HDTV and Home Theater Podcast

HT Guys
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  • Technology
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The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

  1. 10h ago

    Podcast #1266: Ara's New Setup

    On today's show we discuss Ara's new family room TV and Audio setup and what his plans are for the future. We also read your emails and look at the week's news. News: Marantz Introduces The CINEMA Series 2 Receivers Dolby Vision 2 HDR Is Officially Arriving On Certain Hisense TVs Nearly A Third Of U.S. Homes Get TV Only Via Streaming Peacock hikes prices for fourth straight year, this time by $3 Other: Theatrium - A home Assistant or HomeKit Dashboard for your AppleTV Parts List for Ara's New Home Family Room: Mantel Mount MM815 Motorized Drop Down & Swivel TV Mount - $700 The MM815 is a remote-controlled drop-and-swivel TV mount. Press one button to lower the TV to eye level and rotate it as needed. It comes with an RF remote, is silent, and has two memory presets. Sony BRAVIA 7 II PRO True RGB 4K HDR Google TV with Gemini (Model Number K75XR70PRO)-  $2300 The Sony BRAVIA 7 II PRO is Sony's 2026 mid-range True RGB Mini-LED TV (65 inches and up) with independently driven red, green, and blue backlight LEDs, XR processing, and about 2,000 nits of peak brightness for stronger color volume and contrast than a typical white Mini-LED. It is 4K at 120 Hz, supports Dolby Vision and Dolby Atmos, and has HDMI 2.1 gaming features (VRR, ALLM, 4K/120). Google TV includes Gemini for voice search and recommendations, plus AirPlay 2. The Pro bundle adds a three-year replacement warranty, a backlit rechargeable remote, extra Sony Pictures Core credits, and an enhanced Voice Zoom 3 dialogue mode; picture hardware is the same as the standard 7 II. From RTINGS: Pros: Great black levels with minimal haloing. Bright details in HDR stand out incredibly well. Fantastic SDR brightness helps it overcome glare during the day. Fantastic upscaling and great low-quality content smoothing. Colors are incredibly bright and vivid. Cons: Dark scenes are hard to see during the day. Sonos Arc Ultra - $1099 The Sonos Arc Ultra supports Dolby Atmos that has a 9.1.4 driver layout and Sound Motion woofer to produce wide, height-enhanced surround and stronger bass from a single bar. It connects to a TV with one HDMI eARC cable, supports Wi-Fi, Bluetooth, AirPlay 2, and the rest of the Sonos ecosystem (including optional Sub and rear speakers), and can be controlled with the TV remote, Sonos app, touch controls, Sonos Voice Control, or Alexa. Trueplay tunes the sound to the room, and AI speech enhancement is meant to keep dialogue clear. It is a long, low-profile bar (about 46 inches wide) sold in black or white. Sonos Sub 4 - $899 The Sonos Sub 4 is a wireless subwoofer for Sonos S2 systems, pairing with current soundbars and speakers to add bass down to about 25 Hz. Two inward-facing 5-by-8-inch woofers and dual Class-D amps use a force-canceling layout so the cabinet stays relatively still and the bass stays clean. It has the same slot-style shape as earlier Subs, in black or white matte, and can stand upright or lie on its side. Updates over the Sub 3 include Wi-Fi 6, a faster processor, more memory, lower idle power, and a slightly lighter cabinet; setup is through the Sonos app, with optional Ethernet. Two Sub 4s can be used with the Arc Ultra. Master Bedroom: Sony BRAVIA 3 II 4K HDR LED Google TV (Model Number K55XR30M2) - $798 - The Sony BRAVIA 3 II is Sony's 2026 entry-level 4K LED set, sold from 43 to 100 inches. It uses a direct-lit LED panel, a 120 Hz refresh rate, and the XR processor for color, motion, and upscaling. HDR covers Dolby Vision, HDR10, and HLG. All four HDMI ports are 2.1, with 4K/120, VRR, and ALLM. It runs Google TV with Gemini, AirPlay 2, and Chromecast, plus built-in speakers that pass Dolby Atmos and DTS:X to a soundbar. The picture is good in bright rooms; but as you would expect, the contrast and HDR are limited compared with higher BRAVIA models. If you are going to use this for anything more than casual viewing or you are really critical of picture quality you may want to look elsewhere. But for those on a budget or used in a secondary room, it's a solid TV.

    Podcast #1266: Ara's New Setup

  2. Aug 14

    Podcast #1265: Garage Doors - AV Receivers - Atmos in the Family Room

    On today's show we discuss Ara's garage door plan for integrating it into HomeKit, we help a listener decide on which receiver to buy, and we ask whether Atmos is worth it for a family room. We also read your emails and take a look at the week's news. News: Get YouTube TV For Just $67.99 a Month Down From $82.99 For The Rest of 2026 How many subscribers do major live TV streamers have? Other: Bingebuster  THIRDREALITY Smart Garage Door Opener Last week I discussed my garage door situation where MyQ does not integrate with Apple's HomeKit. I explained that I will be using a solution called ratgdo (Rage Against The Garage Door Opener). A few of the listeners emailed and suggested that I look at the ThirdReality Smart Garage Door Opener). Available at Amazon for $50.  Issues for me: When you install it in Apple home it installs as a lightbulb.  I added it to Home Assistant first because I knew Apple HomeKit was going to treat it like a light instead of a garage door. In Home Assistant, it shows up as a light entity, with the on off state following the tilt sensor. To make it behave like a real garage door, I created a Template Cover helper and set the device class to Garage. For the state, I used the template to report open when the light is on and closed when it's off. Then I set the Open and Close actions to call the light.turn_on service on the light entity, so pressing Open or Close in Home Assistant is basically the same as pressing the garage remote button. After that, it shows up and behaves like a garage door inside Home Assistant, with the right open/closed status based on the tilt sensor. It's mechanical. Batteries After Jorge's email,I am now looking past these issues and considering this solution. And yet another listener provided even more fuel for this fire! David writes in and says: Most door operators have a provision for a wall mounted pushbutton ( the same one used for years).  It's a momentary pushbutton closure. There is a cold contacts switch which operates in the Matter smart home standard.  As a result it works in all the various smart home systems.  It's a Shelly 1 Mini Gen 4 device…about $25.   I have installed mine into my Apple HomeKit system to operate my Genie garage door opener.  There is no sensing of the position of the door in the Shelly 1 Mini Gen 4 - it is only for operating the door. I have used the IKEA "MYGGBETT" door/window sensor ($10) to sense the position of the door - it is also Matter compliant.  It is the usual magnet/reed switch pair.   I have used this sensor to also trigger a light inside my house to signal an open garage door. The Apple Home automation could be written to close and open door after 10 PM.  Or close a door open for more than 1 hour. Marantz, Denon, or Onkyo • Marantz Cinema 70s • Denon AVR-X2800H • Onkyo TX-RZ30 Onkyo TX-RZ30 Pros 9 amplified channels (supports 5.2.4 or 7.2.2 Atmos) Full-bandwidth Dirac Live included (major value) THX Select + IMAX Enhanced certified Dual independent subwoofer outputs + full pre-outs Strong power (~100W/ch) and generally excellent reviews for sound and value Cons Dirac setup can be finicky Onkyo's past reliability reputation still in the back of my mind Denon AVR-X2800H Pros Reliable, polished, user-friendly experience Solid Audyssey MultEQ XT room correction Good, balanced sound and strong HDMI features Much better reliability and support Cons Only 7 channels (max 5.2.2 Atmos without external amps) No Dirac (Audyssey is good but not as advanced) Marantz Cinema 70s Pros Slim, stylish design that fits media cabinets Marantz sound  Pre-outs for future expansion Cons Lower power (~50W/ch) — best for smaller/efficient speakers Only 7 channels More expensive relative to performance and channel count Recommendation: Onkyo TX-RZ30 It delivers the most meaningful advantages for the money — 9 channels, including full Dirac Live, THX certification, and independent dual subs. The Denon is the safer "set-it-and-forget-it" choice if you prioritize polish and reliability, while the Marantz is best if you specifically need a slim form factor. For performance and value in a modern Atmos setup, the RZ30 is the clear winner right now. Is Atmos Worth it for a Family Room? Yes, Atmos is usually worth it in a typical family room — but with some practical caveats. Why it's worth it The overhead effects (rain, helicopters, debris, ambiance) add noticeable immersion even in a normal living/family room. A lot of modern movies, streaming shows, and games take advantage of it. Realistic expectations for a family room The "wow" factor is more subtle than in a dedicated theater. You're not going to get the same dramatic height effects you hear in a big cinema. Placement matters a lot. Up-firing Atmos speakers work okay if your ceiling isn't too high or absorbent, but actual in-ceiling or on-ceiling speakers sound better. Aesthetics Committee — extra speakers on or near the ceiling are more noticeable in a shared family space. Bottom line recommendation If you are starting from scratch and have access to wire ceiling speakers do it. If you don't have access you won't miss too much. Skip if the budget is tight, ceiling placement is difficult, or you mostly watch TV/sports rather than movies. A solid 5.1.2 Atmos setup is the sweet spot for most family rooms. You'll get most of the benefit without needing a full 7.1.4 layout.

    Podcast #1265: Garage Doors - AV Receivers - Atmos in the Family Room

  3. Aug 7

    Podcast #1264: Family Room - 5.1 vs 7.2 what makes sense?

    On today's show we take a look at your family room and decide whether a 7.2 system is worth it over 5.1. We also read your emails and catch up on the week's news. News:  How Valuable Is TV to Smaller, Independent Cable Operators? DirecTV and EverPass reach new deal to keep NFL Sunday Ticket in bars after threatening split Other: Rage Against the Garage Door Opener (ratgdo) Family Room - 5.1 vs 7.2 what makes sense? Most of us don't have a fully dedicated theater room to fully deck out with a 7.2.4 Atmos system. Most of us have family rooms and would like some sort of a surround sound experience beyond a low end sound bar. The question we get asked a lot is whether a 7.2 system will provide a noticeably better experience than a 5.1 system. So today we answer that question. Spoiler, in most family living rooms, a well-set-up 5.1 system is the smarter choice. A 7.2 system only becomes clearly better if you have good space behind the seating and can place the rear speakers properly. Let's get into it. Pros of Going 7.2 Better immersion - The two extra rear speakers create a more continuous sound field. Sounds that move from front to back (or circle around you) feel smoother and more realistic. Improved envelopment - You get a stronger sense of being "inside" the movie instead of just having sound coming from the sides. Smoother bass (the .2) - Two subwoofers reduce bass peaks and nulls. This is often the biggest real-world improvement over a single sub. More seating flexibility -  Multiple people can enjoy better surround effects even if they're not in the exact sweet spot. Future-proofing - Many modern receivers can use the extra channels for Atmos height speakers later if you decide to expand. Cons of Going 7.2 Space requirements - You need room behind the main seats for the rear speakers. If your sofa is against the back wall (very common), the rear speakers end up too close and the benefit largely disappears. Higher cost - Two extra speakers + a second subwoofer + possibly a more expensive receiver adds significant cost. Harder placement - Getting the rear speakers at the right height, distance, and angle is more difficult in a shared family room. Diminishing returns in smaller rooms - In rooms under about 15x15–16x18 feet, the extra speakers can actually make the sound less coherent if they're too close together. More clutter & wiring - Extra speakers and cables are harder to hide in a multi-purpose family room. Content reality - Most streaming content is still mixed in 5.1. True discrete 7.1 tracks are less common outside Blu-rays Rules of Thumb for a Family Room If your sofa is against the back wall you are realistically looking at a 5.1 system since the rear speakers have nowhere to go. If you have 3 feet or more behind you, 7.2 may be worthwhile. If you can't fully afford a proper 7.2 system you will be better served with better speakers and a great subwoofer. Bottom Line For a typical family room: A high-quality 5.1 almost always delivers more enjoyment for the money and effort. Only go 7.2 if you have decent space behind the seating and are willing to spend more for the extra immersion and smoother bass. Next week should we discuss if Atmos is worth it in a family room?

    Podcast #1264: Family Room - 5.1 vs 7.2 what makes sense?

  4. Jul 31

    Podcast #1263: 2026 Value Electronics TV Shootout

    On this week's show we breakdown the Value Electronics 2026 TV Shootout and see who the new King TV is. We also read your emails and look at the week's news. News: LG is cracking down on smart TV apps that quietly turn your TV into a secret proxy Streaming Execs Say Roku Most Important CTV Platform for Home Screen Visibility Comcast has Lost Over 600,000 TV Customers So Far This Year & 232,000 Internet Customers Other: LG TVs are better than they've ever been — here's what they're doing right, what they're doing wrong, and what needs to change in 2026 2026 Value Electronics TV Shootout Summary Value Electronics (Scarsdale, NY) held its annual expert-judged TV Shootout on July 18, 2026. All sets were professionally calibrated and compared side-by-side against reference Sony BVM-HX3110 mastering monitors. Judges scored attributes (contrast/grayscale, color accuracy, processing, shadow detail, motion handling, bright-room performance, etc.) on a 1–5 scale for both SDR and HDR. Combined averages determine the rankings.  OLED Category (65-inch flagships) Samsung QN65S95H (QD-OLED)  — Combined (SDR + HDR) average 9.3 → King of OLED TV and overall King of TV for 2026. Highest scores in both SDR and HDR; won the majority of categories. Ended Sony's seven-year winning streak. $2500 at Amazon Sony K65XR80M2 (Bravia 8 II / QD-OLED) — Combined average 8.0 Close runner-up with strong, consistent performance in both SDR and HDR. $3000 at Amazon LG OLED65G6WUA (W-OLED / tandem) — Combined average 7.0 Solid but finished a clear third. $3300 direct from LG Micro RGB (True RGB Mini/Micro-LED LCD) Category (75-inch flagships)  This was the first year the shootout included a dedicated Micro RGB / true RGB-backlit LCD category. Sony K75XR90M2 (Bravia 9 II) — Combined average 7.9 → King of Mini/Micro RGB TV. Dominated most categories in both SDR and HDR. $3400 at Amazon Samsung MRN75R95H — Combined average 6.2 Clear second place. $4500 direct from Samsung LG 75MRGB95BUA — Combined average 5.2 Finished third. $4500 direct from LG Key Takeaways OLED still generally outperformed the new Mini/Micro RGB LCD technology overall. Samsung's S95H QD-OLED was the standout performer of the event by a healthy margin. Sony's new true RGB Bravia 9 II proved the Mini RGB approach is highly competitive (it even beat LG's G6 OLED and was competitive with Sony's own OLED in some HDR aspects). LG placed third in both categories. The event highlighted how close the top flagships have become, while still showing meaningful differences in accuracy, processing, and real-content performance under calibrated conditions.

    Podcast #1263: 2026 Value Electronics TV Shootout

  5. Jul 24

    Podcast #1262: What is on the Home Theater Horizon

    On this week's show we look into our crystal ball to see what is on the Home Theater Horizon. We also read your emails and take a look at the week's news. News: 2026 Value Electronics TV Shootout: Samsung Snaps Sony TV Streak CarPlay video coming with iOS 27 WGA Seeks Injunction to Block Deal's Closing What is on the Home Theater Horizon Home theater technology is advancing quickly and the trend is moving toward wireless setups, brighter and more flexible displays, AI-powered calibration, immersive spatial audio, and simpler high-end installations. Today we take a look at what we can expect over the next couple of years. Displays: Brighter, Wireless, and Modular Ultra-thin wireless OLEDs: LG's OLED evo W6, also called the Wallpaper TV, is part of their 2026 evo lineup. It's incredibly thin — just 9 millimeters thick — and features a true wireless design. All your devices plug into a separate Zero Connect Box that can sit up to 10 meters away. The box then sends 4K video and audio wirelessly to the TV with almost no quality loss. The TV also includes Hyper Radiant Color Technology. This delivers much higher brightness — up to 3.9 times brighter than standard OLEDs — along with deeper black levels and fewer reflections. For gamers, it supports 4K at 165 Hertz, G-SYNC, and very fast response times. MicroLED and RGB advancements: MicroLED displays — including variants like Micro RGB or TriChroma — are becoming popular for luxury home theater setups. They deliver perfect blacks like OLED screens, but with much higher brightness, no burn-in risk, and modular designs that let you create custom sizes, such as 136-inch or even larger cinema walls. Brands like LG with their MAGNIT Active Micro LED, Samsung, and Sony are leading the way, offering seamless, cinema-certified picture quality. Consumer versions are still quite expensive — often six figures for a full wall — but they're becoming more realistic and affordable over time. Mini RGB: These TVs are poised to be a big hit because they combine the best of both worlds: the perfect blacks and contrast of OLED with the extreme brightness, longevity, and modular flexibility of MicroLED-style RGB technology. By using advanced Mini RGB LED backlighting, Mini RGB delivers stunning HDR performance, vibrant colors, and seamless large-screen designs ideal for luxury home theaters — all without burn-in worries. Sony's reputation for premium picture processing, cinema-grade calibration, and build quality gives their Mini RGB  a clear edge over competitors, making these TVs the top choice for serious enthusiasts who want theater-like visuals that will stay impressive for years to come. Projectors: Triple-laser UST (ultra-short-throw) and standard models dominate, with brighter outputs (thousands of ISO lumens), wider color gamuts (e.g., 110% BT.2026), Dolby Vision support, and 4K/8K capabilities. Examples include XGIMI Horizon 20 Max, AWOL Vision LTV-3000 Pro, and Hisense models. Laser is now the baseline for premium performance. Audio: Wireless Immersion and Modular Systems Wireless multi-speaker ecosystems: Dolby Atmos FlexConnect is rolling out more widely including the LG Sound Suite. This enables cable-free speaker placement with accurate panning. Sony's BRAVIA Theatre lineup (Trio, Bar 7/9, etc.) emphasizes modular wireless components with 360 Spatial Sound Mapping, phantom speakers (up to 24 channels), and room calibration. Advanced AVRs and processors: Denon, Onkyo, and others offer higher-channel support (9.4+), Dirac Live/Audyssey calibration, and AI room tuning. Multi-channel processors use Audio over IP for fewer wires in custom installs. Immersive extras: Haptic furniture, synchronized smart lighting using the  Philips HDMI Sync Box 2.1, and AI acoustic optimization for real-time adjustments. Other Notable Trends AI integration: Automatic calibration, content optimization, and adaptive environments including  room mapping for sound and light.. Hybrid/immersive rooms: 360-degree or wraparound video with spatial audio, plus premium formats inspired by commercial cinema (laser projection, higher baselines like 7.1+ with height channels). Lifestyle focus: Movable displays, aesthetically integrated speakers, mainly acoustically transparent designs, and easier setups for non-dedicated rooms. There are some exciting technologies shaping the next couple of years in home theater. Displays are getting brighter, thinner, and more flexible with ultra-thin wireless designs. High-performance UST laser projectors will bring huge screens to rooms where it was never possible before. And the shift toward truly wireless, immersive audio will fill any room with rich, room-filling sound. Best of all, your entire system will adapt to your room with the touch of a button!

    Podcast #1262: What is on the Home Theater Horizon

  6. Jul 17

    Podcast #1261: What If Cable & Satellite Providers Exit Traditional Linear TV Business

    On this week's show we take a hypothetical look at Cable and Satellite TV's future. We also read your emails and take a look at the week's news! News: Netflix Is Exploring Live TV and Bundles as It Struggles to Keep Viewers Hooked Scripps, DirecTV End Blackout, Ink New Retrans Deal RGB LED TVs Set For Market Growth In Coming Years What If Cable & Satellite Providers Exit Traditional Linear TV Business On this week's show we take a hypothetical look at Cable and Satellite TV's future.   We have said that we see TV being delivered via the Internet vs the traditional means of OTA, Cable, or Satellite. What would this world look like and who are the winners and losers? Scenario Setup Major providers — Comcast/Xfinity, Charter/Spectrum, DirecTV, Dish Network, Altice, and smaller cable operators — face accelerating cord-cutting. Traditional pay-TV subscribers have already dropped to ~34% of U.S. households. Revenue from linear TV (cable channels + satellite) is shrinking fast due to high programming costs, declining ad revenue, and competition from streamers. In this scenario, the industry collectively decides to abandon legacy linear TV (bundled channel packages) and pivots hard to two main businesses: High-speed broadband/data which is their most profitable product. IPTV / Streaming aggregation with their own apps or virtual third party MVPD services like YouTube TV-style offerings. They sunset traditional cable TV boxes, satellite dishes, and legacy contracts over 2–3 years. What Happens Next For the Providers it's mostly upside. Broadband becomes ~70–80% of revenue. Margins on data are much higher than on video because there are no expensive content carriage fees. Companies like Comcast and Charter already make most of their profit from data. Huge reduction in programming fees paid to Disney, NBCU, Warner, etc. No more maintaining old coaxial/satellite infrastructure for TV. All of which greatly cuts costs. New Growth Areas: Sell/partner on IPTV services (e.g., Xfinity Stream becomes the main offering, or they white-label streaming bundles). Mobile + home internet bundles (5G fixed wireless + fiber expansion). Advertising on their own streaming platforms. The biggest hurdles are massive customer service transition, potential loss of some rural satellite customers, and potential regulatory scrutiny over broadband monopolies. For Consumers the benefits include: Lower base bills, faster innovation in home internet which results in more fiber, better speeds, and  lower latency, and IPTV options could be cheaper/better than old cable (cloud DVR, multi-device streaming). Of course there is a downside. Sports fans and older viewers lose easy "flip channels" experience. Live sports become fragmented across streamers which could end up costing more if you want everything.  There will be Market & Industry Ripple Effects Streaming Wars Accelerate: YouTube TV, Hulu + Live TV, Sling, Fubo, and new entrants gain millions of former cable customers. Netflix, Amazon, etc., may expand live offerings. Content Owners Adapt: Networks like ESPN, CNN, TBS shift to direct-to-consumer or wholesale deals with IPTV platforms. Some channels may disappear or go streaming-only. Competition & Consolidation: Telecoms (AT&T, Verizon) and tech giants (Google Fiber, Amazon, Starlink) push harder into broadband. We could see more mergers. Advertising: Shift from traditional cable ads to targeted streaming ads and broadband data insights. The reality is that it's already happening gradually. Cable companies have been de-emphasizing video for years, pushing broadband bundles, and launching their own streaming apps. Satellite providers are in steeper decline. The full pivot described here would simply formalize and accelerate a trend that's well underway.

    Podcast #1261: What If Cable & Satellite Providers Exit Traditional Linear TV Business

  7. Jul 10

    Podcast #1260: Why Are Netflix Top Shows Losing Viewers?

    On today's show we discuss a post about how Netflix is experiencing a severe "sophomore slump". We also read your emails and discuss the week's news. News: Sony's New Blu-ray & DVD Player Upscales DVDs to Near-HD Quality – Bring Your Old DVDs To Life Again Satellite Pay-TV Provider Dish DBS Files For Chapter 11 Bankruptcy Protection Other: Paramount+ and Showtime for $40.00 Who Owns Klipsch And Where Are The Speakers Made?  VOPLLS Smart Portable Outdoor Projector VEVOR Inflatable Movie Screen Reclaiming the lost art of listening to music Why Are Netflix Top Shows Losing Viewers? Cinema Shorts is reporting that Netflix is experiencing a severe "sophomore slump," with data revealing that its top-performing original series are losing between 30% and 70% of their viewing audience between seasons 1 and 2. As first reported in Bloomberg's "Screentime" newsletter, executive leadership is actively trying to diagnose this mass viewer abandonment. Theories include the multi-year gap between seasons, that dropping an entire season creates a burst of convo that flames out quickly, and the vicious cycle of cancellations.

    Podcast #1260: Why Are Netflix Top Shows Losing Viewers?

  8. Jul 3

    Vacation Message

    No show this week. We are on vacation. Happy Independence Day to our US Listeners.    Enjoy the 1980s jungle at the end of the message. I crack myself up!

    Vacation Message
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4.7
out of 5
359 Ratings

About

The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

Information

  • Creator
    HT Guys
  • Years Active
    2005 - 2026
  • Episodes
    838
  • Rating
    Clean
  • Copyright
    Copyright © 2025, HT Guys. All rights reserved.
  • Show Website
    HDTV and Home Theater Podcast

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