Material Girls

A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions. Hosted on Acast. See acast.com/privacy for more information.

  1. 1 day ago

    The Odyssey x Canonicity

    We're back from our Summer Break™ with an episode about Christopher Nolan's The Odyssey. It's not easy to tackle the zeitgeistiness of a poem that's been circulating for thousands of years, but leave it up to Hannah and Marcelle to try anyway. In this episode, we chat about the creation of Homeric epics, authorship, the cultural force of the so-called Western Canon, and the fluidity of The Odyssey as a culture text in and of itself. *** To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Works CitedBostick, Dani. “The Classical Roots of White Supremacy.” Learning for Justice. Southern Poverty Law Centre, 4 January 2021. https://www.splcenter.org/resources/stories/the-classical-roots-of-white-supremacy/.  Hall, Edith. The Return of Ulysses: A Cultural History of Homer’s Odyssey. London: I.B.Tauris, 2008.  Kellman, Steven G. “The Literary Canon.” EBSCO Research Starters. 2023. https://www.ebsco.com/research-starters/literature-and-writing/literary-canon.  Mahdawi, Arwa. “Why is Elon Musk so threatened by the casting of The Odyssey?” The Guardian 22 May 2026. https://www.theguardian.com/commentisfree/2026/may/22/elon-musk-the-odyssey-casting.  Mcleod, E.M. [@mcleodmouth]. “LUPITA GET BEHIND ME .” Instagram, 3 May 2026. https://www.instagram.com/p/DX4pI19pP0a/?hl=en.  Wilson, Emily, trans. The Odyssey. New York & London: W.W. Norton & Company, 2018.  Hosted on Acast. See acast.com/privacy for more information.

  2. 30 Jun

    Obsession x Incel Horror

    Note: this episode contains spoilers for the movie Obsession! This week, we’re bringing you an episode you’re gonna be absolutely OBSESSED with (wink wink). In this episode, Marcelle and Hannah dig deep into the extremely zeitgeisty horror film Obsession (2026, dir. Curry Barker). Marcelle walks us through the movie’s explosive popularity, its complicated ideas of consent, and the complexity of the horror genre’s treatment of gender and setting. By examining the movie through the lens of “incel horror,” they examine the film’s treatment of masculinity and the anxieties surrounding contemporary romantic relationships. Related listening: Spare x Tender Masculinity Get Out x Horrifying Whiteness Book 6, Ep. 3 | Rape Culture Works Cited: Barasch, Alex. “The Twenty-Six-Year-Old Behind ‘Obsession,’ a Terrifying Tale of a Crush Gone Awry.” The New Yorker. May 11, 2026. https://www.newyorker.com/culture/persons-of-interest/the-twenty-six-year-old-behind-obsession-a-terrifying-tale-of-a-crush-gone-awry. Accessed June 25 2026. Cieslik, Emma. “‘Obsession’ and the Rise of Incel Horror: When Men’s Entitlement Becomes the Monster.” Ms. Magazine. June 4, 2026. https://msmagazine.com/2026/06/04/obsession-incel-horror/. Accessed June 25 2026. Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” Representations, no. 20 (Autumn 1987): 187–228. https://www.jstor.org/stable/2928507. Eqbal, Amelia. “Are Movie Audiences Smart Enough to Appreciate Obsession’s Incel Horror Message?.” CBC. June 5, 2026. https://www.cbc.ca/arts/commotion/are-movie-audiences-smart-enough-to-appreciate-obsessions-incel-horror-message-9.7224800. Accessed June 25 2026 Hamedy, Saba, and Greg Rosenstein. “How an Indie Horror Film Became a Box-Office ‘Obsession.’” NBC News. May 25, 2026. https://www.nbcnews.com/pop-culture/pop-culture-news/obsession-curry-barker-box-office-hit-focus-features-rcna346824. Accessed June 25 2026. Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Horror, The Film Reader, edited by Mark Jancovich, Routledge, 2001, pp. 47–55. *** To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

About

A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions. Hosted on Acast. See acast.com/privacy for more information.

More From Witch, Please Productions

You Might Also Like