The woods are absolutely beautiful at the moment. On my walk today I passed an old tree trunk covered in tiny yellow mushrooms, almost like little houses built against the side of a cliff, with a sea of brown and golden leaves underneath. And immediately my imagination went somewhere else entirely. I could see little creatures living underneath those mushrooms, sitting inside at the end of the day drinking hot chocolate. I have no idea how that would work in a mushroom house, but apparently my imagination does not care about practical details. This really is peak fairy-tale season for me. Last year, around this time, I wrote 30 or 31 short stories in a month. This October has been very different because I deliberately tried to focus more. I wanted to work on my fantasy novel, on Pangur’s story, and on some of the other writing projects that have been waiting for me. What I hadn’t expected was that October would also teach me something about the circumstances in which I seem to work best. This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. The retreat I didn’t go on Originally, I had this idea that I needed to go away somewhere. Maybe Ireland. Maybe some sort of writing retreat. I had already cleared most of my calendar, so the plan was to travel, walk, write, and create that sense of separation from normal life. In the end I stayed home. And after a slightly restless beginning, the rhythm just settled by itself. I went to bed around the same time, woke up around the same time, wrote in the mornings and went for long walks in the afternoons. There were very few appointments, hardly any travel, and not much external pressure. At some point I noticed that I wasn’t missing the retreat anymore. Apparently, what I needed wasn’t another place. I needed predictability. That has been interesting to discover because I’m actually very good at improvising. I’ve been doing that for most of my working life. Podcasting certainly trains you to solve problems quickly, and I have a very associative brain, so if something changes I can usually think of three other ways to make it work. But it costs energy. I noticed that again this week when some plans for the saints podcast suddenly changed. It wasn’t even necessarily the amount of extra work that bothered me. It was having to rearrange everything. I woke up much too early the next morning and my brain immediately started trying to solve the entire month of November. I can do that. I’ve always done that. But I’m beginning to see more clearly what it does to the other work I want to do. What happened when things got quiet Once October became predictable, I had much more room to think. I spent a lot of time rebuilding the plot of my fantasy novel, and I’m very glad I didn’t give myself a deadline of 3,000 words a day or decide that the book had to be finished by Christmas. I’ve done those kinds of writing sprints before, and they can be wonderful, but this book needed something else. I had forgotten how many pieces of the world were still vague in my own head. Going back to the foundations forced me to think again about the history, the magic, the characters and, most importantly, why I want to tell this particular story. That takes time. There isn’t really a word-count target for thinking. Of course, social media doesn’t help. You see another writer announce that they finished a novel in six weeks, or that they wrote 5,000 words before breakfast, and immediately part of your brain goes: I should be doing that too. But you don’t see the ten years before those six weeks. You don’t see the days when they were tired or sick or simply didn’t write anything. You see the part that makes a good post. I would love to have several finished books by now. I’m very impatient about that. But since I don’t, rushing the first one in order to feel as though I’m catching up with somebody else is probably not going to help me very much. And strangely enough, the month in which I stopped pushing for that kind of visible progress has been one of my most creative months in a long time. Keeping some of this All of this is on my mind because my work is going to change quite dramatically at the end of the year. The daily saints podcast will stop in its current form, which also means that a large part of my income disappears. So I have plenty of practical questions to answer. But I don’t want to answer those questions only by asking what kind of work I can find. I’m also asking what kind of life allows me to do the work I’m actually good at. I love telling stories. I love travelling and interviewing people. I love history, saints, books, fantasy, walking and writing. There are probably ways to combine much more of that than I have done in the past, and I’m exploring quite a few of them at the moment. What I don’t want is to fill every empty space in the calendar again simply because it is empty. October has been a useful experiment in that sense. My world became physically quite small. I spent most mornings in the same little room and most afternoons walking through the same woods. Yet my imagination went everywhere. Tolkien once wrote that “the realm of fairy-story is wide and deep and high and filled with many things.” He was so right! Father Roderick Vonhögen P.S.: these thoughts were part of this week’s podcast episode of The Walk; you can listen via the player at the top of this page. Get full access to Father Roderick at fatherroderick.substack.com/subscribe