Michael and Us Luke Savage and Will Sloan, Jacobin

In the election year of 2004, an ultraviolent subtitled right-wing Christian movie became a genuine cultural phenomenon and political lightning-rod. We finally discuss THE PASSION OF THE CHRIST (2004) and theology according to Mel Gibson. PLUS: the White House Correspondents Dinner, the Columbia encampment, and the one optimistic takeaway of a discouraging week.

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"This Is How Power Protects Itself" by Jack Mirkinson - https://www.thenation.com/article/activism/columbia-ccny-cuny-protest-nypd-police-brutality/

"Mel Gibson's Martyrdom Complex" by Frank Rich - https://www.nytimes.com/2003/08/03/movies/mel-gibson-s-martyrdom-complex.html

"The Gospel According to Mel" by Christopher Hitchens - https://www.vanityfair.com/news/2004/03/hitchens-201102

The Mel Gibson/Diane Sawyer interview - https://www.youtube.com/watch?v=7Ecnfe530IE

We had to do it. We heard that GOD'S NOT DEAD: WE THE PEOPLE (2021), the fourth entry in the Evangelical film franchise, goes all-in on the culture wars of the Trump years. We welcome back our official God's Not Dead correspondent Alex Shephard to discuss the wackiest entry yet.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/103293856

If all of our current class hierarchies were eliminated, what would replace them? This question is at the core of TRIANGLE OF SADNESS (2022), the art-house hit that show the limits of being an "equal-opportunity offender." PLUS: campus protests, keffiyeh bans, and the state of the publishing industry.

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"No One Buys Books" by Elle Griffin - https://www.elysian.press/p/no-one-buys-books

"The Delusional Triangle of Sadness" by Armond White - https://www.nationalreview.com/2022/10/the-delusional-triangle-of-sadness/

"Triangle of Sadness" review by Richard Brody - https://www.newyorker.com/culture/the-front-row/triangle-of-sadness-reviewed-were-on-a-yacht-and-were-puking

"Triangle of Sadness" review by Gabe Klinger - https://letterboxd.com/gabeklinger/film/triangle-of-sadness/

Less than a decade after the revolutionary potential of the May 1968 protests, Robert Bresson's THE DEVIL, PROBABLY (1977) follows a disaffected youth in a world full of evil who asks: Is life worth living? It's a hard question, but we do our best to answer it.

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Aiming straight for the zeitgeist, CIVIL WAR (2024) is a disaster movie for the post-January 6th America. But in deliberately removing any politics or ideology from his vision of a country at war with itself, Alex Garland has made a movie that is rigorously, even militantly unwilling to say anything.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/517-civil-war-102614736

By the third entry of the God's Not Dead franchise, its creative team had clearly started listening to their critics. The result was a kinder, gentler right-wing Evangelical Christian drama that sought to heal divides... and failed at the box office. We welcome back New Republic writer and our resident God's Not Dead correspondent Alex Shephard to discuss GOD'S NOT DEAD: A LIGHT IN THE DARKNESS (2018).

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