Cambridge English Audio

Faculty of English University of Cambridge

Audio repository, podcasts, etc.

  1. 4h ago

    Session 01 - Ulysses, Mariana, St Simeon Stylites and Other Poems

    On 23rd October 2009, the Faculty of Englishalong with Trinity College, Cambridge, celebrated the bicentennial birthday of Alfred, Lord Tennyson. Throughout the day, various members of the Faculty of English read a good portion of his poetic output. These readings were performed in the Judith E Wilson Drama Studio and also broadcast live over the Internet. The first of our recordings from the day opens with an introduction by Adrian Poole, Emeritus Professor of English Literature at the University of Cambridge. Robin Kirkpatrick, Emeritus Professor of Italian and English Literature, reads two of Tennyson's best-known early poems. Ulysses, written in the aftermath of the death of Tennyson's close friend Arthur Henry Hallam and first published in 1842, gives voice to the ageing Homeric hero, unwilling to accept a life of inactivity and determined instead to continue seeking experience. Mariana, first published in 1830 and inspired by a character in Shakespeare's Measure for Measure, turns inward: its isolated heroine waits in a decaying landscape for a lover who never comes. Adrian Poole then reads a selection spanningmuch of Tennyson's career. The Charge of the Light Brigade, written in response to the disastrous cavalry charge at the Battle of Balaclava during the Crimean War,transforms a contemporary event into one of Tennyson's most famous public poems. Lines on Cambridge of 1830, written during Tennyson's undergraduate years, takes a rather less reverential view of the ancient University, attacking aninstitution he felt had become detached from the age around it. The later poems turn towards friendship andclassical myth. To E. FitzGerald addresses Tennyson's friend and fellow poet Edward FitzGerald, while Demeter andPersephone, published in 1889, retells the story of the goddess Demeter's reunion with her daughter after Persephone's time in the underworld. Readers: Robin Kirkpatrick — Ulysses; Mariana Adrian Poole — The Charge of the Light Brigade; Lines on Cambridge of 1830 ; To E. FitzGerald; Demeter and Persephone These recordings were made live and maycontain some ambient sound from the room. Keywords and Topics: Dramatic monologue Victorian poetry Classical mythology Heroic quest Isolation Unrequited love Memory and friendship Crimean War Public poetry Cambridge history Greek legend Alfred Tennyson Edward FitzGerald Adrian Poole Robin Kirkpatrick

    Session 01 - Ulysses, Mariana, St Simeon Stylites and Other Poems
  2. Oct 19

    Milton 400 - Paradise Lost - Book 12

    (N.B. These recordings were made during a live reading in late 2008 and are not professional quality. We've done what we can to clean them up, but please just bear in mind how old they are and how new we were!) This event was held on Thursday 23 October 2008 from around 9 am-9 pm, in the Judith E. Wilson Drama Studio, Faculty of English, Cambridge. 7.45pm, Book XII Read by: Adrian Poole (Michael), with Stephen Logan (Adam), Emma Leadbetter (Eve), and Jeremy Hardingham Book XII Summary by Eily-Meg MacQueen (2008) Michael then explains what else is to come, including the story of Nimrod building the irreligious Babel, and the faithful Abraham who is promised land by God to start a new community and whose work is continued by Isaac, Jacob and Moses. Michael also reassures Adam that Jesus Christ, born of a virgin, will overcome Satan and Death through his own crucifixion and so, comforted about the future, Adam and Eve are led out of Paradise: They looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and providence their guide: They hand in hand with wandering steps and slow, Through Eden took their solitary way.                                                ~XII.641-end.

    Milton 400 - Paradise Lost - Book 12
  3. May 20

    Milton 400 - Paradise Lost: Book 9

    (N.B. These recordings were made during a live reading in late 2008 and are not professional quality. We've done what we can to clean them up, but please just bear in mind how old they are and how new we were!) This event was held on Thursday 23 October 2008 from around 9 am-9 pm, in the Judith E. Wilson Drama Studio, Faculty of English, Cambridge. 4.30pm, Book IX Read by: Jeremy Hardingham, with Alice Goodman and Jonathan Styles (This alternate version of book IX exists because some listeners found the additional audio difficult to unpick from the reading. In this version, Alice and Jonathan's contributions to the art have been, mostly, muted. Please listen to the 'As Broadcast' version for the full experience. ) Book IX Summary by Ned Allen (2008) The book opens with a personal prologue and a restatement of the poem's central theme. The poem is said to be, from here on, of the tragic mode. What Milton has to relate is, moreover, epic, and he means to demonstrate how the Fall - a Christian story - is superior to other stories in which legend and myth play a significant part. It is thanks to his celestial (heavenly) muse that he is able to commit his thoughts to paper. The action starts with Satan, compassing the earth, soliloquizing on his torment. He finds a way to sneak in to Paradise and adopts the guise of the serpent. As day dawns, Eve suggests that they divide their labours in the garden to work more effectively, unheeded by the distractions of 'smiles' and 'casual discourse' (222-23). Adam admits the sense of Eve's suggestion, and despite voicing at some length his fear for her safety, and the pair debating whether virtue were better left untried, he eventually allows her to go. The narrator declaims against this folly, unable to let the 'event perverse' (405) pass without comment. Satan catches sight of Eve - the 'fairest unsupported flower' (432) - and he is momentarily disarmed. But he gains her attention and begins his fraudulent temptation. Eve marvels at the serpent's human voice and Satan leads her to the tree which he claims gave him the power of speech. She resists when she discovers it is the one forbidden, but Satan commands her to look at him, and to see that the tree has yielded him a 'life more perfect' (689). Astonished by Satan's command of reason, persuaded by his flattery, and in hunger of knowledge and godhead, Eve begins to persuade herself to succumb, and plucks and eats the 'intellectual fruit' (794). She considers keeping it for herself, but decides finally to share all and brings her spouse a sample. Adam is horrified. However, he cannot bear to be separated from Eve, even if this means death, and he reconciles himself to what seems necessary: he completes the 'mortal sin | Original' (1003) by eating the fruit himself. Adam and Eve later wake to find themselves naked and miserable. They cover themselves, ashamed, and weep at the discord of the post-lapsarian world. The book leaves them arguing and casting blame at one another.

    Milton 400 - Paradise Lost: Book 9

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