StreetSnappers - The Street Photography Podcast

Brian Lloyd Duckett | StreetSnappers

The podcast for street photography with Brian Lloyd Duckett of StreetSnappers. Episodes will feature interviews, tips, techniques, Q&A, book reviews, just a little gear talk and news, developments and insights from the world of street photography. Please see my website: https://www.streetsnappers.com

Episodes

  1. Street photography at the races, getting published in a magazine, Ricoh GR3 problems - and more!

    4D AGO

    Street photography at the races, getting published in a magazine, Ricoh GR3 problems - and more!

    Send us Fan Mail Big events can make street photography easier, but only if you stop aiming at the obvious target. I’m heading to Liverpool for Grand National weekend, not to photograph the racing, but to work the city centre where the real street stories unfold: early-morning pubs, people in finery, high spirits, bad decisions, and that brilliant collision between everyday streets and “special occasion” behaviour. If you want more keepers, the margins are often where the emotion and character live. Then I’m joined by Derek Darke, founder and editor of Klick Magazine, a print magazine made for street and documentary photographers by the people who actually shoot it. Derek shares how Klick was born from the buzz of seeing images in print, why every submission needs at least some words, and what makes him lean in when a WeTransfer lands in his inbox. We get practical about what gets rejected, why projects frequently beat single shots, how the quarterly edit and layout process works, and why niche print publishing still has real space in a digital world. We also tackle listener questions, including the Ricoh GR3 battery life and dust concerns, plus how I keep Venice fresh after years of returning by working clear street photography projects and matching locations to light and weather. I wrap with news on my Leica-focused London workshop with zone focusing, a new critique-driven Street Snappers Worldwide group, and a reminder about the Dublin Street Photography Festival. If you enjoy thoughtful street photography chat, subscribe, share this with a street photographer pal, and leave a review so more people can find the show. LINKS: Klick Magazine: https://www.klickmagazine.com Dublin Street Photography Festival: https://www.dspfestival.com/ My Dublin 1-day workshop: https://streetsnappers.com/dublin-street-photography-workshops My street photography workshops: https://www.streetsnappers.com

    48 min
  2. Episode #6 - Where's your comfort zone? Also - monochrome cameras, street competitions, a hot book recommendation, street photography definitions - and a recipe!

    MAR 30

    Episode #6 - Where's your comfort zone? Also - monochrome cameras, street competitions, a hot book recommendation, street photography definitions - and a recipe!

    Send us Fan Mail Monochrome-only cameras, contest culture, comfort zones and the eternal “does expensive gear matter?” debate all collide in a spring-bright Street Photography Podcast that starts with Venice energy and ends with a Negroni done properly. I dig into the most repeated bit of street photography advice and push back on the macho idea that stress equals better work. For some photographers, staying within your limits is not laziness, it is the route to consistency, focus - and photos that actually say something. Listener questions take us straight into street photography competitions, from big international awards to the camera club circuit. We talk entry fees, judging, trends, and why 'winning' can quietly steer people towards contrived images and tired clichés. Then we tackle camera gear head-on: if two people shoot the same scene with the same settings, will a Leica beat a Fuji every time? My view is that modern cameras are excellent across the board, and the real differences often come down to lenses, rendering, and what you choose to look for. The gear slot goes deep on monochrome cameras, including Leica Monochrom-style bodies and newer options like a monochrome Ricoh GR4. They can be spectacular for black and white street photography, especially in low light at high ISO, but the limitations are real when colour is the point.  Along the way there’s a book recommendation (Magnum Streetwise), a rant on why definitions of street photography matter, and a news round-up with exhibitions and events in London plus a quick trailer for an upcoming interview with Klick magazine’s editor. If you enjoy thoughtful street photography talk without the hype, subscribe, share the episode with a friend, and leave a review. What topic do you want us to tackle next? ______________ Links from today's show: Street photography workshops & resources - www.streetsnappers.com Klick magazine - here Magnum Streetwise book - click here

    33 min
  3. Being comfortable on the street, zooms vs primes, Fujifilm medium format - and a William Eggleston book

    MAR 13

    Being comfortable on the street, zooms vs primes, Fujifilm medium format - and a William Eggleston book

    Send us Fan Mail Street photography doesn’t start with bravery, it starts with belonging. While juggling another Venice run, we get personal about how childhood habits, walking alone, watching people and loving the town centre can quietly build the foundations of a strong street photographer. If you’ve ever wondered why you feel relaxed on the street or why you feel like an outsider, this one gets to the human side of the craft. From there I tackle a few of your questions: who might become the 'future greats' of street photography, and how the genre is shifting as aesthetics increasingly drive attention. I also get opinionated about zoom lenses versus primes, with four clear reasons I prefer primes for candid work: less distraction, more discretion, lighter carry, and better image quality. Then it’s time for a proper gear reality check with the Fujifilm GFX 100RF. We talk medium format detail, the lure of cropping, the lack of IBIS, and the bigger issue for street shooting: speed, responsiveness, and feel in the hand, especially when compared with a Leica Q3. As a counterpoint to the tech talk, we finish with a classic book review, looking at William Eggleston’s controversial colour photography and the strange power of the mundane, plus a quick news round on The Photography Show, the Irys app, and what we’re planning next. If you enjoy thoughtful street photography chat, subscribe, share with a pal and leave a review so more street photographers can find us. _______________ William Eggleston's 'Guide' - https://amzn.to/416nsPB Brian's street photography workshops - www.streetsnappers.com Brian's YouTube channel - https://www.youtube.com/streetsnappers

    32 min
  4. MAR 2

    How I turned a grey day into a project, photography degrees and why Venice keeps pulling me back

    Send us Fan Mail A grey, damp morning in Liverpool turned into a turning point. Over a coffee, we opened an old Lightroom archive and spotted a pattern hiding in plain sight—enough images from Ropewalks to seed a real project. That small reframing changed the day, the week, and the way we hunt for ideas. Instead of waiting for inspiration, we named what we already had and set a plan to grow it. If you’ve ever felt stuck, this is your blueprint for moving again. From there we get practical. After losing film archives in a flood, storage became a lingering blind spot, until a six‑bay NAS arrived and forced action. We talk through why centralised, redundant backups matter for photographers, how to approach setup without fear, and the peace of mind that follows. We also field a listener’s gear dilemma with straight answers: the Fujifilm X100VI for elegant simplicity, the XE5 for flexibility with small primes, and the Ricoh GR series for pocketable stealth and snap focus. The theme is the same across choices—choose the tool that disappears in your hand so you can see more and fiddle less. Mid‑career study comes up too: is a photography degree worth it at 44? We unpack motives, costs, and outcomes, and outline when a conceptual programme at places like Falmouth or UAL can deepen your voice—and when targeted mentorship, rigorous self‑projects, and strong editing might be smarter. Then we head to Venice, our favourite proving ground for street work. Fog, rain, and winter light make the city a shape‑shifter, perfect for observational, documentary, and lyrical approaches. We share fresh stories from Carnival, a new 52‑page zine capturing the absurd beauty of masks and alleys, and why winter dates are gold for quieter frames. Finally, a quick grenade lobbed at “multi‑award winning” posturing and a warm invite into the Street Snappers Collective and Community for critique, learning, and meetups. ________________ Got a question? Record it on your phone and email it to brian@streetsnappers.com. If this resonated, follow, rate, and share with a friend who needs a nudge back into their archive—what hidden project is waiting for a name? ________________ The Street Photography Collective on facebook (workshop attendees only) The Street Photography Community on facebook (open to all!) ________________ My YouTube channel ________________ Forthcoming workshops in Venice ________________ My latest zine is available here ________________

    34 min
  5. Street photography bags, sharpness, projects and motivation!

    FEB 7

    Street photography bags, sharpness, projects and motivation!

    Send us Fan Mail Grey skies, empty streets, and flat light can wreck a shooting day—unless you change the rules. I open with a simple pivot for winter: treat colour as a subject, lean into graphic shapes, and shift from pure observation to small documentary stories that ignore the weather. From there we get practical about the tool that shapes every outing: the camera bag. I weigh the charm and risks of a Billingham, the low‑key utility of Domke and Lowepro, and why the Wotancraft Pilot has quietly become my daily driver for comfort, capacity, weather resistance, and staying off a thief’s radar. Listener questions push the conversation beyond gear. The most valuable non‑photo tool? A notebook—because ideas land at awkward times and projects need a place to grow. I also talk boundaries with an Apple Watch that tracks without nagging when the camera is in hand. Then I tackle the age‑old frustration of barren streets: projects over wandering. Define a theme and you’ll start noticing frames you used to walk past, even when the city feels asleep. For a dose of joy, I cue up one of photography’s best sounds: the Pentax 67 shutter. Medium format’s weight comes with reward—tonality, presence, and negatives that sing. I share favourite lenses for the 67, a surprisingly good experience buying from Japan on eBay, and a reality check on airline scales. My weekly hand‑grenade lands on sharpness: useful, yes, but not the grail. Blur, grain, and near‑miss focus can bring breath and urgency when content leads. Finally, I flag what to see and read next: Martin Parr’s early Irish work at The Photographers’ Gallery, LensCulture Street Photography Award winners, Mark Cohen’s Tall Socks, plus a Soho pit stop at Bar Bruno for the best bacon butty and a front‑row seat to the street. Enjoy the ride, steal the tactics, and tell me how you keep momentum on dull days. If this sparked ideas, subscribe, share with a friend who shoots, and leave a quick review so more street photographers can find us. LINKS: My street photography newsletter - sign up here: https://streetsnappers.com/street-photography-newsletter/ Wotancraft Bags: https://www.wotancraft.tw/en/ My workshops: https://streetsnappers.com

    24 min
  6. StreetSnappers - The Street Photography Podcast S1 E2

    JAN 19

    StreetSnappers - The Street Photography Podcast S1 E2

    Send us Fan Mail Street photography doesn’t get better by accident; it gets better by intention. I kick off the Street Photography Podcast with a few ideas for a stronger creative year: study one great photo book each week, finish the projects that keep drifting, and lock down an archive strategy that actually protects your work. From a decade-long black-and-white Venice project to a living zine series on London streets, I share the real timelines and choices behind sustaining momentum without losing heart. The Q&A digs into a key gear question. If you’re weighing autofocus modes on a Leica Q3 (or any 28 mm setup), hear why simple Field AF and classic zone focus still win on the street, and why a Leica Q3 a firmware update is essential. Then we go straight at a thorny craft topic: is photographing the backs of people a lazy dodge or a legitimate tool for mystery? Drawing on Joel Meyerowitz and Saul Leiter, we show how ambiguity can hand the story to the viewer - if intent leads the frame. We toss a “hand grenade” at overused street tropes - spiral staircases, umbrellas, silhouettes, misted bus windows - and offer practical ways to step out of the echo chamber. To ground it, we bring you a quick Street Session from Liverpool with Robin, a colour-driven eye balancing lunchtime walks, a pocket Ricoh and a 100-year-old film project. Then it’s time to build your desert island bookshelf: Sergio Larrain’s London 1959, Eggleston’s Guide, Fred Herzog’s Modern Color, Chris Killip’s 'best', and more, each a masterclass in seeing. We close with scene-wide updates: platform shifts toward “authentic” imagery, a new GR4 Monochrome announcement, festival calls, and exhibitions worth your time. If you want to sharpen your vision, finish the work that matters, and break free of copycat frames, you’re in the right place.  Subscribe, download, and share your thoughts with me - what cliché are you quitting this year, and which book is shaping your eye? For my workshop information, including the Venice workshops I mentioned, please visit www.streetsnappers.com

    39 min

Ratings & Reviews

5
out of 5
3 Ratings

About

The podcast for street photography with Brian Lloyd Duckett of StreetSnappers. Episodes will feature interviews, tips, techniques, Q&A, book reviews, just a little gear talk and news, developments and insights from the world of street photography. Please see my website: https://www.streetsnappers.com

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