Silence, Brand! LIVE

šŸ¦€ Anonymous Crab šŸ¦€

A (probably) weekly live stream where our crabby crew chats about breaking in marketing and internet culture. Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. Featuring Dayna Castillo, Ryan Benson, Dejaih Smith, and Benton Williams. silencebrand.substack.com

  1. 2d ago

    šŸ¦€ Silence, Brand! Live: is the kool-aid man a cryptid?

    Welcome to Silence, Brand!, a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber. Another week, another episode of Silence, Brand! Live where we somehow started with AI-generated hamster pants discourse and ended with Taylor Swift selling multiple versions of a song nobody has actually heard yet. How many vinyl variants society can realistically sustain??? We ended up in the Backrooms (again), debated whether the Kool-Aid Man is a cryptid, and thoroughly questioned Cash App’s understanding of whimsy. šŸ¦€ Silence, Brand! Live is powered by Ecamm, a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND šŸ¦€ Topics on the table: Doja Cat versus Elon Musk continues. The crew revisited Doja Cat’s latest Tweet aimed at Elon Musk, adding another chapter to one of the internet’s longest-running (maybe only???) celebrity v. platform owner feuds. The discussion quickly turned into a broader reflection on how social media posts increasingly function as historical documents in real time. The Backrooms movie and the power of open-source lore. Dayna unpacked why the Backrooms movie has resonated so strongly with Gen Z audiences. Unlike traditional franchises, the Backrooms originated as a collectively built internet mythos, making it less of a story adaptation and more of a community-authored universe finally making its way to the big screen, where thousands of contributors shape a shared narrative. Brands enter the Backrooms. With the Backrooms dominating online conversation, brands quickly began creating their own liminal-space content. The gang reviewed several examples and discussed the difference between simply placing a product inside a trend versus creating something that meaningfully participates in the joke. McDonald’s understood the assignment. Among the various Backrooms activations, McDonald’s earned recognition for putting real effort into its execution. Even if it wasn’t tied to a product launch, it demonstrated that high-effort participation can still resonate when a brand understands the moment. Is the Kool-Aid Man a cryptid? Kool-Aid emerged as one of the group’s favorite Backrooms executions thanks to a visual that showed the Kool-Aid Man smashing through a wall into the Backrooms. The conversation immediately evolved into a debate about whether the Kool-Aid Man was entering the Backrooms or becoming the monster of the Backrooms. Cash App turns a TikTok trend into a product. Months after creators went viral using 3D-printed payment wands (we spotted this back in January) Cash App officially launched its own version. The reaction was mixed. The group appreciated the whimsy but questioned whether a $25 branded version captured the same magic as the original DIY trend. The discussion around the payment wand expanded into a larger conversation about the lifecycle of internet trends. At what point does participation become commodification?And how long is too long before a brand joins the conversation? Taylor Swift launches a product before anyone hears the song. The crew unpacked the rollout surrounding Taylor Swift’s latest music release, including multiple collectible variants, limited-edition products, and pre-orders attached to music that audiences hadn’t actually heard yet. That’s the episode: hamster pants, liminal spaces, cryptid questions, payment wands, collectible vinyl economics, dead malls, dot cakes, and a reminder that every trend eventually comes back wearing a slightly different outfit. Our Lives are now available as podcasts on Apple Music and Spotify.ĀÆ\_(惄)_/ĀÆ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity šŸ¦€ Ryan Benson • Dayna Castillo • Dejaih Smith Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net šŸ¦€ Follow our LinkedIn for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    32 min
  2. May 28

    šŸ¦€ Silence, Brand! Live: dot cakes, breaking curses, and summoning trending

    Welcome to Silence, Brand!, a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber. In this week’s Silence, Brand! Live, the gang opened with lip gloss, bedazzled salt, and tummy-ache girl essentials before spiraling into a very real conversation about beauty drama, viral dessert dĆ©jĆ  vu, WWE witchcraft, and the anatomy of a TikTok trend that smells like summer. šŸ¦€ Silence, Brand! Live is powered by Ecamm, a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND šŸ¦€ Topics on the table: Bedazzled products and the rise of tiny joy marketing. Dayna showed off a Korean FWEE lip gloss she bought specifically because it came with a bedazzling station, which naturally led to a discussion of rhinestoned salt, disco Tums, and why brands should let people make things stupidly cute again. Bread entering the hair care chat. Dejaih shared her experience testing a new product from Bread, a smaller hair care brand already making waves, and talked about how they’re already posturing like a bigger player. The read: they’re early, but the product, rollout, and community-first sampling energy make them one to watch. Beauty drama, blush technique theft, and MAC doing it right. Dejaih broke down the Patrick Ta backlash around blush products that allegedly mimic Painted by Esther’s signature technique, especially after his team reportedly tried to meet with her and film her process. Meanwhile, MAC got praise for actually collaborating with Painted by Esther, giving credit where it was due instead of acting like the technique fell out of the sky wearing blush. Dot cakes and the ā€œwait, isn’t this justā€¦ā€ economy. Dubai chocolate is sunsetting, and dot cakes might be next in line. The gang unpacked the viral dot cake obsession, from hour-long lines in New York to at-home recreations using Trader Joe’s sheet cake, sprinkles, and jars. Depending on who you ask, it’s mug cake, wine glass cake, Funfetti, cortadillo, or maybe just another case of the internet discovering something that already existed and Christopher Columbus-ing it. Danhausen, WWE camp, and the Knicks getting uncursed. Dayna explained Danhausen, the spooky, theatrical wrestler known for cursing teams, and his role in cursing the Cleveland Cavaliers while un-cursing the Knicks. Wrestling is sport, theater, drag, fandom, and probably a little bit of magic if you believe hard enough. The crew celebrated the Knicks’ big win, Spike Lee’s generational brand loyalty, and the extremely New York feeling of a city collectively deciding maybe it is allowed to have something nice. Healing looks good on New York. Go sports! The summoning trend that has legs. Dejaih broke down the TikTok trend where people use a beat, hand motions, and a quick reveal to ā€œsummonā€ food, drinks, products, or moments. It’s simple, visual, language-agnostic, and easy to execute, which means it has real global potential. The group noted that this trend has unusually strong staying power because it doesn’t rely on speaking, text, or a niche reference. It can work for food, drinks, salons, products, groups of friends, and basically any reveal that benefits from a little ā€œchoose your fighterā€ energy. Our Lives are now available as podcasts on Apple Music and Spotify.ĀÆ\_(惄)_/ĀÆ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity šŸ¦€ Ryan Benson • Dayna Castillo • Dejaih Smith Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net šŸ¦€ Follow our LinkedIn for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    33 min
  3. šŸ¦€ Silence, Brand! Live: crabs and condoms

    May 15

    šŸ¦€ Silence, Brand! Live: crabs and condoms

    Fragrance check. Moonwalk Sea Cocoa — pineapple upside-down cake meets coconut, passion fruit, Italian mandarin, Sicilian frozen lemon. Ryan gives it a 10/10 for summer. World Cup is a month out and… condoms? Toronto’s handing them out, fan-zone funding still hasn’t been dispersed in a bunch of cities, Houston traffic is already cooked, and LA looks unprepared from the inside. Meanwhile Mercedes-Benz Stadium is covering its logos for sponsor reasons — except the one on the roof, because skylight. Hello, ā€œEdlina Stadium.ā€ Spotify’s ā€œParty of the Yearā€ — first song ever played: * Ryan: We Can’t Stop by Miley Cyrus (2013, fresh off Groove Shark getting busted) * Janine: Settled Down by No Doubt (Aug 2012) * Benton: Paris in the Rain by Lauv (Dec 2017 — ā€œsad and gay, 13 was not itā€) * Deja: Un Beso by Aventura (2015, recovering iTunes loyalist) Instagram is in its flop era. Nobody posts publicly anymore and Meta did it to themselves with the finsta push. Lizzo went on TikTok Live to yell about the algorithm and honestly, fair. Public likes and reposts are pushing people back toward privacy — though the Scrub Daddy Ɨ Jeopardy comment-section crossover did go off. New ā€œInstanceā€ feature looks like Lapse, or Airbuds, or those old Messenger chat heads floating around your screen. Meta’s whole thing is copying competitors after the competitor has its meltdown — Stories, Threads, now this. Threads is testing an ad-free subscription. Twitter Blue walked so this could… also walk, probably. Nobody at the table is paying. AP x Swatch. People camped out for days based on AI-generated mockups that turned out to be nothing like the real thing, which is a pocket watch you can’t even wear. Bigger conversation: AI hype isn’t tanking brands, but it’s not moving the needle either. Everyone’s just kind of fine being mid. PSA on mic setups. If you’ve got a branded mic stand, don’t let your DJI mic stick out the top. We see it. New acronym just dropped: SPAM. Social, PR, Advertising, Marketing. Filed neatly under the Omnicom/IPG merger. Women in SPAM, rise up. Crab spam musubi is the official snack, pending recipe. Brought to you by Ecamm Multi-stream to Substack, LinkedIn, and Instagram from one app, different aspect ratios, and recording saved automatically. Worked great today, when used correctly. ecamm.com/silencebrand - that’s two Ms, Ryan. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    33 min
  4. šŸ¦€ Silence, Brand! Live: Pale Blue Dots, Piss Bottles, and a Mozzarella Cheese Stick

    May 7

    šŸ¦€ Silence, Brand! Live: Pale Blue Dots, Piss Bottles, and a Mozzarella Cheese Stick

    Met Gala 2026: Pale Blue Dots, Piss Bottles, and a Cheesestick Ryan, Benton, Janine, and Dejaih break down the 2026 Met Gala — the looks that landed, the ones that didn't, the brand plays worth watching, and the chaos around it. Plus a Lady Gaga 2019 detour, Bezos discourse, and a new virus we're absolutely not doing again. (00:00) Cold open — mic checks, backgrounds, getting started (00:44) The theme problem — most attendees forgot it existed; "technically on theme" became the bar (01:16) Alyssa Lu in Louis Vuitton — strong concept, prom execution (02:11) Sarah Paulson — eye mask saved it (02:33) Hudson — archival look, but the morning-after walk of shame stole the show (03:59) Sam Smith — fine fit, complicated feelings (04:31) Kylie Jenner & Kendall in Schiaparelli — a sculptural defense (05:01) Heidi Klum — Halloween energy, worm-face callback (05:51) Anne Hathaway — drawing on a dress, Devil Wears Prada 2 promo read (06:31) Detour: Lady Gaga, Met Gala 2019 — the four-look performance, telephone era, pink wagon (09:23) The Bezos-sponsored era — YouTube livestream Met Gala vs. the old spectacle (10:51) TGI Fridays Cheesestick — winning the "I don't give a f**k" war, used the current stairs (13:01) KFC caviar box — branding-first, mother-of-pearl spoon respect (15:06) CĆ©cred — BeyoncĆ© activation, influencer styling, real campaign energy (18:10) Amazon piss-bottle protest — "Temu Lex Luthor" enters the lexicon (20:34) Lauren Sanchez, Madame X strap theory & DWP2 parody speculation (22:38) Rachel Sennott's pale blue dot — and the jammed shoe (25:03) Red-heels publicity-agent girl — directing traffic, Tory Burch sign her (26:33) Hantavirus check-in — cruise ship PR disaster, please no branded tweets (29:44) Sponsor: Ecamm — ecam.com/silencebrand (30:57) Outro — thumbnail attempts, Dayna's in Tokyo, we did it Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    33 min
  5. Apr 23

    šŸ¦€ Silence, Brand! Live: iceman, influencers on the water, tomodachi life

    Welcome to Silence, Brand!, a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber. In this week’s Silence, Brand! Live, the gang ricocheted from Drake’s icy comeback stunt to influencer cruise ship mess to the extremely cursed phrase ā€œcloud bob,ā€ before ending up in the surprising chaos of Tomodachi Life. Between Drake trying to rebrand himself in a post-Kendrick world, Virgin Voyages turning Black creator drama into content gravity, and Vogue apparently trying to gentrify Tracee Ellis Ross’s afro in real time, the through line was clear: brands, platforms, and media outlets keep chasing ā€œthe moment,ā€ but the moments that actually land are the ones that feel specific, human, and a little less desperate. šŸ¦€ Silence, Brand! Live is powered by Ecamm, a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND šŸ¦€ Topics on the table: Drake’s Iceman rollout and the return of big dumb spectacle. The crew unpacked Drake’s new album stunt, which involved a giant ice installation, hidden release date clues, a streamer winning $50,000 for finding the release date hidden in the ice, and at least one fire department appearance. The general consensus was that yes, it’s technically working, but it also feels like a very 2016 kind of chaos, not necessarily a 2026 one. Iceman is a weird title right now, actually. One of the first questions raised was whether naming your album Iceman in the current political climate is maybe not the cleanest SEO move, given that ICE already has a pretty strong brand association and it’s not exactly one anyone wants extra of. Drake, famously, does not always meet the moment. Spectacle fatigue is real, but apparently we’re still escalating. The conversation widened into whether these increasingly dangerous, oversized outdoor activations are just the next phase of flash mobs, lookalike contests, and pull-up culture. The vibe was very much, ā€œHave we reached the point where no one will leave the house unless there is some kind of content-driven spectacle involved?ā€ Virgin Voyages, TikTok, and influencer marketing. Then came the creator cruise, which the crew described less like a dream trip and more like a three-day petri dish with content capture built in. There are tons of rumors and viral moments coming off the trip, from a cheating scandal that allegedly ended in a shaved head to Beyoncé’s former dance captain getting kicked off stage for dancing too hard. The question wasn’t whether there was drama … it was whether the drama was organic, encouraged, or just inevitable once you put a thousand people with ring lights on a floating content farm. Threads as the new rant speakeasy. One especially interesting thread in the conversation was that some of the loudest creator complaints about the Virgin Voyages trip were happening on Threads, not Twitter. That led to a broader observation that Threads is starting to feel like a more private, less performative place to pop off, which may be exactly why people are using it that way. Live threads and Meta maybe cooking? Threads is rolling out live conversation features around sports, which feels like one of the first moments where the platform wasn’t just copying a format but actually trying to own one. They might have cooked a little. Tim Apple and the presidential Wattpad era. The episode took a hard left into Trump’s extremely weird Truth Social post about Tim Cook, which read less like a normal statement and more like a bitter little fanfic about helping Apple ā€œwhere he could.ā€ Everyone agreed it was backhanded, self-centered, and impossible to read without hearing ā€œTim Appleā€ echo in the distance. The pickup artist to Trump pipeline, spiritually. From there, the crew found themselves staring at a 2000s-era VH1 pickup artist and realizing that the language of backhanded compliments, weird masculine posturing, and public negging never actually died. It just got older, richer, and somehow more annoying. Cloud bob, or the gentrification of the afro. One of the most immediate crashouts of the episode came from Vogue referring to Tracee Ellis Ross’s hair as a ā€œcloud bob,ā€ which the crew correctly identified as a deeply cursed attempt to rename a Black hairstyle into something more digestible for white fashion language. It’s the soft-focus editorial repackaging of something that never needed rebranding in the first place. Tomodachi Life and the chaos of unrestricted customization. Tomodachi Life, the new Nintendo release has everyone making absurd characters, cursed scenarios, and custom items with alarming freedom. It’s part nostalgia hit, part chaos generator, and part evidence that the internet will always turn a wholesome sandbox into a deeply specific joke machine within minutes. The game is unhinged, but also weirdly wholesome. For every raunchy custom item and wildly inappropriate dialogue prompt, there was also genuine excitement around the game’s inclusive features, including nonbinary gender options, pronouns, and a genuinely impressive range of textured Black hairstyles. The point was not that the game is pure. It’s that it’s broad enough to hold both chaos and care, which is more than can be said for most platforms right now. Our Lives are now available as podcasts on Apple Music and Spotify.ĀÆ\_(惄)_/ĀÆ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity šŸ¦€ Ryan Benson • Dayna Castillo • Dejaih Smith • Benton Williams Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface.In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net šŸ¦€ Follow our LinkedIn for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    34 min
  6. Apr 10

    šŸ¦€ Silence, Brand! Live: moonposting, appointment television, you the birthday

    Welcome to Silence, Brand!, a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber. In this week’s Silence, Brand! Live, the gang drifted from retro weather feeds to appointment television to moon joy with the kind of whiplash only the internet can provide. What started as a cozy little nostalgia check-in about The Weather Channel quickly turned into a much bigger conversation about broadcast culture, passive consumption, brand participation, and why everyone suddenly seems desperate to be told what to watch again. Between Tubi truthers, YouTube appointment viewing, the linguistics behind ā€œyou the birthday,ā€ and brands trying their luck with moon content, the through line was clear: people are tired of digging through platforms for meaning, and they’re starting to crave formats, language, and cultural moments that feel a little more guided, a little more communal, and a lot less algorithmically lonely. šŸ¦€ Silence, Brand! Live is powered by Ecamm, a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND šŸ¦€ Topics on the table: The retro Weather Channel revival. The crew opened with a loving tribute to the return of The Weather Channel’s old-school ā€œlocal on the eightsā€ aesthetic, complete with soothing graphics, Wii-adjacent visuals, and the kind of gentle information delivery that makes you wonder if cable nostalgia has officially crossed into comfort object territory. Do we miss cable TV? Apparently, yes. What followed was a broader conversation about analog-to-digital transition memories, old broadcast rituals, and the realization that the lo-fi ambient function people now assign to YouTube streams used to just be… the weather. Appointment TV is back, kind of. The observation here was simple but important: we may have spent years chasing on-demand freedom just to realize we kind of miss structure and routine. ā€œYou the birthdayā€ and why language content rules. The gang then shifted into the ā€œyou the birthdayā€ trend, breaking down why it works, how it spread, and how Black language keeps shaping internet culture in real time. Space, big feels, and the moon as a marketing opportunity. Then came the moon. The crew got into the emotional gravity of the recent space mission, the dark side of the moon footage, the astronauts’ communications blackout, the wake-up songs, and the genuinely touching human moments coming out of the mission. There was crying.There was reverence.There was a crater named after an astronaut’s late wife.It was a lot. Nutella had the best accidental ad in space. Of all the brands that got pulled into the mission chatter, Nutella was the clean winner. Their product just happened to look incredible on camera, and the result felt like one of those perfect, unrepeatable little moments of visual brand luck that nobody could have planned, which is exactly why it worked. Honest Beauty had the product moment, but not quite the post. Honest also had a real space-adjacent win when Jessica Alba’s lotion showed up during astronaut communications, but the group felt the social execution didn’t quite land. The actual moment was cool. The celeb founder-reaction content around it just raised more questions than it answered. Not all moon content is created equal. The gang also got into the brands that jumped into moon discourse just because there was a moon, and not because they had anything interesting to say about it. The distinction they kept coming back to was whether a brand found a clever way in or just slapped a product next to a celestial body and called it a day. Moonposting worked better than the Kit Kat heist and Hannah Montana pile-ons. Dayna made a strong case that moon content, while not immune to laziness, was still better than recent copy-paste trend participation because it actually forced brands to think a little. When it worked, it worked because there was at least some narrative, product truth, or creative stretch involved. Our Lives are now available as podcasts on Apple Music and Spotify.ĀÆ\_(惄)_/ĀÆ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity šŸ¦€ Ryan Benson • Dayna Castillo • Dejaih Smith Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface.In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net šŸ¦€Follow our LinkedIn for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    33 min
  7. Mar 26

    šŸ¦€ Silence, Brand! Live: i'm hannah montana and so are you

    Welcome to Silence, Brand!, a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber. In this week’s Silence, Brand! Live, the gang took a machete to Q1 and asked the only questions that matter: what actually felt good, what felt dead on arrival, and why are so many brands still confusing participation with relevance? Between Druski’s whiteface, Facebook’s possible renaissance, and a Hannah Montana anniversary pile-on that should be studied in a lab, the conversation kept circling the same truth: people still want fun, but they want the kind that feels alive, not the kind that looks like it was generated to satisfy a quarterly content box. Our Lives are now available as podcasts on Apple Music and Spotify.ĀÆ\_(惄)_/ĀÆ Like and subscribe if you don’t want to look at us while we yap. Topics on the table: Whimsy won Q1. From IHOP’s Mr. Fantasy moment to Apple’s weirdly charming organic posts, the crew kept coming back to the same word: whimsical. Not polished for the sake of polished, not over-engineered spectacle, just playful, specific, slightly silly brand behavior that made people actually want to engage. Text is back, baby. The group dug into the growing sense that text-based platforms are fun again, and maybe video was never supposed to be the answer to everything. Between Threads, Twitter, Facebook, and the general exhaustion around high-lift short-form content, the vibe was very much, ā€œwhat if a post could just be a post again?ā€ Facebook, weirdly, might be cooking. After years of being the place where polished brand content went to die, Facebook is suddenly looking like a weird little sandbox again. Burger King UK posting ā€œPringlesā€ for no reason and getting hundreds of reactions became a perfect example of the low-stakes, lottery-ticket style of posting that doesn’t have to sell a Whopper to still be worthwhile. Luxury, but make it unserious and a little gay. The bigger read on Mugler was that it worked because it stopped pretending luxury has to be stiff, exclusive, and self-important. Instead, it used a fully formed persona to make the brand feel more inclusive, more accessible, and frankly more interesting than another slow pan over a handbag ever could. The Hannah Montana 20th anniversary brand pile-on was bleak. Then came the crashout. We broke down how brands collectively responded to the Hannah Montana anniversary by posting nearly identical product-with-wig graphics, ā€œbest of both worldsā€ copy, and empty nostalgia references that proved they understood neither Hannah Montana nor comedy. Not every cultural moment needs your product in a blond wig. Druski remains the king of saturation. In rapid-fire mode, the group also touched on his strange but effective omnipresence, from T-Mobile to The Voice to Buffalo Wild Wings to his own increasingly chaos-coded comedy universe. The bigger question wasn’t whether he’s everywhere. It was whether brands still know what ā€œbrand safeā€ even means anymore. We’re in a weirder place now, where some brands are more willing to flirt with discomfort, controversy, or outright chaos if it means relevance. Hand-drawn campaigns are hitting because people are hungry for human texture. To end on a more hopeful note, the crew shouted out the growing wave of hand-drawn, childlike, craft-forward campaign work, including Touchland’s fan-art-driven visuals and the broader return to paper, scans, doodles, and visible human touch. In a sea of synthetic sameness, the messy and handmade suddenly feels premium again. Hollister’s graduation rollout with Gigi Perez got a nod too. The team also flagged Hollister’s graduation campaign as a thoughtful move, especially in how it extended beyond Instagram and into Substack storytelling. It felt timely, emotionally legible, and actually in conversation with the audience it was trying to reach, which, in this economy, counts for a lot. Shout out PEOPLE BRANDS AND THINGS. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity šŸ¦€ Ryan Benson • Dayna Castillo • Dejaih Smith • Benton Williams Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface.In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. Get 7 day free trial For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net šŸ¦€Follow our LinkedIn for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe

    36 min

About

A (probably) weekly live stream where our crabby crew chats about breaking in marketing and internet culture. Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. Featuring Dayna Castillo, Ryan Benson, Dejaih Smith, and Benton Williams. silencebrand.substack.com