Ransom Note

Ransom Note

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste. With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history. Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture. We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell. With love until the grave.

  1. 5d ago

    PREMIERE: James Allison & Tia Cousins – Messin’ With The Wrong Guy

    James Allison and Tia Cousins finally make good on years of talk, turning a Planes, Trains and Automobiles sample into a fuzzed-out, bass-heavy dancefloor rush. There once was a fellow who boarded a plane, And a fellow who boarded a train, And a fellow who honked down a wrong-numbered lane – And nobody knew which was which, it was plain. “I’m the Wrong Guy!” cried one, with a wobble of hips, While a guitar came loose at the seams of his lips, And a bassline rolled thundering up through his ribs, Till the whole rattling carriage dissolved into blips. They danced through the tollbooths, they jived through the fog, Half rock and half rhythm, half man and half dog, With a Cure-shaped shadow and a Fall-tinted frog Keeping time on the tarmac in 4/4 log. So – plane, train, or car, friend, it hardly matters who, When the bassline turns hazy and the guitars cut through – For deep in the static, both wrong guys and true Get messed with entirely, and dance the night through. Long-time friends James Allison and Tia Cousins finally get round to a collaboration years in the talking, built off a sample Tia spotted lurking in the theme song of Planes, Trains and Automobiles. Two studio sessions later, ‘Messin’ With The Wrong Guy’ strips out the “annoying” bits of the original and rebuilds it as a hazy, bass-driven track laced with fuzzed-out guitar – James continuing the rockier lane he opened with his ‘Make Dance Rock Again’ edits, Tia bringing the ear for a curveball that’s shaped her Noods Radio show from day one. Already road-tested at Convenanza 2026, where Rosie Ama dropped it late in her set and brought the house down. Free download: here: https://jamesallison-mdra.bandcamp.com/

    PREMIERE: James Allison & Tia Cousins – Messin’ With The Wrong Guy
  2. Sep 1

    PREMIERE: Javier Ferreira - Mercury (Pinto Remix) [Playground Records]

    Buenos Aires bassline, Guadalajara hypnosis – we’re premiering Pinto’s deep, stripped-back take on Javier Ferreira’s Mercury… Javier Ferreira built a bassline from mercury and light, Multi-instrument magic from Buenos Aires to the night; He broke the rhythm loose and let it drive, Through peak-time thunder, after-hours haze, A groove gone liquid in a silver blaze, Deep and functional, and somehow still alive. Then Pinto came along, all sampler and swing, Stripped the groove right back till the silence could sing; Guadalajara hands on a Mexican night, He hypnotised Mercury, slowed down the spark, Turned peak-time to prayer in the after-hours dark, On Playground Records, ten September: liftoff flight. Ferreira’s Argentinian – Buenos Aires born, Barcelona based – and has been at this fifteen-odd years: DJ, producer, mixing engineer running his own studio, Soundsfera. He co-runs NINEFONT with his brother Gabriel, a hundred-plus releases deep, and has put tracks out everywhere from Suara to Rotten City. DJ Mag LA called him one of Argentina’s top five techno DJs back in 2017; these days he’s as likely to be found teaching, having co-founded academies in Buenos Aires (Insound) and Barcelona (BesideSchool). Deeper is three originals where deep basslines, broken rhythms and driving house grooves collide – detailed but functional, working just as well at peak time as three hours past it. The remixes pull in two directions: Pinto takes Mercury deeper and darker, stripping the groove back till tension carries the track instead of rhythm; François Del Mundo & Rem’s Martinez go the other way on a separate cut, adding a soaring arpeggio and turning it into a straight-up club weapon. Pinto’s from Guadalajara – a Bar Américas resident since 2007, founder of the Localafiesta night, part of the Vatos Locos crew, known for running a sampler as an extra mixer channel back when nobody else was bothering. His read on Mercury fits: strip it back, let it hypnotise rather than hit. Mercury (Pinto Remix), below. Deeper is out 10 September on Playground Records, mastered by Submarea Estudio. GRAB THE FULL EP HERE: https://javier-ferreira.bandcamp.com/album/deeper-inc-pinto-fran-ois-del-mundo-rems-martinez-remixes

    PREMIERE: Javier Ferreira - Mercury (Pinto Remix)  [Playground Records]

Ratings & Reviews

5
out of 5
4 Ratings

About

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste. With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history. Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture. We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell. With love until the grave.

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