StreetSnappers - The Street Photography Podcast

Brian Lloyd Duckett | StreetSnappers

The podcast for street photography with Brian Lloyd Duckett of StreetSnappers. Episodes will feature interviews, tips, techniques, Q&A, book reviews, just a little gear talk and news, developments and insights from the world of street photography. Please see my website: https://www.streetsnappers.com

Episodes

  1. Being comfortable on the street, zooms vs primes, Fujifilm medium format - and a William Eggleston book

    MAR 13

    Being comfortable on the street, zooms vs primes, Fujifilm medium format - and a William Eggleston book

    Send a text Street photography doesn’t start with bravery, it starts with belonging. While juggling another Venice run, we get personal about how childhood habits, walking alone, watching people and loving the town centre can quietly build the foundations of a strong street photographer. If you’ve ever wondered why you feel relaxed on the street or why you feel like an outsider, this one gets to the human side of the craft. From there I tackle a few of your questions: who might become the 'future greats' of street photography, and how the genre is shifting as aesthetics increasingly drive attention. I also get opinionated about zoom lenses versus primes, with four clear reasons I prefer primes for candid work: less distraction, more discretion, lighter carry, and better image quality. Then it’s time for a proper gear reality check with the Fujifilm GFX 100RF. We talk medium format detail, the lure of cropping, the lack of IBIS, and the bigger issue for street shooting: speed, responsiveness, and feel in the hand, especially when compared with a Leica Q3. As a counterpoint to the tech talk, we finish with a classic book review, looking at William Eggleston’s controversial colour photography and the strange power of the mundane, plus a quick news round on The Photography Show, the Irys app, and what we’re planning next. If you enjoy thoughtful street photography chat, subscribe, share with a pal and leave a review so more street photographers can find us. _______________ William Eggleston's 'Guide' - https://amzn.to/416nsPB Brian's street photography workshops - www.streetsnappers.com Brian's YouTube channel - https://www.youtube.com/streetsnappers

    32 min
  2. MAR 2

    How I turned a grey day into a project, photography degrees and why Venice keeps pulling me back

    Send a text A grey, damp morning in Liverpool turned into a turning point. Over a coffee, we opened an old Lightroom archive and spotted a pattern hiding in plain sight—enough images from Ropewalks to seed a real project. That small reframing changed the day, the week, and the way we hunt for ideas. Instead of waiting for inspiration, we named what we already had and set a plan to grow it. If you’ve ever felt stuck, this is your blueprint for moving again. From there we get practical. After losing film archives in a flood, storage became a lingering blind spot, until a six‑bay NAS arrived and forced action. We talk through why centralised, redundant backups matter for photographers, how to approach setup without fear, and the peace of mind that follows. We also field a listener’s gear dilemma with straight answers: the Fujifilm X100VI for elegant simplicity, the XE5 for flexibility with small primes, and the Ricoh GR series for pocketable stealth and snap focus. The theme is the same across choices—choose the tool that disappears in your hand so you can see more and fiddle less. Mid‑career study comes up too: is a photography degree worth it at 44? We unpack motives, costs, and outcomes, and outline when a conceptual programme at places like Falmouth or UAL can deepen your voice—and when targeted mentorship, rigorous self‑projects, and strong editing might be smarter. Then we head to Venice, our favourite proving ground for street work. Fog, rain, and winter light make the city a shape‑shifter, perfect for observational, documentary, and lyrical approaches. We share fresh stories from Carnival, a new 52‑page zine capturing the absurd beauty of masks and alleys, and why winter dates are gold for quieter frames. Finally, a quick grenade lobbed at “multi‑award winning” posturing and a warm invite into the Street Snappers Collective and Community for critique, learning, and meetups. ________________ Got a question? Record it on your phone and email it to brian@streetsnappers.com. If this resonated, follow, rate, and share with a friend who needs a nudge back into their archive—what hidden project is waiting for a name? ________________ The Street Photography Collective on facebook (workshop attendees only) The Street Photography Community on facebook (open to all!) ________________ My YouTube channel ________________ Forthcoming workshops in Venice ________________ My latest zine is available here ________________

    34 min
  3. Street photography bags, sharpness, projects and motivation!

    FEB 7

    Street photography bags, sharpness, projects and motivation!

    Send a text Grey skies, empty streets, and flat light can wreck a shooting day—unless you change the rules. I open with a simple pivot for winter: treat colour as a subject, lean into graphic shapes, and shift from pure observation to small documentary stories that ignore the weather. From there we get practical about the tool that shapes every outing: the camera bag. I weigh the charm and risks of a Billingham, the low‑key utility of Domke and Lowepro, and why the Wotancraft Pilot has quietly become my daily driver for comfort, capacity, weather resistance, and staying off a thief’s radar. Listener questions push the conversation beyond gear. The most valuable non‑photo tool? A notebook—because ideas land at awkward times and projects need a place to grow. I also talk boundaries with an Apple Watch that tracks without nagging when the camera is in hand. Then I tackle the age‑old frustration of barren streets: projects over wandering. Define a theme and you’ll start noticing frames you used to walk past, even when the city feels asleep. For a dose of joy, I cue up one of photography’s best sounds: the Pentax 67 shutter. Medium format’s weight comes with reward—tonality, presence, and negatives that sing. I share favourite lenses for the 67, a surprisingly good experience buying from Japan on eBay, and a reality check on airline scales. My weekly hand‑grenade lands on sharpness: useful, yes, but not the grail. Blur, grain, and near‑miss focus can bring breath and urgency when content leads. Finally, I flag what to see and read next: Martin Parr’s early Irish work at The Photographers’ Gallery, LensCulture Street Photography Award winners, Mark Cohen’s Tall Socks, plus a Soho pit stop at Bar Bruno for the best bacon butty and a front‑row seat to the street. Enjoy the ride, steal the tactics, and tell me how you keep momentum on dull days. If this sparked ideas, subscribe, share with a friend who shoots, and leave a quick review so more street photographers can find us. LINKS: My street photography newsletter - sign up here: https://streetsnappers.com/street-photography-newsletter/ Wotancraft Bags: https://www.wotancraft.tw/en/ My workshops: https://streetsnappers.com

    24 min
  4. StreetSnappers - The Street Photography Podcast S1 E2

    JAN 19

    StreetSnappers - The Street Photography Podcast S1 E2

    Send a text Street photography doesn’t get better by accident; it gets better by intention. I kick off the Street Photography Podcast with a few ideas for a stronger creative year: study one great photo book each week, finish the projects that keep drifting, and lock down an archive strategy that actually protects your work. From a decade-long black-and-white Venice project to a living zine series on London streets, I share the real timelines and choices behind sustaining momentum without losing heart. The Q&A digs into a key gear question. If you’re weighing autofocus modes on a Leica Q3 (or any 28 mm setup), hear why simple Field AF and classic zone focus still win on the street, and why a Leica Q3 a firmware update is essential. Then we go straight at a thorny craft topic: is photographing the backs of people a lazy dodge or a legitimate tool for mystery? Drawing on Joel Meyerowitz and Saul Leiter, we show how ambiguity can hand the story to the viewer - if intent leads the frame. We toss a “hand grenade” at overused street tropes - spiral staircases, umbrellas, silhouettes, misted bus windows - and offer practical ways to step out of the echo chamber. To ground it, we bring you a quick Street Session from Liverpool with Robin, a colour-driven eye balancing lunchtime walks, a pocket Ricoh and a 100-year-old film project. Then it’s time to build your desert island bookshelf: Sergio Larrain’s London 1959, Eggleston’s Guide, Fred Herzog’s Modern Color, Chris Killip’s 'best', and more, each a masterclass in seeing. We close with scene-wide updates: platform shifts toward “authentic” imagery, a new GR4 Monochrome announcement, festival calls, and exhibitions worth your time. If you want to sharpen your vision, finish the work that matters, and break free of copycat frames, you’re in the right place.  Subscribe, download, and share your thoughts with me - what cliché are you quitting this year, and which book is shaping your eye? For my workshop information, including the Venice workshops I mentioned, please visit www.streetsnappers.com

    39 min

Ratings & Reviews

5
out of 5
3 Ratings

About

The podcast for street photography with Brian Lloyd Duckett of StreetSnappers. Episodes will feature interviews, tips, techniques, Q&A, book reviews, just a little gear talk and news, developments and insights from the world of street photography. Please see my website: https://www.streetsnappers.com

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