Radulich in Broadcasting

Mark Radulich

Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more. Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well. Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network. Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the network

  1. Damn You Hollywood: In the Blink of an Eye (2026)

    −12 H

    Damn You Hollywood: In the Blink of an Eye (2026)

    In the Blink of an Eye (2026), directed by Andrew Stanton and written by Colby Day, is a science fiction drama starring Kate McKinnon, Rashida Jones, and Daveed Diggs. Premiering at Sundance on January 26, 2026—where it won the Alfred P. Sloan Prize—it was released on Hulu February 27. The film weaves three timelines: a prehistoric family 47,000 years ago, a present-day scientist, and a future space mission to the Kepler system. Influenced by 2001, Magnolia, and Interstellar, the ambitious structure drew heavy criticism. Despite strong visuals, production design, and a Thomas Newman score, critics panned its execution, citing shallow characters, forced emotion, and unfocused storytelling. It holds an 18% on Rotten Tomatoes and a 37 on Metacritic, widely seen as a misfire that reaches for universality but fails to connect. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 35 min
  2. Metal Hammer of Doom: Megadeth (2026)

    −1 D

    Metal Hammer of Doom: Megadeth (2026)

    Megadeth exists because Dave Mustaine got fired from Metallica in 1983 and spent forty years proving a point. Faster, more technical, more aggressive, the early run—Killing Is My Business, Peace Sells, Rust in Peace—defined precision thrash and political edge. The band moves in cycles: Countdown and Youthanasia bring mainstream success, Risk abandons identity and fails, the 2000s reset with System Has Failed and Endgame restores credibility, then Super Collider drifts again. Dystopia and The Sick, The Dying… and the Dead! reestablish control. That pattern holds: when Megadeth commits to itself, it works. In 2026, they release Megadeth, album seventeen, produced by Mustaine and Rakestraw. No experimentation, no genre drift—tight, modern thrash. It debuts #1 (~70K units), with mixed-positive reviews citing consistency over innovation. Built as a final statement, supported by a farewell tour, it consolidates the catalog rather than expands it. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 40 min
  3. Damn You Hollywood: The Super Mario Galaxy Movie (2026)

    7 APR.

    Damn You Hollywood: The Super Mario Galaxy Movie (2026)

    The Super Mario Galaxy Movie (2026) is an animated adventure comedy sequel to The Super Mario Bros. Movie (2023), directed by Aaron Horvath and Michael Jelenic and written by Matthew Fogel. Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, and Keegan-Michael Key reprise their roles, joined by Benny Safdie, Donald Glover, Glen Powell, and Brie Larson. Produced by Illumination and Nintendo, the film follows Mario, Luigi, and their allies as they travel into space, meet Princess Rosalina, and battle Bowser and Bowser Jr. After the first film’s success, Nintendo and Illumination fast-tracked a sequel, drawing inspiration from Super Mario Galaxy and other Nintendo properties like Star Fox. The film premiered in Kyoto on March 28, 2026, and released in the U.S. on April 1. Despite negative critical reviews, it was a major commercial success, earning $373 million worldwide on a $110 million budget and becoming one of the highest-grossing films of 2026. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    2 tim 17 min
  4. Triple Feature: The Pirates of Penzance/De-Lovely/A Prairie Home Companion

    3 APR.

    Triple Feature: The Pirates of Penzance/De-Lovely/A Prairie Home Companion

    Tonight we examine a Kevin Kline Performance Trilogy—The Pirates of Penzance (1983), De-Lovely (2004), and A Prairie Home Companion (2006)—three films that showcase his command of musicality, wit, and character across eras. Pirates, adapted from the New York Shakespeare Festival production, was directed by Wilford Leach and preserves Gilbert & Sullivan’s operetta for film, with Kline’s Pirate King earning a Golden Globe nomination and cementing his theatrical pedigree. De-Lovely, directed by Irwin Winkler, casts Kline as Cole Porter in a stylized biopic featuring an ensemble of contemporary artists interpreting Porter’s catalog, blending stage sensibility with cinematic structure. Finally, Robert Altman’s A Prairie Home Companion captures Kline in a live-wire ensemble alongside Meryl Streep and Lily Tomlin, merging radio nostalgia with Altman’s signature overlapping dialogue. Together, these films chart Kline’s enduring legacy as a performer who bridges stage and screen, high art and populist entertainment. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 7 min
  5. Damn You Hollywood: Ready or Not 2 - Here I Come

    31 MARS

    Damn You Hollywood: Ready or Not 2 - Here I Come

    Ready or Not 2: Here I Come is a 2026 American comedy horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, and written by Guy Busick and R. Christopher Murphy. It serves as a direct sequel to Ready or Not (2019), with Samara Weaving reprising her role as Grace MacCaullay. The film also stars Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, and Elijah Wood. Set immediately after the events of Ready or Not, it follows Grace as she must protect her estranged sister while being hunted by several elite families in a high-stakes ritual to claim a seat of ultimate power. Ready or Not 2: Here I Come premiered at the South by Southwest Film & TV Festival on March 13, 2026, and was released theatrically in the United States by Searchlight Pictures on March 20. The film received mixed-to-positive reviews[6] and has grossed $23 million. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 39 min
  6. Comic Stripped: Road to Perdition

    28 MARS

    Comic Stripped: Road to Perdition

    Road to Perdition began as Max Allan Collins’ stark, Depression-era graphic novel—a crime saga rooted in pulp, myth, and the cyclical nature of violence between fathers and sons. In 2002, Sam Mendes reinterpreted that material into a prestige film, stripping away some of the broader mob mythology to focus on mood, visual storytelling, and emotional inheritance, with Tom Hanks recasting Michael Sullivan as a quiet, tragic enforcer rather than a hard-edged archetype. Both versions follow a hitman and his son on a road of revenge after betrayal within an Irish crime family, but they diverge in tone, structure, and purpose. Today on Comic Stripped, we’re examining how and why those changes were made—what was lost, what was gained, and how each version reflects its medium in telling a generational story about violence, identity, and whether anyone ever truly escapes the life they inherit. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 11 min
  7. Triple Feature: Swimming with Sharks/Suicide Kings/American Psycho

    27 MARS

    Triple Feature: Swimming with Sharks/Suicide Kings/American Psycho

    Tonight we’re examining late-90s American cinema through a single corrosive lens—power as pathology—using Swimming with Sharks (1994), Suicide Kings (1997), and American Psycho (2000). George Huang’s indie Hollywood satire, born from his own assistant experience, pairs Kevin Spacey and Frank Whaley in a low-budget Sundance breakout that exposed abuse as industry currency. Peter O’Fallon’s Suicide Kings, riding the post-Pulp Fiction wave, assembles Christopher Walken, Denis Leary, and a crop of rising young actors in a contained, dialogue-driven crime piece that underperformed theatrically but grew on video. Mary Harron’s American Psycho, adapted from Bret Easton Ellis, retooled after multiple development shifts, cast Christian Bale in a career-defining role, and turned modest box office into lasting cultural capital. Together, these films document a moment when masculinity, ambition, and capitalism collapsed into performance, leaving a legacy that still shapes how film portrays power, status, and identity. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 tim 35 min

Om

Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more. Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well. Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network. Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the network

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