In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.
Episode 287: Composer Carter Burwell On The Music Of The Coens & His Career
Our latest guest is a composer who's perhaps best known for his work with the Coen Brothers, though he's collaborated with plenty of other great filmmakers too.
Carter Burwell was something of a punk rocker before landing the gig to score Joel and Ethan's first feature, Blood Simple. He's since provided the music for virtually all of their films - including the latest, The Tragedy Of Macbeth.
Episode 286: Composer Nicholas Britell On The Music Of Don't Look Up & Succession
Our latest episode sees the welcome return of Nicholas Britell - with us on this occasion to discuss his score for Adam McKay's Don't Look Up.
Heading up the extraordinary cast are Leonardo Di Caprio and Jennifer Lawrence as astronomers attempting to warn mankind about an approaching comet that will destroy civilization.
It's fair to say the film has strongly divided opinions, but Edithfor one really enjoyed it - and Nicholas's score is great too.
Episode 285: Will & Arthur Sharpe On The Music Of The Electrical Life Of Louis Wain
Our first guests of 2022 are two brothers who've formed a formidable creative partnership since being given the opportunity to shine.
Will and Arthur Sharpe have taken on directorial and compositional duties on several joint-projects, with The Electrical Life of Louis Wain their latest collaboration. Starring Benedict Cumberbatch and Claire Foy, the biopic tells the story of the eccentric artist of the title, who had a particular - and many would say peculiar - affiliation with cats ...
While Will co-wrote and directed the film, Arthur provided the music, and as always you'll hear plenty of it throughout the conversation.
Episode 284: Julia Ducournau On The Music Of Titane & Raw
Edith's latest guest on Soundtracking is without doubt one of the most exciting fresh talents at work in the industry today. Julia Ducournau burst into the popular consciousness with Raw, and follows it up with the equally scintillating Titane, which won the Palme d'Or
We don't want to tell you too much about it, as it defies a fleeting summary. Suffice to say it absolutely blew us away, and we highly advise you to go and see it at your local cinema if you feel safe doing so.
The film is scored by Jim Williams, who's worked extensively with our old friend Ben Wheatley, and you'll hear plenty of his music throughout the conversation.
Episode 283: Peter Straughan On The Music Of Tinker Tailor Soldier Spy
Our latest guest on Soundtracking is a screenwriter who's proved extremely adept at adaptations of books, including The Men Who Stare At Goats, The Snowman, The Goldfinch and - the main reason we have him with us on this episode - Tinker Tailor Soldier Spy, the film of which is celebrating its 10th anniversary.
Peter Straughan was a delight to spend a little time with as we explored the ways music informs the writing of a script.
Episode 282: Steven Spielberg On His Love Of Music & Score
Our latest guest on Soundtracking needs no introduction, other than to say we are absolutely over-the-moon to welcome Steven Spielberg to the podcast to discuss his jaw-dropping adaptation of West Side Story.
We'd have loved to have got a few more minutes with him, if we're honest, but anyone who follows us on social media will know there's potentially some exciting news on that front ...
And Edith did manage to tease out a few of his favourite scores, how he met John Williams, and the process behind the score for Jaws among many other things.