Narrative Poems

Seamus Perry and Mark Ford explore one of the oldest forms in Western literature: poems that set out to tell us a story, beginning with Marlowe’s ‘Hero and Leander’ and ending with Carson’s 'Autobiography of Red'. Narrative poems can be dizzyingly erotic, like Shakespeare’s ‘Venus and Adonis', wittily satirical, like Pope’s ‘The Rape of the Lock’, respond to contemporary political history, like Clough's 'Amours de Voyage', or present heartbreaking tales of loss and remorse, like Wordsworth’s ‘Michael’ and Coleridge’s ‘Rime of the Ancient Mariner’. Join Seamus and Mark as they explore the astonishing richness, adaptability and endurance of one of the oldest forms in Western literature. Seamus Perry is a professor or English at the University of Oxford. Mark Ford is a poet and professor of English at University College London. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp⁠ Poems featured in the series: Marlowe, ‘Hero and Leander’ Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’ Milton, Book 9 of ‘Paradise Lost’ Pope, ‘The Rape of the Lock’ Coleridge ‘The Rime of the Ancient Mariner’ Wordsworth, ‘The Ruined Cottage’ and ‘Michael’ Keats, ‘The Eve of St Agnes’ Browning, ‘Childe Roland to the Dark Tower Came’ Clough, ‘Amours de Voyage’ Tennyson, ‘Enoch Arden’ H.D., ‘Helen in Egypt’ Seth, ‘The Golden Gate’ Carson, ‘Autobiography of Red and ‘Red Doc>’

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  1. 6h ago

    ‘Enoch Arden’ by Alfred Tennyson

    In the early 1860s, Tennyson was at the height of his celebrity. His great elegy, In Memoriam (1850), seemed to have captured the spiritual unease of the age, and the first instalment of Idylls of the King came in 1859. But in 1861 he took a break from Arthurian romance to try something different, a narrative poem based on an old yarn about a man who goes missing at sea for more than ten years. Enoch Arden, sold 17,000 copies on its first day of publication. Well into the 20th century it attracted stage and silent film adaptations as well as a musical setting by Strauss, and provided a template for countless stories of long-lost characters returning home. The decision Enoch makes at the end of the poem, when he finds his wife and children living happily with another man, was widely debated at the time, but Tennyson is careful not to pass judgment on his characters. In this episode, Seamus and Mark look at the ways in which Tennyson maintains this moral ambivalence through realist touches and a mastery of half-formed emotion, and discuss the effects of the poem’s intricate patterning and biblical resonances. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp Read more on Tennyson in the LRB by: Seamus Perry: https://lrb.me/npep1101 Frank Kermode: https://lrb.me/npep1102 Danny Karlin: https://lrb.me/npep1103

  2. May 13

    ‘Tam o’ Shanter’ by Robert Burns and ‘Peter Grimes’ by George Crabbe

    ‘Tam o’ Shanter’ first appeared as a lengthy footnote in Francis Grose's Antiquities of Scotland (1791) after Robert Burns convinced Grose to include the ruined Alloway Kirk in his volume, and its supernatural associations (invented by Burns). Its story of the drunken Tam's encounter with witches in the stormy Ayrshire landscape has served as both a celebration and chastisement of Scottish masculinity ever since its publication, but the attitude of its narrator remains elusive throughout. In this episode, Seamus and Mark discuss the poem’s moral and stylistic turns, its influence on Wordsworth and Coleridge, and what it owes to the Augustan perfectionism of Pope. They then turn to a much darker example of Romantic narrative poetry, George Crabbe’s ‘Peter Grimes’ (published in his collection The Borough in 1810), and explore the bracing realism and psychological insight in the story of a cruel Suffolk fisherman who destroys the apprentices placed in his care. This episode also features a bonus conversation with Andrew O’Hagan, who reads extracts from 'Tam o’ Shanter' and explains why the poem’s reliably contradictory narrative voice is so useful for anyone learning to write stories. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Karl Miller: Peeping Tam: ⁠https://lrb.me/npep501⁠ Neal Ascherson on Burns's life: ⁠https://lrb.me/npep502

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Seamus Perry and Mark Ford explore one of the oldest forms in Western literature: poems that set out to tell us a story, beginning with Marlowe’s ‘Hero and Leander’ and ending with Carson’s 'Autobiography of Red'. Narrative poems can be dizzyingly erotic, like Shakespeare’s ‘Venus and Adonis', wittily satirical, like Pope’s ‘The Rape of the Lock’, respond to contemporary political history, like Clough's 'Amours de Voyage', or present heartbreaking tales of loss and remorse, like Wordsworth’s ‘Michael’ and Coleridge’s ‘Rime of the Ancient Mariner’. Join Seamus and Mark as they explore the astonishing richness, adaptability and endurance of one of the oldest forms in Western literature. Seamus Perry is a professor or English at the University of Oxford. Mark Ford is a poet and professor of English at University College London. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠ Other podcast apps: ⁠https://lrb.me/scsignupnp⁠ Poems featured in the series: Marlowe, ‘Hero and Leander’ Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’ Milton, Book 9 of ‘Paradise Lost’ Pope, ‘The Rape of the Lock’ Coleridge ‘The Rime of the Ancient Mariner’ Wordsworth, ‘The Ruined Cottage’ and ‘Michael’ Keats, ‘The Eve of St Agnes’ Browning, ‘Childe Roland to the Dark Tower Came’ Clough, ‘Amours de Voyage’ Tennyson, ‘Enoch Arden’ H.D., ‘Helen in Egypt’ Seth, ‘The Golden Gate’ Carson, ‘Autobiography of Red and ‘Red Doc>’

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