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  1. Sep 28

    ALP 316: Agency owners need to manage AI like employees

    AI has evolved enough now that one-shotting entire deliverables is tempting, and many people online claim to be doing just that. In this episode, Chip and Gini discuss why that’s a bad idea, and how you can train your AI tool to give you less slop-like content. Chip is fed up with receiving one too many pieces of material with no human thought applied to them, not in preparation, not in editing, not even in the decision to hit send. His take on the broader one-shotting trend is that when the result is actually good, it’s rarely a true one-shot. The person usually spent months feeding their AI tool context first, the same way a good off-the-cuff article draws on years of accumulated expertise. Gini suggests treating AI like a capable intern. You wouldn’t send an intern’s first draft straight to a client, so don’t do that with AI either. She describes going back and forth with her tools so much that Claude once asked her to batch her edits instead of making them one at a time. Chip pushes back on the intern comparison, arguing that with enough context and consistent feedback, AI has moved closer to a capable mid-level colleague. That feedback loop is also the focus of Gini’s internal training program, Slack sessions where the team is currently learning to push back, reject, and refine AI output instead of just accepting it. However, don’t make the mistake of thinking that because it needs your guidance, AI isn’t worth using. Being the human in the loop doesn’t make you the savior of your business. Owners who rely solely on humans without using AI are making as grave of a mistake as people who think they can replace themselves entirely with AI. [read the transcript] The post ALP 316: Agency owners need to manage AI like employees appeared first on FIR Podcast Network.

  2. Sep 28

    https://traffic.libsyn.com/forcedn/fir/forimmed-529.mp3

    A Press-Gazette investigation found that dozens of experts quoted in the mainstream media don’t actually exist, and PR agencies are unwittingly sharing them with the press. This poses a credibility issue for the agencies and the media. It requires a layer of verification unlike anything we’ve faced before. Also in this episode, crisis communication has long been housed in the PR or communications department. Should it be a governance responsibility of the C-suite? That’s the case made in a new report from the Chartered Institute of Public Relations and the Institute of Directors. In his Tech Report, Dan York covers an initiative to close the AI language gap, including video moves by YouTube and Bluesky, smart glasses, and enhancements to Threads’ podcast toolkit. Links from this episode: Chartered Institute of Public Relations and Institute of Directors publish Crisis Communication Handbook for Boards Executive Reputation: Priced, Prized and Easily Lost Kate Winick: This Is a Bad Brand Clapback Converse Ad Sparks Controversy Over Racist Imagery Virtual Reality: The Widely Quoted Media Experts Who Are Not What They Seem Qwoted Bans AI-Generated Expert Profiles as PR Spam Floods Reporters’ Inboxes Prominent Art Therapist Quoted by Vice, Forbes and Others Is AI-Generated The Rise of Fake AI Experts: A Wake-Up Call for the Community The Rise of the Fake Expert: How to Remain Authentic in an Inbox of Fakes Links from Dan York’s Tech Report: Closing AI’s Language Gap: Why the Internet Society Is Joining a Global Commitment Bluesky Now Lets You Upload 10-Minute-Long Videos What’s New at Made on YouTube 2026? New YouTube Live Tools for Fan Funding, Dubbing and More Everything Announced at Meta Connect 2026 Snap Launches $2,195 Specs Smart Glasses Threads Expands Podcast Toolkit for Creators and Listeners The next monthly, long-form episode of FIR is tentatively scheduled to drop on Monday, October 26. We host a Communicators Zoom Chat most Thursdays at 1 p.m. ET. To obtain the credentials needed to participate, contact Shel or Neville directly, request them in our Facebook group, or email fircomments@gmail.com. Special thanks to Jay Moonah for the opening and closing music. You can find the stories from which Shel’s FIR content is selected at Shel’s Link Blog. You can catch up with both co-hosts on Neville’s blog and Shel’s blog. Disclaimer: The opinions expressed in this podcast are Shel’s and Neville’s and do not reflect the views of their employers and/or clients. Raw Transcript: Shel Holtz: Hi, everybody, and welcome to episode 529 of For Immediate Release. I’m Shel Holtz in Concord, California. Neville Hobson: And I’m Neville Hobson in Somerset in the UK. Shel Holtz: Neville, it is wonderful to be back together with you again. Neville Hobson: It’s been a bit of a strange few weeks because of some health issues I’m working through. They’ve affected my availability to record our midweek shows. I was particularly keen to make sure we could record the topics we’re discussing today. Hopefully, by the time our next monthly episode comes around, I’ll be close to normal again. Shel Holtz: My fingers are certainly crossed. To accommodate all of this, we’re recording a shortened version of our monthly episode: two topics plus Dan York’s report. We’ll also have a quick recap of the two episodes since our last monthly show. Neville Hobson: Episode 527 was a particularly interesting long-form show with six topics. Our lead story was about a senior manager who discovered that AI was rejecting job applications within seconds of their arrival. One reason was that applicants had graduated from college before 2010, even though the instruction was to surface candidates who displayed “youthful energy.” What’s worse, the talent acquisition manager saw no liability issue because AI had made the decision. If I recall correctly, she said, “We’re okay. We have no liability because the AI made the decision.” If it weren’t so serious, it would be hilarious. We also discussed an expert witness who used ChatGPT to prepare a report for a legal case. The prompts he used—not just the AI’s output—were uncovered during discovery and entered into evidence. You have to check these things. Then, in episode 528, we talked about fandom. We explored the differences among fans, audiences, and communities. A fan’s identity can become tied to a team, artist, product, or other object of passion. It’s no surprise that marketers want their brands to inspire that kind of excitement, but not everything has the potential to develop a fan base. We received a couple of comments about that episode. Shel Holtz: Brian Kilgore in Toronto wrote, “Good show. In my life, I’ve worn Roy Rogers, Gene Autry, and Hopalong Cassidy clothes, an MG T-shirt, and a sweatshirt I designed using ASCII code as the hook for CNCP telecommunications. One cap that I’ve lost says ‘Nikon Most Excellent.’” Brian has been a fan of quite a few things. We also received an audio comment from our tech reporter, Dan York. Dan York: Hey, Shel and Neville. I had a comment on episode 528. I found myself cringing when I heard marketers talking about how to grow a fandom. You have fans, and marketers should find where those fans are and engage with them. They shouldn’t be trying to build a fandom. You were right that fandom can be part of someone’s identity. My neighbors across the street are big Mazda Miata owners. They each have one, and they go on rallies and tours with other owners. It’s a community and a group, but being Miata owners is also part of who they are. To its credit, the local Mazda dealership supports that community. There’s a lot of fandom on Reddit, too. I own a Hyundai Santa Cruz, a little vehicle that’s rather like an SUV with a truck bed on the back. Its subreddit has people sharing photos, asking questions, and talking about what they’re doing with their vehicles. Some are passionate about these little trucks. I’ve seen that with other vehicles as well. Marketers and communicators, please don’t talk about trying to create a fandom. Find the fans where they are. Shel Holtz: Thanks, Dan. I couldn’t agree more. If there’s a fan base around something you make or represent, by all means, see how you can support it and become more visible to it. Trying to build a fan base around something that doesn’t naturally inspire one can feel artificial. I hadn’t thought to look for those communities on Reddit. I have a Ford Mustang Mach-E, and as soon as we’re done recording, I’m going to look for a Mach-E subreddit. I have to believe there is one. I appreciate the comment. I also want to mention Circle of Fellows. Episode 133, part two of our conversation on AI and the leadership moment for the communication profession, should be available by the time you hear this. Adrian Cropley returned, and we were joined by Mary Hills, Cyrus Mavalwala, and Robin McCasland. Our next episode is Thursday, October 29, at 6 p.m. Eastern. That hour accommodates Zora Artis, who will be joining us for a discussion of connection and leadership. Three other Fellows will join us as well. You’ll find details on the FIR Podcast Network website. Neville Hobson: Let’s talk about crisis communication—or, more precisely, governance. When we talk about crisis communication, many of us picture what happens once a crisis is underway: the holding statement, the spokesperson, media response, frantic internal calls, whether the CEO should go public, and how quickly the organization says something. But a new handbook from the Chartered Institute of Public Relations’ Crisis Communications Network, published with the UK’s Institute of Directors, argues that this way of thinking starts far too late. The handbook, Crisis Communication for Boards: A Handbook for Good Governance, argues that crisis communication belongs within governance, risk management, and organizational resilience. By the time a crisis breaks, many factors that determine how well an organization responds have already been decided. Has the board understood the risks? Has it treated reputation as a strategic risk? Are escalation routes in place? Can uncomfortable information move quickly from the front line to senior management and the board? Have stakeholder relationships been built before they’re urgently needed? Has anyone rehearsed making decisions quickly under scrutiny with incomplete or conflicting information? The handbook’s point is that crisis management begins long before a crisis hits, and boards should own it as part of their responsibility for organizational resilience. Communication runs through crisis management because it shapes how events are understood, how decisions are interpreted, and whether trust is maintained or lost. One line early in the handbook captures the argument: “You cannot communicate your way out of a crisis that you behaved your way into.” That shifts the communicator’s role. If communications is brought in only after management has made its decisions, when the organization is already under pressure, the communicator starts at a disadvantage. Senior communicators should be involved earlier to help boards understand how decisions may be perceived, where stakeholder concerns are emerging, which assumptions may be wrong, and where the organization’s behavior may be creating reputational risk. That means treating communications as an intelligence function as well as a messaging function. The handbook emphasizes horizon scanning, stakeholder relationships, and the flow of information throughout the organization. Emerging risks increasingly cross legal, regulatory, HR, operations, technology, and communications boundaries. Communicators can help boards understand what’s happening and what it may mean for trust, legitimacy, and reputation. The handbook i

  3. Sep 26

    Circle of Fellows #133: AI and the Communication Leadership Moment, Part 2

    Last month, a panel of IABC Fellows shared their observations on the results of a recent AI-focused survey conducted by the Global Alliance for Public Relations and Communication Management (Global Alliance). This month, a fresh panel (with Adrian Cropley returning) will pick up the conversation where the August panel left off, exploring various aspects of the role communication professionals will play as AI continues to evolve, along with the challenges and opportunities it presents to organizations of all kinds. Joining Adrian and moderator Shel Holtz are Mary Hills, Robin McCasland, and Cyrus Mavalwala. Catch Part 1 of the discussion. About the Panel Adrian Cropley is the founder and director of the Centre for Strategic Communication Excellence, a global training and development organization. For over thirty years, Adrian has worked with clients worldwide, including Fortune 500 companies, on major change communication initiatives, internal communication reviews and strategies, professional development programs, and executive leadership and coaching. He is a non-executive director on several boards and advises some of the top CEOs and executives globally. Adrian is a past global chair of the International Association of Business Communicators (IABC), where he implemented the IABC Career Road Map, kick-started a global ISO certification for the profession, and developed the IABC Academy. Adrian pioneered the Melcrum Internal Communication Black Belt program in Asia Pacific and is a sought-after facilitator, speaker, and thought leader. He has been a keynote speaker and workshop leader on strategic and change communication at international conferences in Canada, the U.S., Europe, the Middle East, Malaysia, Singapore, China, India, Hong Kong, Thailand, New Zealand, and Australia. He has received numerous awards, including IABC Gold Quill Awards for communication excellence, and his Agency received Boutique Agency of the Year 6 years running. Adrian is the Chair of the Industry Advisory Committee for the RMIT School of Media and Communication and a Fellow of the IABC and RSA. In 2017, he was awarded the Medal of Order of Australia for his contribution to the field of communication. Mary Hills, ABC, IABC Fellow, Six Sigma, FCSCE serves as MBA Faculty in Benedictine University’s Goodwin College of Business, teaching brand and marketing management. Her work in marketing, finance and organizational structure and management naturally brings an interdisciplinary perspective to her students. Mary’s professional career includes work at large, publicly traded corporations in the financial sector and at closely held, middle-market companies.  Her work includes time at Federal Reserve Bank of Chicago, Whiteco Advertising, NiSource, Northern Trust, Unilever, and Zebra Technologies. As a member of strategic management teams, her work includes research, risk analysis, and strategic planning for product launches, market expansion, and change and crisis management Mary’s AI work began in 2012 supporting a start-up’s AI product development at Purdue Technology Center and Research Park of NWI. Most recently, she completed AI Usage and Guidelines in Marketing Research for MBA students in her brand and marketing class. Robin McCasland, IABC Fellow, SCMP, is Senior Director of Corporate Communications for Health Care Service Corporation (HCSC). She leads her department’s CommTech initiative, using AI and emerging technologies to deliver productivity gains and build differentiated communication capabilities that shape business decisions and outcomes. Robin also leads the internal communications team and the employee listening program, demonstrating to senior leaders how employee and executive communication add value to the business’s bottom line. Previously, Robin excelled in leadership roles in communication for Texas Instruments, Dell, Tenet Healthcare, and Burlington Northern Santa Fe. Robin is a past IABC chairman and has served in numerous association leadership roles for more than 30 years. She was honored in 2023 and 2021 by Ragan Communications/PR Daily as one of the Top Women Leaders in Communication. She’s also received IABC Southern Region and IABC Dallas Communicator of the Year honors. Robin is a frequent presenter at communication and HR conferences. She is a graduate of The University of Texas at Austin and a Leadership Texas alumnus. Robin resides in Dallas. Cyrus Mavalwala, ABC, MC, IABC Fellow, is a sought-after communication strategist who leads a team of trusted advisors that executives rely on to capture, own, and sustain mindshare with the people that matter most. After senior roles at global PR agencies, Cyrus founded Advantis Communications in 2002. Advantis’ proprietary frameworks operationalize AI, elevate social media, and integrate video to advance thought leadership and earn relevance, influence, and trust. These frameworks have been cited in news media, industry, and academia. Cyrus helps communication teams apply AI responsibly to improve workflows, increase effectiveness, and amplify impact. Through Act Like an Agency™, Cyrus leads ALA faculty to elevate communication teams from tacticians to trusted advisors. An operating system for the modern communication function, Act Like an Agency enables in-house teams to operate with the confidence, discipline, and influence of strategic business partners. A co-creator of the Digital Strategy and Communications Management Certificate at the University of Toronto, Cyrus brings his strategic perspective and practical frameworks to classrooms, boardrooms, and stages across North America. Cyrus brings deep governance experience through his service with IABC at the local, regional, and international levels. He has judged industry awards and received more than 30 honors for communication excellence across local, national, and international programs. The post Circle of Fellows #133: AI and the Communication Leadership Moment, Part 2 appeared first on FIR Podcast Network.

  4. Sep 17

    OTSP #8: Employee Engagement Matters. It Is Not the Goal.

    Employee engagement is often treated as a goal — or worse, as a standalone annual survey score that needs to be nudged upward to placate the CEO. But engagement is not an end in itself. It is a condition that makes employees more likely to flag problems, share knowledge, question bad instructions, help colleagues, and contribute discretionary effort. Measuring it can be valuable, but only if an organization asks the right questions, receives honest answers, and acts on what it learns. In this episode of “On The Same Page,” Shel Holtz and Mark Dollins examine what employee engagement really means, the limitations of standardized surveys, and why disengagement is a leading indicator while turnover is a lagging one. They also explore the role communicators can play — without assuming responsibility for factors they cannot control — and why equipping managers to listen, provide feedback, and translate organizational messages for their teams may be one of Communication’s most effective contributions. Links from this episode: The Big Shift — A Pivot from “Engaged” to “Effective” Employee Engagement Is Not Dead. It Has A Messaging Problem Employee Engagement is Toast. What’s Next? Raw Transcript: Mark Dollins: Hey, Shel, how are you doing? Shel Holtz: I am doing great. I’m heading out on vacation tomorrow, and I’m ready for it. Mark Dollins: I’m right behind you next week, so it’s good that we were able to connect. Something interesting happened in my family that got me thinking about a topic we could cover today. I have a family member who is seriously thinking about getting engaged, and my wife and I are coming up on 40 years since we got engaged. So, let’s talk about engagement, right? But you and I have a very different orientation to engagement in the world of employee communication, and I thought we could talk about that. I’m going to start with something fundamental that a lot of people struggle with: defining it. There’s a big-picture version of engagement, but for employee communicators, what we need to consider can be very specific to an organization or even to a person within that organization. What is your 30,000-foot view? Shel Holtz: I have heard so many definitions of engagement. I’ve heard that engagement is what enables employees to bring their whole selves to work. I’ve also heard pushback on that: Who would want to bring their whole self to work? There are parts of yourself you don’t necessarily want people to see at work. I’ve also heard that engagement means bringing discretionary effort to the job—going above and beyond. Of all the definitions I’ve heard, one I like is the analogy to a car. If the transmission is engaged, the car is moving. If the transmission is disengaged, it’s idling. How do you want your organization to be moving? You want it going forward, not standing still. Before we jump into this discussion in more detail, I want to invite everybody watching or listening to share your comments with us. You can do that in the show notes, where there’s a field for comments, or wherever we post updates announcing a new episode. We would love to discuss your comments in an upcoming episode. Mark Dollins: That’s how we learn, too, right, Shel? We enjoy talking, but we also enjoy learning from others, so please share your comments. Moving on to the broader topic of engagement, I think about some of the studies that have been done. Gallup, obviously, spends a lot of time focusing on the details of employee engagement. This year, it released a report saying that about 20% of the global workforce was engaged at work last year. In 2022, its comparison point, the figure was 23%. So it’s starting to fall again toward almost COVID-level territory. Gallup is quite confident in its reporting and says the margin of error is less than 0.1%. The report makes some interesting points about the value of paying attention to engagement. It says engaged people are 69% less likely to burn out at work, half as likely to be job hunting and 69% more likely to be “thriving” in life, even beyond work. Gallup takes a very holistic approach. As you noted earlier, Shel, it measures many factors in determining what it means to be engaged: whether employees know what’s expected of them, whether they have the right materials and equipment, whether they are allowed to do what they do best and whether they receive recognition. The list goes on and on. As you think about this big-picture world of capital-E Engagement, what are you finding with your clients and in your own organization? Shel Holtz: We conduct an engagement survey every year. We don’t use one of the canned engagement surveys; we have a bespoke survey. After we get the results, we can easily reconfigure the data, batch questions into categories and see where we stand on broader areas that matter to the organization’s leadership. More importantly, we can identify opportunities to improve and come back to employees to say, “These are the things we’re going to change as a result.” We can also narrow the results down. There may be a very low score in one part of the organization and a much better score elsewhere. That enables us to take action locally and work with the leaders of those groups to make improvements that will lift the rest of the organization. Mark Dollins: You’re raising a critical point about how employee communicators should think about engagement: Understand what’s important to your organization. Just as there are different definitions of engagement, what management and executives value will differ from one organization to another. In my experience working with many organizations, an organizational-health or pulse survey typically has a finite set of perhaps eight to 10 questions that someone—usually the chief people officer—has decided matter most and represent what the organization cares about for engagement. Here’s where it gets interesting for employee communicators. We want to help, be accountable and deliver results that help employees feel engaged. But then we sign up for things without understanding what we’re responsible for or whether we can influence them. Many questions, for example, are about what a manager does. I can’t control all time and space for every manager. But if we spend time determining which questions reflect outcomes we can influence, that’s where we should focus. Sometimes we’re behind the eight ball because we don’t have a say in the questions being asked. Some questions are worded so broadly that you could drive a truck through them. Take a question about understanding the company mission. People may interpret that in different ways. Some will think it means the enterprise mission; some, their functional leader’s mission; and others, their team leader’s vision of where the team is going. You end up with a mixture of feedback you can’t meaningfully act on. There are three lessons here. First, understand what the questions are. Second, choose what you’re able to influence. Third, make sure the questions are worded in a way that can produce actionable information. Shel Holtz: I think that’s important. I’m actively involved in developing the questions for our survey every year. Most of them don’t change because we want to conduct longitudinal measurement and see whether we’ve improved or declined from previous years or whether a trend is emerging. But we introduce new questions, and when we identify an issue with the way a question was worded, we fix it for the next survey. I definitely have influence there. It’s not just Communication that uses the survey. It’s a significant input for Human Resources and for leadership in how they lead the organization. Part of the process is parceling out the data to the people who can act on it, even if Communication can’t. Mark Dollins: I love hearing that you have a seat at the table because, in many organizations where I’ve worked or consulted, those questions are sacrosanct. No one touches them, or changing them requires an act of God. That puts a communicator in a difficult position: How can I be accountable for changing an outcome if I have no say in how the question is worded? What did you do to earn that seat at the table and that influence, Shel? Shel Holtz: I’ve been involved with our engagement survey since we first launched it. I had experience with engagement surveys before, and that led to my role. There is an engagement-survey industry, and I think that industry has diminished the perceived value of engagement for many people. A lot of people “study for the test.” It’s engagement-survey time, leadership wants a high engagement score and the boss tells employees how to answer so they won’t get in trouble for contributing to a lower score. That’s not helpful. We need sincere answers. We need people to tell the truth when they respond. Look at Gallup’s Q12 survey, for example. One question that drives me crazy is, “Do you have a best friend at work?” It’s not one of my favorite engagement questions. I understand the rationale and why it’s there, but I don’t think that really drives engagement. Some people want to come to work, do their jobs and go home. They don’t want to go out for a beer after work or do the axe-throwing team-building activity. That doesn’t mean they aren’t engaged. Other things drive engagement besides wanting to party with your colleagues. Mark Dollins: For communicators who aren’t in your position and are trying to navigate the questions being asked and what they’re responsible for, my advice is to keep asking why: Why are we asking this question, and what do we expect to get from it? Digging deeper with those “why” questions can help communicators understand the thinking. If the questions come from the CHRO or someone else in HR, ask, “Help me under

  5. Sep 13

    ALP 315: The top two traits for new agency hires

    If you’re screening candidates on experience or technical skills, you may be making a mistake. In this episode, Chip and Gini make the case that curiosity and problem-solving are the two traits that separate great hires from mediocre ones, and neither one can be taught from scratch. Most agency skills, from writing a press release to running Google Ads to using AI tools, can be picked up on the job. Curiosity and problem-solving are different: people either arrive with some baseline capacity for them, or they don’t. Gini makes it about AI, where ever-evolving tools and audience behavior reward the people who keep asking questions instead of coasting on routine. The two discuss how to actually screen for these traits in a couple hours of interviewing. Gini leaves 15 to 20 minutes at the end for the candidate’s questions and reads a lot into what they ask, or whether they ask anything at all. Chip changes up the order entirely, opening by asking the candidate what questions they have for him before he’s asked anything himself, and he’ll throw a candidate’s own question right back at them to see how they handle being put on the spot. Both dismiss scenario-based questions and interview theater like “what animal would you be” as close to useless. Gini also flags a habit she’s trying to break on her own team, being “Gini-GPT,” where people default to asking her for the fast answer instead of working through problems themselves. [read the transcript] The post ALP 315: The top two traits for new agency hires appeared first on FIR Podcast Network.

  6. Sep 6

    OTSP #7: No Story? No Strategy.

    A strategic narrative is a critical asset for any organization. It is the overarching story that explains where an organization came from, what it stands for, where it is going, and why that direction matters. Grounded in the organization’s purpose, values, vision, and strategy, it provides a common foundation for communication and helps employees and other stakeholders understand how they fit into the larger story and why they would want to be part of it. In this episode, Mark and Shel dig into strategic narratives, why they are so important, and why so many organizations seem to dismiss their importance. Links from this episode The Strategic Narrative (from Shel’s blog) Strategic Narrative (from Engage for Success) How To Build A Strategic Narrative That Inspires And Aligns Raw Transcript Shel Holtz: Mark, how are you doing? Mark Dollins: I’m good, Shel. How are you? Happy Sunday on the West Coast to you. Shel Holtz: Thanks, and happy Sunday on the East Coast to you. Mark Dollins: Thank you very much. We’re loving it. We’re getting close to Labor Day. Shel Holtz: It’s getting there—a day off for us. I find strategic narratives to be a fascinating topic. They’re well established in theory. You can’t pick up a book on communications, internal or external, and not find strategic narratives in there. Engage for Success, the UK employee engagement movement, lists a strategic narrative as one of the four enablers of employee engagement. And yet, in 21 years of consulting on internal communications, I was never asked to be involved in developing or evolving one, and one was never given to me as part of the package when I was preparing to work with a client. I think the theory is more prevalent than the actual practice. Is that what you’ve found? Mark Dollins: I think that’s true. In fact, when I’m working with clients, I always ask them, “What is your story?” I could go online and say what I think their story is based on what they’ve put on digitally managed channels, but when I ask them to tell me their story, often there isn’t a lot there. Pardon the pun, but it’s the North Star. It is the single most important element for any communication because it’s all about purpose and mission. If you can’t make that really clear, it’s hard to tell a story about it. Shel Holtz: I remember when I was working on the strategic narrative where I work, I had to explain that we weren’t inventing something. We weren’t going to introduce concepts that we’d have to get employees to buy into. We were creating a package containing all of these statements and philosophies: our core values, purpose, mission, vision and strategic plan, all baked into a narrative. Where did we come from? Where are we today? Where are we going? Wouldn’t you like to join us on this journey? Mark Dollins: Exactly. I did a little research and found that the word “narrative” comes from the Latin narrare, meaning “to relate,” and gnarus, meaning “knowing.” It’s all about attaching meaning to the facts we’re presenting. That’s really important for any kind of North Star narrative because everything comes from that. Shel Holtz: I thought we would talk about the strategic narrative as an element of communication and the role the internal communicator plays in it. I was surprised in my research to find that sometimes these are delivered fully baked to the internal communicator, who is told to convey the narrative rather than play a part in developing it. Mark Dollins: Bummer—as if we have nothing to add to it. We’d have to be involved. There’s no question, because we work with internal stakeholders. If the external message doesn’t live up to, inspire or align with the internal experience, we’re wasting a lot of time and energy. Shel Holtz: Right. It’s particularly important because the narrative gives you the “why” behind everything. You should be able to connect the stories you tell to the narrative. More importantly, as you’re developing those stories, the narrative should be their foundation. They should all be consistent. What you want to avoid is having your salespeople tell one story while your investor relations team tells another and your CEO delivers a keynote telling a third. These should all be the same story. Mark Dollins: They absolutely should. You’re raising an important point about the connection between a narrative and a story. Let me give you my framing of it. I believe the narrative is a never-ending story. It is your North Star. It takes place over time and doesn’t have an ending. It presents the very big picture. It is usually purpose- and vision-driven, and it’s inspirational. It gets to the heart. It gives people a reason not only to understand the “why,” but to ask, “What’s in this for me? Why should I care?” As I said, it really has no end. That’s a narrative in my framing. A story is a proof point connected to the narrative. It addresses a specific problem, issue or opportunity. You use the traditional elements of storytelling. That may include a hero or a catalyst and an antagonist. You’ve got a conflict, a turning point, a resolution and, importantly, a lesson to be learned. It often highlights the hero’s role, and you can decide whether that’s the company, internal communications, HR or whoever the story is about. At the end of the day, there’s a hierarchy. It starts at the top with the narrative. Then it gets to what I’m going to call the capital-S Story—the presentation, event or other thing you’re going to communicate. Within that are the proof points: stories with those traditional elements. I often advise clients to think about this connectivity, but it has to start at the top with the narrative. Shel Holtz: Absolutely. I’ll give you a great example. I work, as you know, for a commercial general contractor, and one of our value propositions is that we’re a client advocate. You won’t find a big commercial contractor that doesn’t say that: “We’re on board with the client. We’re there to help them realize their vision. We’re not going to keep secrets. We’re going to be upfront and fill them in on everything that’s happening. We’re committed to transparency.” Claiming to be a client advocate is not a unique marketing approach. But if you look at our strategic narrative, you learn from our history that two of our founders were general contractors—and also developers. In other words, the client perspective was represented in the organization’s leadership, rather than being someone you worked with only externally. When we talk about being a client advocate, we can say it’s in our DNA because two of our founders were clients. We were founded with this philosophy. We’re different. If that finds its way into the interviews the business development team conducts after being shortlisted for a project, it makes a difference. That’s why having the narrative is important, but so is making sure people pay attention to it. Mark Dollins: I love that. Exactly—it’s got to be real. The other thing about narratives, and I think you’ll agree, Shel, is that they change over time. It doesn’t mean they change fundamentally. The mission and purpose remain the same. But as organizations go through change, they have to evolve the narrative that goes with them. I’ll give you a quick example. Pittsburgh International Airport launched a $1.8 billion new terminal last November. The narrative the leadership team developed positioned it as more than an airport. They looked at positioning themselves as a leader in aviation and a driver of economic growth for the region. Those words are really important because they stood the test of time. The airport announced it was going to build the new terminal. Then it entered what I’ll call the narrative’s second chapter: We’ve done all the groundwork, but now we have to start building it and preparing our people. They developed the Smart Plan Forward, a five-year journey with a clear destination: creating a smarter airport. They said they were going to enable, empower and equip their people to innovate and collaborate in the name of change, and that was why they were taking a customer-first approach in everything they did. It took the original narrative—“We’re building this airport, leading the aviation industry and creating economic growth for the region”—and said, “Now we’re going to do this part of it,” while staying true to the original narrative. The new terminal had a very powerful and successful opening last November. It was fun to watch the airport develop, launch and then update the narrative as part of an overall change in its positioning within the aviation industry. Shel Holtz: It’s interesting that you bring up change as a catalyst for evolving a narrative. My research indicated that most strategic narratives are actually developed during a time of change, as part of a change communication effort. If we’re going to explain the change, we need to tell the story of where we came from, where we are today and why we’re making this change now. So let’s establish that narrative. For organizations going through some sort of change—which is everybody—I think it’s a good reason to start. Mark Dollins: Everybody is going through change. You’re right. The big issue most organizations miss in the narrative—and I didn’t give the whole narrative in this example—is the burning platform. Why the hell are we going through this change? What’s at stake? There’s a way to engage people in the work they’re doing and the mission, but especially around change, there has to be a reason. What happens to us as a team, institution or organization if we don’t make this change or pivot? What’s at risk? On the other side, what’s the opportunity? How do we position ourselves in a much better, mo

  7. Sep 3

    FIR #528: Why Marketers Are Suddenly Obsessed with Fandom

    Fandoms are not synonymous with audiences or communities. The difference: Fans’ identities are tied up with the team, artist, product, or other object of their passion. It’s not surprising that marketers are chasing fandoms, in hopes of turning their brands into something people are genuinely excited about. But not everything is a potential flashpoint for a fan base. In this short midweek FIR episode, Neville and Shel explore what distinguishes fans from members of other audiences or communities, how brands might leverage them, the wisdom of trying to spin up a fan base, and why fandoms might rebel against attempts to use them for marketing purposes. Links from this episode: WTF are fandoms, and why are marketers chasing them? Consumers as Brand Fans: A Systematic Literature Review and Research Agenda Using the TCCM Framework Social media and fandom How community is redefining Media & Creative in 2025 The next monthly, long-form episode of FIR is tentatively scheduled to drop on Monday, September 28. We host a Communicators Zoom Chat most Thursdays at 1 p.m. ET. To obtain the credentials needed to participate, contact Shel or Neville directly, request them in our Facebook group, or email fircomments@gmail.com. Special thanks to Jay Moonah for the opening and closing music. You can find the stories from which Shel’s FIR content is selected at Shel’s Link Blog. You can catch up with both co-hosts on Neville’s blog and Shel’s blog. Disclaimer: The opinions expressed in this podcast are Shel’s and Neville’s and do not reflect the views of their employers and/or clients. Raw Transcript: Neville Hobson: Hi, everyone, and welcome to For Immediate Release. This is Episode 528. I’m Neville Hobson. Shel Holtz: And I’m Shel Holtz. There is a new word making the rounds in marketing circles these days, and that word is “fandom.” Obviously, fandom isn’t anything new. Beatles fans constitute a fandom. Star Trek fans are a big fandom. Sports teams have had fandoms for as long as sports have been around. What’s new is the idea that fandom should be a marketing strategy. Marketers are paying attention because a fandom represents something considerably more valuable than an audience. An audience is passively watching you. That notion led Jay Rosen to write a 2006 post titled “The People Formerly Known as the Audience,” describing the shift away from a one-way mass-media model to a networked model in which people who once passively consumed information can now publish, respond, organize, remix, and distribute it themselves. That’s not always necessarily a good thing, but it is what it is. A community gathers around a shared interest, but a fandom goes even further. Fans incorporate that interest into their identities. They create things, develop rituals and inside jokes, recruit other people, recommend things to one another, and sometimes defend the object of their fandom with remarkable enthusiasm. One definition I particularly like comes from an article in Digiday: Fandom is where attention turns into identity. You can probably understand why marketers find that appealing. Advertising can buy attention. It’s much harder to buy identity. It’s harder to buy belonging, advocacy, or voluntary engagement. There is some evidence that fandom deserves to be treated as something distinctive. A systematic review published last year examined 38 marketing studies involving brand fans and concluded that fandom has moved from the margins of consumer culture into the mainstream. Brand fans really do behave differently from people who merely buy a product regularly. There is another reason fandom has suddenly become attractive: The media environment has fragmented spectacularly. People aren’t gathered around the same handful of television networks, newspapers, magazines, and radio stations anymore. They’re scattered among TikTok creators, YouTube channels, Reddit communities, Discord servers, gaming platforms, streaming services, group chats, podcasts, and sports communities. We could keep listing niches all day long. Instead of asking, “How do we reach women ages 25 to 44?” marketers can potentially find a group of people who are already intensely interested in something relevant to the organization. That changes the communication challenge. You don’t approach a fandom as an audience waiting to receive your message. You’re entering somebody else’s existing culture. That culture already has leaders, vocabulary, expectations, and history. It has ideas about who belongs and who doesn’t. Increasingly, creators are among the people who have earned credibility within those cultures. The strategic question isn’t, “Which influencer can deliver the biggest reach?” It becomes, “Who actually has standing with these people, and do we have a legitimate reason to be here?” That last question is one I think organizations should spend much more time considering, because fandom is in danger of becoming a bandwagon. Whenever marketers discover something people genuinely care about, there’s a temptation to turn it into a technique. Community, authenticity, purpose, and engagement have all become marketing techniques. Once every agency presentation starts promising to “activate fandom,” that’s probably the time your Spidey sense should start tingling. You can’t manufacture a fandom just by announcing that you have one. Nor is every organization capable of inspiring fandom. Nobody necessarily wants to build part of their identity around an electric utility, payroll software, an insurance company, or the manufacturer of the toner cartridge in the office printer. How many true HP fans are there, really? That doesn’t mean those organizations can’t have excellent customer communities. They can create useful resources, cultivate advocates, involve customers in product development, and provide terrific experiences. There are plenty of organizations that do these things well. But calling every highly engaged customer a fan doesn’t make fandom a meaningful strategic concept. It just gives customer engagement a trendy new name. There is another danger: Brands may identify an existing fandom and assume its passion is available for rent when it probably isn’t. Fans can tell when a company has wandered into their community because somebody in marketing spotted a cultural trend. Borrowing the language, memes, or symbols of a fandom without understanding them can make a brand look less relevant, not more. The more intensely people identify with the community, the more protective they may be of it. After the animated television series Rick and Morty made McDonald’s discontinued Szechuan sauce into a fan obsession, McDonald’s embraced the phenomenon and announced a one-day return. But stores received extremely limited supplies. Fans lined up for hours, and some traveled considerable distances, only to find that no sauce was available. The resulting anger produced protests and the hashtag #GiveUsTheSauce, and McDonald’s ultimately had to apologize. The mistake wasn’t offensive cultural appropriation. It was a company correctly spotting a fandom but badly misunderstanding its intensity—and failing to deliver the experience it had encouraged. I like one test suggested by the material I was reading: If the brand disappeared from the activation, would fans still say that what happened made their community better? That’s a pretty demanding standard. Your contribution might be access, useful information, an experience people couldn’t otherwise have, a genuine role for fans in developing something, or help that enables creators to do better work. Merely inserting your logo probably doesn’t qualify. It also means fandom isn’t likely to be an especially good short-term campaign strategy. These relationships require cultural fluency and sustained participation. If the budget disappears after the quarter ends or management expects an immediate conversion metric, conventional marketing may be the more sensible choice. There are plenty of examples of companies getting this right. LEGO supports its AFOLs—Adult Fans of LEGO—and an existing culture rather than pretending it invented that culture. Harley-Davidson didn’t merely accumulate loyal customers. It helped riders organize around a shared identity by creating the Harley Owners Group, or H.O.G. It provides chapters, rallies, riding challenges, a magazine, events, and other opportunities for motorcycle owners to interact with one another. Even the pumpkin spice latte gave Starbucks an opportunity to turn a seasonal beverage into a fall ritual. The company created a private Leaf Rakers Society Facebook group for enthusiasts, which grew to more than 26,000 members. Starbucks didn’t invent the pumpkin spice latte ritual or the anticipation surrounding it, but it certainly learned how to play along. What should communicators do with all of this? First, don’t begin by asking, “How can we build a fandom?” Start by listening. Find out whether communities already exist around your organization, its products, the problems it solves, or interests adjacent to it. Second, distinguish an audience from a community and a community from a fandom. Don’t inflate ordinary engagement numbers into evidence that people have incorporated your brand into their identities. Third, if you enter an existing fandom, learn its culture before trying to influence it. Identify the people who have earned trust there, including creators, and involve them rather than treating them as distribution channels. Fourth, look for ways to enable participation rather than merely generate impressions. Give people opportunities to contribute, create, influence, and connect with one another. Finally, measure whether the relationship persists when the campaign stops. Are people coming back? Are they creating things volun

  8. Aug 31

    ALP 314: Agency owners need to get their hands dirty with AI

    Some advisers are telling agency owners they don’t need to know AI all that well themselves. They suggest owners go deep on AI for a month or three, then pass the day-to-day to the team and move on with life. In this episode, Chip and Gini explain why that’s backwards, and how owners who step back from AI are making a mistake. Chip’s argument is that AI doesn’t fit the usual delegation model because it’s moving too fast and touching too much of the business to hand off after just a few months of study. Gini agrees, noting that advice which made sense six months ago is often stale today. Both connect this to credibility with the team: Chip compares the situation to a non-technical manager overseeing developers, who then gets disrespected because they don’t speak the language. Gini says her own coaching works because she’s in the tools constantly enough to give specific workable advice. They also describe pushing AI into something closer to a personal operating system than a work tool, from Chip wanting an assistant that catches him contradicting his own past positions, to Gini’s agent that calls her out when she takes on work she said she’d delegate, telling her flatly it’s not the best use of her time. The episode closes with the advice that staying curious personally is what keeps owners sharp enough to lead a team through a tool that keeps rewriting its own rules. [read the transcript] The post ALP 314: Agency owners need to get their hands dirty with AI appeared first on FIR Podcast Network.

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