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2024-08-08
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4 FEB.

Episode 785: Shirley Thompson Versus The Aliens (1972)

The Projection Booth kicks off a month devoted to Australian oddities with Shirley Thompson Versus the Aliens, the startling 1972 debut from director Jim Sharman. Long unseen outside of archival corners of the internet, the film sits at the crossroads of experimental theater, pop music, political anxiety, and institutional paranoia. Heather Drain and Chris O’Neil join Mike to unpack the film’s radical shifts in tone and form: the oscillation between black-and-white and color, the omnipresent off-screen voices, the rock-and-roll aliens, and the way Sharman folds Cold War fears, ecological warnings, and Australian cultural touchstones into Shirley’s fractured psyche. The discussion also traces how the film anticipates Sharman’s later work, with its collision of spectacle, provocation, and musical disruption. The episode features an interview with production designer Brian Thomson, who reflects on the film’s theatrical roots, handmade aesthetic, and the creative freedom that allowed such a strange debut to exist. Part asylum drama, part pop-art warning, Shirley Thompson Versus the Aliens stands as a message from the margins nobody was prepared to hear. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

4 feb.

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2 tim 35 min
−6 D

Episode 786: Pandemonium (1987)

The Projection Booth continues its dive into Australian cinema with Pandemonium, the delirious 1987 feature from writer-director Haydn Keenan. A film that plays like a fever dream filtered through exploitation cinema, absurdist theater, and cultural anxiety, Pandemonium resists easy summary—and happily punishes anyone who tries. The story unfolds through the fractured testimony of Kales Leadingham, an escapee from an asylum portrayed by David Argue, who recounts his time working as a surveyor at a decaying movie studio run by the grotesque siblings (or spouses?) EB and PB De Wolf. What follows is a barrage of unstable identities, pagan imagery, religious parody, sexual panic, fascist satire, and mythic nonsense, all orbiting the enigmatic “Dingo Girl,” whose presence seems to fracture reality itself. Mike is joined by Heather Drain and Payton McCarty-Simas to unpack Keenan’s anything-goes approach to narrative, performance, and tone. The discussion wrestles with the film’s wild accents, confrontational humor, taboo imagery, and relentless escalation—from Nazi roleplay and talking mirrors to possessed dolls, zombie parties, musical numbers, and outright apocalyptic imagery. The episode also features an interview with Haydn Keenan, who reflects on the film’s creation, its confrontational sensibility, and its afterlife as a cult object. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

−6 d

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2 tim 7 min
14 JAN.

Episode 782: The Dark Knight Rises (2012)

Spencer Parsons and Chris Stachiw join Mike to dig into the ideological undercurrents of The Dark Knight Rises, Christopher Nolan’s contentious capstone to his Batman trilogy. Released in 2012, the film finds a broken Bruce Wayne (Christian Bale) pulled back into action as Gotham—now pointedly resembling New York—falls under siege by Bane (Tom Hardy) and the League of Shadows. The conversation moves past spectacle to examine the film’s deeply anxious view of revolution, class conflict, and populist politics. Drawing connections to Occupy Wall Street–era fears, Mike, Spencer, and Chris unpack how Bane’s rhetoric of liberation masks authoritarian control, how mass movements are portrayed as dangerous and irrational, and how order is ultimately restored through elite sacrifice rather than systemic change. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

14 jan.

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2 tim 9 min
2018-07-17

Episode 373: Yojimbo (1961)

Released in 1961, Akira Kurosawa’s Yojimbo was an international sensation and put jettisoned star Toshiro Mifune into the pantheon of cinematic badasses. It’s the story of merchants who manipulate two factions of gangsters in a small town. Our main character -- a man with no name -- comes to the town and after sizing things up decides that he’ll make a bit of money playing both sides against one another. Along the way we discover that perhaps he’s not the unscrupulous amoral bastard he pretends to be. Eric Cohen and Jordan Blossey join Mike to discuss Yojimbo, it's sequel Sanjuro and a few other "Yojimbo movies" as well as Sergio Leone's A Fistful of Dollars, Dashiell Hammett's Red Harvest, Walter Hill's Last Man Standing and a raft of other similar films. Learn more about your ad choices. Visit megaphone.fm/adchoices Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2018-07-17

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2 tim 58 min
2021-06-30

Episode 523: Planet of the Apes (1968)

Sci-Fi Month continues with a look at Planet of the Apes from 1968. It's the story of a quartet of astronauts who travel to a distant world where evolution seems to have gone awry. Richard Hatem and Edward G. Pettit join Mike to discuss the original quintet of POTA films as well as the Burton misfire and the recent trilogy. Learn more about your ad choices. Visit megaphone.fm/adchoices Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2021-06-30

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2 tim 23 min
22 JAN. · BONUSINNEHÅLL

Special Report: Homegrown (2024)

Mike talks with Michael Premo, director of Homegrown, about embedding himself with right-wing activists in the years leading up to—and following—January 6, 2021. Rather than treating the Capitol attack as an aberration, the film traces how grievance, conspiracy thinking, and political identity seep into everyday life. The conversation digs into the ethics of proximity filmmaking, questions of access and responsibility, and what it means to document extremism without caricature or spectacle. Homegrown emerges as a quietly unsettling portrait of radicalization unfolding in plain sight. Find out more at https://homegrown.film/ Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

22 jan. · Bonusinnehåll

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25 min
2025-12-26

Episode 779: Megalopolis (2024)

Mike Thompson and Rob St. Mary join Mike to step into the rubble, rhetoric, and Roman cosplay of Megalopolis, Francis Ford Coppola’s self-financed, forty-years-in-the-making cinematic fever dream. A film obsessed with power, legacy, architecture, and Great Men Thinking Great Thoughts, Megalopolis feels less like a movie than a manifesto—one that demands to be taken seriously while daring you to laugh at it. Cesar Catalina (Adam Driver), the troubled genius nobody appreciates (write what you know, Francis), strides through a New Rome built on vibes, speeches, and a miracle substance called Megalon. The episode also explores Megadoc, Mike Figgis’s fly-on-the-wall documentary which attempts to chronicle the chaos, conviction, and sheer force of will behind Coppola’s production. Seen together, the film and the documentary form a portrait of an artist betting everything—money, reputation, legacy—on a single idea. Love it, hate it, or remain profoundly confused by it, Megalopolis refuses to be ignored. And once it gets into your head, it doesn’t leave. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2025-12-26

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1 tim 56 min
2025-12-10

Episode 776: The Story of O (1975)

Jessica Shires and Samm Deighan join Mike for a deep, unflinching look at Just Jaeckin’s The Story of O (1975), the adaptation of Pauline Réage’s notorious novel. Corinne Cléry embodies O with startling vulnerability as she’s led by her lover René (Udo Kier) into the secretive Chateau at Roissy—an isolated world of ritual, discipline, and erotic power exchange. The conversation opens up the film’s legacy, its aesthetics, and its complicated relationship to the source text’s authorship and mythology. The episode also features two illuminating interviews: Pola Rapaport, director of The Writer of O, discusses the real story behind Dominique Aury and the creation of the literary sensation; and Maya Gallus, director of Erotica: A Journey Into Female Sexuality (1997), explores the film’s place in a broader lineage of women’s erotic expression, taboo-breaking, and cinematic desire. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2025-12-10

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3 tim 36 min
2025-12-03

Episode 775: The Langoliers (1995)

The Langoliers. Adapted from the Stephen King novella and directed by Tom Holland, the production follows a group of passengers on a redeye flight from Los Angeles to Boston who awaken to find most of the plane’s occupants gone and reality behaving in unfamiliar ways. The episode examines the story’s structure, the performances by David Morse, Bronson Pinchot, and the ensemble cast, and the miniseries’ place within 1990s television. The conversation also includes interviews with writer-director Tom Holland and Aristotelis Maragkos, whose film The Timekeepers of Eternity reconstructs The Langoliers into a monochrome, collage-style reinterpretation. They discuss the original production, the process behind Maragkos’s adaptation, and how the two works speak to each other across different formats and eras. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2025-12-03

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2 tim 43 min
2025-12-17

Episode 777: The Image (1975)

Radley Metzger pushes the boundaries of erotic cinema with The Image (1975), a film that treats desire as ritual, performance, and provocation. Adapted from the infamous novel by Catherine Robbe-Grillet—writing under the name Jean de Berg—the film unfolds as a stylized confession. Carl Parker plays Jean, the author surrogate recounting a charged encounter with his estranged friend Claire (Marilyn Roberts) and the young woman who becomes the focus of his controlled cruelties, Anne (Mary Mendum). Joining Mike are Jessica Shires and Heather Drain, as the conversation situates The Image alongside Metzger’s other works and within a broader lineage of European erotic literature and BDSM aesthetics. The episode interrogates authorship, consent, power, and the uneasy space between fantasy and autobiography that defines Robbe-Grillet’s writing and Metzger’s adaptation. Interviews with Rob King, author of Man of Taste: The Erotic Cinema of Radley Metzger, and filmmaker Lina Mannheimer (La Cérémonie) expand the discussion, connecting The Image to questions of female authorship and the gaze. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support. Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

2025-12-17

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2 tim 28 min

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