Building a Story

StorySteps
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There are thousands of sources of writing advice. This podcast puts it into action. Each episode tackles one key story element or problem, like the hero, antagonist, or opening, and applies it to a case study: a Peter Pan reimagining focused on a lost boy. The full treatment is available for download on storysteps.net in the podcast section. This podcast uses AI-generated voices to present original StorySteps content based on proven storytelling principles.

Episodes

  1. Jul 17

    Hook your readers without the info dump

    How do you begin a story without dumping every idea, rule, backstory detail, and piece of worldbuilding onto the audience at once? In this episode, we look at the story setup: the early phase where you show the hero’s normal world before the adventure begins. This is where the audience gets to understand who the hero is, what they want, what they need, what their life looks like, and what happens if nothing changes. We also connect the story setup to the opening image. The opening image gives us the first snapshot of where the hero begins. The setup phase expands that snapshot into a working story world, with pressure, relationships, stakes, and movement. Then we apply the setup phase directly to Lost Boy, the StorySteps case study where we build a Peter Pan-inspired story, step by step. We look at Sam’s life at Blackwell Home for Lost Boys, his jar of hope, his need to protect it, his relationship to Uncle Matthew, Master Ironhand’s influence, and the first signs that Sam needs more than rescue. He needs connection. This episode is about how to start a story with purpose, contrast, and momentum, without turning the beginning into an information dump. In this episode, you’ll learn: What the story setup phase isHow the setup differs from the opening imageWhy the beginning of a story needs contrastHow to show the hero’s status quo, relationships, strengths, and flawsWhy supporting characters should be introduced through behaviorHow setup and payoff begin before the story gets biggerHow to show what your hero wants and what they actually needWhy the audience needs a reason to care about your heroHow to show the stakes if nothing changesWhy a short-term goal keeps the opening scene moving Follow the full 25-day StorySteps series at https://storysteps.net, where we build a complete story from idea to outline using proven story structure principles.

  2. Jul 10

    Five steps to a perfect opening image

    Why do some opening scenes pull us in right away, while others feel flat, vague, or overloaded? In this episode, we look at how to start a story with an opening scene that actually does its job. Before the plot gets big, before the hero changes, and before the audience understands every detail, the opening scene needs to make a promise. To do that, we focus on the opening image: the first clear snapshot of the story. A strong opening image should establish mood, story voice, genre, visual clarity, and a hint of what is missing or wrong in the hero’s life. It should also create a possible contrast with the ending, even if you do not know the final image yet. We then apply these checks directly to Lost Boy, the StorySteps case study where we build a Peter Pan-inspired story, step by step. Sam begins in a rattling carriage, being returned to Blackwell Orphanage, holding onto a small stone jar that still connects him to hope. This episode is about learning how to begin a story without overexplaining it. In this episode, you’ll learn: How to write an opening scene that gives the audience a clear first impressionWhy mood and story voice are closely connected, but not exactly the sameHow to hint at genre without announcing it too loudlyWhy your opening scene needs a strong visual imageHow to show what is missing or wrong in your hero’s lifeWhy the opening scene should contrast with the likely endingHow to avoid heavy exposition and trust the audience to pick things up Follow the full 25-day StorySteps series at StorySteps.net, where we build a complete story from idea to outline using proven story structure principles.

  3. May 26

    Hacking the Storyteller Empathy Handshake

    Why do we care about some protagonists almost immediately, while others leave us cold? In this episode, we look at what we call the storyteller empathy handshake: the early connection a writer creates between the audience and the protagonist. Before the plot gets big, before the stakes explode, and before the hero transforms, the audience needs a reason to lean in and care. To do that, we explore the 9 UNFOLDING traits, adapted from Eric Edson’s work in The Story Solution and repackaged here as a practical memory tool as the acronym UNFOLDING: Unfair Injury, Nice, Funny, Obsessed, Loved, Diligent, Imperiled, Notable, and Gutsy. We then apply those traits directly to Lost Boy, the StorySteps case study where we build a Peter Pan-inspired story, step by step. This episode is about making your protagonist emotionally accessible without making them flawless. In this episode, you’ll learn: How protagonist empathy is built early in a storyWhy likability does not mean perfectionWhat the 9 UNFOLDING traits areHow to choose the traits that fit your specific heroHow those traits apply to our hero, Sam in Lost BoyWhy flaws and empathy need to work together, not cancel each other out Follow the full 25-day StorySteps series at StorySteps.net, where we build a complete story from idea to outline using proven story structure principles.

  4. May 12

    How to Write a Good Villain: The Force That Pushes Your Hero to Change

    A strong antagonist does not just get in the hero’s way. A strong antagonist attacks the hero’s weakness, pressures their wound, and forces them to become someone stronger by the end of the story. In this episode of Building a Story, we look at how to create an antagonist who is more than just “the bad guy.” A good antagonist has a clear goal, a strong reason for wanting it, and a worldview that directly challenges the protagonist. The hero and antagonist should not feel like they were randomly placed in the same story. They should feel designed to collide. Instead of just theory, we apply the concept to our case study, Lost Boy. Sam’s wound is abandonment, and his emotional shield is mistrust. That means his antagonist should not simply be dangerous. He should represent a worldview where trust is foolish, dependence is weakness, and control is the only way to survive. Master Ironhand becomes powerful because he pushes directly against the lesson Sam needs to learn. The full Lost Boy case study is available for download at https://storysteps.net/lost-boy-treatment This podcast is based on original ideas developed by StorySteps, though we have opted to voice the podcast by AI. StorySteps is a small company with limited resources, and we have opted to use AI in this way to enable us to keep a podcast format while still spending our time and focus on developing the concepts and core material on which each episode is based. This series is also available in a shorter video format on YouTube by the creator of StorySteps. Watch it on https://www.youtube.com/@storystepsapp/videos or find it in article form on the StorySteps website. This podcast is created by StorySteps, and we will frequently reference it. StorySteps is a simple tool for planning and structuring your story. Create a free account at storysteps.net and start building your own story. If your antagonist could be replaced by any other villain, they are probably not specific enough. This episode shows you how to build an antagonist who belongs in this story, against this hero, for this exact emotional journey.

  5. May 5

    Plots engineered to destroy your character

    A strong story does not just give your character something to do. It puts them through the exact situation they are least emotionally prepared to face. In this episode of Building a Story, we look at whether you should start your story with a character or a premise and how to make sure the character and the plot are built to attack the protagonist's emotional wound. If you start with a premise, you need to find the worst possible character to put through it. If you start with a character, you need to find the worst possible story to force them through. We discuss how a character’s wound creates a flaw or emotional shield, and why the plot should constantly press on that weakness. Instead of just theory, we apply the concept to our case study, Lost Boy. Sam’s wound is abandonment, and his emotional shield is mistrust. But the story forces him into a situation where he cannot save his uncle alone. To survive Neverland and face the pirates, he has to learn to accept help, trust others, and move toward belonging. The full Lost Boy case study is available for download at ⁠https://storysteps.net/lost-boy-treatment⁠ This podcast is based on original ideas developed by StorySteps, though we have opted to voice the podcast by AI. StorySteps is a small company with limited resources, and we have opted to use AI in this way to enable us to keep a podcast format while still spending our time and focus on developing the concepts and core material on which each episode is based. This series is also available in a shorter video format on YouTube by the creator of StorySteps. Watch it on ⁠https://www.youtube.com/@storystepsapp/videos⁠ or find it in article form on the ⁠StorySteps website⁠. This podcast is created by StorySteps, and we will frequently reference it. StorySteps is a simple tool for planning and structuring your story. Create a free account at ⁠storysteps.net⁠ and start building your own story. If you want your plot and character to feel like they were made for each other, this episode shows you where to begin.

  6. Apr 28

    Sell your story in one sentence

    Most stories fall apart before they even begin, and the reason is simple: the writer doesn’t truly know what the story is. In this episode of Building a Story by StorySteps, we break down the logline, the single sentence that defines your entire story. You’ll learn what a logline is, why it matters, how to write a logline, and how it keeps you from writing scenes that go nowhere or constantly starting over. We will sample some famous logline examples and explain the elements that grab the attention of the audience. Instead of just theory, we apply the concept to our case study, Lost Boy, showing how a rough idea becomes a clear, structured story foundation. The full Lost Boy case study is available for download at https://storysteps.net/lost-boy-treatment This podcast is based on original ideas developed by StorySteps, though we have opted to voice the podcast by AI. StorySteps is a small company with limited resources, and we have opted to use AI in this way to enable us to keep a podcast format while still spending our time and focus on developing the concepts and core material on which each episode is based. This series is also available in a shorter video format on YouTube by the creator of StorySteps. Watch it on https://www.youtube.com/@storystepsapp/videos or find it in article form on the StorySteps website This podcast is created by StorySteps, and we will frequently reference it. StorySteps is a simple tool for planning and structuring your story. Create a free account at storysteps.net and start building your own story. If you want to stop guessing and start building your story with direction, this is where you begin.

  • 6 Episodes

About

There are thousands of sources of writing advice. This podcast puts it into action. Each episode tackles one key story element or problem, like the hero, antagonist, or opening, and applies it to a case study: a Peter Pan reimagining focused on a lost boy. The full treatment is available for download on storysteps.net in the podcast section. This podcast uses AI-generated voices to present original StorySteps content based on proven storytelling principles.

Information

  • Creator
    StorySteps
  • Years Active
    2026
  • Episodes
    6
  • Rating
    Clean
  • Copyright
    © StorySteps
  • Show Website
    Building a Story