Mixing Light Podcasts

•

Canal • 2 programas

Artes visuais

Artes visuais

Atualizado a 03/12/2024
Artes visuais

Artes visuais

Quinzenalmente

31/10/2024

How Much Should Post Production Pros Earn? Does AI Threaten Our Industry?

Full episode notes plus additional links mentioned in this video related to working as a post production professional are at this video's homepage: https://mixinglight.com/color-grading-tutorials/office-hours-live-how-much-are-other-colorists-earning/ === On this edition of Office Hours Live, host and Mixing Light CEO Patrick Inhofer is joined by post-production veteran and Mixing Light contributor Katie Hinsen. They tackle the thorny topic of what you should charge for your creative services and how those rates stack up against others in your field. For the past nine years, Katie has spearheaded the Post Production Survey, which collects confidential and anonymous salary and working conditions data to provide a valuable snapshot of the market's current state. ===

31/10/2024

•

1 h 1 min
26/04/2018

LG 2018 OLEDs & Talking Calibration With Tyler Pruitt

Want to join the conversation? Leave your comments, questions, or observations on this episode's homepage: https://mixinglight.com/color-tutorial/lg-2018-oleds-talking-calibration/

26/04/2018

•

28 min
26/04/2024

A Philosopher-Pilot Talks Video Monitors & Christmas Decorations

Accelerate your post-production career: https://mixinglight.com Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/flanders-scientific-ceo-bram-desmet-the-color-timer-podcast-201/======The Color Timer Season 2 begins right now! Bram Desmet joins The Color Timer to discuss monitors, philosophy, symbolic logic, LUT boxes, and his family's fallback plan. Bram is the founder, CEO, and general manager of Flanders Scientific. His nonlinear path to launching a monitor company started with aspirations to become a philosophy professor and then a pilot while working as a bicycle repair technician. However, as he explains, these topics are all interconnected. Headquartered in Atlanta, Georgia, Flanders Scientific has taken the post production industry by storm, creating an excellent sweet spot of price, features, accuracy, customer service, and value. If you’ve been on a film set lately, chances are you’ve seen the FSI Zunzheng stamp of approval at the DIT cart or the video village. He’s been interviewed many times, but I feel confident this is the first time he’s done it with a 15-minute sand timer running. I also feel confident that it’s one of the first times he’s focused more on discussing philosophy and Christmas decorations than monitors. Don’t worry; we chat about monitors as well!- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

26/04/2024

•

23 min
24/03/2020

Creative Professionals, Contracts, and Kill Fees in the Age of Covid-19

Attorney Seth Polansky, Esq, discusses the rights of creative professionals if clients start to pull jobs (and you've turned away other work)?

24/03/2020

•

30 min
20/10/2023

What’s The Role of VFX Colorist? With DNEG's Christian Ganea Reitmeier

This is a MixingLight.com subscriber-supported podcast. Accelerate your career! = = = = Today, I talk with Christian Ganea Reitmeier, a Quebec-based VFX Colorist at DNEG. He shares what he’s learned solving creative and technical challenges for some of Hollywood’s biggest movies and shows. Just a few of his credits are:- Oppenheimer- Dune- Uncharted- Tenet- Ghostbusters: Afterlife- Foundation Christian has a wealth of knowledge of color science, workflow, and the little details that make a big difference in making a movie look good. If you weren’t aware of the role of a VFX Colorist before, now this exciting craft is on your radar. Full show notes, additional links, and related tutorials are here: https://mixinglight.com/color-grading-tutorials/interview-vfx-colorist-christian-ganea/

20/10/2023

•

59 min
02/08/2024

Colorist Matt McFarland: The Career Of A Filmic Time Traveller And ‘Forensic Colorist’

Accelerate your post-production career: https://mixinglight.com Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/matt-mcfarland-mastering-colorist-interview-color_timer_podcast/ Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===Matt McFarland is a Digital Intermediate & Mastering Colorist at ColorTime based in Los Angeles. In this episode of The Color Timer Podcast, we have a wonderful conversation that delves into the world of remastering classic films from days gone by, cult films, and those that turned into classics almost right after they were released. I had briefly considered listing Todd’s films, but honestly, the list is so massive that the following shortlist misses out on so many amazing films that he has worked on. So definitely check out his IMDB, and you’ll see exactly the films that Matt has been involved with. Here are a few highlights to whet your appetite: - Mad Max: Fury Road – Mastering Colorist: Special Edition- Pacific Rim – DI Color Assist- Flight – Colorist- Up In The Air – Colorist- Revolutionary Road – Colorist- Hustle & Flow – Colorist- Matchstick Men – Remastering Colorist You’ll soon see that there are more variables to manage than you might have imagined when bringing these films back to life. It’s inspiring to hear Matt’s combination of grading and analytical skills to achieve a result that not only pleases the filmmakers but also delights the fans! You’ll quickly see why Matt’s unofficial job description is that of a ‘forensic colorist’.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - - Introduction (01:55) - - Matt's Career Journey (03:28) - - How the Re-mastering process begins (04:41) - - Being a Forensic Colorist (06:02) - - Does Matt reference the original prints? (06:52) - - Fixing mistakes vs original intent (09:32) - - Directors, when remastering to HDR (11:00) - - Studio motivations for remastering (12:09) - - Remastering Wayne's World (12:50) - - Remastering King Creole (14:22) - - What is actually being Archived? (16:35) - - ACES and the future of remastering (20:40) - - Matt's top three favorite films (21:30) - - Conclusion

02/08/2024

•

23 min
23/08/2024

Interviewing The Production Designer & Art Director For ‘The Bear’

Accelerate your post production career: https://mixinglight.com Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-bear-production-designer-art-director-color-timer-interview/ Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===How can I be mesmerized by a television masterpiece while being incredibly stressed out by the chaos of the content? The Bear provokes both of those things. But today, we don’t have to worry about those questions because we focus on the show’s stunning production design and art direction! In this episode, I chat with Production Designer Merje Veski and Art Director Lisa Korpan about how they got into the world of The Bear, what their roles are, and how they work together to create some of the best television I’ve ever seen. Merje has a massive credit list, including Chicago Fire, Bobby & Iza, and Man of Steel, to name a few. Lisa’s portfolio includes Justified: City Primeval, Shining Girls, Candyman, and one of my personal favorite shows, Sense8—again, these are only a few. About The BearIf you haven’t seen The Bear, it is an American psychological comedy-drama television series created by Christopher Storer. Jeremy Allen White stars as Carmy Berzatto, an award-winning chef who returns to his hometown of Chicago to manage the chaotic kitchen at his deceased brother’s sandwich shop. The Bear won 10 Emmy awards in 2023 and has been nominated for a record-breaking 23 Emmy awards, including outstanding production design for 2024.===Executive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - Introduction (02:31) - How Merje & Lisa got started (04:01) - How Lisa & Merje work together (06:48) - Lisa's role in production logistics (08:06) - How do they decide what projects to commit to? (09:29) - When do you realize you're working on an amazing project? (10:46) - Where do you begin with each episode? (12:51) - The direction and design of The Bear's food (16:28) - Do Merje and Lisa relate to the theme of perfection? (18:17) - Is there a Look Book / Bible for The Bear? (21:25) - About the look of the kitchen and bakery (24:37) - Thanks! Buy some Color Timer merch!

23/08/2024

•

26 min
22/02/2017

What Mac Post Pros Need To Know About Building A Custom PC

Want to join the conversation? Leave your comments, questions, or observations on this podcast's homepage: https://mixinglight.com/color-tutorial/mac-post-pros-need-know-moving-pc/

22/02/2017

•

48 min
09/03/2017

Building a PC Optimized for Premiere Pro and DaVinci Resolve

Want to join the conversation? Leave your comments, questions, or observations on this episode's homepage: https://mixinglight.com/color-tutorial/building-pc-optimized-premiere-pro-davinci-resolve/

09/03/2017

•

28 min
22/12/2023

A Career Empowering Colorists: Talking with FilmLight's Peter Postma

Accelerate your career at https://mixinglight.com= = = =Today, I talked to Peter Postma – Managing Director, Americas at FilmLight. Formerly at Kodak and a graduate of the Rochester Institute of Technology. He was a part of the team that deployed the first hardware that could apply a LUT in real-time and was on the committee that developed the CDL. He’s also active in the development of ACES. Peter has made a career of creating workflows and standards that are easy to take for granted. Our conversation covers everything from ACES to rendering images for the new Sphere in Las Vegas. Plus, we talk about the innovative new features in Baslight v6 and its new perceptual color space. Note: Baselight 6 is now released. At the time of this recording, it was in beta. Key takeaways from this Insight- How CDLs were developed as a communication tool with DPs- The evolution of ACES- How HDR introduces creative challenges- The process of emulating photochemical processes- Why Film Processing improved after the introduction of digital tools- How Baselight evolved- Why BaseGrade uses Human Perceptual Space for color grading- Avoiding secondary corrections with better primary tools- The look development tools of ChromaGen- How color grading in the cloud is becoming possible- Producing color workflows for the Las Vegas Sphere=====Full show notes, additional links, and related tutorials are here: https://mixinglight.com/color-grading-tutorials/interview-peter-postma-filmlight/

22/12/2023

•

1 h 4 min

Mixing Light accelerates the careers of film and television post production professionals. Our podcasts feature interviews with accomplished professional creatives who are client-tested.

Site

Mixing Light Podcasts

Top de programas

How Much Should Post Production Pros Earn? Does AI Threaten Our Industry?

LG 2018 OLEDs & Talking Calibration With Tyler Pruitt

A Philosopher-Pilot Talks Video Monitors & Christmas Decorations

Creative Professionals, Contracts, and Kill Fees in the Age of Covid-19

What’s The Role of VFX Colorist? With DNEG's Christian Ganea Reitmeier

Colorist Matt McFarland: The Career Of A Filmic Time Traveller And ‘Forensic Colorist’

Interviewing The Production Designer & Art Director For ‘The Bear’

What Mac Post Pros Need To Know About Building A Custom PC

Building a PC Optimized for Premiere Pro and DaVinci Resolve

A Career Empowering Colorists: Talking with FilmLight's Peter Postma

Sobre

Mixing Light Podcasts

Top de programas

Top de episódios

Sobre