The Russi Hive

Alejandra Russi

The Russi Hive is a podcast about creativity—unfolding in conversations with expected and unexpected people; not only artists, but anyone with a practice, a system, or an obsession that shapes how they think and live. Presented by Ricco/Maresca and hosted by Alejandra Russi, The Russi Hive is filmed and recorded in the gallery’s New York City space. This show is a place for those drawn to the unseen mechanics of making, the inner weather reports, invented languages, and the way an idea arrives at the "wrong" time and still changes everything.

  1. Aug 6

    Gallerinas: A Beginner’s Reality Check — Chic Illusion vs. Clockwork Machine

    For the last interview in Season 1 of The Russi Hive Podcast, Alejandra turns the mic toward the team behind Ricco/Maresca, the Chelsea (NYC) gallery where the podcast was born, sitting down with Suzy Bucky and Chloe Kohlhoss for a loose, funny, behind-the-scenes conversation about what gallery work looks like from the inside. The episode begins with the fantasy: white walls, openings, polished outfits, clever conversations about art. Then comes the reality: logistics, checklists, emails, sales tax, artist submissions, client relationships, front-desk triage, and the constant translation required to make an exhibition feel effortless. They talk about the gallery as both workplace and creative ecosystem—a place where taste, trust, timing, social intelligence, and teamwork all matter. They also get into what Ricco/Maresca teaches them about self-taught art, communication, responsibility, and the emotional attachment that forms when you help bring an artist’s work into public view. The episode closes with hot takes on art-world clichés, opening nights, red dots, art fairs, email sign-offs, and the unofficial rules that everyone somehow learns on the job. Subscribe for new episodes every other Thursday, plus bonus drops in between. Follow @russihive on Instagram, TikTok, and Substack. Original music and sonic identity by Antfood. Sound design: Federico Casazza. Follow The Russi Hive: YouTube Instagram TikTok Substack

  2. Jul 9

    Alejandro Triana: Dude with the Oud — Passion, Place, and Playing Between the Notes

    In Episode 10 of The Russi Hive Podcast, Alejandra sits down with Alejandro Triana—her nephew, almost-sibling, and the musician behind Dude with the Oud—for a conversation about obsession as creative fuel, the worlds we build as children, and the strange, crooked routes by which a life begins to sound like itself. The episode opens with family lore: two Alejandros, a Disney autograph book, a missing set of Ninja Turtle pages, and a childhood "crime" that somehow becomes a theory of creative temperament. For Triana, obsession was never casual. As a child, it meant entering a world completely; as an artist, it becomes a way of listening, practicing, and following a sound until it changes the shape of your life. At the center of the conversation is the oud: the ancient, fretless, microtonal instrument Triana calls the grandfather of guitars. After hearing it in a Lower East Side club, he bought one the next day and began chasing a sound that would lead him through Arabic music, flamenco, Andalusian histories, diasporic identity, and a musical language of his own. They talk about skateboarding through New York as a kid, subway musicians as early influences, the tension between practice and play, and the challenge of making music in an era that asks artists to become content creators. The episode also circles back to childhood world-building: toys with names, elaborate plots, vanished little universes, and the creative muscle that forms before anyone knows to call it art. What emerges is a conversation about self-invention, discipline, detours, and living on your own timeline. Original music and sonic identity by Antfood. Sound design: Federico Casazza. Follow The Russi Hive: YouTube Instagram TikTok Substack

  3. Jun 25

    Choghakate Kazarian: Unquicken the Pace — Curating as Medium and Letting Ideas Ripen

    In Episode 9 of The Russi Hive Podcast, Alejandra sits down with Choghakate Kazarian—art historian, curator, and writer—to talk about curating as a creative medium. Kazarian’s story begins in several languages at once: Armenian, French, English, Italian—each one carrying its own atmosphere, its own way of thinking, its own private weather. Born in Armenia, raised in France, and shaped by years of looking across cultures, she speaks about language not as translation, but as a way of seeing. From there, they move into the hidden architecture of exhibition-making: the research, the rhythm, the negotiations with space and loans, and the quiet labor that allows a show to feel inevitable. For Kazarian, the curator’s hand should guide without announcing itself; when an exhibition works, the machinery recedes, and the artist comes more fully into view. They discuss Lucio Fontana, Henry Darger, Louis Michel Eilshemius, the slippery usefulness of labels like outsider art and Art Brut, and Kazarian’s unexpected turn into fashion with her Chloé exhibition at the Jewish Museum. Darger becomes a turning point: after years shaped by Duchamp and other modernist touchstones, Kazarian describes encountering his work as a before-and-after experience—one that unsettled her categories and opened a different way of seeing artistic intensity and necessity. The episode closes with a meditation on time: how ideas ripen, how exhibitions continue after they close, and why slowness can be a form of resistance in a culture obsessed with productivity. Through the work of Albert Pinkham Ryder, Kazarian reflects on revision, unfinishedness, and the delicate discipline of bringing a work to closure without pretending it is ever truly complete. Original music and sonic identity by Antfood. Sound design: Federico Casazza. Follow The Russi Hive: YouTube Instagram TikTok Substack

  4. May 14

    Elizabeth Dee: Who Gets Seen — Attention, Power, and Building Independent

    In this episode of The Russi Hive Podcast, Alejandra sits down with Elizabeth Dee, founder of the Independent Art Fairs, to talk about what it means to build the kinds of platforms the art world doesn’t yet know it needs. The conversation begins with Dee’s early years at Deitch Projects and the founding of Elizabeth Dee Gallery, then moves through formative exhibitions with artists such as Adrian Piper and Ryan Trecartin; the broader New York generation that emerged around shows like Greater New York at PS1/MoMA; and the delicate question of how to honor artists’ histories while helping their work find the right present-day context, audience, and future. They dig into the origins of Independent: how a handful of conversations among like-minded dealers became a different kind of New York art fair, designed for slower, more intentional looking and often centered on tightly curated, narrative-driven presentations. Elizabeth traces how the project has since grown into a larger architecture—one that includes editorial publishing, research initiatives, and an invite-only press bureau. She talks about stewardship in practice: commissioning English-language scholarship for artists from Latin America and other underrepresented contexts; using the fair’s platform to encourage collectors to look beyond a narrow “I only buy contemporary” mindset; and treating press and criticism as part of the historical record, not merely a PR afterthought. Along the way, Elizabeth speaks candidly about what it meant to build a gallery, close one, and reinvent herself through Independent—and how those experiences reshaped her thinking around risk, responsibility, and visibility. She describes the fair and its related projects as an “architecture” for showing work, where exhibition formats, commissioned texts, and press coverage all have to align. Again and again, the conversation returns to a central question: how to use that structure to give artists from different places and generations meaningful visibility, without reducing their work to another short-lived market story. Original music and sonic identity by Antfood. Sound design: Federico Casazza. Follow The Russi Hive: YouTube Instagram TikTok Substack

About

The Russi Hive is a podcast about creativity—unfolding in conversations with expected and unexpected people; not only artists, but anyone with a practice, a system, or an obsession that shapes how they think and live. Presented by Ricco/Maresca and hosted by Alejandra Russi, The Russi Hive is filmed and recorded in the gallery’s New York City space. This show is a place for those drawn to the unseen mechanics of making, the inner weather reports, invented languages, and the way an idea arrives at the "wrong" time and still changes everything.

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