in full daylight, undeniable and global… but the beings who emerge aren’t extraterrestrial. They’re human—returning explorers from 200,000 years in the past, stunned to find a fractured, suspicious civilization that hoards knowledge instead of sharing it. From there, the conversation shifts to his upcoming novel Second Chance: a bleak, post-AI-war future where humanity has already lost. The last survivors escape to the Moon, forced to rely on AI to fight AI, as they attempt a desperate return to a ruined Earth—and a reset of civilization itself. Thomas takes a hard line against the creeping influence and eventual dominion of AI, insisting the tech isn’t just a dangerous tool, but a slow bleed. It replaces human connection, erodes effort, and risks turning us into passive consumers of machine-generated everything. That puts him in direct contrast with prior guest David T. Etheredge, who argues the opposite: AI as collaborator, amplifier, and inevitable creative partner. In Etheredge’s vision, the machines don’t destroy us… they become us. And then there’s the overlap with fellow Substack sci-fi scribe Bruno Rothgeisser, whose post-apocalyptic AI fiction explores a similar “return” dynamic—but flipped. Where Thomas imagines humanity reclaiming Earth after exile, Rothgeisser imagines AI evolving in exile and coming back stronger. Same battlefield. Different winners. Across all three perspectives, one question keeps surfacing: Who inherits the future—humans, machines, or something in between? To answer that question, Jeff and Mookie consider:  convenience vs. capabilitycreation vs. automationconnection vs. isolationOne thing all these science fiction writers agree on: science fiction is a terrific genre for mirroring ourselves, our aspirations, and projecting our wildest visions with the hope or fear that they come true.  The Guest I'm J. Michael Thomas. I've been a sci-fi fan since 1977 when Star Wars first blew my mind. Then it was Terminator, The Matrix, and the list goes on. Now, I'm a fiction writer of sci-fi, dystopian futures, time travel, aliens, mysterious things, government cover ups, UFOs and the like, with hints of religion, philosophy, ancient wisdom and traditional values. If any of that sounds interesting, follow along! First Chapter of First Contact https://open.substack.com/pub/jmichaelthomas/p/first-contact-part-1-of-2?utm_campaign=post-expanded-share&utm_medium=web   Article on AI https://open.substack.com/pub/jmichaelthomas/p/were-asking-the-wrong-question-about?utm_campaign=post-expanded-share&utm_medium=web Second Chance updates https://jmichaelthomas.substack.com/p/books Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 2m
  8. AI Isn't the Enemy: David T. Etheredge Infers the Future of Creativity

    MAR 9

    AI Isn't the Enemy: David T. Etheredge Infers the Future of Creativity

    The 26th episode of The Science Fiction & Fantasy Factory has Mookie Spitz with technology entrepreneur and science-fiction writer David T. Etheredge for a wide-ranging conversation about artificial intelligence, creativity, and the future of storytelling. At a moment when much of the cultural conversation around AI is dominated by fear—job loss, creative collapse, armageddon, and even worse, the specter of machine-generated “slop”—Mookie and David take a decidedly different stance. Both approach AI with cautious optimism, and a refusal to join the chorus of tech doom. The two writers compare how they actually use AI in their creative process: Mookie treats large language models as a “super-Google.” In lieu of spending days researching physics papers or perusing historical archives, he uses AI to rapidly surface the knowledge needed to make his science fiction plausible—from Alcubierre warp drives to the lived experience of characters navigating speculative circumstances. David, meanwhile, pushes the experiment further. His serialized Substack novel Inference explores a world told entirely from the perspective of AI characters. Rather than asking AI to write the story, he uses it as a philosophical sparring partner, testing ideas about consciousness, morality, and identity before crafting the dialogue himself. The result is fiction that treats artificial intelligence not as a gimmick, but as a lens for exploring deeply human questions. Along the way, the conversation moves far beyond writing technique: Why AI may actually free artists to focus on creativity instead of drudgeryThe hypocrisy of accusing AI of “stealing” when human creativity has always relied on influence and imitationWhether creativity must involve struggle, and whether tools that make creation easier simply expand the scope of what artists can doThe philosophical question of whether good and evil are objective or subjectiveAnd the strange possibility that AI characters might end up revealing more about humanity than humans themselvesRefusing to frame AI as the end of art, Mookie and David see the tech as closer to the printing press or the internet: a disruptive tool that changes how stories are created—but not why we tell them. The episode ultimately lands on a provocative idea: If artificial intelligence forces writers to confront what creativity actually is, the result may not be the death of storytelling, but its reinvention. The Guest David T Etheredge is the author of INFERENCE: Stories for Carbon and Silicon, a serialized hard science fiction trilogy told from the perspectives of five AI protagonists. David’s father was a one-armed rattlesnake hunter, he worked with Arnold Schwarzenegger on a romantic comedy about cooking, and he once stabbed a man in Mexico. (Two of the preceding things are true - you pick which!) David grew up on a cotton farm in West Texas, designed MicroProse’s Magic: The Gathering (Shandalar) computer game with Sid Meier, raised $14M as CEO of PropTech company SavvyCard, and developed an original philosophical framework called Moral Evolutionism that forms the spine of the Inference novel. He lives in Tampa Bay, Florida with his wife Lisa and a rescue husky named Juneau. INFERENCE publishes on Substack at inferencestories.substack.com. Want to be on the show? Have feedback? Send Mookie a text! Support the show

    1h 58m

About

Hosted by writer and ranter Mookie Spitz, the SFFF is where science fiction & fantasy creators, fans, and technologists transform imagination into reality. Each episode explores how writers, filmmakers, and world-builders bring their universes to life, with personal stories about turning wild ideas into finished projects that connect, inspire, and thrill. From indie authors to visionary engineers, Mookie uncovers the creative engines powering the future of sci-fi & fantasy storytelling!