New Books in Russian and Eurasian Studies

New Books Network
New Books in Russian and Eurasian Studies

Interviews with Scholars of Russia and Eurasia about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

  1. 6D AGO

    Tamizdat under Putin: A Discussion with Publisher Feliks Sandalov

    Russia has a long history of publishers operating from abroad, producing books and periodicals for a Russian-speaking audience. One notable example is The Bell (Kolokol), published by Alexander Herzen, the Russian writer and thinker who emigrated in the mid-19th century. The waves of Russian emigration in the 20th century—beginning with those fleeing the 1917 Bolshevik Revolution—led to the creation of numerous Russian-language publishing ventures, ranging from short-lived projects to long-standing institutions. Among the most well-remembered are the YMCA Press in Paris, Posev and Grani in Germany, and Ardis Publishing, founded in the early 1970s—not by Russians, but by American literary scholars. Exiled Russian publishers not only printed the works of fellow émigré authors but also played a crucial role in tamizdat—smuggling manuscripts deemed ideologically unacceptable by the Soviet regime out of the USSR, publishing them abroad, and then covertly reintroducing them into the country for clandestine distribution. After Russia invaded Ukraine three years ago, prompting the exodus of hundreds of thousands of Russians, it was only a matter of time before new émigré publishing houses emerged. In this conversation, we speak with Feliks Sandalov, co-founder and director of StraightForward, one of the newly established Russian publishing initiatives in exile, about his work and the evolving landscape of Russian publishing abroad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

    1h 1m
  2. MAR 3

    László Borhi, "Survival under Dictatorships: Life and Death in Nazi and Communist Regimes" (Central European UP, 2024)

    A complex array of individual responses to the abuse of power by the state is represented in this book in three horrific episodes in the history of East-Central Europe. The three events followed each other within a span of about ten years: the deportation and murder of Hungarian Jews in Nazi death and labor camps; the Arrow Cross terrorist rule in Budapest; and finally the Stalinist terror in Hungary and East-Central Europe. In Survival under Dictatorships: Life and Death in Nazi and Communist Regimes (Central European UP, 2024), László Borhi explores the relationship between the individual and power, attempting to understand the mechanism of oppression and terror produced by arbitrary, unbridled power through the experience of normal people. Despite the obvious peculiarities of time and place, the Hungarian cases convey universal lessons about the Holocaust, Nazism, and Stalinism. In the author's conception, the National Socialist and Stalinist experiences are linked on several levels. Both regimes defended their visions of the future against social groups whom they saw as implacable enemies of those visions, and who therefore had to be destroyed for sake of social perfection. Furthermore, the social practices of National Socialism were passed on. And although Stalinism was imposed by a foreign power, some of the survival skills for coping with it were rehearsed under the previous hellish experience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

    48 min
  3. FEB 27

    Irina Rebrova, "Re-Constructing Grassroots Holocaust Memory: The Case of the North Caucasus" (de Gruyter, 2020)

    The main objective of Re-Constructing Grassroots Holocaust Memory: The Case of the North Caucasus (de Gruyter, 2020) is to locate the grass roots initiatives of remembering the Holocaust victims in a particular region of Russia which has a very diverse ethnic structure and little presence of Jews at the same time. It aims to find out how such individual initiatives correspond to the official Russian hero-orientated concept of remembering the Second World war with almost no attention to the memory of war victims, including Holocaust victims. North Caucasus became the last address of thousands of Soviet Jews, both evacuees and locals. While there was almost no attention paid to the Holocaust victims in the official Soviet propaganda in the postwar period, local activists and historians together with the members of Jewish communities preserved Holocaust memory by installing small obelisks at the killing sites, writing novels and making documentaries, teaching about the Holocaust at schools and making small thematic exhibitions in the local and school museums. Individual types of grass roots activities in the region on remembering Holocaust victims are analyzed in each chapter of the book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

    56 min
  4. FEB 26

    Christina Kiaer, "Collective Body: Aleksandr Deineka at the Limit of Socialist Realism" (U Chicago Press, 2024)

    Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body: Aleksandr Deineka at the Limit of Socialist Realism (U Chicago Press, 2024) presents painter Aleksandr Deineka’s haptic and corporeal version of Socialist Realist figuration as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends.  Christina Kiaer traces Deineka’s path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Terror and beyond. In so doing, she demonstrates that Socialist Realism is best understood not as a totalitarian style but as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers’ imaginations by evoking the elation of collectivity, making viewers not just comprehend but truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limit case of the system he inhabited and helped to create. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

    1h 49m
4.5
out of 5
37 Ratings

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Interviews with Scholars of Russia and Eurasia about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

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