Bub & Pop

Bub & Pop

Conversations about music, careers in music, life, the universe, and everything

  1. Aug 7

    Episode 14: Vahe Sarkissian

    Vahe Sarkissian is a veteran of the Philadelphia music scene and plays across genres: rock, jazz, and original interpretations of Armenian folk music that sound like jazz fusion. He's a two-hand tapper, but not the kind you're thinking of. For him it's composition, not a party trick, and he throws away the pieces that only exist to prove he's tapping. His last LP, Curcuna, is named for a Middle Eastern rhythm he'll argue is in 10 and not 5, and he walks us through exactly why. We get into opening at Ardmore for Greg Howe, Richie Kotzen and Victor Wooten; tendonitis, and learning he doesn't have to be a hero on every gig. He plays twice for us: an Armenian original, and an arrangement of "Eleanor Rigby" that owes a direct debt to Stanley Jordan. Stay for the part where Stevie Wonder sits down in front of his band at NAMM and listens for twenty minutes, and look out for a new trio album some time next year. 00:00 Intro11:16 Performance: an Armenian original12:45 Curcuna, and why he counts it in 10 and not 514:50 What the tradition sounds like — oud, dumbek, clarinet15:42 Roger's oud, and imitating a clarinet on a Strat16:22 An instrumental trio, and Consider the Source at The Fire16:50 Strats, Teles, and a Gretsch that plays jazz for you17:44 Stupidly low action, and playing around tendonitis18:31 Influences, from Gilmour and Page to the Metheny Trio21:50 Playing solo vs. playing with a band23:28 Opening at Ardmore for Greg Howe, Richie Kotzen and Victor Wooten25:15 Wear and tear, and learning not to be a hero26:17 Why he posts live clips and not bedroom shred29:03 "Jazz adjacent," and solos that serve the song31:53 The Christmas EP, and channeling Brian May32:35 Performance: "Eleanor Rigby"33:38 Stanley Jordan, and a rock player in a jazz school35:37 Josh Orlando, "Overjoyed," and "Bohemian Rhapsody"37:22 Tapping in 10/8, and only when it's musical37:45 The rig, and why Eddie Van Halen swings39:52 What's next — a trio album42:32 NAMM, and the FM Guitars booth43:37 The 20 minutes Stevie Wonder sat and listened46:04 Wrap-up Bub & Pop: ⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠Discord⁠⁠⁠⁠ Host: ⁠⁠⁠⁠⁠⁠Matt Hoffman⁠⁠⁠⁠⁠⁠ | Producer: ⁠⁠⁠⁠⁠⁠Tedd Kanakaris⁠⁠⁠⁠ | Location: ⁠⁠⁠The Boom Room Resources: Backline

    Episode 14: Vahe Sarkissian
  2. Jul 28

    Episode 13 | Ross Bellenoit (Muscle Tough)

    Ross Bellenoit plays guitar in Muscle Tough — though good luck telling who's playing what on their records, or with your eyes shut at the show. For twenty years he's also been one of Philadelphia's most-called guitarists, and a lot of the guitar tone and harmonic scaffolding underlying the Americana that came out of this city in the early aughts is his: Amos Lee, Birdie Busch, Chris Kasper, and the production chair at Turtle Studios.We open on the injury that knocked him off the road for a stretch — since healed, thankfully — and go from there. What a guitarist does when he can't play guitar. The five-year record he finally let himself put guitar solos on. Why he left Spotify for Tidal and won't give an inch on AI. And how Muscle Tough only exists because the two guys he originally wanted for the gig both had weddings that night. Also Gustav Mahler, and a Zeppelin medley that started as a joke.New original music under his own name is coming sometime next year. And get ready to Get Tough with Ross and the boys later this year.Bub & Pop: ⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠ | ⁠⁠⁠Discord⁠⁠⁠ Host: ⁠⁠⁠⁠⁠Matt Hoffman⁠⁠⁠⁠⁠ | Producer: ⁠⁠⁠⁠⁠Tedd Kanakaris⁠⁠⁠ | Location: ⁠⁠The Boom Room

    Episode 13 | Ross Bellenoit (Muscle Tough)
  3. Jun 2

    Bub & Pop | Episode 9: Silas Herman

    Bub & Pop | Episode 9: Silas Herman (recorded January 23, 2026) Join music journalist Matt Hoffman for a conversation with Silas Herman, a rising star in the jamgrass world. His last name likely is familiar to fans of Leftover Salmon, co-founded by his father Vince. We caught up in Denver, when he opened for Kitchen Dwellers at Cervantes Masterpiece Ballroom, and had a wide-ranging conversation about growing up Salmon, cutting his teeth with the Dwellers, his growing family, and his excellent band, the Tone Unit. Silas is a phenomenally sweet guy, and it was nothing short of an absolute pleasure to speak with him. A video version of this episode is available ⁠⁠here⁠⁠. Bub & Pop: ⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠ | ⁠⁠Discord⁠⁠ Host: ⁠⁠⁠⁠⁠Matt Hoffman⁠⁠⁠⁠⁠ | Producer: ⁠⁠⁠⁠⁠Tedd Kanakaris⁠⁠ Location: ⁠VentureX LoDo⁠ Links to things we discussed ⁠Silas Herman YouTube⁠⁠Improvising for a Tree⁠⁠Kitchen Dwellers Denver Run Review (w/Silas Herman set review)⁠Podcasts to check out ⁠What's the Reason For This? Podcast⁠⁠⁠⁠The Upful Life Podcast⁠⁠⁠⁠⁠⁠Attendance Bias⁠ (I was a guest on ⁠this episode⁠) ⁠⁠Sleep With Me Podcast crossover episode (1439: Nap Divine)⁠⁠

    Bub & Pop | Episode 9: Silas Herman
5
out of 5
20 Ratings

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Conversations about music, careers in music, life, the universe, and everything