Filmwax Radio

Adam Schartoff

The Indie Film Podcast

  1. Aug 20

    Ep 907: Louis Black & Steve Fore

    My guests on this episode are both appearing for the first time. The co-authors of a new book about the Hollywood filmmaker Jonathan Demme, Louis Black and Steve Fore. Jonathan Demme was one of the most accomplished American film directors of his era, yet despite the scope and variety of his work, he remains under appreciated. After apprenticing with the B-movie impresario and former podcast guest Roger Corman, from whom he learned to make films cheaply and quickly, Demme rapidly rose through the Hollywood ranks while retaining his restlessly curious instincts. He directed eighteen feature films and twelve documentaries and music films, as well as numerous shorter works. Among them are critical and cult favorites such as “Something Wild,” blockbusters including “The Silence of the Lambs,” and groundbreaking performance films, notably “Stop Making Sense” This book “The Cinema of Jonathan Demme: Champion of the Soul” offers an in-depth look at Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work. Louis Black and Steve Fore argue that Demme’s films share a compassionate, emotionally generous perspective on humanity’s flaws and foibles. No matter their scale, style, or subject matter, they show an affection for and fascination with people, as individuals and in communities. Ranging from low-budget productions to the pinnacle of Hollywood success, this book highlights the humanist sensibility, artistic ambitions, keen social criticism, and wry humor that are hallmarks of Demme’s work. Lively and comprehensive, The Cinema of Jonathan Demme offers a new lens on a major director. About the Authors Louis Black was the longtime editor of the Austin Chronicle and a cofounder of South by Southwest. A film critic and historian, he has participated in the restoration and rerelease of classic Texas independent films, including Eagle Pennell’s “The Whole Shootin’ Match”. Steve Fore is retired from the School of Creative Media at the City University of Hong Kong. He previously taught at the University of North Texas, Ohio University, and the University of Texas.

  2. Jul 5

    Ep 903: Ross McElwee & Michel Negroponte

    Two great personal documentarians grace the podcast: Ross McElwee (“Sherman’s March”) and Michel Negroponte (“I’m Dangerous With Love”). Long friends and colleagues, Ross and Michel come on to primarily discuss the sensitive subject matter behind Ross’ latest film, “Remake” The film begins a theatrical engagement at Film Forum in NYC on 7/10/2026. They are currently screening a 40th anniversary 4K restored print of his seminal “Sherman’s March”. https://www.youtube.com/watch?v=U5Vph7D_TxY The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life’s work. He eventually turns to his archive of home movies — an afternoon trapping crayfish with his son Adrian, age 4; helping with homework, age 11; discussing career plans with his son, age 24. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee’s first feature, “Sherman’s March”, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality. Ross McElwee is a documentary filmmaker from Charlotte, North Carolina currently living in Cambridge, Massachusetts. McElwee has made ten feature-length films. “Sherman’s March” won Best Documentary at the Sundance Film Festival and was chosen for preservation by the U.S Library of Congress National Film Registry in 2000 as a “historically significant American motion picture.” Bright Leaves premiered at the 2003 Cannes Film Festival’s Directors’ Fortnight. McElwee’s In Paraguay premiered at the Venice Film Festival in 2008, and he returned to Venice in 2011 to premiere Photographic Memory. McElwee has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the American Film Institute. He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts and production grants from the LEF foundation. McElwee received the Full Frame Documentary Film Festival’s Career Award in 2007 and the Pennebaker Award for his career in 2023. In 2024, the French Ministry of Culture awarded McElwee the rank of Chevalier des Artes et des Lettres. McElwee was Professor of the Practice of Filmmaking in the Department of Art, Film and Visual Studies at Harvard beginning in 2003 until his retirement in 2024. He is now a Research Professor, Emeritus in the AFVS Department. About Michel Negroponte Michel Negroponte is an award winning filmmaker who has been making feature length documentaries for more than 30 years. He was born and raised in New York City, and studied filmmaking with Richard Leacock and Ed Pincus at the Massachusetts Institute of Technology in the 1970s. In addition to making his own films, he has freelanced on countless films for HBO, PBS, the BBC, and Channel Four. He has also worked with independent filmmakers like Ross McElwee, Doug Block, Lisa Crafts, D.A. Pennebaker, Chris Hegedus, Christine Choy, Dick Rogers, John Marshall and Al Maysles. His films include SPACE COAST (1979), RESIDENT EXILE (1981), SILVER VALLEY (1984), JUPITER’S WIFE (1994), NO ACCIDENT (1996), W.I.S.O.R. (2000), METHADONIA (2005) and I’M DANGEROUS WITH LOVE (2009). JUPITER’S WIFE, a portrait of a beguiling homeless woman named Maggie, won a Special Jury Prize at the Sundance Film Festival and the prize for Best Feature Documentary at the Vancouver and the Santa Barbara Film Festivals. The film was also awarded an Emmy for Outstanding Individual Achievement in Documentary. Originally shot on small format video, it premiered on HBO/Cinemax before getting a nationwide 35mm theatrical release. Edward Guthmann of the San Francisco Chronicle called it one of the ten best films of the year. John Koch of the Boston Globe wrote, “Negroponte has a painter’s eye and a novelist’s reach; and if there is anything more engaging and satisfying than “Jupiter’s Wife” on television or at the movies these days, by all means tell me about it.” Negroponte’s films have been broadcast in the United States on PBS, HBO, and the Sundance Channel as well as in England, France, Germany, Spain, and Japan. His work has been shown at the Sundance Film Festival, The New York Film Festival, and the Museum of Modern Art in New York City and in festivals in Berlin, Rotterdam, Vancouver, and Japan. Negroponte has also taught in the graduate and undergraduate film programs at New York University’s Tisch School of the Arts and Temple University. Recently, he helped create a new graduate program in documentary filmmaking at the School of Visual Arts in New York City, which opened in September, 2009. He is part of the faculty there as well.

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