For the latest Scots Whay Hae! podcast we spoke to John Crosbie, the son of one of Ali’s favourite writers, Agnes Owens whose centenary is being marked in a number of ways, including a handsome set of new editions of her work. Four are available now (see below) with another three coming later in the year - all published on the Polygon Books imprint of Birlinn. John starts by talking about Agnes and who she was as a writer, how she came to first be published (appropriately, with Polygon for the debut Gentlemen of the West), being part of the short story collection Lean Tales alongside James Kelman and Alasdair Gray, being part of a notable Glasgow Group of writers, the importance of writing groups, her influences, and ponders why Agnes is not, to date, as well known as she should be. The two then discuss the new editions, (which include Gentlemen of the West, Like Birds in the Wilderness, A Working Mother and For the Love of Willie), the introductions from writers Dani Garavelli, Kirsty Logan, Kirstin Innes, and Heather Parry, critical acclaim versus commercial success, the legacy which Agnes leaves behind, the Agnes Owens Archive and the important part it has played in celebrating that legacy and promoting the woman and her work, and the possibility of what would be an eagerly-awaited biography. Agnes Owens is one of Scotland’s finest writers, and it was a true privilege to be able to talk in detail about her work, and life, with someone who knew her better than most. If you are aware of Agnes Owens then you’ll already be excited about the new editions, and I think you’ll enjoy this interview. But we also hope that this podcast will reach those for who Agnes’ writing has passed them by as now is the perfect time and opportunity to rectify this. There is no way you’ll regret it, and you may just discover your new favourite writer... For full details, including all the ways to listen, head to scotswhayhae.com
