50 episódios
Aria Code WQXR & The Metropolitan Opera
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- Música
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5,0 • 3 classificações
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Aria Code is a podcast that pulls back the curtain on some of the most famous arias in opera history, with insight from the biggest voices of our time, including Roberto Alagna, Diana Damrau, Sondra Radvanovsky, and many others. Hosted by Grammy Award-winner and MacArthur “Genius” Fellow Rhiannon Giddens, Aria Code is produced in partnership with The Metropolitan Opera.
Each episode dives into one aria — a feature for a single singer — and explores how and why these brief musical moments have imprinted themselves in our collective consciousness and what it takes to stand on the Met stage and sing them.
A wealth of guests—from artists like Rufus Wainwright and Ruben Santiago-Hudson to non-musicians like Dame Judi Dench and Dr. Brooke Magnanti, author of The Intimate Adventures of a London Call Girl—join Rhiannon and the Met Opera’s singers to understand why these arias touch us at such a human level, well over a century after they were written. Each episode ends with the aria, uninterrupted and in full, recorded from the Met Opera stage.
Aria Code is produced in partnership with WQXR, The Metropolitan Opera and WNYC Studios.
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Love and Other Drugs: Gounod's Roméo et Juliette
Gounod’s “poison aria” is so difficult, it’s often cut from productions. But it’s a pivotal moment in the opera — and a testament to Juliette’s courage.
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You Don't Own Me: The Myth and Magic of Bizet's Carmen
Carmen is perhaps the most famous heroine in all of opera: an icon of sensuality and self-determination — and a full-blown stereotype of Romani culture.
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Revisiting Mozart’s Queen of the Night: Outrage Out of This World
When the Voyager spacecraft set off to explore the galaxy, it carried recordings to represent the best of humanity. There was only one aria: the rage-fest from Mozart's The Magic Flute.
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Love Takes Flight: Catán's Florencia en el Amazonas
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Davis’s X: The Life and Legacy of Malcolm X
Malcolm X means many things to many people. In Anthony Davis’s opera, his humanity comes first.
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Revisiting Gluck’s Orfeo ed Euridice: Don’t Look Back in Ardor
When someone you love dies, how far would you be willing to go to bring them back? The mythical Orpheus goes to hell and back, but even that isn’t enough to save his love Eurydice.
Críticas de clientes
Great idea
This is a great idea. I would move to reproduce it in Brazil, where we could make a big difference in bringing opera to a wider audience. How could I do it?
Aria Code is A Masterpiece itself !
I just recently came into the opera world . I was so well and luckily introduced because my firs ópera was Turandot . First here on our São Carlos Opera House And a week later on the MET for that Zeffirelli Classic . It didn’t plant a seed: I had the entire tree on my yet little vase.
I like to dig. I like to understand and feel and contextualise. And I recently found Aria code in one of my researches and I found myself with my eyes closed diving into Porgy and Bess. A beginner’s luck ? I cried while listening to it, I laughed, i understood it, I sung . Felt like diving onto it. And so simple it seems, when it is made with passion and knowledge . A masterclass.
It is all a podcast can be . Another look ,through sound . You see with your hears. The music and the words take you in this journey of music in such a way rhat I just do not call it perfect , because the sense of perfection is reductive. And there is certainly many more to listen and much More to sense. But because of all this , is the best podcast experience i had ever. Regardless the subject is so dear to me It really extracts the essence of oodcast and the power of the radio. You imagine what you do not see. And it is not just me, everybody that I share it with also love it . Thank you, MET Opera, once again. Be there in March . Untill then , I have Aria Code and the Met live sessions. Guess what ? Next Aria Code is Turandot... next MET Opera live will be Porgy and Bess. Go Figure !