The Political Scene | The New Yorker

Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

  1. 15 HR AGO

    Hillary Clinton on the Psychology of Autocrats

    The Washington Roundtable is joined by the former Secretary of State Hillary Clinton and Keren Yarhi-Milo, the dean of the School of International and Public Affairs at Columbia University, to discuss why interpreting the psychology of world leaders such as Donald Trump, Vladimir Putin, and Xi Jinping is essential to understanding global crises. Clinton also shares her thoughts on Gavin Newsom’s plan for redistricting in California, the Trump Administration’s free-speech crackdown in the wake of the Charlie Kirk assassination, and ABC’s decision to pull “Jimmy Kimmel Live!” off the air. “Jimmy Kimmel and all of the late-night comedians have certainly said a lot of things about me that I found painful, offensive, outraging. It never crossed my mind that I could call up and say, ‘Hey, get rid of this guy,’ ” Clinton says. “It’s all at the behest of the President, who wants to stifle and remove any opposition, and certainly anyone who makes fun of him.” Clinton and Yarhi-Milo’s new book, “Inside the Situation Room: The Theory and Practice of Crisis Decision-Making,” was published this week. This week’s reading: “The Grave Threat Posed by Donald Trump’s Attack on Jimmy Kimmel,” by Isaac Chotiner “Israel’s New Occupation,” by Ruth Margalit “J. D. Vance, Charlie Kirk, and the Politics-as-Talk Show Singularity,” by Andrew Marantz “What the Video of Charlie Kirk’s Murder Might Do,” by Jay Caspian King Tune in wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

    46 min
  2. 5 DAYS AGO

    How the “Dangerous Gimmick” of the Two-State Solution Ended in Disaster

    For decades, the United States backed efforts to achieve a two-state solution—in which Israel would exist side by side with the Palestinian state, with both states recognizing each other’s claim to contested territory. The veteran negotiators Hussein Agha, representing Palestine, and Robert Malley, an American diplomat, played instrumental roles in that long effort, including the critical Camp David summit of 2000. But, in their new book, “Tomorrow Is Yesterday,” they conclude that they were part of a charade. There was never any way that a two-state solution could satisfy either of the parties, Agha and Malley tell David Remnick in an interview. “A waste of time is almost a charitable way to look at it,” Malley notes bitterly. “At the end of that thirty-year-or-so period, the Israelis and Palestinians are in a worse situation than before the U.S. got so heavily invested.” The process, appealing to Western leaders and liberals in Israel, was geared to “find the kind of solutions that have a technical outcome, that are measurable, and that can be portrayed by lines on maps,” Agha says. “It completely discarded the issue of emotions and history. You can’t be emotional. You have to be rational. You have to be cool. But rational and cool has nothing to do with the conflict.”  “What Killed the Two-State Solution?,” an excerpt from Agha and Malley’s new book, was published in The New Yorker.  New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

    38 min
  3. 8 SEPT

    Anna Wintour Embraces a New Era at Vogue

    Speculation, analysis, and commentary circulated all summer, after the announcement, in June, that Anna Wintour would step back from her role as the editor-in-chief of American Vogue. This changing of the guard is uniquely fraught, because Wintour’s name has become nearly inextricable from the magazine, to a degree almost unknown today. And, as New York Fashion Week was set to begin, Wintour spoke with David Remnick about choosing her successor, the Vogue.com editor Chloe Malle. “It felt like this was the right time,” she says. With an unusual number of new creative directors in positions at major fashion houses, “It seemed like a good moment to bring in someone with a different perspective and a different generation who could look at things in a new way.” Wintour was appointed editor-in-chief in 1988, and generations of designers have come up under her famously acute and decisive judgments. She comes from a publishing family; her brother is a well-known journalist, and her father was the editor of the London Evening Standard. She credits him with steering her into a career in fashion, even suggesting that the teen-age Anna write down “editor of Vogue” as her career aspiration on a school form. “Working my first jobs in London, there [was] no money, there’s no staff, there’s no teams, so that you have to learn how to do everything,” Wintour says. “So, when I came to the States and there was a shoe editor and an underwear editor and a fabric editor, it was all so siloed. I felt very confident because I sort of knew how to do everything.” Wintour is also known for bringing politics to Vogue; she’s a noted Democratic supporter and donor. “I’ve been impressed by Governor Newsom, I think he’s certainly making a stand, and obviously I’m sure there’ll be many other candidates that will emerge, hopefully soon.” But, in this political environment, Remnick asks, “How do you make a case that fashion is important?” Fashion, she replies, “is always important. It’s a question of self-expression and a statement about yourself. . . . And, forgive me, David, but how boring would it be if everybody was just wearing a dark suit and a white shirt all the time?” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

    40 min

About

Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

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