H-Hour

Hugh Keir

A former sniper interviewing fascinating human beings.

  1. 2 DAYS AGO

    New officers should “keep your mouth shut and listen.” Alex Brockdorff’s H-Hour Icebreaker

    Join the H-Hour Patron Community at patreon.com/hkpodcasts ***** Live-streamed to H-Hour patrons, this Icebreaker introduces returning guest Alex Brockdorff and runs through patron questions about his Army career and acting work. Alex explains that Sandhurst is designed as a training course—selection should mean candidates can pass—though passing out isn’t proof of “excellence,” and new officers should “keep your mouth shut and listen.” He recalls finishing Sandhurst in 2008 and being sent rapidly to Iraq with QRH in Basra, initially stuck on watchkeeper duties until he pushed to go into the city, and later doing a full Afghanistan tour on Herrick 15. Now freelancing in film, he says insecurity drives stress but he’s learned to “roll with the punches.” He describes pivoting into acting after watching Rafe Spall direct non-professional actors, and praises Warfare’s immersion—real radios and live comms—saying, “Shit’s going fully fucking sideways,” and arguing it should be heard loud in Dolby Atmos. Alex Brockdorff Is an actor and former soldier. He joined the Army in 2008 with deployments to both Iraq and Afghanistan - in 2014 he left the military to pursue a career in film. He as appeared in a slate of films, network and streaming television dramas, and most recently he played Mikey in the critically acclaimed WARFARE (A24). https://www.alexbrockdorff.com/

    22 min
  2. 22 FEB

    Rogue Heroes Military Adviser – “This is what warfare is like. This is what men are forced to do.”

    Join the H-Hour Patron Community at patreon.com/hkpodcasts ***** For H-Hour #279 I welcome back “Bags,” a former Royal Tank Regiment officer and military advisor for film, TV, and theatre, where we discuss reviving TV/film episodes—starting with a tank-film theme—and how cavalry and tank regiments evolved from WWI to today. Bags discusses his ongoing advisory role on Rogue Heroes (including season three’s production challenges, schedule compression, and historical-accuracy debates), the mixed military reaction to season one, and his views on the portrayal of Paddy Mayne while balancing authenticity against storytelling, budget, and time. The conversation ranges through theater work at the Globe, the appeal of live performance and improvisation, ticket pricing and ways to find cheaper seats, and how streaming has reshaped pay—especially the loss of residuals and disputes like Scarlett Johansson’s—alongside Netflix’s “second screening” influence and attention spans. We trade film recommendations and reflections and then address patron questions about how much productions act on military advice and whether media shapes public perceptions of war. The episode ends with a discussion of UK defence readiness, reliance on allies, and Bags’ new role at a British engineering firm building UGVs (uncrewed ground vehicles), plus thoughts on future instability, potential reserve service, and legacy prosecutions related to Northern Ireland.

    2h 9m

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A former sniper interviewing fascinating human beings.

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