Artspeak Radio, Wednesday, June 17, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Tom Mardikes, Jon Robertson, and Scott Preston. Sound Mandala is a one-of-a-kind immersive audio experience where 100 independent loudspeakers surround you—sound moving around you, above you, and through you. This isn't surround sound. It's something altogether different, carefully crafted by sound designers who spend hours mixing each piece moving the sound around you, above you, and beneath you. Audio becomes a physical environment you can step inside – you feel it as much as you hear it. We call it a Mecca concept — you can't stream it, download it, or replicate it anywhere else. You have to be there. TOM MARDIKES & JON ROBERTSON- Sound Mandala Summer 2026 runs June 10 – August 1 presented at Unicorn Theatre; tickets on sale May 1 Sound Mandala is back and this summer, it's bigger than ever. The groundbreaking immersive audio experience returns to the Unicorn Theatre's Jerome Stage June 10 through August 1, 2026, with three original programs that push the boundaries of what sound can do to a room and to the people inside it. Tickets at www.soundmandala.org/experience. Sound Mandala's summer run coincides with Kansas City's moment on the world stage as a 2026 FIFA World Cup host city and overlaps with the KC Fringe Festival, positioning it as a must-see cultural destination for international visitors and locals alike. At the heart of the experience: a custom-built array of 100 independent loudspeakers surrounding audiences on all sides — above them, beside them, moving through them. Programs are complex mixes of recording done by our artists, using their original tracks. "This is an experience that simply cannot be duplicated anywhere else," said creator and founder Tom Mardikes. "To experience it, you have to be there." Sound Mandala made its public debut at the 2024 KC Fringe Festival, where over 9 days more than 800 people experienced the installation. The creative team draws from artists and designers affiliated with UMKC Conservatory's Sound Design MFA program, and the project has grown from the research of UMKC professor Tom Mardikes over many years. Sound Mandala Institute, Inc. is a Kansas City–based 501(c)(3) nonprofit organization. For history, technology, and more: www.soundmandala.org THE 2026 PROGRAMS Signal&Soul | June 10 – August 1 The flagship variety program, and Sound Mandala at its most kaleidoscopic. Roughly 50 minutes, 10 pieces, zero filler. Signal&Soul collides original music, theatrical performance, beatboxing, spoken word, and unexpected reinvention into a single, propulsive arc. Featured works include The Missionary by acclaimed KC artist Krizz Kaliko; an original composition by Austen Schober; a video game collage from Jacob Souders and Paul Vedros; a Chekhov vignette performed by Vanessa Severo; beatboxer Luke "Skippy" Harbur of musicbyskippy; MU by audio artist Rev. Dwight Frizzell; a new piece by Jon Robertson; and a Sound Mandala reimagining of the Beatles' "Tomorrow Never Knows" that has to be heard to be believed. Indie Spotlight from Challenger Artists | June 20 – August 1 Five bands. Two songs each. Original multi-track recordings mixed into an immersive system that will change how you hear them. Challenger Artists has assembled a remarkable roster for this approximately 60-minute set conceived specifically for the Sound Mandala environment. Featuring: Mini Trees, the indie-alt pop project of LA-based songwriter Lexi Vega, whose 2025 headline tour sold out venues coast to coast; Brooklyn duo TOLEDO; Valley Boy, whose collaborators include Sabrina Carpenter, Dua Lipa, and Troye Sivan; Midwest four-piece Post Sex Nachos, whose track "SOS" climbed to the SiriusXM Alt Nation Top 6; and Chicago indie act Capital Soiree, featured on Spotify's Fresh Finds editorial playlists. Unicorn Theatre | Jerome Stage 3828 Main Street, Kansas City, MO 64111 Tom Mardikes has worked on over 250 professional productions nationwide as Sound Designer for Kansas City Repertory Theatre (formerly Missouri Rep), the Repertory Theatre of St. Louis, the Dallas Theatre Center, Syracuse Stage, Coconut Grove, the Roundabout, Buffalo Studio Arena, the Alley Theatre, Great Lakes Theatre Festival, Heart of America Shakespeare Festival, Idaho Shakespeare Festival, Cincinnati Playhouse in the Park and Shakespeare Santa Cruz. Jon Robertson A Kansas City-based sound designer and composer, honed his skills during the pandemic to improve online audio collaboration. In 2021, he co-created the audio tool, Tutti Remote, facilitating global audio syncing for performers. His work spans theatrical productions, films, and radio plays, earning recognition at festivals like New Music Gathering and KC Fringe. An educator at heart, Jon currently teaches at the University of Evansville and boasts degrees from UMKC and the University of Arizona. Jon has been working with the Sound Mandala since 2015. The Sound Mandala is a new way of listening to recorded sounds, in a room full of loudspeakers arranged in a matrix allowing for a wide variety of sound distribution and motion. In the auditory domain, the Sound Mandala imitates the visual trick of film motion by placing dozens of loudspeakers into a space organized into a matrix of lines and rows, then dividing, or spreading a sound along these lines and rows to create a sinuous ‘motion’ of sound. This summer the Sound Mandala will present a new show at the Unicorn Theatre as well as joining the KC Fringe Festival 2026, featuring a 100-loudspeaker channel system in the Jerome black box theatre seating 40 people. We refer to the Sound Mandala as a ‘Mecca-concept’----you must go there to have the experience. As this invention becomes commercialized and we experiment with visual images, this Mecca-concept will be a decided advantage to a film presenter---an advantage movie theatres do not enjoy today. The Sound Mandala experience cannot be duplicated in the home or in a car. When You Walk In... • An Acoustic Sanctuary: You’ll step into an intimate theater environment wrapped in an array of dozens of individual loudspeakers. • Perfect Sound, Every Seat: Unlike standard concert venues or movie theaters where the best sound is only in the exact center, the Sound Mandala is designed so that every seat is the best seat in the house. • A Journey for the Senses: You will sit back, relax, and let custom-composed music, vivid soundscapes, and acoustic narratives wash over your senses and move right through you. SCOTT PRESTON-The Traveling Hippo is a children's book that encourages family travel traditions, featuring a narrator and seven characters who guide families in taking a stuffed hippo on vacation to create memories. The book, which includes a travel log and illustrations by Preston's daughter, Lilly, is part of a larger "Hippo Universe" that includes merchandise like plushies and trading cards, and it aims to be more than just a story but a family activity. Key aspects of the book and tradition: • Concept: Families bring a stuffed hippo on trips, using the book as a guide and a travel journal to record their adventures. • Characters: The story features a narrator, Hammy the bird, and other characters that help explain the tradition. • Family involvement: The project is a family affair, with Preston's daughter Lilly doing illustrations and his son helping with the website. • Origin: The tradition started with the author's own children using a hippo from a discount store on their trips. • Merchandise: The "Hippo Universe" includes the book, plush toys, and other items, with plans for more books and products. • Awards: It was a finalist in the 2026 Next Generation Indie Book Awards.