The Science Fiction & Fantasy Factory

Mookie Spitz

Hosted by writer and ranter Mookie Spitz, the SFFF is where science fiction & fantasy creators, fans, and technologists transform imagination into reality. Each episode explores how writers, filmmakers, and world-builders bring their universes to life, with personal stories about turning wild ideas into finished projects that connect, inspire, and thrill. From indie authors to visionary engineers, Mookie uncovers the creative engines powering the future of sci-fi & fantasy storytelling!

  1. 3d ago

    Vinx the Mercenary Minx: A Bloody Good Prequel to the Infiniverse

    Mookie steps away from interviews for a moment for a solo episode of Science Fiction and Fantasy Factory, revealing a new project and reading its opening chapter live: Vinx the Mercenary Minx, a prequel spinoff from his debut novel, Jonnie Fazoolie and the Transfinite Reality Engine. He starts with the origin story behind the original book: a short story written on Medium in 2020, during the pandemic, on the Lower East Side, about a hustler who discovers a machine capable of jumping between infinite parallel universes. That idea eventually exploded into a two-and-a-half-month, twelve-to-twenty-hour-a-day writing binge, the kind of manic, all-consuming creative stretch Mookie calls one of the hardest and most rewarding periods of his life. The finished manuscript ran so long it had to be split into two books, and Mookie gives a real, specific update on both: where book one ends, and how far along the long-delayed sequel actually is. But the real reveal is Vinx. After months of interviews with military science fiction authors and publishers on this very podcast, Mookie realized a side character from the Jonnie Fazoolie series, a genetically cloned assassin built for a single purpose, deserved an origin story of her own. He's candid that he built her with zero agenda beyond simply liking the character, and then reads Chapter One in full: "The Selection," a violent, vivid opening sequence set at a mercenary auction where ten thousand cloned sister-assassins compete for one coveted position, and where Vinx's competing sisters discover, in the worst possible way, that being passed over isn't something Vinx plans to accept quietly. The Story on Substack Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Vinx the Mercenary Minx: A Bloody Good Prequel to the Infiniverse
  2. Aug 18

    Matt Witten's 51%: How Debt and AI Fuel American Authoritarianism

    Matt Witten's writing career spans shows including Homicide, Law & Order, and CSI: Miami, a series of Jacob Burns mysteries, and a novel optioned by Leonardo DiCaprio. On this episode of Science Fiction and Fantasy Factory, he joins Mookie to talk about his newest book, 51%, a dystopian crime noir one reviewer described as a stylistic mashup of Philip K. Dick and Dashiell Hammett. The book's origin is genuinely personal. After hearing television producer David Nevins say the best shows come from a writer's deepest fears, Matt walked home one night and landed, unexpectedly, on two words: student loans. He'd just lived through the real thing. A young immigrant woman staying with his family had gotten into two colleges, one she loved that would cost $240,000 in loans, and one she didn't want that would cost a tenth that. Matt found himself the one explaining the math and, in his own words, crushing her dream. She ended up thriving at the school she didn't want, but the experience, layered onto decades of watching economic inequality widen, became the seed of 51%: a near-future America where corporations pay for your education, your car, your medical care, and slowly acquire a percentage of you in return, until they own you outright. Matt walks through how that premise builds out into a full world: income share agreements, a real financing model already used by places like Purdue, pushed to its logical extreme, and a genuine AI antagonist, the Red Queen, that his own son helped him build out. He credits his old Law & Order boss Dick Wolf with a piece of writing philosophy that shapes the whole book: give every character, including the villains, a genuinely valid point of view, so the story never curdles into a lecture.  Mookie and Matt also dig into his winding creative path, poetry at seven, a paid play at fifteen, thirty-three rejections before his first novel sold to three competing offers in under a week, and sixteen years writing network television before returning to novels because, as he puts it, nothing beats the feeling of getting to the computer. The conversation closes on something quietly moving: Matt's family, four accomplished siblings including physicist Ed Witten, and a single photo he still keeps on his wall, all four kids and their 105-year-old father, physicist Louis Witten, smiling the day they got their father safely moved into a new home.  Mookie gives 51% a big two thumbs way up, a terrific tale that is already in development at NBC, with Matt co-writing the pilot himself. The Guest Matt Witten is a novelist, playwright, and television writer. His TV credits include House, Law & Order, Pretty Little Liars, Medium, Supernatural, CSI: Miami, JAG, Judging Amy, Homicide, and The Glades. His novel The Necklace has been optioned for film by Leonardo DiCaprio's Appian Way, and his novel Killer Story won a Foreword Indie Award for Best Mystery. His newest thriller, 51%, is currently in development at NBC as a television pilot, which Matt is co-writing. More from Matt Witten: https://mattwittenwriter.com Get 51%: https://www.amazon.com/51-Matt-Witten-ebook/dp/B0GQCKYNZ7 Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Matt Witten's 51%: How Debt and AI Fuel American Authoritarianism
  3. Aug 7

    Dave Freer Ignites YA Sci-Fi with Storm-Dragon

    The Science Fiction & Fantasy Factory opens today the way you'd hope a conversation with an Australian ichthyologist-turned-novelist would: an extended riff on cell phones versus mobile phones, why Australians call beer "piss," and Dave's deadpan insistence that all Tasmanians carry a small scar where their second head used to be. From there, Dave Freer joins the same week he's set to accept a brand-new Prometheus Award, virtually, at three in the morning his time, for Storm-Dragon, the first year that particular Young Adult category has ever been awarded. Storm-Dragon exists because fellow author Cedar Sanderson told Dave that boys had stopped reading, and that Raconteur Press was building a line specifically to fix it. So Dave went back to the book that hooked him at ten years old, Jack Vance's Blue World, and built his own version: a boy and a small, hungry alien creature who starts their relationship by biting him. The telepathy between them isn't hand-waved fantasy, either. Dave spent years studying sharks and electric eels, and Snarky's mind-reading runs on real biology, a species that can sense and transmit electrical fields through water too murky to see through, reverse-engineered into a scientifically grounded psychic bond. From there the conversation gets personal. Dave describes himself as a "reverse plotter" who starts at the ending and works backward, until his own characters start refusing to do what he originally planned for them. He talks about fully immersing himself in another author's vocabulary and sentence rhythm before writing tie-in fiction, and tells a striking story about hanging by two fingers on a rock face at nineteen, realizing mid-climb that he'd stopped caring what anyone else thought of him. That sentiment has fueled over a quarter century of novels and short stories, give Dave a read! The Guest Dave Freer is a South African-born, Tasmania-based science fiction and fantasy author who has published over twenty novels since his 1999 debut, The Forlorn. He is a two-time Prometheus Award winner, for Cloud-Castles (2023) and Storm-Dragon (2026), and is known for the Rats, Bats and Vats series co-written with Eric Flint. Storm-Dragon is published by Raconteur Press. More from Dave Freer: https://davefreer.com Get Storm-Dragon: https://raconteurpress.com Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Dave Freer Ignites YA Sci-Fi with Storm-Dragon
  4. Aug 5

    Elliot Blake: Skip the Permission, Launch the Sci-Fi Novella

    Elliot Blake has spent his career inside the entertainment industry, directing Sir Ben Kingsley and Helen Mirren on Audible's Moriarty trilogy, executive producing Apple TV's The Sisters Grimm, working on an Emmy-winning Tomb Raider series. On this episode of Science Fiction & Fantasy Factory, he joins Mookie to talk about his debut novella, Into the Great, and the very different, very DIY road that got it into print. Elliot's novella mashes up genres most writers keep separate: military sci-fi conflict, a full alien invasion, and a real romance at its core, all pulling from influences like William Gibson's The Peripheral, This Is How You Lose the Time War, and The Expanse. The book's central metaphor came into focus almost by accident. Elliot started writing it right around the 2024 election, using the story as a place to retreat from a world that felt like it was on fire, and an early reader pointed out that the aliens in his book, silent, invulnerable beings who arrive and simply observe, were really standing in for the disorienting speed of political, environmental, and technological change itself. Into the Great comes from Li'l Factory AB, a Swedish boutique press run by former video game executive David Polfeldt, printing just 500 numbered, hardbound copies. Elliot and Mookie dig into what it actually takes to launch a book that small and that independent, from an ASMR unboxing video his Gen Z daughter talked him into, to a local reading at Romans Bookstore in Pasadena. The conversation turns sharp when AI comes up. Elliot draws a hard line: he wants no part of generative AI in his creative process, and makes a genuinely compelling case for why. Drawing on years spent in writers' rooms and animation studios, he argues that collaboration creates serendipity no single mind, human or machine, can replicate, and that removing people from the process removes the actual magic of making something. He and Mookie also take on Hollywood's current identity crisis: franchise fatigue, oversaturation, and why scarcity, not more content, might be exactly what audiences are hungry for. The Guest Elliot Blake is an Emmy-winning animation producer, former Amazon Studios production and development executive, and writer. He is the executive producer of the animated Apple TV kids series The Sisters Grimm, the EP and director of the flagship Audible Original series Moriarty, and the author of the forthcoming science fiction novella Into the Great. Some of his past work includes the Emmy-winning animated web series Tomb Raider: ReVisioned, the cocktails and comedy podcast Daydrinking with Gary & Elliot, and the crime comic The Package. He's also a creative consultant, with past clients including preschool entertainment giant Moonbug Entertainment and video game developer PlayerUnknown Productions. More from Elliot Blake: https://elliotblake.com Get the book: https://lilfac.com Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Elliot Blake: Skip the Permission, Launch the Sci-Fi Novella
  5. Jul 6

    James Stuart Kinsey: Crime Scenes to Fantasy Kingdoms

    What happens when thirty-two years of walking into crime scenes collides with a lifelong love of Tolkien, Zelazny, and Edgar Rice Burroughs? You get James Stuart Kinsey — retired forensics investigator, Navy submariner, and the world-builder behind the Gifts of Olmith fantasy series. In this 58th episode of the Science Fiction & Fantasy Factory, host Mookie Spitz sits down with Kinsey to unpack the sprawling world he's spent years constructing: a heroic-fantasy setting populated by humans, elves, and dwarves, anchored by his debut novel Strand of Hope and expanding through companion short fiction like The Emperor's Bath. They trace Kinsey's literary DNA back to a small Texas town with a population of 100, a childhood spent devouring Burroughs' Tarzan and John Carter novels, and the fateful day a high school teacher handed him a copy of The Hobbit — the book that cracked his imagination wide open. But the real heart of the conversation is what Kinsey brings to fantasy that most world-builders can't: three decades on the front lines of crime scene investigation. He and Mookie dig into how confronting the darkest corners of human behavior — and choosing to see even the worst offenders as people who made bad choices — shaped the moral complexity, empathy, and psychological depth in his characters. It's a conversation about how fiction becomes a container for hard-won truths, why fantasy functions as an escape valve for people who've seen too much, and why "the mighty fall and are replaced" isn't just a plot beat but a worldview. Along the way: the influence of Michael Moorcock and Roger Zelazny's Chronicles of Amber on multiverse storytelling, the self-publishing calculus for authors who don't want to wait, the case for human-authored fiction in an AI-saturated market, and why Kinsey's real audience is seven grandkids who'll someday say "my granddad wrote this." Join James and Mookie for a heartfelt conversation about world-building, mortality, memory, and why the best fantasy is built on things that actually happened. The Guest James Stuart Kinsey writes muscular fantasy with a heart. His heroic tales of courage, sacrifice, and hope leave room for wit, warmth, and quieter moments of wonder. Drawing on a lifetime of real-world experience in military service and criminal investigation, Kinsey grounds his stories in human struggle, moral consequence, and hard-won truth, even when the tone turns lighter or more reflective. Influenced by the classic traditions of heroic fantasy, his work blends visceral action with emotional depth, valuing honor over nihilism and meaning over empty spectacle. Whether epic or intimate, Kinsey crafts fantasy meant to entertain, resonate, and linger with the reader. HIs Work https://www.bloodandlightmedia.com/ Want to be on the show? Have feedback? Send Mookie a text! Support the show

    James Stuart Kinsey: Crime Scenes to Fantasy Kingdoms
  6. Jun 30

    Jef & Mindy on the Liberating Power of Comedy, Creativity, and The Ridiculous

    What if the biggest obstacle to living a more creative, fulfilled life isn't talent or opportunity—but the fear of looking ridiculous? Mookie sits down with Jef & Mindy, the married co-creators of The Ridiculous, to explore a science-fiction comedy universe that grew out of an unexpected place: the competitive fitness industry. After spending decades helping people transform their bodies, they came to an uncomfortable realization. Looking better didn't necessarily make people happier. Confidence built on appearance alone often collapsed under pressure, leaving the deeper questions of identity, purpose, and fulfillment unanswered. That realization sent them in an entirely different direction. Instead of writing another self-help book, they built The Ridiculous: a fast-moving science-fiction comedy inspired by the spirit of The Hitchhiker's Guide to the Galaxy, but with a fundamentally different destination. Rather than using absurdity to argue that nothing matters, The Ridiculous uses absurdity to remind readers that they're free to try, fail, laugh, create, and grow. What emerges during the conversation is something far more ambitious than a trilogy of novels. Jef & Mindy are telling a story and building an ecosystem around it. The books are only the starting point. Readers can participate in community experiments, contribute artwork, audition for audiobook roles, compose original music, submit stories, collaborate with other creators, and help shape future installments of the franchise. Instead of drawing a hard line between creator and audience, they're intentionally dissolving it. Underlying the entire project is a patented behavioral framework they call the Value Reinforcement System. Rather than rewarding people for perfection, it encourages participation, experimentation, and personal growth. Members are invited to complete real-world challenges, share their experiences online, inspire others to do the same, and receive recognition through a growing community built around positive reinforcement. The goal goes beyond simply entertaining people for a few hours, and also creates an environment that nudges them toward becoming more curious, creative, connected, and confident. Mookie and his guests also discuss how The Ridiculous extends beyond books into what could become an animated series, graphic novels, games, streaming content, live events, and an expanding creative platform. Instead of following the traditional publishing model—write a book, sell a book, repeat—Jef & Mindy are embracing a participatory model where readers become collaborators, collaborators become contributors, and contributors help shape the evolution of the universe itself. Jef & Mindy share an optimistic philosophy wrapped inside science fiction, comedy, behavioral psychology, and collaborative storytelling. At its heart, The Ridiculous argues that growth rarely looks graceful while it's happening—and that perhaps the most ridiculous thing of all is allowing the fear of embarrassment to keep us from becoming who we're capable of being. Jef & Mindy Jef & Mindy are known for building transformation-driven communities, gamified experiences, international events, media platforms, and brand collaborations that turned participation into identity, and identity into belonging. For more than three decades, they built fitness, wellness, media, and live-event brands that brought people together around confidence, transformation, personal growth, recognition, and community. Through FAME World Tour, WNSO, Body Proud, international events, expos, speaking, publishing, television, magazines, and brand activations, they helped create movements where people did more than attend, they participated, transformed, and became part of something larger. Their work has evolved from physical transformation into emotional, mental, social, and creative transformation. The Ridiculous carries that same foundation into a books-first absurdist sci-fi comedy franchise built around laughter, perspective, participation, and possibility, where people laugh first, think deeper, and do something remarkable with it. The Ridiculous Website: www.DoRidiculous.com  About us: https://doridiculous.com/about-us/  Amazon Book Link:  https://www.amazon.com/Ridiculous-comedy-curiosity-perspective-enjoying-ebook/dp/B0FK37DJ2G/ref=tmm_kin_swatch_0 Dean Grey, the behavioural scientist, who formed the baseline to the value reinforcement system: https://www.deangrey.org/ Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Jef & Mindy on the Liberating Power of Comedy, Creativity, and The Ridiculous
  7. Jun 7

    Cedar Sanderson: Prolific Pulp Pantser

    What do gardening, balloon animals, pulp fiction, Japanese manga, military science fiction, homeschooling, cover design, Edgar Rice Burroughs, and peeing basset hounds have in common? Cedar Sanderson, obviously. In this lively and often hilarious episode, Cedar joins Mookie Spitz for a sprawling conversation that begins with flowers and parenting and somehow winds its way through publishing, illustration, pulp fiction, education, storytelling, creativity, and the peculiar neuroses that drive writers to spend years inventing people who don't exist. Cedar shares her winding journey from entertainer, face painter, and balloon twister to scientist, entrepreneur, illustrator, publisher, and prolific author. Along the way, she explains why kids are the toughest audience on Earth, how writing a story for her daughter launched her fiction career, and why characters often refuse to follow their author's instructions. The conversation quickly enters the kind of nerdy territory both participants clearly enjoy. Mookie and Cedar debate pantsing versus plotting, discuss the strange alchemy of creativity, and compare notes on the ways writers trick themselves into actually finishing books. Cedar talks about her fascination with pulp fiction and classic adventure storytelling, while Mookie defends his self-imposed obsession with writing entire novels in rigid three-line blocks like some sort of literary Lego set assembled by an ADHD mad scientist. They also tackle bigger questions. Has modern publishing become too safe? Why do so many contemporary books feel interchangeable? Are readers being fed diluted versions of stories that were once richer, stranger, and more ambitious? Cedar argues that many writers no longer read deeply enough, while Mookie ironically wonders whether entire genres have become victims of their own formulas. The discussion veers into cover design, independent publishing, doing one's own art, storytelling in video games, the collapse of critical thinking, the value of constraints in creative work, and why writing "important messages" into fiction usually produces unreadable garbage. Somewhere in the middle, they also manage to talk about Cedar's books. She discusses her most popular Pixie Noir, newly released fantasy detective novella Child of Crows and the origins of Tanager's Fledglings, a surprisingly intimate science fiction adventure that begins with a young man, a starship, and a basset hound demonstrating a stubborn refusal to be housebroken on a starship.  Part writing workshop, part publishing insider discussion, part cultural critique, and part two smartasses wandering down fascinating rabbit holes, this episode is a reminder that today's storytelling is too often faked by formulas, focus groups, and committees. the good stuff instead created by curious people willing to follow strange ideas wherever they lead. And occasionally by people who spend twenty years collecting pulp novels and arguing about paragraph lengths. The Guest Cedar Sanderson is a multifaceted creator whose work spans both the literary and visual arts. She is celebrated for her engaging storytelling and her ability to captivate audiences with her vibrant imagery and thoughtful narratives. Her work not only entertains but also invites readers and viewers into worlds where science meets magic, and the mundane becomes extraordinary.  Her books, such as "Pixie Noir" and "Tanager’s Fledglings," showcase her unique blend of fantasy, science fiction, and mystery, often infused with a touch of humor and deep human insight. Her art, varying from traditional sumi-e painting to digital creations, reflects a love for both the whimsical and the scientific, with influences from her passion for history, infectious disease, and food anthropology. Known for her eclectic career that includes roles as diverse as balloon twister, face painter, and scientist, Cedar has channeled her wide range of experiences into her writing and art. Her Books Amazon Her Website https://www.cedarwrites.com/ Her Substack https://cedarlila.substack.com/ Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Cedar Sanderson: Prolific Pulp Pantser
  8. Jun 3

    Debbie Bishop on Creativity, Entrepreneurship, and Never Waiting for Permission

    Stepping into the 55th episode of The Science Fiction & Fantasy Factory, Debbie Bishop has spent decades doing what most creators only talk about doing: building her own path. Author, comic book creator, publisher, entrepreneur, marketer, filmmaker, podcaster, and now AI-powered platform builder, Debbie joins Mookie for a wide-ranging conversation that spans fantasy fiction, Hollywood, independent publishing, emerging technology, and the future of creativity itself. The discussion begins with Debbie's new novel, Pillywiggin Awakening, a dark fantasy adventure that blends magic, technology, history, and human resilience into a story designed for readers who love immersive worlds and larger-than-life heroes. From there, the conversation expands into Debbie's remarkable career, from acting and entertainment marketing to publishing comic books, launching companies, working with legendary figures like Ray Harryhausen, and developing intellectual property across multiple mediums. Along the way, Debbie shares stories about creating comics decades ahead of technological trends, researching ancient civilizations and Atlantis, predicting AI-driven futures in her fiction, and collaborating with some of the biggest names in entertainment and consumer products. She also discusses her latest venture, CreatorStage.show, an ambitious new platform designed to help independent creators take control of their audiences, content, and revenue streams in an increasingly fragmented digital landscape. Mookie and Debbie dive deep into artificial intelligence, the promise and limitations of large language models, the future of data centers, creator economics, entrepreneurship, publishing, networking, and why human creativity still matters in an age of algorithms. They explore the tension between technological progress and personal sovereignty, debate whether AI will empower or marginalize creators, and examine how science fiction often serves as a surprisingly accurate preview of tomorrow's headlines. At its heart, their conversation is about self-determination. Debbie's philosophy is simple: if the system won't give you an opportunity, build your own. Whether you're a writer, artist, entrepreneur, filmmaker, or anyone trying to create something meaningful in a noisy world, her journey offers equal parts inspiration, practical wisdom, and hard-earned perspective. Debbie Bishop proves that creativity goes beyond imagination to include persistence, adaptability, and having the courage to create your own future. The Guest Award-winning author Debbie Bishop is a multi-genre storyteller, creative director, entertainment executive, and CEO of Angelgate Entertainment. Her newest book, “PILLYWIGGIN Awakening: The Complete Story Arc (Books 1–2),” is an epic fantasy adventure about hidden fae, imprisoned boys facing impossible odds, and the courage it takes to awaken, survive, and become your own hero. Rooted in her lifelong interest in fantasy, metaphysics, technology, and cinematic storytelling, Bishop’s work explores the power people discover when they stop waiting to be rescued. With nearly three decades in entertainment, Bishop has built five companies and worked with major studios including Disney, Warner Bros., Paramount, and Universal. A former model and actress who moved behind the camera, she became a creative strategist whose digital campaigns have generated more than 2 billion views for the music industry.  Today, Bishop continues to expand her universe through new media, author-focused programming, and conversations about the future of technology. She recently hosted the AI & Human Roundtable podcast series, leads another storyteller-driven series, and is preparing to showcase original content and amplify creative voices. Find Her https://www.instagram.com/debbiebishop https://creatorstage.show/about-pillywiggin-awakening https://www.debbiebishop.com/ https://www.youtube.com/@by.storytellers Want to be on the show? Have feedback? Send Mookie a text! Support the show

    Debbie Bishop on Creativity, Entrepreneurship, and Never Waiting for Permission

Ratings & Reviews

5
out of 5
3 Ratings

About

Hosted by writer and ranter Mookie Spitz, the SFFF is where science fiction & fantasy creators, fans, and technologists transform imagination into reality. Each episode explores how writers, filmmakers, and world-builders bring their universes to life, with personal stories about turning wild ideas into finished projects that connect, inspire, and thrill. From indie authors to visionary engineers, Mookie uncovers the creative engines powering the future of sci-fi & fantasy storytelling!