To the Righthouse

Global Campus of Human Rights
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Much as a Lighthouse warns of dangers and guides travellers towards safety, our Righthouse alerts to risks for human rights and points towards secure protection. Like the Lighthouse of literary fame, our Righthouse symbolises the difference between what is desirable and what is real, with multiple points of views in between, the longing for something both enlightening and difficult to reach: a destination, stability, a solution.

  1. 21 maj

    S5.5 - Empowering through remembrance

    We conclude the series with a powerful episode on memorialization in Bosnia and Herzegovina. The conversation explores how memorialization itself becomes a form of justice — preserving victims’ humanity, amplifying survivors’ voices, resisting genocide denial, and sustaining collective memory when legal justice remains incomplete. It reflects on how remembrance can serve as both healing and resistance, ensuring that truth endures even where accountability falls short. 🎧 A closing reflection on memory, dignity, and the enduring pursuit of justice.

    S5.5 - Empowering through remembrance

  2. 21 maj

    S5.4 - Demanding justice

    This episode explores how survivors and activists in Ireland are confronting institutional abuse through memorialization, legal action, education, and movement lawyering. By preserving truth, demanding accountability, and challenging state denial of human rights violations, survivors are transforming remembrance into resistance and advocacy into lasting change. The conversation highlights the power of collective action in the ongoing strugglefor justice, recognition, and human dignity. A compelling discussion on memory, accountability, and the fight against silence.

    S5.4 - Demanding justice

  3. 21 maj

    S5.3 - Transforming experiences

    This episode highlights how the Mukwege Foundation and its survivor-led Red Lineinitiative are advancing a holistic, rights-based response to conflict-relatedsexual violence. By combining legal accountability, prevention, and survivor-centered support, theinitiative works to restore dignity, empower survivors, and strengthen pathwaysto justice that go beyond the courtroom. The conversation explores how survivor leadership is reshaping advocacy,challenging impunity, and building more inclusive systems of care and justice. A powerful discussion on dignity, resilience, and survivor-led change.

    S5.3 - Transforming experiences

  4. 21 maj

    S5.2 - Connecting voices

    The series continues with a powerful episode exploring the Quipu Project and its workamplifying the voices of Peruvian women affected by forced sterilizations. Through storytelling and listening, personal testimonies become acts of resistance — transforming individual experiences into collective memory, recognition, and a wider struggle for justice and dignity beyond victimhood. This episode reflects on the power of survivors reclaiming their narratives and challenging silence through community, memory, and advocacy. A moving conversation on voice, memory, and the fight for justice.

    S5.2 - Connecting voices

  5. 21 maj

    S5.1 - Solidarity networks

    What happens when surviving enforced disappearance becomes the spark for a global fight for justice? In the first episode of this series, Thomas Unger sits down with Ram Bhandari to explore how Ram’s experience of enforced disappearance in Nepal transformed into a lifelong commitment to human rights activism. From survivor-led solidarity networks to the growing crisis of impunity and shrinking civic space worldwide, this conversation shines a light on the urgent need for collective, victim-centered pathways to justice — and the work of Inovas in making them possible. A powerful conversation on resilience, solidarity, and the fight for accountability.

    S5.1 - Solidarity networks

  6. 18 mars

    S.4.1 -Music and human rights: amplifying the resonances

    The first episode of Sounds of Justice teases out the different dimensions of the relationship between music and human rights. The four guests, all co-editors of the Routledge Companion, explore what the language of music and the values of human rights have in common; and how music’s capacity to connect us to our common humanity while attuning us to difference can power ongoing struggles for justice. About the host Ignacio Saiz is a human rights advocate and independent advisor to international organizations. He previously led the Center for Economic and Social Rights and held senior positions at Amnesty International. A lifelong passion for music has led him to explore how its power can be harnessed to advance human rights, including as creator and host of Sounds of Justice. * Julian Fifer is former Executive Director of Musicians for Human Rights. As cellist and founder of the Orpheus Chamber Orchestra, he conceived a method of orchestral music-making using democratic principles and collective leadership. The artistic outcomes have been documented by Deutsche Grammophon on 55 Orpheus recordings. * Angela Impey is Emerita Professor of Ethnomusicology at SOAS, University of London and co-editor of the Routledge SOAS Studies in Music series. She has published widely on music and social justice in Africa, including the award-winning Song Walking: Women, Music, and Environmental Justice in an African Borderland. * Manfred Nowak is Professor of International Human Rights Law at the University of Vienna and Secretary General of the Global Campus of Human Rights, a network of some 100 universities in all world regions, based in Venice. * George Ulrich is Academic Director of the Global Campus of Human Rights (Venice, Italy). His research interests relate to the philosophy of human rights, global justice, and human rights and development cooperation.

    S.4.1 -Music and human rights: amplifying the resonances

  7. 18 mars

    S.4.5-More-than-human rights: the music of nature and the nature of music

    This episode of Sounds of Justice, the fourth series in the Global Campus “To the Righthouse” podcast programme, explores how listening to the sounds of the more-than-human world – from forests to fungi, from whales to waterways – can help us reimagine our relationship to the earth we inhabit. It looks at the role of music in Indigenous and Afro-descendant understandings of ecology and struggles for environmental justice, including in Latin America and Haiti. * Rebecca Dirksen is Laura Boulton Associate Professor of Ethnomusicology at Indiana University and co-founder and current director of the Diverse Environmentalisms Research Team (DERT). Working in and around Haiti, Dirksen’s research priorities encompass sacred ecologies, environmental justice, and politically engaged music. She is the author of After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (2020) and co-editor of Performing Environmentalisms: Expressive Culture and Ecological Change (2021).  * César Rodríguez-Garavito is Professor of Law and Chair of the Center for Human Rights and Global Justice at NYU School of Law. He is the founding director of the Earth Rights Research & Action (TERRA) Clinic, the More-Than-Human Rights (MOTH) Program and the Climate Law Accelerator. An Earth rights and human rights scholar and a field lawyer, he focuses on climate change, international environmental law, Indigenous peoples’ rights and more-than-human rights.

    S.4.5-More-than-human rights: the music of nature and the nature of music

  8. 18 mars

    s.4.4-Instruments of abuse: weaponizing music in human rights violations

    This episode of the fourth series in the Global Campus “To the Righthouse” podcast programme explores how music has been used as an instrument of human rights abuse in different contexts, from torture and ill-treatment in US detention centers in Guantánamo to forced assimilation of Uyghurs in the Xinjiang Region in China. It also reveals how music can restore humanity and identity in the face of brutality and erasure. * Mansoor Adayfi-441 is a Yemeni writer, activist, and former Guantánamo Bay detainee, imprisoned for nearly 15 years without charge. Since his release, he has become a committed advocate for human rights, highlighting the experiences of former detainees and the global consequences of the War on Terror. He is the author of Don’t Forget Us Here and the recently released Letter from Guantánamo. As the Guantánamo Project Coordinator at CAGE International, Mansoor co founded the Guantánamo Survivors Fund (GSF).  * Rachel Harris is Professor of Ethnomusicology at SOAS, University of London. She has published extensively on music and religious practice in Central Asia, and the politics of ethnicity and heritage in China. Her latest book is Soundscapes of Uyghur Islam (Indiana University Press). Her current project, “Maqām Beyond Nation” (2023-2028) explores maqām-based music-making across Asia, connecting histories of mobility and exchange with contemporary flows of people and culture. * Manfred Nowak is Professor of International Human Rights Law at the University of Vienna and Secretary General of the Global Campus of Human Rights. Among many expert functions, he was UN Special Rapporteur on Torture (2004-2010).

    s.4.4-Instruments of abuse: weaponizing music in human rights violations
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Om

Much as a Lighthouse warns of dangers and guides travellers towards safety, our Righthouse alerts to risks for human rights and points towards secure protection. Like the Lighthouse of literary fame, our Righthouse symbolises the difference between what is desirable and what is real, with multiple points of views in between, the longing for something both enlightening and difficult to reach: a destination, stability, a solution.

Information

  • Skapad av
    Global Campus of Human Rights
  • Aktiva år
    2022 - 2026
  • Avsnitt
    28
  • Åldersgräns
    Barnvänligt
  • Copyright
    © Global Campus of Human Rights
  • Programmets webbplats
    To the Righthouse