Working Writers

Pete Aldin & Bryan Chaffin

Practical conversations about writing, publishing, and building a career as a working writer.

Episodes

  1. Oct 6

    Are Writing Competitions Worth It?

    Pete Aldin and Bryan Chaffin explore whether writing competitions are worth entering, from the benefits of awards and feedback to the realities of judging and rejection. They also discuss what writers can learn by becoming judges themselves—and why a strong opening matters when your book is competing for attention. Chapters 00:00 Introductions 00:22 Are Writing Competitions Worth It? 05:33 The Benefits of Entering Competitions 09:20 Winning, Placing, and the Value of Recognition 15:43 How Novel Competitions Are Judged 19:14 Why Your Opening Has to Be Strong 24:05 Subjectivity, Rejection, and Managing Expectations 29:29 Why Writers Should Become Judges 36:30 Outro Links from This Episode: 2026 Readers' Favorite International Book Award Contest https://readersfavorite.com/2026-award-contest-winners.htm#accidental-intelligence Self-Published Science Fiction Competition https://spsfc.space/ SPSFC Judging Application https://spsfc.space/application-forms/ Self-Published Fantasy Blog-Off https://www.marklawrence.buzz/2018/06/the-official-self-published-fantasy.html Austalasian Shadows Awards https://australasianhorror.com/australian-shadows-awards/ Follow Working Writers Working Margins Newsletter https://workingwriters.io/newsletter/ Threads https://www.threads.com/@workingwritersshow Bluesky https://bsky.app/profile/workingwritersshow.bsky.social Instagram https://www.instagram.com/workingwritersshow/ YouTube https://www.youtube.com/@WorkingWritersShow

    Are Writing Competitions Worth It?
  2. Sep 1

    The Art of Not Explaining

    Pete Aldin and Bryan Chaffin talk about trusting your readers, revealing worldbuilding through your characters, and resisting the urge to explain everything you’ve created. They look at examples from science fiction and fantasy, discuss when backstory actually belongs on the page, and explain why it’s perfectly fine—even desirable—for readers not to understand everything right away. Chapters: 00:00 Introductions 01:10 Why Info Dumps Hurt Your Story 06:58 Trust Your Reader 11:10 Worldbuilding Without Explaining Everything 20:06 Write for Your Character, Not Your Reader 25:48 What to Do With All That Extra Worldbuilding 31:15 When Research Becomes an Info Dump 37:32 Beware the Prologue 41:40 Outro Links from This Episode: Note: Some links below are affiliate links. If you make a purchase through them, we may earn a small commission at no additional cost to you. Hyperion, by Dan Simmons https://www.amazon.com/Hyperion-Cantos-Book-1-ebook/dp/B004G60EHS/geektells-20 The Fall of Hyperion, by Dan Simmons https://www.amazon.com/Fall-Hyperion-Cantos-Book-ebook/dp/B004G60FWM/geektells-20 The Left Hand of Darkness, by Ursula K. Le Guin https://www.amazon.com/Left-Hand-Darkness-Science-Fiction-ebook/dp/B00YBA7PGW/geektells-20 Dune, by Frank Herbert https://www.amazon.com/Dune-Frank-Herbert-ebook/dp/B00B7NPRY8/geektells-20 The Abominable, by Dan Simmons https://www.amazon.com/Abominable-Novel-Dan-Simmons-ebook/dp/B00AFGHJ1W/geektells-20 Follow Working Writers Working Margins Newsletter https://workingwriters.io/newsletter/ Threads https://www.threads.com/@workingwritersshow Bluesky https://bsky.app/profile/workingwritersshow.bsky.social Instagram https://www.instagram.com/workingwritersshow/

    The Art of Not Explaining

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Practical conversations about writing, publishing, and building a career as a working writer.