Thee Performing Arts

Wolf De Roses

In 2008’s New Detroit, art is survival. Prestige Performing Arts Academy isn’t a school—it’s a battleground where performance decides your worth and every mistake can erase your name. Follow fourteen-year-old Wolf Dé Roses, a graffiti-born prodigy pulled into an elite world of stage perfection, coded rankings, and whispered cults. Each chapter blurs dream and reality, stitched together by haunting soundscapes, looping memories, and the voices of those who vanished before him. Thee Performing Arts is a cinematic audio series mixing psychological thriller, social commentary, and Detroit soul. Every performance leaves a mark. Every echo has a price.

Episodes

  1. Feb 20

    Pumpkin Spice (The Watchers Watch Us)

    Pumpkin spice hits Prestige like a warning flare—sweet, fake, and wrong. In Conference B, Coach Thompson tries to pin everything on Wolf… but Superintendent James Devereaux and Mrs. Brinkley are focused on a bigger threat: the smell means the watchers are seated, and when that happens… The Nine start moving. [I“THE NINE” STING — 9 NOTES / MUSIC SCARE] A hijacked tone. A signature melody. A message that lands like a receipt: Prestige isn’t reacting anymore—it’s being run. Out in the office lobby, Nia Calloway does what she always does when the school starts acting hungry: she listens. Ms. Harris tries to keep her “out of trouble” (the nice way), donors hover nearby, and Nia ends up doing the one thing Prestige can’t fully control—she reminds everyone what real talent sounds like. [NIA A CAPPELLA HERE — ] The donors cry. Harris tears up and hates that she did. Even Devereaux and “Principal Gray” pause like the building itself got interrupted. Then the paperwork hits: Nia gets a sponsor offer—GlassTone Piano Trust ($18M)—but it comes with a leash: 30 days to join a sanctioned group. Nia refuses the Red Choir… and smiles anyway, because she already knows who this will hurt. On her way out, Nia tries to find Wolf—because she already saved him once from being stamped MISSING—and now she sees a new name on the board: Tessa Briggs — MISSING. Red Choir. Wolf’s class. Bad timing. Worse meaning. She trades words with Mr. Clay, who confirms what her stomach already knew: that disappearance wasn’t innocent. Nia finally spots Wolf—too late—getting into a car and leaving. It stings… until Ms. Boudreaux catches her at the exit and slips her an envelope: Wolf is going to the mall to register a society (Clause B.7) so he can compete without getting claimed. Nia’s decision locks in on the spot: If Wolf gets registered, he gets protected. If she uses her sponsor leverage, she can punish the Red Choir and throw sand in Prestige’s machine. Weekend plans changed.

    Pumpkin Spice (The Watchers Watch Us)
  2. Feb 4

    A New Boy Called Wolf (2008) | “Echo Corner” (Nia’s POV) | Langston vs. Gray

    Wolf Dé Roses’ first day at Prestige isn’t even warm yet—five minutes on campus and he’s already a Board problem. From a blind corner near a broken security loop, Nia Calloway watches the lobby turn into a stage: polished marble, muted whispers, phones lifting at hip-height… and Mr. Langston walking in like a lawsuit wearing cufflinks. Langston doesn’t question Wolf’s talent—he questions his existence. Hoodie. Shoes. “Open call.” Legacy loophole. Reputation. Donors. His son Alexander. Everything becomes a public warning wrapped in “standards.” Principal Garrison Gray steps in with that calm, surgical voice—then does something worse than yell back: he names last year without naming it. The fallout. The erased teacher. The liability hearing. The Calloway incident. Nia hears her own name used like armor and a knife at the same time. By the time Langston leaves, Wolf isn’t just “new.” He’s marked: the kid Langston singled outthe kid Gray went on record forthe kid tied to the rumor Prestige keeps trying to buryAnd Nia decides something simple: If Prestige keeps using her “incident” as a cautionary tale while pretending she’s only a rumor… then the rumor starts playing defense. Themes: reputation as violence • institutional theater • surveillance • legacy vs. outliers • “Echo” as a label POV: Nia Calloway Setting: Prestige Performing Arts Academy, High School (New Detroit, 2008)

    A New Boy Called Wolf (2008) | “Echo Corner” (Nia’s POV) | Langston vs. Gray
  3. 10/22/2025

    The Rehearsal

    Wolf Dé Roses is officially inside Prestige Performing Arts Academy, High School—but nothing about “first day” feels normal. After spotting Lexi and Jax near the Art Wing, Wolf notices something fall from Lexi’s pocket: a dented metal box labeled CANNIBAL FRUIT™ — BANNED FLAVORS ONLY. He pockets it without thinking… and spends the rest of the day feeling like the school noticed. On the way to campus, Wolf gets tested at a gas station by students from a rival school. A quick fight breaks out, and Wolf handles it—clean. But the moment turns stranger when an older, sharply dressed man silently observes the scene and acknowledges Wolf like he’s been watching his story unfold. At Prestige, rumors of “The Incident” still haunt the halls. Wolf is placed in the wrong class, abruptly corrected by the front office, and sent to Art—where the welcome is colder than the marble floors. He draws anyway, creating a graffiti-stained Mona Lisa that catches attention… including from a polished Apex student whose stare feels like a threat. Minutes later, Wolf’s work is ruined in front of everyone by a sudden crimson paint spill. The sabotage is treated like “clumsiness,” but the message is clear: he’s being sized up, and the school is already trying to break his confidence. Shaken, Wolf escapes into the hallway—and runs into Maya Williams, a student who seems to be documenting glitches in the building itself. She reveals her own Cannibal Fruit box… and when Wolf pulls out his, the moment shifts from coincidence to warning. Maya gives Wolf a secret meeting location—Room 117½—and a password: “CANON.” Before Wolf can ask what any of it truly means, Maya disappears—leaving Wolf with a glowing box, an invitation, and the uncomfortable realization that Prestige isn’t just watching him… …it’s recruiting him. Lexi Delgado gets called to the office for a very specific reason… and somehow walks out less punished than usual, which only makes her more suspicious. Ms. Harris cuts the noise, issues a hall pass, and sends Lexi back to class—no detours, no games. Principal Gray watches it all like a man performing himself. Because he is. On the walk to Conference B, Gray’s internal “am I doing this right?” spiral hits hard: Would the real Gray have handled Lexi the same way? Would he have been colder? Cleaner? Crueler? Gray keeps the mask on anyway—perfect tie, perfect posture, perfect lie. Waiting for him: Mrs. Brinkley. Cafeteria power. Quiet menace. “Cafeteria mafia” energy—polite, calm, and way too comfortable holding leverage. Gray takes the head seat like it’s oxygen, reminding himself that Prestige runs on optics, timing, and silence. Everyone in this building has secrets. But no one’s carrying one bigger than his. Ends on: Gray entering the meeting, locking back into “Principal Gray” mode—while the real story stays buried for another day.

    The Rehearsal

About

In 2008’s New Detroit, art is survival. Prestige Performing Arts Academy isn’t a school—it’s a battleground where performance decides your worth and every mistake can erase your name. Follow fourteen-year-old Wolf Dé Roses, a graffiti-born prodigy pulled into an elite world of stage perfection, coded rankings, and whispered cults. Each chapter blurs dream and reality, stitched together by haunting soundscapes, looping memories, and the voices of those who vanished before him. Thee Performing Arts is a cinematic audio series mixing psychological thriller, social commentary, and Detroit soul. Every performance leaves a mark. Every echo has a price.