Reel Redux Movie Podcast | Your Gateway to Cult Cinema

Reel Redux

Reel Redux is a father and son movie podcast exploring cult classics, forgotten films, and genre cinema from every era. From 70s disaster movies and grindhouse oddities to horror, sci-fi, action, thrillers, and B-movie madness, we dig into the strange, the flawed, and the underrated. Each week we revisit the movies time left behind, break them down scene by scene, and decide whether they deserve a true redux or should stay buried in cinematic history.

  1. 5d ago

    The Driver (1978) | Walter Hill, Le Samourai & The Cult of the Getaway Driver

    The Driver (1978) is one of the great cult crime movies of the 1970s — a stripped-back, stylish thriller from Walter Hill starring Ryan O’Neal as a mysterious professional getaway driver and Bruce Dern as the cop determined to catch him. In this episode of Reel Redux, we use The Driver as the starting point for a wider discussion about getaway driver movies, crime cinema, neo-noir, cult classics and some of the coolest minimalist thrillers ever made. We look at what makes The Driver so distinctive, from its incredible car chases and sparse dialogue to Walter Hill’s hard-edged visual style, and discuss its connections to Jean-Pierre Melville’s Le Samouraï and the wider tradition of cool, enigmatic crime protagonists. We also get into the films that surround The Driver — including Le Samouraï, Point Blank, Thief, The Friends of Eddie Coyle, The Outfit, Get Carter, Le Cercle Rouge and other overlooked crime movies that deserve to be discovered. If you’re into cult movies, classic crime films, 1970s cinema, getaway movies, car chase films, neo-noir, Walter Hill, Ryan O’Neal, Jean-Pierre Melville, hidden gems and forgotten movie classics, this is a conversation packed with recommendations. As always, Reel Redux goes beyond the obvious and digs into the films that deserve a place in your watchlist. Films discussed include:
The Driver (1978)
Le Samouraï (1967)
Point Blank (1967)
Thief (1981)
The Friends of Eddie Coyle (1973)
The Outfit (1973)
Get Carter (1971)
Le Cercle Rouge (1970)
The Killing (1956)
The Taking of Pelham One Two Three (1974) What are your favourite getaway driver or cult crime movies? Let us know what we should watch next.

  2. Sep 24

    Rolling Thunder (1977), Inspiring Tarantino, Revenge Movies, Vietnam Cinema & Film Recommendations

    This week on Reel Redux we’re diving into one of the most influential and fascinating cult films of the 1970s: Rolling Thunder (1977). Written by Paul Schrader and starring William Devane and Tommy Lee Jones, Rolling Thunder has quietly become one of the most respected revenge movies ever made. Combining Vietnam War trauma, vigilante justice, psychological drama and explosive action, it’s a film that continues to attract passionate fans nearly fifty years after its release. But this episode isn’t simply a review of Rolling Thunder. Using the film as our launching point, we explore the wider world of revenge cinema, Vietnam-era filmmaking, cult movie discoveries, vigilante thrillers, character-driven action films and some of the greatest hidden gems of 1970s American cinema. Along the way we discuss: 🎬 Why Rolling Thunder became a cult classic 🇺🇸 Vietnam War themes in American cinema 🔥 The appeal of revenge movies and vigilante thrillers ⭐ William Devane’s underrated performance 🎥 Tommy Lee Jones before Hollywood stardom ✍️ Paul Schrader’s writing career and influence 🍿 Hidden gem recommendations for cult movie fans 🎞️ The darker side of 1970s filmmaking As always, the conversation expands beyond the featured film and into recommendations, movie games and discussions about some of the greatest cult films ever made. Films discussed and recommended include: Taxi Driver (1976)The Friends of Eddie Coyle (1973)The Outfit (1973)Bring Me the Head of Alfredo Garcia (1974)Point Blank (1967)The Driver (1978)Hardcore (1979)Get Carter (1971)Rolling Thunder (1977)The Parallax View (1974)We also venture into wider Vietnam-related recommendations, discussing films such as: Nam’s Angels (1989)Missing in Action (1984)First Blood (1982)The Deer Hunter (1978)Apocalypse Now (1979)If you enjoy revenge movies, Vietnam War films, vigilante cinema, 1970s thrillers, cult classics, Paul Schrader movies, crime films, hidden gems and movie recommendations, this episode is for you. Reel Redux is your gateway to cult cinema, exploring forgotten classics, overlooked masterpieces, genre favourites and hidden movie gems every week. Whether you’re discovering Rolling Thunder for the first time or returning to one of the most talked-about cult revenge films ever made, this episode explores why the movie continues to resonate with audiences decades after its release. What’s the greatest revenge movie ever made? Is it Rolling Thunder, Get Carter, Point Blank, Taxi Driver, or something else entirely? Join the conversation.

  3. Sep 17

    Piranha (1978), Creature Features, Jaws Rip-Offs & The Greatest Animal Attack Movies Ever Made!

    This week on Reel Redux, we’re diving into one of the most beloved creature features of all time: Piranha (1978). Directed by future cult cinema legend Joe Dante and written by acclaimed screenwriter John Sayles, Piranha began life as what many assumed would be another cheap Jaws knock-off. Instead, it became one of the smartest, funniest and most entertaining creature features ever made, earning a devoted cult following that continues to grow nearly 50 years later. But this episode isn’t just about Piranha. Using Joe Dante’s killer fish classic as our starting point, we take a deep dive into the world of creature features, animal attack movies, cult horror cinema and the explosion of genre films that followed in the wake of Jaws. We discuss why audiences love these films, what separates the great creature features from the forgettable ones, and which hidden gems deserve a place alongside the classics. Along the way we discuss: 🦈 Why Jaws changed Hollywood forever 🐟 What makes Piranha such a successful cult movie 🎬 Joe Dante’s career and contribution to genre cinema 🐊 The rise of animal attack movies in the 1970s and 1980s 🩸 Practical effects, creature design and old-school horror filmmaking 🎥 The enduring appeal of creature features 🍿 Hidden gem horror recommendations for genre fans As always, we also play our regular Reel Redux movie games and recommendation segments, leading to discussions on a wide range of cult classics and creature-feature favourites. Films discussed and recommended include: Jaws (1975)Alligator (1980)Orca (1977)Grizzly (1976)The Blob (1988)Tremors (1990)Lake Placid (1999)Deep Blue Sea (1999)The Howling (1981)Anaconda (1997)If you enjoy creature features, cult horror movies, animal attack films, monster movies, practical effects, 1970s horror, 1980s horror, hidden gem recommendations, cult cinema discussions and classic genre filmmaking, this episode is for you. Reel Redux is your gateway to cult cinema, exploring forgotten classics, cult favourites, underrated movies and genre films that deserve a wider audience. Whether you’re a lifelong fan of Piranha, a Joe Dante enthusiast, or simply looking for your next great creature feature, join us for a deep dive into one of the most entertaining corners of horror cinema. What’s the greatest creature feature ever made? Is it Jaws? Piranha? Tremors? The Blob? Let us know and join the conversation.

  4. Sep 10

    The Incident (1967) Review | The Brutal 60s Thriller That Traps Everyone on a Train

    In this episode of Reel Redux, we take a deep dive into The Incident (1967), the uncompromising psychological thriller directed by Larry Peerce and starring Martin Sheen and Beau Bridges. Set almost entirely aboard a New York City subway train, this intense and uncomfortable cult film turns an ordinary journey home into a terrifying examination of fear, intimidation, violence, and human behaviour. The Incident follows a group of passengers travelling through New York when two young men board the train and begin terrorising the people around them. What starts as disturbing behaviour gradually escalates, trapping the passengers in an increasingly frightening situation with nowhere to escape. The film's simple premise becomes a powerful study of how ordinary people react when confronted with aggression, humiliation, and the threat of violence. In this episode, we break down The Incident (1967) in detail, exploring its story, characters, performances, themes, and claustrophobic atmosphere. We discuss the film's portrayal of urban anxiety and social tension during the 1960s, as well as its exploration of cowardice, courage, conformity, fear, and the uncomfortable question of how far people will go to protect themselves and others. We also take a close look at Martin Sheen's performance and the film's young antagonists, examining how their presence transforms the subway carriage into a pressure cooker. With its confined setting and escalating tension, The Incident creates suspense without relying on conventional action or elaborate set pieces, instead allowing the behaviour of its characters to drive the film. The episode also explores The Incident as an example of 1960s American cinema that was increasingly willing to tackle uncomfortable subjects and challenge audiences. Its gritty New York setting, raw performances, confrontational subject matter, and bleak atmosphere make it an intriguing example of the darker side of American cult cinema. As always on Reel Redux, we also play our regular movie games, debate the film, share our thoughts and recommendations, and explore other cult, crime, thriller, and exploitation movies that connect to the film we're discussing. If you're searching for a The Incident review, The Incident 1967 explained, The Incident movie analysis, The Incident 1967 movie, Martin Sheen movies, 1960s thrillers, psychological thrillers, New York crime movies, cult movies, forgotten 1960s films, or a cult cinema podcast, this episode delivers a detailed exploration of one of the decade's most unsettling and overlooked thrillers. Whether you're a fan of classic thrillers, 1960s American cinema, psychological movies, crime films, cult classics, Martin Sheen, or obscure and forgotten genre films, Reel Redux is your gateway to cult cinema — uncovering the movies that deserve to be rediscovered and giving you another reason to dig deeper into film history. What would you do if you were trapped on that train? The Incident is a film that puts its characters — and its audience — in an incredibly uncomfortable position.

  5. Sep 4

    Hondo (1953) | John Wayne, Classic Westerns & Forgotten Cowboy Movie Gems

    This week on Reel Redux, we’re saddling up for one of the most respected yet surprisingly under-discussed films in John Wayne’s legendary career: Hondo (1953). Based on the novel by Louis L’Amour, Hondo has long been a favourite among dedicated Western fans, but it rarely receives the same level of attention as The Searchers, Rio Bravo, True Grit, or The Man Who Shot Liberty Valance. The question is: should it? In this episode, we use Hondo as a starting point for a wider conversation about John Wayne, classic Western cinema, frontier storytelling, Louis L’Amour adaptations, and some of the greatest cowboy movies ever made. We discuss what makes Hondo stand out from other Westerns of the era, why John Wayne was perfectly cast as Hondo Lane, and whether this overlooked classic deserves to be mentioned alongside the Duke’s most celebrated films. Along the way we discuss: 🤠 John Wayne’s greatest Western performances 📚 Louis L’Amour and Western storytelling 🏜️ Frontier survival and life in Apache territory 🎬 The golden age of Hollywood Westerns 🐎 What makes a great cowboy movie ⭐ Forgotten Western classics that deserve more attention 🍿 Hidden gem recommendations for Western fans As always, the conversation expands beyond the featured film, leading to discussions about some of the greatest Westerns ever made and a collection of recommendations for anyone looking to explore beyond the obvious classics. Films discussed and recommended include: The Searchers (1956)Rio Bravo (1959)She Wore a Yellow Ribbon (1949)Fort Apache (1948)The Man Who Shot Liberty Valance (1962)Seven Men from Now (1956)Ride Lonesome (1959)The Tall T (1957)Man in the Saddle (1951)The Cowboys (1972)If you enjoy John Wayne movies, classic Westerns, Louis L’Amour novels, cowboy films, frontier adventures, Golden Age Hollywood, Randolph Scott Westerns, forgotten classics, cult cinema and movie recommendations, this episode is for you. Reel Redux is your gateway to cult cinema, classic movies and hidden gems. Every week we dive into overlooked favourites, beloved classics and the films that deserve a much bigger audience. Whether you’re a lifelong John Wayne fan or just beginning your journey into classic Western cinema, Hondo remains one of the strongest arguments for why the Western remains one of Hollywood’s greatest genres. Where does Hondo rank among John Wayne’s Westerns? Is it an underrated masterpiece or simply overshadowed by bigger titles? Join the conversation and let us know your favourite John Wayne film.

    Hondo (1953) | John Wayne, Classic Westerns & Forgotten Cowboy Movie Gems

  6. Aug 20

    Black Sabbath (1963) Review | Mario Bava's Horror Anthology That Changed Everything

    In this episode of Reel Redux, we enter the dark world of Black Sabbath (1963), the influential Italian horror anthology directed by Mario Bava and starring Boris Karloff. Blending gothic horror, supernatural terror, psychological suspense and gruesome imagery, Black Sabbath is a landmark of European genre cinema and an essential watch for anyone interested in cult horror. Originally released as I tre volti della paura — The Three Faces of Fear — the film is structured as three separate horror stories, each exploring a different kind of nightmare. From supernatural revenge and vampiric terror to psychological horror and the fear of the unknown, Mario Bava uses atmosphere, colour, lighting and sound to create a distinctly nightmarish experience. In this episode, we break down Black Sabbath (1963) in detail, discussing all three stories and examining what makes each segment work. We explore Bava's extraordinary visual style, his use of colour and shadow, his gothic influences, and the techniques that helped establish the distinctive look of Italian horror cinema. We also discuss Boris Karloff's presence in the film and his role as both performer and host, as well as the movie's importance within the history of horror anthology films. Black Sabbath occupies a fascinating position between classic Universal-style gothic horror and the more visceral, atmospheric European horror that would become increasingly influential throughout the 1960s and 1970s. The episode also looks at Mario Bava's wider career and his importance to cult cinema. His work on horror, gothic cinema, thrillers and early giallo helped establish a visual language that would influence countless filmmakers and horror movies that followed. As always on Reel Redux, we also play our regular movie games, debate the film, share our favourite moments and explore other cult and genre movies that connect to the films we're watching. It's another trip into the stranger corners of cinema — exactly where Reel Redux likes to be. If you're searching for a Black Sabbath review, Black Sabbath 1963 explained, Black Sabbath movie analysis, Mario Bava movies, Boris Karloff horror films, Italian horror movies, gothic horror films, 1960s horror movies, horror anthology films, or a cult horror movie podcast, this episode takes a detailed look at one of the essential films of Italian genre cinema. Whether you're a fan of classic horror, Italian horror, gothic cinema, supernatural movies, horror anthologies, Mario Bava, Boris Karloff or obscure cult films, Reel Redux explores why Black Sabbath remains such an important and visually striking horror classic more than sixty years after its release. Three stories. Three nightmares. One Mario Bava classic. But which story is the best — and does Black Sabbath still have the power to scare us today?

  7. Aug 13

    Super Inframan (1975) Review | Kung Fu, Monsters & One Absolutely Bonkers Superhero

    In this episode of Reel Redux, we dive headfirst into The Super Inframan (1975), better known simply as Super Inframan — the gloriously bizarre Hong Kong cult classic that combines kung fu, superheroes, monsters, science fiction, comic books and jaw-dropping practical effects into one completely unique piece of 1970s cinema. Produced by Shaw Brothers, Super Inframan is unlike almost anything else from the era. When the evil Princess Dragon Monkey threatens humanity with an army of monsters and supernatural creatures, the heroic police officer Lei Ma is transformed into the super-powered Inframan and sent into battle. What follows is an outrageous succession of martial arts fights, colourful villains, elaborate costumes, explosions, bizarre creatures and some of the most entertaining practical effects in cult movie history. In this episode, we break down Super Inframan (1975) in detail, exploring its story, characters, action sequences, visual effects, martial arts choreography and wonderfully strange world. We discuss how the film combines the influence of Japanese superhero cinema, Hong Kong kung fu movies, tokusatsu, science fiction and Western comic books to create something that feels completely unlike a conventional martial arts film. We also look at the film's extraordinary practical effects and creature designs, from the various monsters and villains to Inframan's transformation and superhero abilities. Despite its relatively simple story, Super Inframan is packed with visual imagination, making it a fascinating example of what cult filmmakers could achieve with practical effects, creativity and a willingness to embrace complete insanity. The episode also explores the film's place within the history of Hong Kong cinema and the wider development of Asian martial arts movies. We discuss Shaw Brothers, kung fu cinema, superhero films, Japanese monster movies, science fiction adventures and the influence that these genres would eventually have on modern cult and genre cinema. As always, we also play our regular movie games, debate the film's merits, share our favourite moments and recommend other strange, overlooked and completely unhinged movies for fans of cult cinema. If you're searching for a Super Inframan review, Super Inframan explained, The Super Inframan 1975, Super Inframan analysis, Shaw Brothers movies, Hong Kong kung fu movies, 1970s superhero movies, cult martial arts films, or a cult cinema podcast, this episode is your gateway into one of the strangest and most entertaining superhero films ever made. Whether you're a fan of kung fu movies, martial arts cinema, Shaw Brothers films, superheroes, monster movies, tokusatsu, science fiction, exploitation cinema, Asian cult films or forgotten 1970s classics, Reel Redux takes a deep dive into why Super Inframan remains such an unforgettable cult movie. Is Super Inframan the greatest kung fu superhero movie ever made, or simply one of the most gloriously insane films we've ever watched?

  8. Aug 6

    Silent Trigger (1996) Explained | We Couldn't Agree on This Cult Dolph Lundgren Action Movie

    In this episode of Reel Redux, we take a deep dive into Silent Trigger (1996), the overlooked sniper thriller starring Dolph Lundgren. Directed by Russell Mulcahy, this atmospheric action film blends psychological tension, espionage, and military action into one of the most unusual entries in Lundgren's career. Following an elite sniper sent on one final assignment, Silent Trigger strips the action genre back to its essentials. Rather than relying on relentless explosions and spectacle, the film focuses on isolation, precision, trust, and the psychological pressure of carrying out a mission where one shot can change everything. It's a slower, more thoughtful action thriller than many of its contemporaries, making it a fascinating and often overlooked cult film from the 1990s. In this episode, we break down Silent Trigger (1996) in detail, exploring its story, performances, visual style, action sequences, and themes. We discuss Dolph Lundgren's understated performance, the film's distinctive atmosphere, and why it stands apart from the more conventional action movies of the decade. But this episode has an extra twist... For one of the first times on Reel Redux, we genuinely disagree about the film. One of us sees Silent Trigger as an underrated psychological action thriller with impressive visual storytelling and tension. The other isn't convinced, questioning whether its slower pace and minimalist approach ultimately hold the film back. The result is one of our liveliest debates yet, as we challenge each other's opinions and try to decide whether Silent Trigger deserves cult status or remains a missed opportunity. As always, we also dive into our regular movie games, rankings, recommendations, and side discussions, leading us into conversations about forgotten 1990s action films, sniper movies, military thrillers, direct-to-video classics, and other hidden gems that deserve another look. If you're searching for a Silent Trigger review, Silent Trigger explained, Silent Trigger analysis, Dolph Lundgren movies, sniper thriller podcast, or a 1990s action movie review, this episode delivers a complete breakdown of one of the most divisive films in Lundgren's catalogue. Whether you're a fan of Dolph Lundgren, military action films, psychological thrillers, cult 90s cinema, sniper movies, or in-depth film discussion podcasts, this episode of Reel Redux offers an honest and entertaining discussion packed with analysis, debate, recommendations, and plenty of disagreement. Is Silent Trigger an underrated cult thriller that deserves far more recognition, or does its slow-burning approach ultimately miss the mark? More importantly... whose review will you agree with?

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About

Reel Redux is a father and son movie podcast exploring cult classics, forgotten films, and genre cinema from every era. From 70s disaster movies and grindhouse oddities to horror, sci-fi, action, thrillers, and B-movie madness, we dig into the strange, the flawed, and the underrated. Each week we revisit the movies time left behind, break them down scene by scene, and decide whether they deserve a true redux or should stay buried in cinematic history.

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