8 episódios

Local programming from southern R.I. & southeastern CT.‘s classical station

Classical 95.9-FM WCRI Classical 95.9-FM WCRI

    • Música

Local programming from southern R.I. & southeastern CT.‘s classical station

    06-13-24 Earth & Death - A Walk In The Park

    06-13-24 Earth & Death - A Walk In The Park

    In this week's A Walk In The Park with Jane Andrews, Jane talks about earth and death.

    • 3 min
    06-16 -24 Newport Classical Concert Season - Conducting Conversations

    06-16 -24 Newport Classical Concert Season - Conducting Conversations

    This week Newport Classical is the subject of the program with Trevor Neal, Artistic Director. We talk about their upcoming Concert Season at many venues throughout Newport that runs from July 4th to the 21st. For more information you can go to https://www.newportclassical.org/

    • 46 min
    06-14-24 Saxophonist Julian "Cannonball" Adderley - Jazz After Dinner

    06-14-24 Saxophonist Julian "Cannonball" Adderley - Jazz After Dinner

    This week Joe is featuring Saxophonist Julian “Cannonball” Adderley from his 1963 Riverside Records recording, titled “Jazz Workshop Revisited.” 

    • 50 min
    07-08-24 New York Times bestselling authors Joanne Leedom-Ackerman and her son Elliott Ackerman - Ocean House Author Series

    07-08-24 New York Times bestselling authors Joanne Leedom-Ackerman and her son Elliott Ackerman - Ocean House Author Series

    Join Ocean House owner, actor, and bestselling author Deborah Goodrich Royce for a conversation with New York Times bestselling authors and mother/son duo Elliott Ackerman and Joanna Leedom-Ackerman. They discuss their books: Joanne Leedom-Ackerman’s The Far Side of the Desert and Elliott Ackerman’s 2054.
    About the Authors: 
    Elliot Ackerman is the author of the novels Halcyon, Red Dress in Black and White, Waiting for Eden, Dark at the Crossing, Green on Blue, and the memoirs The Fifth Act and Places and Names. His books have been nominated for numerous awards, including the National Book Award, the Andrew Carnegie Medal in fiction and nonfiction, and the Dayton Literary Peace Prize. He is a contributing writer at The Atlantic and a Marine veteran, having served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart.
    About 2054:
    From the acclaimed authors of the runaway New York Times bestseller 2034 comes another explosive work of speculative fiction set twenty years further in the future, at a moment when a radical leap forward in artificial intelligence combines with America’s violent partisan divide to create an existential threat to the country, and the world
    It is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, holding power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media but is beginning to lose control of the streets. Many fear he’ll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war.
    A handful of elite actors from the worlds of computer science, intelligence, and business have a fairly good idea of what happened. All signs point to a profound breakthrough in AI, of which the remote assassination of an American president is hardly the most game-changing ramification. The trail leads to an outpost in the Amazon rainforest, the last known whereabouts of the tech visionary who predicted this breakthrough. As some of the world’s great powers, old and new, state and nonstate alike, struggle to outmaneuver one another in this new Great Game of scientific discovery, the outcome becomes entangled with the fate of American democracy.
    Combining a deep understanding of AI, biotech, and the possibility of a coming Singularity, along with their signature geopolitical sophistication, Elliot Ackerman and Admiral James Stavridis have once again written a visionary work. 2054 is a novel that reads like a thriller, even as it demands that we consider the trajectory of our society and its potentially calamitous destination.
    Joanne Leedom-Ackerman is a novelist, short story writer, and journalist. Her works of fiction include Burning Distance, The Dark Path to the River, and No Marble Angels. She has published PEN Journeys: Memoir of Literature on the Line and was the editor for The Journey of Liu Xiaobo: From Dark Horse to Nobel Laureate. Former International Secretary of PEN International, she is a Vice President of PEN International and a former board member and Vice President of PEN American Center. She serves on the boards of Refugees International, the International Center for Journalists, the American Writers Museum, and Words Without Borders and is an emeritus director of Poets and Writers, the PEN/Faulkner Foundation, and Human Rights Watch and an emeritus trustee of Brown University and Johns Hopkins University. Joanne is a member of the Council on Foreign Relations and the Texas Institute of Letters. A former The Christian Science Monitor reporter, Joanne has taught writing at New York Un

    • 51 min
    06-06-24 Mission - A Walk In The Park

    06-06-24 Mission - A Walk In The Park

    In this week's A Walk In The Park with Jane Andrews, Jane talks about getting busy before it's too late.

    • 3 min
    06-09-24 Coffee Milk Opera Company - Conducting Conversations

    06-09-24 Coffee Milk Opera Company - Conducting Conversations

    This week, Coffee Milk Opera Company is the program's subject, with Krista Wilhelmsen, Co-founder and Artistic Director. We listen to music from the company and talk about its first season and the plans for two concerts in September. For more information, you can email coffeemilkopera@gmail.com or go to www.coffeemilkopera.com.

     

    • 51 min

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